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Rahasyam Idam Jagath Movie Team Q&A With Media | Filmibeat Telugu
Filmibeat Telugu
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10/29/2024
Rahasyam Idam Jagath Trailer Lunch Event.
రహస్యం ఇదం జగత్ ట్రైలర్ లాంచ్ ఈవెంట్
#rahasyamidamjagath
#rahasyamidamjagathtrailerlunchevent
#komalr
#bharadwaj
#sravanthiprattipati
#tollywood
~CA.43~ED.234~PR.39~HT.286~
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Transcript
Display full video transcript
00:00
I'm Kaushalya. Hi.
00:02
I've been waiting for the trailer and movie since the poster was released.
00:09
Congratulations. The trailer is very good.
00:12
I want to ask about sync sound.
00:15
Actually, it's not easy to work with sync sound.
00:18
Usually, I heard that actors will take so many takes to get the perfection and director also.
00:25
How many takes did you struggle a lot for that to be perfect actors?
00:37
As you said, we have to take care of the environment.
00:42
If anyone moves in the set, there will be an audio issue.
00:47
As an actor, we feel that the performance is good, but the mic is not clear or the audio is not clear.
01:02
We feel that we liked the previous take with the same intensity.
01:09
I believe that emotions are compromised in dubbing.
01:25
You tell me, how many takes did I take?
01:29
Actors came very prepared.
01:32
There were 13 minutes of sync sound.
01:36
We had to shoot the 13-minute scene in one shot.
01:41
Because the track runs in a single movement.
01:44
It's called a 360-degree track.
01:47
So, they performed it.
01:49
I took 5-6 takes.
01:51
All the 13-minute shots were shot in sync.
01:56
It wasn't just normal preparation.
01:59
We also did workshops to go there.
02:02
We shot the entire movie in 50 days.
02:05
It's not easy to shoot such a feature film in 50 days.
02:10
So, it requires a lot of preparation.
02:12
Actors did their theses and did an amazing job.
02:22
When new science fiction topics come up,
02:32
They are world-famous movies.
02:37
Other movies are only Hollywood movies.
02:41
But, they used comedy to get the subject into the audience.
02:52
It's called conversational comedy.
02:57
Is it entertaining and engaging?
03:02
There are emotions as well.
03:13
There is action in it.
03:32
Hello, Mr. Komal.
03:34
Are you all citizens of the US?
03:37
Are you green card holders from H1B or India?
03:40
I found an interesting topic.
03:43
If people who want to shoot in the US contact you,
03:46
We can get the visuals we need.
03:49
In a way, it's much needed in the US.
03:52
In terms of film making,
03:54
There are a lot of opportunities.
03:57
When we go to the US,
03:59
There are a lot of people waiting for the film.
04:03
There are a lot of stories to be told.
04:07
In terms of our status,
04:16
Next, let's talk about Kamala Harris and Indian origin.
04:23
Let's hear her story.
04:25
I'm a U.S. citizen, and I came here as soon as the movie was released.
04:35
That's why I'm telling you, madam. It's very interesting.
04:38
It may look like a comedy question, but for all the people here,
04:43
as you showed in the trailer,
04:46
just like how the girl is asking with interest and curiosity,
04:50
as much as there are Telugu people in America,
04:53
our people are getting used to Western culture.
04:59
You are promoting Indian culture a lot here.
05:03
I asked at that point.
05:05
Also, another point.
05:07
When you spend money, you calculate everything with dollars, right?
05:11
When you started, did you calculate like Indian money,
05:15
and when you spent, did you spend in dollars, sir?
05:20
In terms of budget wise,
05:23
the scale of the budget was the same.
05:28
We spent in dollars.
05:30
But we spent as much as we could with planning.
05:35
In terms of VFX,
05:40
the technicians there,
05:42
because the team members here,
05:47
they have more manpower.
05:49
The manpower there is not that easy.
05:51
So, with the few people there,
05:53
the technicians were well paid.
05:55
We spent as much as we could.
05:57
We put all the budget on the screen.
05:59
That's why the screen value is so good.
06:01
I have a continuing question.
06:03
Will it cost more to make it here in the US?
06:07
What do you think when you compare it?
06:09
Because it's a small film.
06:11
As long as you know,
06:13
prepared, you know what you are doing,
06:16
from the shot divisions, everything.
06:18
We shoot as much as we can,
06:20
without any extra time.
06:22
I have shot a lot of extra scenes.
06:24
But it starts with number of days,
06:26
production days, crew,
06:28
without any wastage.
06:30
From there, the budget control is done.
06:32
That clarity is enough.
06:34
Other than that, rest is within the budget.
06:37
Director, this is Kirti.
06:39
Actually, the movie is a mythological movie.
06:42
But in Tollywood,
06:44
we have a set of audience.
06:46
So, how far can this movie reach them?
06:49
What are the aspects to reach them?
06:51
Do you like stories?
06:53
Your grandfather's stories.
06:55
You like them, right?
06:57
So, that's it.
06:59
It's a common emotion among us.
07:01
We eat rice only when we are told stories.
07:03
You say there is a lot of science.
07:05
Science fiction story.
07:07
So, how does it reach a set of audience?
07:09
That's what you expect.
07:11
Even though there is science fiction,
07:13
we have done the mellowed down
07:15
with the characters we know.
07:17
When we know the characters,
07:19
and they want to say something,
07:21
it will be easily mellowed down.
07:23
Everyone will understand.
07:25
All ages will enjoy the movie.
07:27
One last, please.
07:29
I am Krishna from Studio One.
07:31
You are the producer and director of this movie.
07:34
Why are you the producer?
07:36
It's your first movie, right?
07:38
You have shown this movie before.
07:40
Did you search for a producer?
07:42
If you didn't,
07:44
did you become a producer
07:46
because of your own freedom?
07:48
I pitched the story to the production houses.
07:50
Initially.
07:52
But they liked the story.
07:54
They loved it content wise.
07:56
The only thing is,
07:58
how to execute the VFX of the first movie.
08:00
There are larger scale shots.
08:02
So, it was time taking.
08:04
My mom and my wife produced it.
08:06
So, it's an in-house project.
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4:03
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