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Dolceroma | movie | 2019 | Official Clip
JustWatch
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11/19/2024
Andrea Serrano is a young aspiring writer who, to make ends meet, is forced to wash corpses in a mortuary, while struggl | dG1fLVprUktCV1lsNDQ
Category
🎥
Short film
Transcript
Display full video transcript
00:01
Oscar Martello, did you like the film about the Camorra?
00:04
What Camorra? He doesn't give a fuck about the Camorra.
00:08
What do you mean he doesn't give a fuck about the Camorra?
00:11
Because in this film the Camorra is a symbolic fact,
00:13
a great metaphor of the country.
00:15
What the fuck are you talking about?
00:16
In this film Andrea put all our shit.
00:19
Do you understand?
00:20
Very interesting.
00:21
So the film is inspired by her.
00:23
You don't understand.
00:24
Let's see.
00:26
And now you understand how we look.
00:29
Stop.
00:30
What the fuck are you doing?
00:31
The film won't be released.
00:32
What do I care?
00:33
I'll lose a lot of money because I want to die for a film.
00:35
Yes, you have to release the film.
00:37
What are you saying, Oscar?
00:39
I didn't understand then.
00:40
Why didn't you understand?
00:41
Don't you speak Italian well?
00:43
Then I'll explain it to you better.
00:44
All the murderers, all the robbers,
00:46
all the shooters who are in this fucking film are shit.
00:50
They are the confidences that I made over the years.
00:52
We are linked by professional vicissitudes,
00:54
not by the dismemberment of corpses.
00:56
The real author of the film is me.
01:02
And so?
01:03
And so, my father, my resort,
01:05
not only will you release this film,
01:08
but there will be a lot of publicity
01:10
because I want to become famous all over the neighborhood.
01:12
Do you understand?
01:13
No problem.
01:14
I'll get you involved.
01:15
Once you have recovered the investment,
01:16
I'll give you two or three points on the cash register.
01:18
It's not a cash register.
01:20
I don't have cash.
01:21
It's not a cash register.
01:23
It's all electronic.
01:25
Come on, let's go.
01:27
Let's go.
01:30
Come on.
01:41
As you can see, there's nothing.
01:43
It's a copy of the film.
01:44
It's worthless.
01:45
Then why are you in the locker room?
01:48
Stay like that.
01:49
Don't get up.
01:50
Hello, Mr. Martello?
01:51
I have a story to make a film with the shovel.
01:54
It's a beautiful story.
01:55
When we put the bricks in the concrete,
01:58
we mixed them with asphalt.
02:00
Mr. Martello?
02:01
There's the police.
02:02
Inspector Ventura.
02:03
You see that our people are coming at the end.
02:05
Permission.
02:06
Good morning, Mr. Martello.
02:08
Here I am, Inspector.
02:09
I'll be right with you.
02:10
So, I would say to interrupt the tests,
02:12
but it seemed like a good start.
02:13
I would say to work more on the dynamics of the scene
02:15
because, above all, he is not very credible.
02:18
We would need, as the Neapolitans say,
02:20
a lot of things.
02:21
Even the gun.
02:22
It must be held in another way.
02:24
We really need...
02:25
Like they do in the movies.
02:26
Come on, let's talk about it.
02:27
Excuse us, Mr. Martello,
02:28
if we have not lived up to your expectations.
02:31
We are preparing ourselves to internalize
02:33
this Neapolitan meta-language,
02:34
but we do it ours,
02:35
we do it intrinsically, okay?
02:37
Don't worry.
02:38
Let my coach come and help you.
02:39
All right.
02:40
For that story, we agree, right?
02:42
Sure.
02:43
So, we'll keep this for the tests.
02:44
Absolutely.
02:46
Have a good day.
02:47
Congratulations.
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0:30
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