Jolly O Gymkhana Music Director Ashwin Vinayagamurthy | Filmibeat Tamil - video Dailymotion

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Transcript

00:00In the press meet of the film, there was a debate on whether the lyric credits were written by Jagan or not.

00:07It would be better if you could tell us what happened in that debate.

00:11There are 7 songs in this film, but they only spoke about one song.

00:15The song was written before I came on the stage.

00:18The director stole the song from me.

00:21It went in a different angle.

00:23He said, my stand has been written.

00:30The more viral the song was, the more it became a trend.

00:34There was a debate on that.

00:36The lyrics were written in A content.

00:39After you prepared the song, you would have shown it to many people.

00:44Did they give you the same kind of feedback?

00:48Actually, nothing like that came.

00:50That was what was surprising.

00:52We had to show it to so many people.

00:54Everyone would laugh and take it as fun.

00:56This song has a good vibe.

00:58It would have been different if it had come.

01:00No one did that.

01:02We had conversations like that.

01:04Everybody was posting.

01:06But after a stage, many people were like,

01:08I'm going to vibe with this song.

01:10I'm going to listen to the song in repeat mode.

01:12After that, the entire perspective shifted.

01:19There was a time where

01:21I was working on a song.

01:23He called me 2 days before the shoot.

01:25He called me 2 days before the shoot.

01:27He said, the BGM was good.

01:29He said, extend the BGM.

01:31I said, I gave him the song.

01:33He said, I gave him the song.

01:35I said, I gave him the song.

01:37He said, I'm going to dance.

01:39He said, I'm going to dance.

01:44In 2024, Prabhu Deva

01:46didn't let him dance.

01:48Madonna let him dance.

01:50He even gave him a mic.

01:52If you look at the working pattern of this film,

01:55it's not like we compose a song

01:57and shoot it for a week

01:59and then show it to the director.

02:01When we were talking,

02:03we were like,

02:05what kind of situation is this?

02:07This is the situation.

02:09This is the song.

02:11This is what we tried in this film.

02:25Hello sir.

02:27How are you?

02:29I'm fine. How are you?

02:31I'm fine. How are you?

02:33I'm fine. How are you?

02:35I'm fine. How are you?

02:37I'm fine. How are you?

02:39I'm fine. How are you?

02:41I'm fine. How are you?

02:43I'm fine. How are you?

02:45I'm fine. How are you?

02:47I'm fine. How are you?

02:49I'm fine. How are you?

02:51I'm fine. How are you?

02:53I'm fine. How are you?

02:55I'm fine. How are you?

02:57I'm fine. How are you?

02:59I'm fine. How are you?

03:01I'm fine. How are you?

03:03I'm fine. How are you?

03:05I'm fine. How are you?

03:07I'm fine. How are you?

03:09I'm fine. How are you?

03:11I'm fine. How are you?

03:13I'm fine. How are you?

03:15I'm fine. How are you?

03:17I'm fine. How are you?

03:19I'm fine. How are you?

03:21I'm fine. How are you?

03:23I'm fine. How are you?

03:25I'm fine. How are you?

03:27I'm fine. How are you?

03:29I'm fine. How are you?

03:31I'm fine. How are you?

03:33I'm fine. How are you?

03:35I'm fine. How are you?

03:37I'm fine. How are you?

03:39I'm fine. How are you?

03:41I'm fine. How are you?

03:43I'm fine. How are you?

03:45I'm fine. How are you?

03:47I'm fine. How are you?

03:50What's your favorite scene?

03:52What's your favorite scene?

03:54I just said it.

03:56The scene where you climb the ladder.

03:58You must have seen Prabhu Deva sir's movies.

04:00You must have seen Prabhu Deva sir's movies.

04:02How was it working with him?

04:04Did you meet him and talk?

04:06Did you meet him and talk?

04:08Jollyo Jim Khanna is my second project with Prabhu master.

04:10Jollyo Jim Khanna is my second project with Prabhu master.

04:12Jalsa is another project.

04:14Jalsa is another project.

04:16It's very guarded.

04:18We work and finish at the same time.

04:20We work and finish at the same time.

04:22We work and finish at the same time.

04:24He'll call in the morning.

04:26He'll call in the morning.

04:28He'll call in the morning.

04:30He'll call in the morning.

04:32He'll call in the morning.

04:34He'll live with the song for a while.

04:36He'll live with the song for a while.

04:38He'll live with the song for a while.

04:40He'll live with the song for a while.

04:42He'll live with the song for a while.

04:44He'll live with the song for a while.

04:46It's very fruitful and constructive.

04:48It's very fruitful and constructive.

04:50It's very fruitful and constructive.

04:52There was a time when...

04:54There was a time when...

04:56There was a time when...

04:58There was a time when...

05:00There was a time when...

05:02There was a time when...

05:04There was a time when...

05:06There was a time when...

05:08There was a time when...

05:10There was a time when...

05:12There was a time when...

05:15If I gave the song to the dance master,

05:17If I gave the song to the dance master,

05:19he'd say that it's his song and he'll take care of it.

05:21That was a memorable instance.

05:23That was a memorable instance.

05:25The song should be flowing...

05:27When there's a BGM,

05:29it's not just copy and paste.

05:31It's not just copy and paste.

05:33It's not just copy and paste.

05:35It's not just copy and paste.

05:37With the master,

05:39it's less of a lecture.

05:41It's less of a lecture.

05:43He doesn't ask me for a specific reason. When we go to the caravan, he'll ask me to play a tune.

05:53He's very supportive like that.

05:58Has he ever asked you to play a director in the film making process?

06:08No, he doesn't do that. He'll give me an idea. He gave me an idea for the opening song of this film.

06:18I made the song and showed it to the director. He said it was great. I told him to ask Shakthi.

06:28He'll always let the director take the call. Even if he has an opinion, he'll always ask the director.

06:38Prabhu Deva and Shakthi Chidambaram have already worked together. How was it working with them as a whole?

06:58How was the sync between the music director and the director?

07:08That's the reason I got the title. It was apt.

07:18It's not like I took the song and showed it to the director.

07:28He's basically a dialogue writer. The writing itself has humor.

07:38We tried that in the film. If you ask a policeman to marry you, it's a dialogue.

07:48If you ask a policeman to marry you, it's a dialogue.

07:58It's the first conversation between me and him.

08:08The song went viral. Did you see the reels?

08:18It's the first time I'm experiencing all of that.

08:28It was a lot of fun. We laughed a lot.

08:38It was a lot of fun. We laughed a lot.

08:48It was a lot of fun. The main reason I sing is to entertain the audience.

08:58I've come in for entertainment.

09:08There was a lot of criticism about how viral the song was.

09:18Did they give you any feedback?

09:28It was surprising. We had to show it to so many people.

09:38We had conversations like this.

09:48The actual lyric is...

09:58I'm 51 years old...

10:08We wanted to show the visuals to the audience.

10:18We wanted to show the visuals to the audience.

10:28The engagement to the song was very high.

10:38After a while, the entire perspective shifted.

10:48Nobody can be a fan of Prabhudeva's dance.

10:58We wanted to give a power-packed music.

11:08The master said, I'll change the get-up. Don't take it as a dance.

11:18A lot of people commented on that too.

11:28We wanted to take it humorously.

11:38Did he say anything about his dance?

11:48He said it very differently.

11:58He was expecting more from us.

12:08We wanted him to correct the rhythm and voice of the master.

12:18We knew what magic was happening.

12:28As a dancer, choreographer...

12:38We can see the lack of space for songs in recent films.

12:48How was the space for music in this film?

12:56It was fun. I'm very happy that we found space for all of this.

13:06We could have done it as a background score.

13:16The power of music was different.

13:26He said, I have multiple shots. Give me a song.

13:36I was very happy that we were able to give seven songs.

13:46I see this film as a visiting card.

13:56There's folk, ghanava, modern, pathos, melodies...

14:06We wanted to make an album with Tamil words at the forefront.

14:16There's a lot of English and Tunglish.

14:26We wanted to use a lot of Tamil words.

14:36When it came to melodies, I got Tamil lyrics to work on.

14:46Who made the decision? The tone of the film and the director.

14:56The outcome was that we could do it in our language.

15:06When it came to lyrics...

15:16You didn't give credit to the lyricist.

15:26There are seven songs in this film.

15:36I know how much the director has contributed.

15:46The director has a style and a track record.

15:56He has a formula and a meter.

16:06What was his issue with Jagan?

16:16When we talk live, there are a lot of changes.

16:26I don't know how it got conveyed back to them.

16:36It's all the director's call.

16:46How important a director is to a film, how important he is to songs...

16:5680% of the songs came after the lyrics.

17:06He would throw in the lyrics.

17:16He asked me to make a song out of it.

17:26He said he had written my stand.

17:36It's a matter for the two of them to deal with separately.

17:46Is there a chance for you to work with a lyricist as a music director?

17:56He's the lyricist in my mind.

18:06I'm the one who wrote the lyrics for Oosirosi.

18:16When we talk about content, I only talk about content.

18:26Jagan's part is also there in the film.

18:36Only they know why he didn't include it.

18:46If there's a contribution to the film, it's up to the two of them.

18:56You shared a lot about Jolly O Jim Kana.

19:06Even after the release of Kanguva, there were negative reviews.

19:16How do you see the reviews of the film?

19:26The audience didn't tell me what to do.

19:36We're doing what we think is right.

19:46No one wants to give a bad product.

19:56I haven't watched the film yet.

20:06Everyone has the freedom to say whether it's good or bad.

20:16Don't take it personally.

20:26If you had done it, it would have been better.

20:36When it comes to the film, no one is going to stop the film.

20:46Some people close their careers because of the reviews.

20:56They don't want to take the film.

21:06As makers, we don't force anyone to watch the film.

21:16If it's constructive, it will be helpful to everyone.

21:26What did you learn from him?

21:36Stay positive, stay humble. Don't let it bog you down.

21:46Don't think about whether a film is working or not.

21:56He's a jolly person. I ask him how he maintains his physique.

22:06Thank you for sharing your views on the film.

Jolly O Gymkhana Music Director Ashwin Vinayagamurthy | Filmibeat Tamil

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