El Ángel de Aurora Capitulo 55 HD Completo

Ding Gru

El Ángel de Aurora Capitulo 55 HD Completo El Ángel de Aurora Capitulo 56 HD Completo El Ángel de Aurora Capitulo 57 HD Completo El Ángel de Aurora Capitulo 55 HD Completo

Transcript

00:00:00I was so happy with you, Pajarito.

00:00:03I couldn't sleep last night.

00:00:07I don't understand that you have to work.

00:00:10Yes.

00:00:11But it hurts me that our relationship

00:00:13isn't the most important thing for you.

00:00:15Pajarita, you can't go to extremes.

00:00:17Asking me to prefer being in jail

00:00:19than working here.

00:00:20Man, I'm not going to accept it.

00:00:22Do you understand?

00:00:23Look, you have to accept that right now

00:00:25the most important thing in my life is to work.

00:00:28To pay off my debt.

00:00:30More important than our relationship.

00:00:32Than us, than me.

00:00:34Pajarita, again with the same thing.

00:00:36You can't compare things, understand me.

00:00:38Then show me that I'm also important to you.

00:00:41And answer the phone when I call you.

00:00:44Yes, you are important, understand me.

00:00:46Allow me a little bit.

00:00:48You know that...

00:00:49Enough.

00:00:50Our illustrious boss says

00:00:53that you should attend to your clients.

00:00:55Tell her that I'm going to work.

00:00:57Tell her I'll be there in two seconds.

00:01:01I have to go.

00:01:02Please.

00:01:03You see?

00:01:04I'm not important to you.

00:01:07Vicky, please.

00:01:08Give me ten minutes, for God's sake.

00:01:11Hey, hey, hey.

00:01:12Don't move.

00:01:14Don't move from here.

00:01:15Your face is going to look the worst.

00:01:19Mr. Medina says

00:01:21that he'll be there in two seconds.

00:01:23Of course, it's been a while.

00:01:25In fact, it's been like a minute.

00:01:27Tell Mr. Medina

00:01:28that when I say an order, it's done immediately.

00:01:30If he doesn't come in, I'll force him in.

00:01:32Dear and admired boss,

00:01:34I am a humble seller, not a messenger.

00:01:38I heard you well.

00:01:39Yes.

00:01:40Go!

00:01:41I won't take long.

00:01:44Please understand that in working hours

00:01:46the most important thing is work.

00:01:48And that for you I have every night.

00:01:50And weekends.

00:01:52Yes, but that's only going to be for three years.

00:01:56Please, Medina.

00:01:57If you don't come in,

00:01:59our illustrious lady will force you in.

00:02:03Tell her I'm coming.

00:02:04What?

00:02:05How is that woman going to force you in?

00:02:07I won't allow that.

00:02:09No, no, no.

00:02:10Wait for me, wait for me.

00:02:13She won't treat my little bird like that

00:02:16because he's not alone.

00:02:17Tell him to come out and tell him here in my face.

00:02:20No, no.

00:02:21Tell him to come out.

00:02:22Tell him to come out.

00:02:23Tell him to come out.

00:02:24Tell him to come out.

00:02:25Tell him to come out.

00:02:28How did you steal, little bird?

00:02:29I have to get in.

00:02:30Please don't make a scene, man.

00:02:32They're going to fire me.

00:02:34What?

00:02:35That's how you run, damn boss.

00:02:37Let him go and get him in.

00:02:39Let's see if he's capable.

00:02:40Oh, yes.

00:02:41And the bride wants to face you.

00:02:43She's waiting for you.

00:02:44I'm not going to face a scoundrel.

00:02:47But here I go.

00:02:49Marino.

00:02:51Yes, boss.

00:02:52Come.

00:02:57Tell me, what can I do for you?

00:02:59Take care of the ladies.

00:03:01Oh, wait.

00:03:02They want to buy.

00:03:05With pleasure, boss.

00:03:07Ladies.

00:03:09I'm Edgar Marino.

00:03:11I'll take care of them.

00:03:12Why don't you come with me?

00:03:13Come, please.

00:03:15Sit down.

00:03:17Sit down.

00:03:19Understand something to me.

00:03:20Wherever my boss appears here,

00:03:22I go straight to jail.

00:03:23And you're never going to see me again.

00:03:25Well, not even on Sundays.

00:03:26Just tell me you love me.

00:03:28That we are going to move on.

00:03:30That we are going to fix ourselves.

00:03:31Yes, yes, little bird.

00:03:32I love you.

00:03:33And ours is going to continue, man.

00:03:35Really, Rafael?

00:03:36Yes, of course.

00:03:37I love you.

00:03:38And without you, I die.

00:03:40Hey, hey, hey.

00:03:41If she dies,

00:03:42guess who dies behind her.

00:03:45But that's not going to happen.

00:03:48Little bird, you and I

00:03:49we would have to leave a life ahead.

00:03:51But we'll talk about it tonight, okay?

00:03:53I'm going to your house

00:03:54as soon as I get out of here, okay?

00:03:56I wait for you.

00:03:58Mr. Medina!

00:04:00Medina!

00:04:15♪♪♪

00:04:20I'm sure that if I had died,

00:04:23I wouldn't have shed a single tear.

00:04:27Don't tell us that.

00:04:28Yes.

00:04:29Let's see, no.

00:04:31Fabricio approached your son

00:04:33and won his heart.

00:04:36You're the one who hasn't managed to do it, sister.

00:04:39How?

00:04:41How can you tell me that?

00:04:44If I say it,

00:04:46if I say it,

00:04:47it's because it's true, Isabel.

00:04:49All you've taught your son

00:04:51is love for power.

00:04:54But you've never

00:04:56given him motherly love.

00:04:59I don't like what you're telling me

00:05:00about my relationship with my son.

00:05:04But yes,

00:05:05I love him.

00:05:08But yes,

00:05:09that's how I raised him.

00:05:11Of course, like you, never.

00:05:13Never what?

00:05:15Never what?

00:05:16Have I raised him?

00:05:17Uh-huh.

00:05:18Ah.

00:05:20All I'm asking of you

00:05:21is to be loving,

00:05:22to be understanding with your son.

00:05:24Okay.

00:05:26I'll try.

00:05:30Did he tell you what he's going to do

00:05:31with Fabricio's ashes?

00:05:33He hasn't told me.

00:05:35What Demian needs right now

00:05:36is time.

00:05:39Well, I'd rather

00:05:40have them

00:05:41in the family niche

00:05:42as soon as possible.

00:05:44And that's it.

00:05:45End this.

00:05:46What if you let your son decide?

00:05:48Let him live his pain?

00:05:51Okay.

00:05:54Are you going to the flowers tomorrow?

00:05:56Yes.

00:05:58Well, I want to ask you a favor.

00:06:02If those studies

00:06:04come out positive,

00:06:07you won't suffer anymore.

00:06:10Investigator Elvia

00:06:11hasn't been able to communicate

00:06:12with the director of the hospital.

00:06:15What do you mean she hasn't been able to communicate?

00:06:18That proves that Detective Rocha

00:06:20was a swindler

00:06:21of the worst kind.

00:06:23Uh-huh.

00:06:24He was giving Elvia

00:06:25all the necessary information.

00:06:27And when he found out

00:06:28he was going to do the studies,

00:06:30he stopped answering.

00:06:32But I imagine

00:06:33you're going to do the studies

00:06:34in that same hospital.

00:06:36Of course not, Isabel.

00:06:38I'm going somewhere else.

00:06:40Far from so much intrigue

00:06:43and suspicion.

00:06:54Oh, what a start, my God.

00:06:59You've always had that power

00:07:01to make me feel better

00:07:03with your words.

00:07:06I can't help but think

00:07:07that now I'm alone, you know?

00:07:09No, Rocco, you're not alone.

00:07:10You have your mom.

00:07:12Your Aunt Aurora.

00:07:14My dad and I are here with you.

00:07:16We love you, Demian.

00:07:19I know what happened.

00:07:21I don't understand how it could happen.

00:07:22I didn't have to go to that party.

00:07:24He needed me here.

00:07:26But I came to see him

00:07:27before I left the party

00:07:28and he was fine.

00:07:29He was asleep.

00:07:31Look, look, calm down.

00:07:33Your dad had already

00:07:34improved a lot.

00:07:36Although there were

00:07:37moments of crisis,

00:07:38he was already much better.

00:07:40I don't explain what happened either.

00:07:44You shouldn't torture yourself with that.

00:07:47We know that Fabricio

00:07:48was a good man,

00:07:50a friend, a father.

00:07:52Do you remember at first

00:07:53that you didn't want to see him?

00:07:56And then you managed

00:07:57to forgive him.

00:07:58You managed to understand him.

00:08:00But he didn't forgive himself, Elena.

00:08:02He didn't forgive himself

00:08:03for killing my grandfather.

00:08:05No, no, no, no, no, no.

00:08:07My innocent son.

00:08:09I'm sure of it.

00:08:11Some time ago,

00:08:12your father and I

00:08:13talked about this.

00:08:15The good thing is to ask, Fabricio.

00:08:17When you put the general's soul

00:08:19in him,

00:08:20was he already dead?

00:08:22He was alive.

00:08:23He was alive, alive.

00:08:24I already told you.

00:08:25Well, well, well.

00:08:26And did the heart attack

00:08:28come before?

00:08:30Huh?

00:08:31For some reason,

00:08:32the forensic doctors

00:08:33didn't detect any signs of asphyxia.

00:08:35Your father was already dead.

00:08:37That...

00:08:39That means

00:08:40you could be innocent.

00:08:41No, no, no, you couldn't.

00:08:42You're innocent, Fabricio.

00:08:44I know.

00:08:46But I know...

00:08:47No.

00:08:48He's capable of reuniting you

00:08:50despite everything.

00:08:53It's best if you don't get close to him.

00:08:54It's best if you don't get close to her.

00:08:56And I'm sure

00:08:57that sooner or later,

00:08:59your son

00:09:00will come back

00:09:02for you.

00:09:05Innocent.

00:09:09My father didn't kill my grandfather.

00:09:10No.

00:09:12No.

00:09:13He left

00:09:14without being sure of that,

00:09:16unfortunately.

00:09:18He was tormented

00:09:19for something he didn't do.

00:09:21He was terrified

00:09:23that your mother

00:09:24would report him

00:09:25and put him in jail.

00:09:26I know.

00:09:27I know.

00:09:28That's why it hurts me so much

00:09:29not to have taken him away

00:09:30when he still had time.

00:09:32He did everything, you know?

00:09:33He even lived here

00:09:34in your mother's house

00:09:36just to be close to you.

00:09:38Just to give you

00:09:39all his love as a father.

00:09:48Yes.

00:09:50Mrs. Patricia is looking for you.

00:09:53Thank you, my friend.

00:09:57I still can't believe it.

00:10:00Fabricio

00:10:01is dead.

00:10:02Oh, stop being so hypocritical

00:10:03and clowning around, Patricia.

00:10:06But you know

00:10:07Fabricio was very important

00:10:08to me.

00:10:09Yes, yes,

00:10:10to warm your feet.

00:10:12So I won't kill you.

00:10:15And the truth is

00:10:16Fabricio didn't scare me.

00:10:17He was crazy,

00:10:18but he was quite

00:10:19controllable.

00:10:22Have you seen the videos?

00:10:26No one needs to know

00:10:27that I have those videos.

00:10:29Huh?

00:10:30No one.

00:10:32Do you understand?

00:10:34I'm leaving.

00:10:39Well,

00:10:41I'm glad that Glorio and Cassandra

00:10:42are gone to their homes.

00:10:44Oh, Mrs. Espe.

00:10:47I'm a fraud.

00:10:50I swear I thought

00:10:51I was going to find something

00:10:53to prove that my friend

00:10:54was induced to suicide,

00:10:55but...

00:10:57but nothing.

00:10:58They only laughed at me.

00:11:00A medical report?

00:11:02Yes, from Mrs. Aurora

00:11:03when she was young.

00:11:05Where it says she was sexually abused.

00:11:07Oh, Aquiles,

00:11:08lovebirds.

00:11:09We all knew it.

00:11:10He said it in front

00:11:11of the comrades.

00:11:12Yes.

00:11:13Well, I just wanted to prove

00:11:14that Mrs. Jezebel

00:11:15had done something to my friend

00:11:16and you think it was worth it.

00:11:18Let's see, let's see, let's see.

00:11:19We all got into the plan

00:11:20for you to go into

00:11:21Mrs. Jezebel's office.

00:11:22Even Cassandra

00:11:23talked about her job.

00:11:24No, no, no, no.

00:11:25Let's see, let's see,

00:11:26wait a minute.

00:11:28Why did Jeze decide to go

00:11:29to testify about

00:11:30Mrs. Aurora's rape?

00:11:32If there is the medical report

00:11:33that confirms it.

00:11:34Exactly.

00:11:37You know what?

00:11:38Stop moving the waters

00:11:39because those things

00:11:40are very ugly.

00:11:41Oh.

00:11:43I think Mrs. Jezebel

00:11:46is worse than

00:11:47we think, huh?

00:11:48Besides, think about it.

00:11:49There are two people

00:11:50close to Mrs. Jezebel

00:11:51who committed suicide.

00:11:57Well, yes.

00:11:58You're right.

00:12:00It's very strange

00:12:01that Mrs. Jezebel

00:12:02has to do with two people

00:12:03who committed suicide.

00:12:05And I'm very sorry

00:12:06about what happened

00:12:07to Uncle Fabricio.

00:12:10Who is he?

00:12:12You did return

00:12:13to your place, right?

00:12:14Oh, no.

00:12:16No, no, no, for God's sake,

00:12:17don't tell me.

00:12:18Dear God.

00:12:23For the slaves of Christ.

00:12:25Mother of beautiful love,

00:12:26but what did you do?

00:12:28Wait, I don't know

00:12:29how to return it.

00:12:35And Demian, how is he doing?

00:12:38Well, calmer.

00:12:41He doesn't want to be

00:12:43separated from his father's ashes.

00:12:47He slept in Fabricio's bedroom,

00:12:50hugging the shirt

00:12:51with which he saw him

00:12:52the first time.

00:12:55Let's sit down.

00:12:57Poor Demian.

00:12:58Yes.

00:13:00Having reconciled

00:13:01with his father

00:13:02and suddenly

00:13:04death takes him away

00:13:05just like that

00:13:07is a tragedy.

00:13:09Yes, it is.

00:13:11He will miss

00:13:12his father so much.

00:13:15I wish he could

00:13:16recover from this loss

00:13:17soon.

00:13:19I guess they did

00:13:20an autopsy on him.

00:13:21No.

00:13:23No, Dr. Mendiola

00:13:24determined that the cause

00:13:25of his death

00:13:26was a suicide.

00:13:28And due to his psychotic

00:13:29antecedents,

00:13:31Demian

00:13:32prevented

00:13:33the autopsy

00:13:34from being carried out.

00:13:36I understand,

00:13:37but wasn't that

00:13:38what was supposed to be done?

00:13:40Why?

00:13:41Why not?

00:13:43Why did you do that?

00:13:45As a lawyer,

00:13:46I usually don't trust

00:13:47that they don't follow

00:13:48the corresponding processes.

00:13:50No.

00:13:51For Demian,

00:13:52knowing that his father

00:13:53committed suicide

00:13:54is something that will

00:13:55take him a long time

00:13:56to overcome.

00:13:57And the autopsy

00:13:58would only do

00:13:59the most painful things

00:14:00for him.

00:14:01Oh, I would have loved

00:14:02to give Demian

00:14:03my condolences,

00:14:04but well,

00:14:05I understand

00:14:06that he is unwilling.

00:14:08Oh,

00:14:09and you,

00:14:10when are you getting married?

00:14:11Because you

00:14:12announce the wedding

00:14:13a lot and nothing.

00:14:14Well, that's something

00:14:15that doesn't include you, Patricia.

00:14:16And apparently,

00:14:17you don't understand

00:14:18that you're not welcome

00:14:19in this house, right?

00:14:20The house is Isabella's

00:14:21and she's my friend.

00:14:22This is

00:14:23my house, Patricia.

00:14:24And I don't want to see you here.

00:14:26And if you don't understand...

00:14:27Go, go, go, Aurora.

00:14:28Calm down.

00:14:30You better go

00:14:31because we're in the office.

00:14:32I don't want any trouble.

00:14:33I understand.

00:14:34Well,

00:14:35bye.

00:14:36Bye.

00:14:37This is the last time

00:14:38that this woman

00:14:39enters my house, Isabel.

00:14:41Okay.

00:14:45Now, with cream.

00:14:47How do you see

00:14:48that I'm saving money

00:14:49to go to the beach

00:14:50with my bosses?

00:14:51I'll tell your boss

00:14:52about what I owe her

00:14:53this Thursday.

00:14:54I'll tell her

00:14:55and I'll fix it.

00:14:57Well, you know

00:14:58that you count on me.

00:14:59I can help you

00:15:00with the expenses.

00:15:01Come on, how do you think?

00:15:03You are very kind.

00:15:04I'm already full of debts.

00:15:06Hey,

00:15:07can I go with you?

00:15:13Really, Tirias?

00:15:15Why not?

00:15:16It's the weekend.

00:15:18I don't have a problem

00:15:19in the office.

00:15:22We can go in my car.

00:15:24You just have to put gas.

00:15:29I'm very sorry.

00:15:31I'll wait for you downstairs, daughter.

00:15:33I'll go alone, dad.

00:15:34Don't wait for me.

00:15:43Have you already planned

00:15:44the honeymoon?

00:15:46You could go to Acapulco.

00:15:48The truth is that

00:15:49we haven't thought about that yet.

00:15:51My most precious memories

00:15:52in Acapulco.

00:15:54I'm going to Acapulco

00:15:55with my family.

00:15:56I'm going to spend

00:15:57a lot of time there.

00:15:58My most precious memories

00:15:59in Acapulco.

00:16:01The party,

00:16:02the food.

00:16:04When I was a kid,

00:16:05my favorite days

00:16:06were when we went to the beach

00:16:08and played in the sand

00:16:09near my mother.

00:16:13Acapulco.

00:16:17I'm going to take you to Acapulco,

00:16:18to the beach.

00:16:19I'm going to scatter you

00:16:20in the sea.

00:16:22That would make me very happy.

00:16:26Elena.

00:16:28You and I

00:16:29know each other very well.

00:16:30We've been together

00:16:31for a long time

00:16:33and I love you.

00:16:34And I need you more than ever.

00:16:37Why don't we try it?

00:16:39We'll give ourselves another chance.

00:16:45Well, it's not a bad idea

00:16:46for you to come with us

00:16:47to the beach.

00:16:49But, well,

00:16:50I don't have a lot of money.

00:16:52Don't worry.

00:16:53We'll stay on the coast,

00:16:55somewhere cheap.

00:16:56The thing is to have a good time

00:16:57with your mom.

00:17:00Okay.

00:17:01I'll talk to my mom.

00:17:03Ángel.

00:17:04Can I ask you something?

00:17:06Yes, of course.

00:17:07Now that

00:17:09you're not with Elena,

00:17:11do you think

00:17:13you and I

00:17:14can try something together?

00:17:16Damián, I...

00:17:18I don't think it's time

00:17:19to go back right now.

00:17:22My heart is very hurt

00:17:23and it needs time to heal.

00:17:27I'll be fine.

00:17:28I'll heal, Elena.

00:17:29But that has nothing to do

00:17:31with our love,

00:17:32with us.

00:17:36I don't know.

00:17:37I don't know.

00:17:38I don't know.

00:17:40I don't know.

00:17:41I don't know.

00:17:42I don't know.

00:17:43I don't know.

00:17:44My heart is broken

00:17:45right now.

00:17:48Not...

00:17:49not in the same way

00:17:50as yours,

00:17:51but broken at last.

00:17:55And I'm very sorry.

00:17:57And I also know it.

00:17:58That's why I think

00:17:59being together

00:18:00can help us heal.

00:18:01Elena.

00:18:03You loved me.

00:18:04You loved me a lot.

00:18:05I know.

00:18:06And I'm sure

00:18:07you can do it again.

00:18:09We can be like before.

00:18:15I'd be happy

00:18:16to see you again

00:18:17wherever you are.

00:18:20You're a very important person

00:18:21to me

00:18:22for everything we've been through.

00:18:24And of course I loved you.

00:18:26But my feelings changed

00:18:27and...

00:18:29I don't want us

00:18:30to be so vulnerable

00:18:31right now.

00:18:36Let's make a mistake

00:18:38that hurts us

00:18:39even more.

00:18:45I will never stop loving you.

00:18:47Never.

00:18:49No matter what happens.

00:18:50Okay?

00:18:52And I want to ask you

00:18:53a favor, Elena.

00:18:56Let's go to Acapulco.

00:18:58Come with me

00:18:59to leave my dad's ashes

00:19:00in a difficult moment

00:19:01in my life.

00:19:03And I'd love to have you

00:19:04close to me.

00:19:05Please.

00:19:08Of course I will.

00:19:10I won't leave you alone.

00:19:15I love you.

00:19:21You too.

00:19:22Don't listen to Patricia.

00:19:23You know how she is.

00:19:25Carmela, if Mrs. Patricia

00:19:26comes back,

00:19:27don't let her in.

00:19:28And tell everyone else.

00:19:30Yes, ma'am.

00:19:31I will.

00:19:32Excuse me.

00:19:34How do you see Demian?

00:19:36He's hurt.

00:19:39But your son

00:19:40will be a strong man

00:19:41in the future.

00:19:42If he took out my genes,

00:19:43yes.

00:19:44But if he left

00:19:45any of his father's,

00:19:46who knows?

00:19:48I can't believe you say that,

00:19:49Yesabe.

00:19:50Why?

00:19:51We're here together.

00:19:52It's understandable

00:19:53the pain and the denial

00:19:54Demian is going through.

00:19:56But I insist.

00:19:58It was necessary

00:19:59for an autopsy to be done.

00:20:01Any questions you have

00:20:02about that,

00:20:03ask Demian

00:20:04because he took care of everything.

00:20:06Can we talk tomorrow,

00:20:07Yesabe?

00:20:09Carmela.

00:20:10Yes, ma'am.

00:20:11It's Patricia, you know.

00:20:19Sir, where are you going?

00:20:21You can't come in, sir!

00:20:29Ladies and gentlemen,

00:20:32good evening to all of you.

00:20:41Good evening.

00:20:42Good evening.

00:20:43Good evening.

00:20:44Good evening.

00:20:45Good evening.

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00:30:20Good evening.

00:30:21Good evening.

00:30:22Good evening.

00:30:23Mr. Romualdo how dare you come here without telling me?

00:30:32Who do you think you are?

00:30:39Are you going to the office?

00:30:43No.

00:30:44No?

00:30:45You don't work for the corporation, do you?

00:30:52I'm sorry, ma'am.

00:30:55I just came to see if I could get a job.

00:30:59I didn't need any money.

00:31:01You know, I'm sorry.

00:31:03Well, don't...

00:31:04I'm sorry.

00:31:05Don't worry.

00:31:06Please leave and wait for me to look for you.

00:31:08Okay.

00:31:09Friend, listen.

00:31:10I'm sorry.

00:31:11I'm sorry.

00:31:12Please leave and wait for me to look for you.

00:31:14Okay.

00:31:15I'm sorry.

00:31:16Friend, listen.

00:31:19Do we know each other?

00:31:21No, no, no.

00:31:22No, I don't think so.

00:31:23How?

00:31:24No.

00:31:25Well, I...

00:31:26Think about it, yes.

00:31:27Yes, I have a job for you, but I'm looking for you.

00:31:30To tell you things.

00:31:31Please don't come to my house again.

00:31:33At least not this way.

00:31:34Yes.

00:31:35Yes, ma'am.

00:31:36Isabel.

00:31:37Well, I'm sorry.

00:31:38Well, it's an emergency.

00:31:39You know.

00:31:40What?

00:31:41I'll see you soon, right?

00:31:43Ma'am.

00:31:45Ma'am.

00:31:47Gentleman.

00:31:50Gentleman.

00:31:51Yes.

00:31:52I'm going to retire.

00:31:54Please leave.

00:31:55Yes.

00:31:56Excuse me.

00:31:57And you, excuse me, ma'am.

00:31:58The exit is this way.

00:32:00Yes, I know the way.

00:32:03These impertinent employees.

00:32:05You shake their hand and they stand at the door of your house

00:32:08whenever they feel like it.

00:32:10That man works in the company, right?

00:32:13So many people who work with us.

00:32:16It's hard to know.

00:32:17Follow their lead.

00:32:19I don't know.

00:32:22You know I tell the truth.

00:32:24And...

00:32:25Well, the truth is that I love Elena.

00:32:29And I broke up with her because...

00:32:33Because that's how it had to be.

00:32:35And I hope to forget her soon.

00:32:38Besides, I feel a special affection.

00:32:40And yes, yes.

00:32:41With time, that affection can grow.

00:32:45I understand perfectly what you mean.

00:32:48No, I can tear my heart out just like that

00:32:50and get a new one to love someone else.

00:32:53I agree.

00:32:55Love doesn't choose who you are.

00:32:57Exactly.

00:32:58It's not like changing panties and that's it.

00:33:02You see?

00:33:03Chula sees you laughing.

00:33:04Chula sees you laughing.

00:33:07Well, if I hadn't fallen in love with your sister's quesadillas,

00:33:12I think I'd still be with you.

00:33:14Really, Ángel?

00:33:17For this one.

00:33:19Ángel.

00:33:21Let me be by your side.

00:33:24Let me make you the happiest man in the world.

00:33:28I promise you that this heart

00:33:31that beats for someone else will beat for me.

00:33:35Someday.

00:33:38To be honest, I don't have a list

00:33:40with the names of who works where or what,

00:33:43or what, Julio Cesar, I don't know.

00:33:46I saw it in the corporate elevators and...

00:33:51Aurora!

00:33:54Of course.

00:33:55That man was the one who yelled at you outside the company.

00:33:58Do you remember?

00:33:59Excuse me, does this mean he knows you?

00:34:02Of course.

00:34:04Oh, yes, I remember.

00:34:05How they love to be playing detectives.

00:34:08What a horror.

00:34:09Why do they take so many turns?

00:34:11Well, he's a man who obviously works or worked in the company

00:34:15and that's why he probably knows you.

00:34:17It's just that that man, Romualdo,

00:34:19had already been here in the house looking for a job.

00:34:22Good God in my life.

00:34:23Yes.

00:34:24What a scandal for an employee.

00:34:26Yes, he came the other day to ask for a gardener's job

00:34:30and I told him there was no vacancy.

00:34:32I don't understand why we keep talking about that man.

00:34:35Exactly, I think the same.

00:34:41Son, I'm glad you came down, my love.

00:34:45Father Virgilio is coming tomorrow

00:34:47to make a special mass for your father.

00:34:50Thank you for being here.

00:34:52It means a lot to me.

00:34:54We're not going to leave you alone, are we?

00:34:57I'm going to spread my father's ashes in the mass.

00:35:01If that's what you want, that's fine.

00:35:04We'll support you.

00:35:06I'll go with you.

00:35:08I'm sorry I couldn't give you my condolences earlier.

00:35:12It was very fast and I'm very sorry about what happened.

00:35:17My father was...

00:35:19He was everything to me since he returned to my life.

00:35:24I never thought he'd leave so soon, so suddenly.

00:35:30Today, more than ever, I ask you to respect my pain.

00:35:34I like the idea of the mass, Mom.

00:35:37I'll wait for you in the library. I want to talk to you.

00:35:46It can't be, we just got out of Tablas again.

00:35:49But old man, there's always profit.

00:35:51No, no, I counted well, old woman.

00:35:53Let's see.

00:35:55Look.

00:36:02Oh, old man, you're confusing the 100 bill with the 20 bill.

00:36:07What's wrong with you, Pascual?

00:36:08Well, I don't know.

00:36:10I'm getting old, that's what happens.

00:36:12Oh, no.

00:36:13Yes.

00:36:14It happens to anyone, my love, wait.

00:36:17Look.

00:36:18Excuse me.

00:36:21Brena is gone.

00:36:22I'm glad you accompanied her to her car.

00:36:26Is everything okay with the accounts, boss?

00:36:27Yes.

00:36:28I thought we had left Tablas, but not always.

00:36:32Well, I'm going to sleep now.

00:36:34No, Jeba.

00:36:35Please, wait.

00:36:36I want to talk to you about Demian because...

00:36:39Well, either for Chan or Juana, we haven't had a chance.

00:36:46What did he tell you when he came to see you with Brena?

00:36:49He just told us that he wanted to help us with the expenses of my treatment.

00:36:53And did he tell you anything about Elena?

00:36:55Yes.

00:36:56He was worried about her and her health.

00:36:59Did he promise to give you anything?

00:37:01Just the help he told us.

00:37:04And now what are you bringing?

00:37:06Or why so many questions?

00:37:08Bosses, please don't go to receive anything from Demian.

00:37:18Dad!

00:37:21It's too late to receive visitors, isn't it?

00:37:24Well, I've been looking for you everywhere.

00:37:26I even went to Angel's house yesterday and his boss lent me clothes.

00:37:29And why the urgency?

00:37:31I'm in trouble, Maggie.

00:37:33I think he's going to lose his mind and he's going to kill me.

00:37:35Baby, don't get us in trouble with the gang, please.

00:37:38How do you think, Maggie?

00:37:39It's what I least want, the last thing.

00:37:41I just came because I wanted to see Rolas.

00:37:45Why are you doing this to us, Mario?

00:37:47Is your name Mario?

00:37:49The same as Calce, did you see?

00:37:51I thought your name was Morro.

00:37:53Daddy, don't make fun of your dad.

00:37:56Calm down, kid.

00:37:58Do you have a rib?

00:38:00Because Morro knows how to make ribs.

00:38:03Hey, did you have dinner?

00:38:05Well, I'm going to make you some guajolotas.

00:38:08Thank you, Maggie.

00:38:10How much do you have with Demian, son?

00:38:12Oh, no.

00:38:15Nothing, boss.

00:38:17Demian is not to be trusted.

00:38:19He has bad blood.

00:38:21Don't talk like that, Angel.

00:38:23Don't be ungrateful.

00:38:25Yes, it's true.

00:38:27If I'm free, it's because of him.

00:38:29Rather, it's because the two of them are flirting

00:38:31for Elena.

00:38:33Do you think we were born yesterday?

00:38:35That man also loves her.

00:38:37He asked you to stay away from her

00:38:39in exchange for your freedom, right?

00:38:42No, no, boss.

00:38:44I don't know what you're talking about.

00:38:46Well, Elena's dad came here and said

00:38:48he wants you to stay away from her.

00:38:50Did Mr. Antonio come to tell you that?

00:38:52We didn't tell you because of how things are,

00:38:54but that's the truth.

00:38:56It's ridiculous.

00:38:59And if I broke up with Elena,

00:39:01it's because I don't want her to be in danger.

00:39:03I'm going to listen to you.

00:39:05We have to leave here.

00:39:07But it's going to be after I take her to the sea.

00:39:12Demian's young man also promised

00:39:14to help us with a house.

00:39:16No, no, no, no, no.

00:39:18No, no, no, no, no, no.

00:39:20Don't worry, son.

00:39:22Maybe he said it with his teeth out.

00:39:24That's how talkative rich people are.

00:39:26Your mom is right.

00:39:28If you really want to go to the sea,

00:39:30you have to go.

00:39:31You're right.

00:39:33If you really want Elena,

00:39:35show her that she can be safe with you.

00:39:38Go back to school like you left her

00:39:40and get a better job.

00:39:43I'm going to do that, Mom.

00:39:45I swear I'm going to get her back.

00:39:52But go study, really.

00:39:54Son.

00:40:01Antonio and Elena just left and your aunt...

00:40:04Why?

00:40:06Why did you do it?

00:40:31TELETUNE IS MEXICO

00:41:02TELETUNE IS MEXICO

00:41:04TELETUNE IS MEXICO

00:41:06TELETUNE IS MEXICO

00:41:08TELETUNE IS MEXICO

00:41:10TELETUNE IS MEXICO

00:41:12TELETUNE IS MEXICO

00:41:14TELETUNE IS MEXICO

00:41:16TELETUNE IS MEXICO

00:41:18TELETUNE IS MEXICO

00:41:20TELETUNE IS MEXICO

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00:41:24TELETUNE IS MEXICO

00:41:26TELETUNE IS MEXICO

00:41:28TELETUNE IS MEXICO

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00:43:35TELETUNE IS MEXICO

00:43:37TELETUNE IS MEXICO

00:43:39TELETUNE IS MEXICO

00:43:41TELETUNE IS MEXICO

00:43:43TELETUNE IS MEXICO

00:43:45TELETUNE IS MEXICO

00:43:47TELETUNE IS MEXICO

00:43:49TELETUNE IS MEXICO

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00:43:55TELETUNE IS MEXICO

00:43:57TELETUNE IS MEXICO

00:44:00Camilo Mandrilo

00:44:01they were going to put him in.

00:44:02ok

00:44:03so I'll tell you

00:44:05about maraña

00:44:06Maraña always loses the thread of conversation

00:44:07and Ricarridja

00:44:08I am looking into it

00:44:09I have to be leaving

00:44:10WHO IS THE MASK

00:44:11world premiere Sunday

00:44:1220 October

00:44:13at 8.30 pm

00:44:14for the stars

00:44:16endure your day

00:44:17well informed

00:44:19find out the results

00:44:20that you are interested in

00:44:21and the most highlighted

00:44:22of day by day

00:44:24and with more doubts than certainties

00:44:25the wageano

00:44:27inside the Leaderboard

00:44:28Entra en CONTACTO DEPORTIVO martes, jueves y viernes a las 11.30 de la noche con las estrellas.

00:44:58La sobresaliente de la semana, reportajes, dinámicas y el equipo más entretenido en el programa que siempre te da más.

00:45:08Quédate con nosotros y revide lo más relevante en Más Deporte.

00:45:12Domingo, 11 de la mañana, con las estrellas.

00:45:15Adolfo tiene un regalito para Victoria.

00:45:18¿Por qué le quitaste la tapa a la cisterna?

00:45:20Es una tabla de surf.

00:45:22¿Y tu tabla?

00:45:23Uno por uno, uno por dos.

00:45:24Y Plácido verá una idea millonaria.

00:45:27Los surfistas fabriquen sus propias tablas de surf.

00:45:29Me da miedo lo que a usted se le ocurra.

00:45:31En una familia de 10, sabemos hacerte reír.

00:45:34Este domingo, 7 de la noche.

00:45:36Ella no necesita que la presenten.

00:45:38Yo soy Leonor San José.

00:45:39Por las buenas es despiadada.

00:45:41La San José no nos dejamos caer tan fácilmente.

00:45:43Y por las malas es una auténtica villana.

00:45:46Hace 30 años le perdoné la vida, pero ten por seguro que esta vez no me detendré.

00:45:51Conócela en Amor Amargo.

00:45:53Inicia 4 de noviembre, 6.30 de la tarde.

00:45:56Es tu hija.

00:45:57Recibir una hija de imprevisto es complicado.

00:46:00¿Sabes cambiar pañales a mí?

00:46:01No está difícil.

00:46:02Vas a acabar enamorando de ella.

00:46:04¿Nunca más?

00:46:05Sale.

00:46:06¿Que te la pidan de vuelta?

00:46:07Imposible.

00:46:08¿Pero por qué me la quieres quitar?

00:46:10Este domingo recuerda junto a Eugenio T.

00:46:12No se aceptan devoluciones, 8.30 de la noche por las estrellas.

00:46:18Bárbara se viene a ir conmigo al pueblo.

00:46:20Me voy a ir cuando sepa quién es el papá de mi bebé y quién es mi papá.

00:46:25¡Brenda!

00:46:28Yo voy, yo voy, quédese ahí.

00:46:30Tú vas a salir de aquí con una bolsa de plástico.

00:46:33Lunes a viernes, 6.30 de la tarde.

00:46:37Con un gobierno que escucha y resuelve, Mazatlán, la perla del pacífico,

00:46:42fue sede de los trabajos de la 87 Asamblea General Ordinaria del Consejo Nacional,

00:46:46honrándonos con su presencia el presidente municipal,

00:46:49quien inauguró los trabajos, conscientes de los tiempos que vienen

00:46:53con los desafíos a nuestra industria,

00:46:55y confiando en una nueva administración en el país,

00:46:58nos preparamos para enfrentar los retos,

00:47:00en unidad y trabajo, por una superación social.

00:47:04Citatil, CTM.

00:47:06Él tiene una convicción.

00:47:07Tarde o temprano la justicia llega.

00:47:09Y aunque todo parezca estar en su contra,

00:47:11¿Qué te dije? Que no metiéramos a mano en esto.

00:47:14Ahora, ¿Quién es la presa? ¿Y quién es el cazador?

00:47:17Rendirse no es una opción.

00:47:19Solo nos queda seguir luchando.

00:47:21No hay miedo a la verdad.

00:47:23Este sábado, 11 de la noche, con las estrellas.

00:47:26Te perdiste algo de la jornada deportiva.

00:47:29Nosotros tenemos la acción de la semana.

00:47:31Las figuras que destacaron.

00:47:33Los goles, anotaciones,

00:47:35y la información más importante

00:47:37en el resumen deportivo más visto por años.

00:47:40Prepárate para entrar en Acción.

00:47:43Domingo, dos de la tarde, con las estrellas.

00:47:46Habrá noticias inesperadas.

00:47:48No puedo creer que don Arturo haya asesinado a Juan Pablito.

00:47:51Primero asesinó al padre y después al hijo.

00:47:53¿Pero cómo probarlo?

00:47:54¿Qué iniciará en una cacería?

00:47:56Estoy aquí para ofrecer tres millones

00:47:58a quien de información quede con el paradero de ese asesino.

00:48:01La gente no va a parar hasta encontrarme.

00:48:03Gran final, 18 de octubre, 8.30 de la noche.

00:48:14Nada más, eso me faltaba.

00:48:17Mi hijo me acusé de haber matado a su padre

00:48:20cuando claramente se suicidó.

00:48:22Tú lo mataste, lo mataste en vida.

00:48:24Le hiciste creer que había matado a su propio padre.

00:48:26No es cosa fácil.

00:48:27¡Eso fue exactamente lo que hizo!

00:48:29¡Cállate! ¡Cállate!

00:48:31¡Eso fue lo que hizo!

00:48:32¡No, él era inocente! ¡Mi padre era inocente!

00:48:34¡Él era inocente!

00:48:36¿Vamos a calmarnos?

00:48:38Porque no voy a estar aguantando tus faltas de respeto.

00:48:41A mí no me grites.

00:48:42Estuvo encerrado en un psiquiátrico, mamá.

00:48:44Por mucho tiempo, por algo que ni siquiera hizo.

00:48:46¡Él lo confesó!

00:48:47¡Lo volviste loco!

00:48:48¡No, él lo hizo! ¡Por eso lo encerraron!

00:48:53Y si quieres que te diga algo, Demian,

00:48:56el suicidio de tu padre es tu responsabilidad.

00:49:00Sí.

00:49:01Mi propia mamá me está acusando de algo tan terrible.

00:49:03¿Me estás diciendo que yo lo maté?

00:49:04Sí, sí.

00:49:05Sí, porque tú lo sacaste de casa de Antonio y lo trajiste aquí.

00:49:09Y yo te dije muchas veces que lo lleváramos al psiquiátrico

00:49:13y tú no quisiste.

00:49:14Ahora resulta que yo lo maté.

00:49:16No cambia las cosas.

00:49:17No cambia las cosas.

00:49:18Él siempre te tuvo mucho miedo.

00:49:20Te tenía pavor.

00:49:21Pensaba que lo ibas a meter a la cárcel.

00:49:23Pero yo jamás haría eso, Demian.

00:49:25Jamás me hubiera metido a la cárcel.

00:49:27¿Y sabes por qué?

00:49:28¿Sabes por qué?

00:49:30¡Por ti!

00:49:32¡Por ti!

00:49:33Y absolutamente todo lo que he hecho en mi vida es por ti.

00:49:39Ya me peleé con tu tía no sé cuántas veces.

00:49:41La sacamos de la empresa.

00:49:43La quitamos de la presidencia.

00:49:45Acepté que Antonio fuera socio para que tu relación con Elena funcionara

00:49:50y no tuviera problemas.

00:49:51Para que Aurora dejara el pasado atrás.

00:49:54Mandé a matar.

00:49:57Mandé a matar.

00:50:00¿Y todo para qué?

00:50:03¿Para que me reproches que soy la culpable de que tu papá se haya matado

00:50:07porque estaba loco?

00:50:08¡Cállate! ¡Cállate!

00:50:09No te quiero escuchar.

00:50:10Cállate.

00:50:13Cállate.

00:50:21Pues yo ya me voy antes de que se haga más tarde, ¿eh?

00:50:23Porque la jefa de mi cuate ya se enojó de que anda durmiéndome en la sala.

00:50:27Papá, quédate aquí esta noche.

00:50:32A ver, papito.

00:50:33Ya.

00:50:34Usted se me va a dormir en lo que hablo tantito con Mario.

00:50:38Descansa, abuelitas.

00:50:39Ándele.

00:50:41Descansa.

00:50:44Me gusta tu nombre.

00:50:45Está chido, ¿no?

00:50:46¿Sí?

00:50:49Mami, ¿puedes dejarlo que se quede?

00:50:51Nomás por esta noche, ¿sí?

00:50:53Rolando, ya te tienes que dormir.

00:50:56Sirve que mañana me lleve a la escuela.

00:50:58Y a ti no se te hace tarde para chambear.

00:51:01Ándale.

00:51:03Usted ya se me duerme y se me cobija hasta las orejas

00:51:07para que no ande de chismoncito.

00:51:08Venga.

00:51:11Aquí cabe, jefe.

00:51:13Descansa.

00:51:14Aquí cabe.

00:51:15Aquí cabe.

00:51:29Tú y yo vamos a dejar las cosas bien claras, morro.

00:51:41Bueno, me tengo que ir porque mañana tenemos que salir para las flores.

00:51:46A ver.

00:51:48¿Qué tienes?

00:51:50¿Estás bien?

00:51:54Sigo pensando en ese señor que vino hace rato.

00:51:57No sé, mañana voy a pedirle a Briana que me dé toda la información que tenga sobre él.

00:52:02Bueno, si eso te hace sentir más tranquilo, está bien.

00:52:06Y aquí sigo pensándote

00:52:12No sé si voy a acostumbrarme, no

00:52:19Pensándote

00:52:21No sé si voy a acostumbrarme, no

00:52:40¡Ahora sí, mi güera!

00:52:41¿Me asustaste?

00:52:42¡Claro que te asusté!

00:52:43¡Animal!

00:52:45¿Y ya saben? Hiciste esperar mucho al Pintas.

00:52:47¿Y qué?

00:52:48Como que te tardaste en salir, ¿no?

00:52:49¿Cómo te atreves a venir a mi casa?

00:52:51Tranquila.

00:52:52Tranquila, mi reina.

00:52:54Que no hay de qué preocuparse.

00:52:55Muerto el perro, se acabó la rabia.

00:52:58No puedo creer que le hayas ido a contar todo a Fabrizio.

00:53:01Pues, es que me dijo que tú lo habías mandado.

00:53:03¡Yo no lo mandé!

00:53:04¿Cómo lo voy a mandar yo?

00:53:07Se me hace tarde.

00:53:08Se me hace tarde.

00:53:09Se me hace tarde.

00:53:10Se me hace tarde.

00:53:14¿Qué está pasando?

00:53:16¿Aconteciendo?

00:53:18¿O sucediendo?

00:53:20¿Quién es este teporocho?

00:53:22Oye.

00:53:24¡Oye! ¡Me estás oyendo!

00:53:25¡Pues lo que sé!

00:53:28¡Ese desgraciado entró al cuarto de mi hotel como burro por su casa y me empezó a hacer preguntas!

00:53:32No te hagas.

00:53:33¿Y cómo supo?

00:53:35¿Eh?

00:53:36¿Cómo supo dónde te estabas quedando?

00:53:45Juntos bajo el viento

00:53:47Sembrando amor en tu mirada

00:53:51Me encantas.

00:53:52Alelando tus mañanas

00:53:56Vámonos

00:53:57Vámonos

00:53:58Lejos de todo

00:53:59Te amo.

00:54:01Y yo a ti.

00:54:02A nuestro modo

00:54:05Pues te estoy diciendo que no sé.

00:54:07A ver, a ver, a ver, a ver.

00:54:09Necesito dinero.

00:54:10Estoy en la bilchilla.

00:54:11Y tú aquí interrogándome.

00:54:13¿Por qué?

00:54:14¿Eh?

00:54:15¿Por cómo me contactó un muertito?

00:54:17A ver.

00:54:18Pon atención en lo que te voy a ordenar.

00:54:21Te vas a seguir llamando Romualdo porque Aurol ahora ya sabe tu verdadero nombre.

00:54:26Sí, hombre.

00:54:28¿Sabes qué, mi reina?

00:54:30El otro señor que está en tu casa también me había visto en la empresa.

00:54:37Es que ¿por qué te presentas en todos los lugares si no me preguntas antes?

00:54:42Ese abogado es un hombre muy inteligente.

00:54:45Muy persuasivo.

00:54:48Y lo más seguro es que ahora va a querer averiguar todo sobre ti.

00:54:53No, no, no.

00:54:54No.

00:54:55Yo solo quiero mi feria.

00:54:56Y el pinta se pinta.

00:54:59Desaparezco hasta que me vuelvas a necesitar.

00:55:03Pues mira, viéndolo así, fríamente, creo que hasta me ayudaste sin querer.

00:55:08Uy, morale.

00:55:11Cámara, déjame.

00:55:15Ahí los visiteamos, mi Yesabel.

00:55:19Toma esa patate.

00:55:38¿Yesabel?

00:55:39Briana.

00:55:40¿Tienes dónde anotar?

00:55:42Sí, dime.

00:55:44Necesito que incluyas en la nómina de la empresa en el departamento de limpieza el siguiente nombre.

00:55:50Romualdo García García.

00:55:53Y es muy importante que pongas en el registro que hace un mes renunció.

00:55:58No entiendo.

00:55:59¿Esto para qué?

00:56:01¿De qué te importa?

00:56:02Haces lo que te ordeno mañana mismo.

00:56:04Estás despedida.

00:56:05Y no se te va a ocurrir contarle esto a nadie.

00:56:09Gracias por estar conmigo.

00:56:12¿Por qué no me has dejado sola?

00:56:15Gracias a ti por dejarme entrar en tu corazón.

00:56:23Cuando trabajaba en la empresa, antes de que tuviéramos una relación,

00:56:31admiraba muchísimo, pero muchísimo tu fortaleza.

00:56:35Jamás llegué a pensar que quisieras estar realmente a mi lado.

00:56:40Mi amor.

00:56:42Los dos hemos tenido que ser fuertes por las tragedias de nuestras vidas.

00:56:46Y tú has superado un pasado tan difícil como el mío.

00:56:53Somos como dos almas heridas.

00:56:58Y si nos hemos curado, ha sido por esto.

00:57:02Y tú has sido por este amor que nos tenemos.

00:57:07Te amo.

00:57:09Te amo.

00:57:25Yo siempre me desvelo.

00:57:27A veces me quedo despierto hasta las tres de la mañana.

00:57:30Es que tengo que estudiar mucho.

00:57:33Aunque también me puedo quedar echándome un maratón de alguna serie.

00:57:37¿A poco?

00:57:39Qué rebelde.

00:57:41Sí, me encantan las series.

00:57:44Especialmente las de misterio.

00:57:46¿A ti no te gustan?

00:57:48Ay, corazón, pues digamos que no tengo mucho tiempo para esas cosas.

00:57:52Oye, preciosa.

00:57:55Te extraño.

00:57:57Hace mucho que no lo hacemos.

00:58:01Ya sé, bombón. Yo también te extraño.

00:58:06Pero pues han pasado muchas cosas. Bueno, tú sabes.

00:58:09Además a tu papá no le encanta la idea y la verdad no.

00:58:13No estoy en este momento para estar discutiendo con él.

00:58:16No, ella no se opone.

00:58:18Bueno, tengo que verte para explicarte bien.

00:58:22Y si me escapo y me voy a quedar contigo.

00:58:25No.

00:58:27No digo.

00:58:29No creo que esté bien tener al neurótico de tu papá viniendo por ti a mitad de la noche.

00:58:34No, mi papá no ha llegado.

00:58:37¿Y esa?

00:58:39Pues yo creo que se quedó a dormir con Aurora.

00:58:49Hija, ¿quieres molestar conmigo?

00:58:56Creo que siempre he estado enojada contigo, papá.

00:59:01Quiero preguntarte algo, pero prométeme que no vas a comentar nada.

00:59:06No se te hace que es muy noche para discutir.

00:59:09Es hora.

00:59:11¿Qué me vas a decir de Ángel que no sepa?

00:59:14Bueno, en el tiempo que conviviste con su familia,

00:59:17¿supiste si su papá trabajó en casa de Aurora hace muchos años?

00:59:22No, ¿por qué?

00:59:23Bueno, porque tengo una sospecha.

00:59:28Vi la lista de albañiles que trabajaron en la casa de Aurora hace 30 años.

00:59:33Y allí aparece el nombre de Pascual Santos.

00:59:40Lo quiero mucho, jefe.

00:59:42Sabes que tú, Anita, y tu mamá son mi vida.

00:59:48Yo me moriría si usted te enterara.

00:59:50Yo me moriría si usted te enterara contra su propia vida.

00:59:54No, jamás haría eso.

00:59:56Seguro ese señor estaba pasando por algo muy fuerte.

00:59:59Sí.

01:00:01Jefe, ¿por qué piensa que la señora Isabel es peor de lo que dijo Brianita?

01:00:07Jefe, porque...

01:00:10Pues, porque yo la conocí cuando era joven.

01:00:14Esa señora no tiene corazón, igual que su padre.

01:00:21¿No hay forma de que sea otra persona con el mismo nombre?

01:00:24Y el mismo apellido también.

01:00:26No, sería una gran coincidencia.

01:00:28No vayas a meter al papá de Ángel en un problema.

01:00:30Claro que no.

01:00:32Puede ser una coincidencia que se llame y se apellida igual.

01:00:35Hija, por eso estoy buscando a Pascual.

01:00:40Para mí es muy importante hacer las cosas bien.

01:00:43Ahora que tengo una nueva oportunidad, sí.

01:00:45Papá, yo entiendo todo lo importante que es para ti para Aurora encontrar al hombre que abusó de ella.

01:00:50Y Aurora me dijo que estaban a punto de dar con él.

01:00:54Pero esto que dices ya es demasiado, ¿no?

01:00:57Es suficiente que hablarás con el señor Pascual para que Ángel se alejara de mí.

01:01:01A ver, lo de Ángel puede tener solución.

01:01:04Y me gustaría poder explicártelo, mi amor.

01:01:08Pero estás tan molesta conmigo que parece que cualquier cosa que te diga te pone así.

01:01:12¿Te parece que intervenir en mis relaciones personales no es una ofensa?

01:01:17Trato de comprender que quieres lo mejor para Aurora y ayudarla a encontrar al culpable.

01:01:23Pero tú también necesitas una vida.

01:01:26No, por supuesto que tengo una vida.

01:01:28Claro que la tengo.

01:01:30¿Crees que decidir si me conviene o no tener una relación con Ángel es tener una vida?

01:01:34¿Estar investigándole una violación a tu ex prometida buscando a su hijo?

01:01:40¿Dónde quedas tú, papá?

01:01:42Aurora y yo somos capaces de resolver nuestros propios problemas.

01:01:46Y deberías enfocarte en ti.

01:01:48Conocer a alguien, empezar una nueva relación.

01:01:51A ver, hija, yo tengo un compromiso moral con Aurora.

01:01:55Por eso le pregunté a Pascual si trabajo en la antigua casa de Aurora.

01:02:03A ver, jefe, barajémela más despacio.

01:02:07¿Ya conocía a la señora Aurora Camperón?

01:02:08No, a ella no.

01:02:10Pero a su hermana sí, y también a su papá.

01:02:13¿Al jefe de la señora Aurora?

01:02:15No, no, sí.

01:02:17Sí, llévame un café porque esto va para largo, ¿eh?

01:02:19Quiero que me lo cuente todo.

01:02:24¿Qué tiraron?

01:02:26Nada, Viquita, nada.

01:02:28Ay, Pascual, ya vente a dormir, viejo.

01:02:33Déjelo del café y sígame contando.

01:02:35¿Cuándo conoció a la señora Casabel?

01:02:39Hace retratos años que fui a las flores con otros elbañiles

01:02:43y me tocó ir a su casa.

01:02:45Pero ya llovió de eso, hijo.

01:02:47No vale la pena que estemos hablando de algo que pasó hace tantos años.

01:02:50Jefe, ¿cuántas mamás quieres saber?

01:02:54Me tocó ver cómo maltrataban a sus trabajadores.

01:02:57Eran bien déspotas.

01:02:59Muy feo, hijo.

01:03:02Por eso te voy a pedir que te cuides de esa señora.

01:03:05De esa señora.

01:03:07A esa Jezabel.

01:03:09Ni te la acerques.

01:03:11Y lo principal, no le hables jamás de tu familia.

01:03:15Jamás.

01:03:18No me hagas caso, pero ese pinta se traía algo con una tal Jezabel.

01:03:22Con mi jefa, Jezabel.

01:03:24¿A poco es tu jefa?

01:03:27Oiga, ¿y si le dijera que mi jefe se anduvo por las flores?

01:03:30Morro, ten mucho cuidado porque nos acabamos de topar al pintas.

01:03:35Ya te vi, perro ratero.

01:03:39Me las vas a pagar todas.

01:03:43Todas, morro.

01:04:01El suspiro que entró revolcó al corazón y seguiste.

01:04:12¿Vienes del dicho? Hoy es la clase de Pedro.

01:04:15No puedo, amiga.

01:04:18Creo que tu mamá te había prohibido seguir con él.

01:04:21Bueno, pero ella no está.

01:04:23Y como tú eres mi mejor amiga, me vas a cubrir, ¿verdad?

01:04:25No, amiga, no me metas en tus rollos.

01:04:27Tú sabes que estoy pésima mintiendo.

01:04:28Ay, por favor, no, de verdad.

01:04:31Por favor.

01:04:33Bueno, está bien, pero solo por esta vez, ¿eh?

01:04:35Única vez.

01:04:36Gracias.

01:04:38Bueno, nos vemos.

01:04:39Cuídate.

01:04:50Entonces, ¿de qué me dijo que tenía?

01:04:53Eh, ¿por qué tan solita, mi reina?

01:04:55Oye, ¿qué te pasa, imbécil?

01:04:57Órale, llégale.

01:04:58Ah, no, no, no, no.

01:04:59Llégale o te parto los cipos.

01:05:00Bájale, bájale.

01:05:01Ya, Víctor, no, no pasa nada.

01:05:03No, sí pasa.

01:05:05Estos imbéciles creen que pueden hacer y decir lo que quieran.

01:05:07Gracias.

01:05:08No, de qué.

01:05:10Aquí estoy yo para cuidarte y conmigo nunca te va a pasar nada.

01:05:13Ay, qué tonto.

01:05:15Tenía un regalo para ti, pero se me olvidó en la casa.

01:05:17¿Un regalo para mí?

01:05:19No, para el imbécil ese.

01:05:21No, no es cierto, sí, para ti.

01:05:22Pero se me olvidó.

01:05:23No, es que me tienes loco.

01:05:25No sé ni siquiera dónde tengo la cabeza.

01:05:28Bueno, ven, vamos por las paletas.

01:05:30Sí, deme las de mango, por favor.

01:05:32Para la señorita mango con chile.

01:05:34Gracias.

01:05:35Y para mí mango.

01:05:36Son 40.

01:05:37Sí, permítame, mi jefe.

01:05:40¿Qué es?

01:05:41Ábrelo, pero rompe la envoltura para que no sea de mala suerte.

01:05:46Ábrelo, ábrelo, ábrelo.

01:05:48¿Y?

01:05:49¿Qué?

01:05:50Ay, no, no, no, no.

01:05:51Pero no puedo aceptarlo.

01:05:52No, sí, claro que sí.

01:05:53Y aparte es el último que salió.

01:05:55Ay, mi amor, estás con poca chamba.

01:05:57No, nada, nada, nada.

01:05:58Lo necesitas.

01:06:00Al tuyo ya se le acaba bien rápido la batería.

01:06:02Además es necesario.

01:06:03¿Qué tal si te llega a pasar algo?

01:06:05O si necesitas marcarme.

01:06:07Ah, entonces me lo regalaste para que pueda marcarte siempre.

01:06:11No puedo vivir sin ti.

01:06:13Eres tan bueno y dulce conmigo.

01:06:16Y todo por ti.

01:06:18Cuando estoy contigo siento que puedo ser mejor persona.

01:06:20Te amo.

01:06:25Ojalá mi mamá viera lo que yo veo.

01:06:28Oye, y...

01:06:30No sé.

01:06:31¿Si mejor no hablamos de tu mamá?

01:06:47Hola, hija.

01:06:48¿Cómo estás?

01:06:50Bien.

01:06:51¿Qué pasó?

01:06:53¿Dónde estás?

01:06:55En el dicho, con Pau.

01:06:57¿No te acuerdas que te avisé?

01:06:59Ah, pues qué raro, porque yo estoy en el dicho y tú no estás.

01:07:04¿Me estás controlando?

01:07:06No, vine a tomar la clase de Pedro.

01:07:10Estás con ese tipo, ¿verdad?

01:07:13Sí, pero...

01:07:15Ok, en la casa vamos a hablar seriamente, ok.

01:07:21¿Qué pasó?

01:07:22Nada.

01:07:23Me tengo que ir, mi mamá se puso muy loca.

01:07:25Oye, pero no te enojes con ella.

01:07:27Mira, si hace esto es porque se preocupa por ti y porque te quiere.

01:07:30Ya quisiera yo haber corrido con esa suerte.

01:07:33¿Qué pasó?

01:07:36Mi mamá se fue con un tipo.

01:07:38Yo me quedé con mi abuela y con el borracho de mi papá.

01:07:41Ay, lo siento.

01:07:43Debió de haber sido muy duro para ti.

01:07:46Bueno.

01:07:47Se me estaba ocurriendo que a lo mejor si en algún momento tu mamá se pone difícil, se pone complicada,

01:07:54pues te puedes venir a quedar aquí conmigo.

01:07:57¿Qué?

01:07:58Sí. Esta es tu casa.

01:08:01Yo prometo cuidarte, protegerte, tratarte bien, como te lo mereces.

01:08:08Como una princesa.

01:08:10Mi princesa.

01:08:17¿Qué pasa?

01:08:19Eh, no, nada.

01:08:21Si quieres te llevo a tu casa.

01:08:23Bueno.

01:08:28Y llegamos.

01:08:35Gracias por el aventón y por el celular.

01:08:39Si quieres dámelo.

01:08:41Dame un beso.

01:08:43Espera, espera, espera.

01:08:51¿Qué pasa?

01:08:53No, nada, mi amor.

01:08:55Oye, no me trates como un niño.

01:08:57Está bien, perdón.

01:08:59¿Te acuerdas que te conté de Poncho y mi papá?

01:09:01Sí, pero ¿qué tiene que ver contigo?

01:09:03Pues, mi papá tiene una deuda con Poncho.

01:09:07Y yo tengo que pagarla.

01:09:09¿Tú?

01:09:10¿Tú?

01:09:12Pero si no es tuya.

01:09:14No, y además ¿con qué dinero?

01:09:16¿Sabes qué? Si quieres te puedo regresar el celular.

01:09:18No, no, no, no. Es que no me está pidiendo dinero.

01:09:20Bueno, ¿y entonces qué?

01:09:22¿Me pide un favor?

01:09:27Ándale, te espera tu mamá.

01:09:29Por fa, cuídate.

01:09:31Si te llega a pasar algo...

01:09:33No, no, no, no te preocupes. No me va a pasar nada.

01:09:35Dale, te amo.

01:09:37Ah, sí.

01:09:38Te amo.

01:09:40Hola, señora.

01:09:42Hola, ma.

01:09:50Hija, ya sé lo que me vas a decir y no me importa.

01:09:54Ah, me mentiste y no te importa.

01:09:56No te reconozco, hija.

01:09:58¿Qué te pasa?

01:10:00A ver, mamá, no me puedes prohibir salir con quien yo quiera.

01:10:02Claro que sí.

01:10:04Eres menor de edad y mientras estés bajo mi techo tienes que seguir mis reglas.

01:10:08Pero no es justo.

01:10:10Hija, Víctor no es bueno para ti.

01:10:16Ay, mamá, ni lo conoces.

01:10:18Tú tampoco. Apenas empezaron a salir.

01:10:20Pero él me ama.

01:10:22¿Ya te dijo eso?

01:10:24Por Dios, hija, nadie ama tan rápido. Abre los ojos.

01:10:30Claro, porque tú eres todo un experto en elegir hombres, ¿verdad?

01:10:35¿Qué quieres decir?

01:10:36Que mi papá te pegaba.

01:10:41Sí, tienes razón.

01:10:43Y por eso lo dejé y tú lo sabes.

01:10:45Tomé terapia.

01:10:47Gracias a ello pude construir una relación sana con Claudio.

01:10:50¡Wow! ¡Bravo!

01:10:52Te felicito.

01:10:54Ahora déjame sola.

01:11:07Bitches.

01:11:09Ay, no, mi amor.

01:11:11Ay, es que estoy toda fachuda.

01:11:13Esos son pochas.

01:11:16Oye, mi amor, sentí cierta tensión en la cena contigo y con Sasha.

01:11:21Pues sí, discutimos. Es que la caché mintiéndome.

01:11:27Pero, ay mi amor, no me digas que a su edad tú no le mentías a tu mamá.

01:11:31Sí, pero no así.

01:11:32Sabes, ese tipo la tiene como hipnotizada.

01:11:36Y la verdad es que me da miedo.

01:11:39¿Por qué?

01:11:41Ay, ¿cómo que por qué? Pues es que no siento que sea una buena persona.

01:11:45No me da buena espina.

01:11:47¿Quieres que hable con ella?

01:11:49¿Tu amor?

01:11:51Sí, yo... Mira, yo sé que no soy su papá.

01:11:55Pero a lo mejor la experiencia de un hombre, no sé, más experimentado, maduro...

01:11:59Ay, ay, ay, tú maduro.

01:12:00¿Qué, mi amor? Estoy hablando en serio.

01:12:03Gracias, corazón, pero esto lo manejo yo, ¿ok?

01:12:08Ok, está bien.

01:12:10Solo ten cuidado con lo que le vayas a decir.

01:12:13Porque yo recuerdo que cuando mis papás me querían prohibir algo,

01:12:17más me empeñaba en hacerlo.

01:12:19Gracias.

01:12:22¿Te ayudo?

01:12:24Bueno, te toca.

01:12:26Dos platos.

01:12:27Dos platos.

01:12:29¿Pero por qué no puedes negarte? Esto es algo entre tu papá y ese tipo.

01:12:34Porque mi papá está borracho, perdido.

01:12:38Y Poncho sabe que jamás le va a poder pagar eso.

01:12:41¿Y qué es ese favor que te piden?

01:12:43Mira, no te quiero involucrar en esto, amor.

01:12:46A ver, hoy me pediste vivir contigo.

01:12:49¿Estamos juntos o no?

01:12:51Pues sí, pero...

01:12:53Mira, tengo que entregar un paquete.

01:12:56Y si lo entrego, mi papá ya saldrá de su deuda.

01:12:59¿Droga?

01:13:01No lo sé.

01:13:03Tal vez... Mira, olvídalo, ¿sí?

01:13:07¿Y es por única vez?

01:13:09Pues sí, eso es lo que dijo.

01:13:12Bueno, entonces no es tan malo, ¿no?

01:13:15Pues sí, pero mira, aquí en el barrio todo el mundo me conoce y sabe lo de mi papá.

01:13:19Entonces no sé, como que tengo miedo.

01:13:22¿Tú miedo? ¿Y de qué?

01:13:26Pues de que me roben para fastidiarnos o esas cosas.

01:13:31Ya sabes cómo es.

01:13:33No, no, no tengo idea, no lo sé.

01:13:36Por eso te quiero.

01:13:38Porque eres tan linda.

01:13:40¿Y si lo entrego yo?

01:13:42¿Qué? ¿Cómo crees? ¿Estás loca o qué?

01:13:45No, no, no, eso sí que no.

01:13:46A ver, mira, a mí nadie me conoce.

01:13:49Y como tú dices, con mi pinta de niña fresa, pues nadie dudaría de mí, ¿no?

01:13:54Pues sí, tienes razón, pero no puedo pedirte que hagas eso. Es muy peligroso.

01:14:00Sí, lo sé.

01:14:03Oye, me cae que a ti te prende el peligro, ¿verdad?

01:14:07Ay, no seas tonto.

01:14:09Es que tú eres tan bueno conmigo que quiero ayudarte.

01:14:11Pero, bueno, ¿cómo lo haríamos?

01:14:14Bueno, pues tendrías que pasar a buscar el paquete al negocio de Poncho.

01:14:28Y luego, llévala donde él te indique.

01:14:41Hola, amor. Sí, ya estoy aquí como quedamos. En la estatua.

01:14:46Ok, te marco cuando lo he entregado, ¿va?

01:14:49Te amo. Bye.

01:14:53Oye, ¿ya sabes cómo es esto? Sin gritar y dame la mochila.

01:14:56No, no, no, por favor, no.

01:14:57¿Que me la des o te trueno?

01:14:59Déjala a ti.

01:15:02Amor, me acaban de asaltar. Me quitaron el paquete. ¿Qué hago?

01:15:09Sí, está bien, voy para allá.

01:15:11Adiós. ¿En qué lío me metí?

01:15:14Sasha, ¿pero qué pasó? ¿Cómo fue?

01:15:17Es que dos tipos aparecieron de la nada y tenían un arma. Por favor, perdóname.

01:15:21No, perdóname. No debí de haber aceptado tu ayuda.

01:15:24No, es que todo es mi culpa por ser una estúpida.

01:15:27No, no, no. Mira, no pasa nada.

01:15:29¿Y ahora qué va a pasar?

01:15:31Pues no sé. Seguro Poncho va a venir a reclamarme o por el dinero o la droga.

01:15:35¿Cómo? Pero no tienes ni una cosa ni la otra.

01:15:39¿Qué te va a hacer?

01:15:41Mira, pues ¿tú qué crees?

01:15:44¿Y si llamamos a la policía?

01:15:46Claro. Vamos y levantamos una denuncia de que te robaron droga.

01:15:51Tienes razón. Ya sé. Podemos ir juntando el dinero, trabajamos y se los vamos devolviendo de a poco.

01:15:58A ver, Sasha, agarra la onda. El narco te mata. No te ofrece cómodas mensualidades.

01:16:03Oye...

01:16:05Perdóname, amor. Es que estoy fregado.

01:16:09¿Y si vendes tu moto?

01:16:11¿Cómo crees? Pues la ocupo para trabajar.

01:16:14No sé. Es que tiene que haber alguna forma de juntar esa lana rápidamente.

01:16:18No, no, mi amor. Ya no te puedo involucrar más.

01:16:21A ver, me lo robaron y ahora tú corres peligro. Me tienes que dejar ayudarte.

01:16:27Ok. Mira, ya pensaremos en algo.

01:16:32Voy a hacer lo que sea. Lo que sea.

01:16:36Bueno, mira, estoy pensando que tal vez...

01:16:40No, no, no te puedo pedir eso.

01:16:43No, ¿qué? Dime, dime.

01:16:45Mira, hay una vecina que hace contenido hot. Sexual, ya sabes. Lo sube a una página y...

01:16:51No, no, perdón. ¿Qué me estás proponiendo?

01:16:53A ver, tú me pediste que te diera ideas para hacer dinero rápido. Y la neta, a ella le va súper bien.

01:16:58Todo lo sube online, es virtual y no hay nada de clientes físicos.

01:17:01No, perdóname. Cualquier cosa excepto eso.

01:17:05Claro, claro. Tienes razón.

01:17:08No sé ni cómo se me ocurrió ofrecerte eso.

01:17:12Tú eres una princesa.

01:17:15Mi princesa.

01:17:25¿Cómo se atrevió a pedirte eso? Baja la voz.

01:17:27Dime que le dijiste que no.

01:17:29No.

01:17:31¿Le dijiste que sí entonces?

01:17:33¿Qué? No, le dije que no.

01:17:35¿Cómo crees?

01:17:37No, tal vez. Es que contigo ya no se sabe. Ese tipo te tiene como embrujada. Es un degenerado.

01:17:42No, yo lo metí en ese problema.

01:17:44No, él no debe haber aceptado que llevarás nada. ¿Qué hacías jugándole al dealer?

01:17:49Y ahora encima la vas a hacer de trabajadora sexual.

01:17:52Ya te dije que no.

01:17:53Señoritas, señoritas. ¿Por qué discuten así?

01:17:57No, por nada, don Tomás.

01:17:59¿Nada?

01:18:00Amiga.

01:18:02¿Qué consejo le daría a alguien que hizo algo malo y ahora para solucionarlo quiere hacer algo peor?

01:18:09Pues, le recomendaría el dicho, malo es errar y peor perseverar.

01:18:16Ya ves amiga, yo no estoy mal.

01:18:23El Centro de Educación Artística te invita a la convocatoria juvenil dos mil veinticuatro.

01:18:29Busca las bases en lasestrellas.tv diagonal sea.

01:18:35Te esperamos. Esta es tu oportunidad. Televisa Univision.

01:18:54Un reportado aumento en el número de rescates de personas en peligro de ahogarse en el mar.

01:18:59Las autoridades siguen buscando la fuente de esta contaminación.

01:19:02Cada noche tu punto de encuentro con la información en punto diez treinta por las estrellas.

01:19:08Habrá noticias inesperadas.

01:19:10No puedo creer que don Arturo haya asesinado a Juan Pablito.

01:19:13Primero asesinó al padre y después al hijo.

01:19:15¿Pero cómo probarlo?

01:19:17Que iniciarán una cacería.

01:19:19Estoy aquí para ofrecer tres millones a quien de información quede con el paradero de ese asesino.

01:19:23La gente no va a parar hasta encontrarme.

01:19:25Gran final dieciocho de octubre. Ocho treinta de la noche.

01:19:28Súbele a todo el volumen. El sábado también.

01:19:30Esta historia me suena.

01:19:32En cuanto me dieron mi título no me iba a poner a buscar trabajo.

01:19:34Yo pensé que íbamos a hablar de casarnos.

01:19:36No te quiero hacer perder tu tiempo.

01:19:38Le prometí que no se iba a arrepentir de contratarme y se lo voy a cumplir.

01:19:41No te metas con ella porque te vas a arrepentir. Es traicionera.

01:19:43Me hice la promesa que jamás me iba a enamorar.

01:19:46Sábado cinco de la tarde.

01:19:48Este fin de semana no te pierdas el mejor programa deportivo.

01:19:53Noticias y reportajes de todo lo sucedido durante los últimos días en el mundo de los deportes.

01:19:59Para que termines tu semana con la información más completa.

01:20:03La jugada. Este domingo a las once de la noche.

01:20:06Con las estrellas.

01:20:08Jumex presenta Gran Fondo Adolfo Lagos Easy Cardias dos mil veinticuatro.

01:20:13Se parte de esta gran experiencia.

01:20:15Trece de octubre. Participa en cualquiera de nuestras dos distancias.

01:20:18Ochenta y ciento treinta kilómetros.

01:20:19Inscríbete ya en azdeporte.com diagonal cardias.

01:20:23Prepara tu bici. ¿Qué esperas para inscribirte?

01:20:26Últimos lugares. Tu ayuda late.

01:20:28A Pilar le cayeron mal los cenotes.

01:20:31Quiero presentar a mi novia, Paola.

01:20:33Me educaron a ser muy respetuosa con las personas mayores.

01:20:36Yo conozco unos galanes que te puedo presentar.

01:20:39Pero buscará el desquite.

01:20:41Eres mil, Federico.

01:20:43En Más Vale Sola. Sabemos hacerte reír. Este domingo ocho de la noche.

01:20:48Las primeras horas del día también traen las primeras historias que hay que conocer.

01:20:52Ágil, precisa y puntual.

01:20:54Así conocerás toda la información en las noticias.

01:20:57Porque lo que pasa en México y el mundo está aquí.

01:20:59Soy Carlos Hurtado y te espero en las noticias, un noticiero de NMAS.

01:21:02Dines a viernes, cinco cincuenta de la mañana, con las estrellas.

01:21:18¿Que te la pidan de vuelta? ¡Imposible!

01:21:21¿Pero por qué me la quieres quitar?

01:21:23Este domingo recuerda junto a Eugenio T.

01:21:25No se aceptan devoluciones, ocho treinta de la noche, por las estrellas.

01:21:28Adolfo tiene un regalito para Victoria.

01:21:31¿Por qué le quitaste la tapa a la cisterna?

01:21:33Es una tabla de surf.

01:21:35¿Y tu tabla?

01:21:37Y Plácido verá una idea millonaria.

01:21:40Que los surfistas fabriquen sus propias tablas de surf.

01:21:43En una familia de diez, sabemos hacerte reír.

01:21:45Este domingo, siete de la noche.

01:21:48Bienvenido.

01:21:50¡Regresó!

01:21:56¡Es él!

01:21:58¡No puedo creer!

01:22:00¡Es el Chavo!

01:22:02¡Soy tu fan!

01:22:04Porque sabemos hacerte reír.

01:22:06Estreno en las estrellas este miércoles y disponible en VX.

01:22:09Estas son las noticias en punto.

01:22:11La convención nacional republicana en Miwoki es una celebración de identidad.

01:22:15Ha presentado un aumento en el número de rescates de personas en peligro de ahogarse en el mar.

01:22:19Las autoridades siguen buscando la fuente de esta contaminación.

01:22:22Cada noche, tu punto de encuentro con la información.

01:22:25En punto. Diez treinta, por las estrellas.

01:22:28Estos vecinos no son los más listos.

01:22:31Tu viejo, tu viejo.

01:22:33¿Se lo vendía, Jorge?

01:22:35Sí, tenía todos mis ahorros.

01:22:37O creativos.

01:22:39Yo creo que estoy pasando por un bloqueo creativo.

01:22:41Desde hace cuarenta años.

01:22:43Eso sí, cala.

01:22:45Para hacerte reír.

01:22:47Este domingo, cinco treinta de la tarde.

01:22:49¿Te perdiste algo de la jornada deportiva?

01:22:51Nosotros tenemos la acción de la semana.

01:22:53Las figuras que destacaron.

01:22:55Los goles. Anotaciones.

01:22:57Y la información más importante.

01:22:59En el resumen deportivo más visto por años.

01:23:02Prepárate para entrar en acción.

01:23:05Domingo, dos de la tarde.

01:23:07Con las estrellas.

01:23:09Las primeras horas del día también traen las primeras historias que hay que conocer.

01:23:12Ágil, precisa y puntual.

01:23:13Así conocerás toda la información en las noticias.

01:23:16Porque lo que pasa en México y el mundo está aquí.

01:23:19Soy Carlos Gustavo y te espero en las noticias.

01:23:21Un noticiero de Nemás.

01:23:23Lunes a viernes, cinco cincuenta de la mañana.

01:23:25Con las estrellas.

01:23:44Sabemos hacerte reír.

01:23:46Viernes, al terminar el notic.

01:23:48Aldolfo tiene un regalito para Victoria.

01:23:51¿Por qué le quitaste la tapa a la cisterna?

01:23:53Es una tabla de surf.

01:23:55¿Y tu tabla?

01:23:57Y Plácido verá una idea millonaria.

01:23:59Que los surfistas fabriquen sus propias tablas de surf.

01:24:02Me da miedo lo que a usted se le ocurra.

01:24:04En una familia de diez, sabemos hacerte reír.

01:24:06Este domingo, siete de la noche.

01:24:10Bárbara se viene a ir conmigo al pueblo.

01:24:11Me voy a ir cuando sepa quién es el papá de mi hija.

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