Armaan aka Rohit Purohit REVEALS Inside Secrets Of Yeh Rishta Kya Kehlata Hai Stars Pol-Khol

Tellymasala

Transcript

00:00Let's start with a selfie of anything that happens outside.

00:07Bhukkar Samriddhi Shukla.

00:10He won't be in the shot for two minutes. He'll come on this sofa and we'll just sleep.

00:19Late Lateef.

00:22I don't know about the rest of the people.

00:25Because mostly we start with me and Samriddhi.

00:29And you will not believe, but no matter what our call time is.

00:34If it's 7 o'clock call time, I feel we both reach there at the same time.

00:41Every time it happens that I'm parking my car and Abhira's car is also there.

00:44So how does this coincidence happen?

00:46I don't understand, but none of us is late, none of us comes early.

00:51We both reach almost at the same time.

00:53So it's not late because your coordination with the production keeps on going.

00:56You know, what time to roll.

00:58So Late Lateef, I don't know about the rest of the people.

01:00Because we are doing the scene till then.

01:02But if we are a little late, Samriddhi and I are together.

01:05Like, we come at the same time every time.

01:07Kamchor.

01:08There is no place for Kamchor on this set.

01:10So there is no one on this set who does Kamchori or does this.

01:16But if I say that if someone is an expert in taking out his time in the middle of work.

01:20Then he is Krish.

01:21Whenever he gets a chance, if he is not in the shot for two minutes.

01:24He'll come on this sofa and we'll just sleep.

01:27So he is Krish.

01:28The most active.

01:30The most active is the production here.

01:33Because we have to give a telecast daily.

01:36So they are the most active.

01:37Where they keep on taking us from one unit to another, from another unit to the third unit.

01:43So it's that kind of production.

01:44But if you talk about the scene wise, I mean, in the actors.

01:49So Armaan and Abhirai, me and Samriddhi, we have to be active.

01:54Bhoopkar, Samriddhi, Shukla.

01:56You'll always get to eat them.

01:58And also Ruhi, Ruhi too.

02:00She too always eats something or the other.

02:01Asmaq is sitting in front of you.

02:04I keep laughing and keep laughing.

02:06This is...

02:07Our associate director Amit is a very talkative kid on our set.

02:10He is a very talkative kid.

02:12The heaviest lunch box is of Abhira.

02:16Because she brings all her meals in the morning.

02:19So I think that's her heaviest lunch box.

02:21Kothudu Krish, Manthan, Rishabh, Manthan, Charu, Saloni, she also sleeps a lot.

02:29Samriddhi is the most active on the mobile.

02:31Our selfie addict, Madhav ji.

02:33He starts taking selfies of everything that happens.

02:39No one can do everything quickly.

02:41But everyone wants to go home early.

02:44But as soon as our shift timing is over, Samriddhi is in a hurry to go home.

02:50She thinks it's been 12 hours.

02:53It depends on the scene.

02:54It's not like who takes the most retakes.

02:57It depends on the director how many retakes he wants to take.

02:59Because everyone is a professional actor.

03:01So it's not like someone forgets the lines.

03:04But our director takes the most retakes.

03:07There is a myth about retakes.

03:08A retake means that you are looking at a scene in a particular way.

03:13And the director is looking at that scene in a different way.

03:16Sometimes the director tells you that he wants to take a retake.

03:20There are some fumbles where you forget the lines.

03:24That's a different thing.

03:26But a retake actually means what is your take on that scene.

03:30What is the thought process.

03:31So sometimes it's different for you and the director.

03:33Because there is no time limit here.

03:36You get a scene.

03:37You hardly get 2-3 minutes.

03:39Whether it's a 2-page scene or a 3-page or 4-page scene.

03:41You get 4-5 minutes maximum.

03:43You read it and make your own thing.

03:45So sometimes you can't give that much intensity even in rehearsals.

03:49Because you haven't understood the scene yet.

03:52You haven't learned it yet.

03:53So when you give your first take.

03:55The director feels that he is conceiving the scene in a different way.

03:59So he tells you his take.

04:01So it happens like that.

04:01Otherwise it happens so many times.

04:03There are scenes of Samriddhi and me.

04:05Yes, there are scenes of Samriddhi and me.

04:07These days it happens with Rohit as well.

04:08And with Sachin as well.

04:09So sometimes we go on a laughter ride.

04:12If you find something like this in the scene.

04:15Or if someone makes a sound from behind.

04:17Or if someone makes a joke.

04:19Then it becomes a laughter ride.

04:21Then it becomes a little difficult to stop it.

04:23It's like an oily surface.

04:25Once you start slipping on it, you keep slipping.

04:28Then everyone has to go in different directions.

04:30And everyone has their own way.

04:31Like Samriddhi cuts her hand.

04:33I think that I have to be professional.

04:36And when I get that word, I will be somewhere else.

04:39I won't listen to that word.

04:40Everyone has their own way.

04:42So sometimes there are retakes.

04:44One take artist.

04:45Mostly I think that...

04:48Dadi is very focused when she is a master.

04:51So she gets very stressed when she gets a lot of lines.

04:55So she gets time.

04:57So she takes her scenes home.

05:00She remembers the lines very well.

05:01So I think I have mostly seen one takes of her.

05:05Where she is on it.

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