- 9/29/2024
Category
🎥
Short filmTranscript
00:00The Dreamer Bird
00:10The first one was pretty.
00:12Ayan didn't like it.
00:14The two-story house?
00:15Azanem didn't like it.
00:17Oh, that's not true.
00:18Neither of them liked any house.
00:20There was a very pretty one with a huge garden.
00:22It was pretty, but the baby's room looked very small.
00:26The baby?
00:28How was it?
00:30Did you find anything?
00:31We were helpless.
00:32We were arguing about the baby's room,
00:35the studio, the TV, the table, the console.
00:38The console?
00:39The console?
00:40A generation that doesn't know what that word means
00:43is about to get married.
00:45I know very well what a console is.
00:47And there are several options for the honeymoon.
00:49Would you like to be in the middle of nature
00:52or take a nap on the beach?
00:54We couldn't decide.
00:55What Ayan wanted to ask you is
00:57if you'd rather take a quiet vacation
00:59or climb mountains, right?
01:01From what I see, you don't agree either.
01:04Well, yes, Emre.
01:05That's right.
01:06We're thinking of a honeymoon in a big city.
01:08Exactly.
01:09It doesn't matter where it is.
01:11The important thing is to be together.
01:13Well, excuse me.
01:14I wish you luck.
01:15Goodbye.
01:16See you.
01:18I'm going home to pick up my things.
01:20Then I'll pick you up and then I'll go to the cabin.
01:24Okay?
01:25Okay.
01:26Mom said she'd stay at the hotel.
01:28Yes.
01:29And then we'll go.
01:30I'm almost done.
01:31Very well.
01:32See you later.
01:35How brave.
01:36Why?
01:37You're not coming back with me.
01:39No, I'm going with Emre.
01:42I also find it strange to say it.
01:45I'll leave the office.
01:47I'll go home and you won't be there with me.
01:50Turn my room into a studio.
01:52Oh, you've always wanted to have a Sanem.
01:55I don't want a studio anymore.
01:57Now, without you, I'm going to get bored.
02:00I won't be able to keep writing.
02:02Forget that.
02:03Don't talk like that.
02:04When we move to our house, I'll take what's left of my room
02:08and then you can use it however you want.
02:11How nice.
02:12You'll have your home.
02:14When you think of the baby's room, the studio,
02:17you forget your old room.
02:19That's impossible, Sanem.
02:24It's very important to me.
02:27We have so many memories there.
02:30I've lived so many things.
02:33Our sleepless nights.
02:36Our dreams.
02:38Our loves.
02:39Your icebergs.
02:41My birds.
02:44My colorful birds, Leila.
02:54One of those birds has to fly.
03:00I'll miss you, sister.
03:02I'll miss you too.
03:18Ayhan, what are you doing?
03:20Ay, Sanem.
03:22How are you?
03:23We haven't been able to talk yet.
03:25Come.
03:26Let's talk.
03:35I know you're hurt.
03:40Leila got married so fast.
03:42I don't know if I am.
03:44At first I was surprised and angry.
03:46But the truth is, I'm not saddened by the separation
03:49or that Leila got married.
03:51At least they realized they were rushing to get married.
03:56Well, I still had to tell you.
03:59But everything happened so fast.
04:02And I want to apologize, Ayhan.
04:04There's no need.
04:05Don't worry.
04:07I'm sad because...
04:10I've lost all faith in love, Sanem.
04:13This is not a good example.
04:16Look at Jan and me.
04:18The situation is not very calm either.
04:21You had to change jobs.
04:23Leila left the neighborhood.
04:25My brother left too.
04:27That's how love works.
04:29I don't understand.
04:30It's not for me.
04:32I should have told you a long time ago that you were wrong,
04:35but sometimes there are moments...
04:40when I think the same as you.
04:43I'm tired of seeing the same thing happen all the time.
04:47I don't know yet.
04:50But I feel like I can do whatever I want at any time.
04:55Hey, of course you can do whatever you want.
04:58Otherwise, you wouldn't be yourself, Ayhan.
05:00That's right.
05:01You'll make the right decision.
05:03You'll see.
05:05Whatever I do, wherever I go,
05:09you'll always be in my heart.
05:12Here.
05:14No one can separate us.
05:16Yes.
05:17I love you very much.
05:19You know that.
05:21And I love you.
05:23Well, I have to go see J.J.
05:26Okay.
05:28Hugs.
05:32You're going to make me cry, Ayhan.
05:35Don't cry.
05:38Okay.
05:39See you.
05:40Call me.
05:41Of course.
05:42I'll call you.
05:47Bye.
06:02What are you doing?
06:03Why?
06:04The blankets for Leila.
06:07Oh, I forgot.
06:10It's the habit.
06:13I sit in the place of Leila.
06:15Yes, sit down.
06:17What I was missing.
06:19I will see your face every time I turn my head.
06:22Rejoice that you can see her.
06:24If we were identical twins, you would see your own face.
06:27Ah, with swollen eyes, that baldness, and full of wrinkles everywhere.
06:32You should worship my wrinkles.
06:35Every day I get up next to that face.
06:38And I think, how lucky I am, thank you very much, my God.
06:43I am the lucky one.
06:45I am lucky to see your face next to mine when I wake up in the morning.
06:50Oh, how cute, but they are both very romantic.
06:55Instead, you have horchata in your veins.
06:57How lucky you are, you are very lucky.
06:59With that physique, you managed to marry Mepkide.
07:02Quiet.
07:03Oh my God, give me patience, please.
07:06Don't worry, dad.
07:07The uncle was just kidding, right?
07:09Of course.
07:10I can feel Leila's absence.
07:12It's a great shame.
07:14I have anguish.
07:16Sister-in-law, don't get like that.
07:18Your daughter is an adult and she got married.
07:20It hurts.
07:21Don't talk to me like that.
07:22And if something happens to her, it's the first time we're separated.
07:26Don't listen to her, Mepkide.
07:28For a single man, it's easy.
07:29She has no children.
07:30Ah, she doesn't even know what she's talking about.
07:32Forget those old ideas.
07:34Look, in Europe, when you turn 18, you're kicked out of the house.
07:39Well, that's terrible.
07:41Who would kick their son at that age?
07:43I'm serious.
07:44They kick them out of the house so they can learn to value themselves.
07:48Wow, how can you say that to your children?
07:50That's right.
07:51Well, they do it there to avoid this situation,
07:54so that the children are not such weak people.
07:57We are not weak, uncle.
07:59The children who stay with their parents also learn from all their experience.
08:04Sanem, I didn't mean to say that you were weak.
08:07I know you value yourself.
08:09Daughter, your uncle only says nonsense.
08:11Don't listen to him.
08:12Well, let's have dinner before the soup gets cold.
08:19Mepkide.
08:22It's Leila's favorite soup.
08:25Maybe he's remembering us.
08:30Delicious.
08:31In France they have a similar version.
08:34Someday I'll make it.
08:36They'll copy it from ours.
08:39Emre.
08:40Calm down, love.
08:41I want to see what you have prepared for me.
08:43Patience.
08:44We're almost there.
08:45Almost, almost.
08:48Three, two, one.
09:00Oh.
09:04Emre, it's beautiful, my love.
09:10It all happened so fast that I couldn't propose to you properly.
09:14Love, I know that very well.
09:17I also gave up all the protocols to be with you as soon as possible.
09:29Ha ha.
09:39Do you want to spend the rest of your life with me?
09:47Of course.
09:49I want to spend the rest of my life with you and love you more and more every day.
09:59Yes.
10:09So, will you give me this dance?
10:14Of course.
10:23I love you, Leila.
10:25Ha ha.
10:27It seems that my mother was right.
10:29Yes, do you think so?
10:31Now you'll see.
10:32Ha ha.
10:40I love you, Leila.
10:43I love you too, Emre.
10:45I love you too, Emre.
10:59Zanem, relax.
11:00Yes, move.
11:03Move your muscles a little.
11:06That's right.
11:08Good.
11:09That's it.
11:11Are you ready?
11:16Oh, inspiration, come to me.
11:25Oh, it doesn't work, I can't write.
11:28What's wrong, great writer?
11:30I can't attend you now, it's not a good time, yes?
11:34Write your novel.
11:35You were excited, you said it was going to be a bestseller.
11:39You can't say it right.
11:40Besides, I have no idea.
11:42How are you going to write if you don't do anything but think about Jan?
11:46It's true.
11:48I used to think about Jan and I felt calm,
11:50why now I panic and get nervous?
11:53You have understood that you belong to two different worlds.
11:57Different worlds?
11:59Am I from Mars?
12:01You would be from Venus, I better not say anything.
12:03Aren't you going to say anything else?
12:05Seriously, now you should add something for me, I need it.
12:08Don't you realize how different they are?
12:11They have nothing to do with each other,
12:13not even when they were looking for apartments.
12:16That seems, but ...
12:18But what?
12:19He's afraid of having a family.
12:21Didn't you see how scared he was?
12:25Yes, a little.
12:26A little?
12:27Why do you think he postponed the wedding so easily?
12:31You still don't realize?
12:33I don't know, I don't know.
12:35When someone falls in love, he becomes blind to reality.
12:38Maybe that happens to me and I don't want to see things.
12:40Could that be?
12:45Hey!
12:47Answer!
12:49If there are difficult questions, you disappear.
12:51Fool.
12:57Oh, I can't write!
13:02Calm down, calm down.
13:04Move so that the blood reaches the head.
13:11Good morning, boss.
13:12Good morning, editor.
13:14Advertiser, editor and writer.
13:17Well, the last one seems unattainable.
13:20I'm not doing it very well.
13:24You don't do it?
13:26Don't you work on your novel?
13:28I work on it.
13:30Uh ...
13:31Every day I sit at the computer and try to write,
13:34but I don't know how to write.
13:36Every day I sit at the computer and try to write,
13:39but I can't.
13:40But you have to devote yourself fully to the novel,
13:44not just a couple of hours a day.
13:46Yes, I know.
13:47It's just that lately things have gotten a little complicated
13:50and I haven't had time.
13:52And when I've had time, I'm left blank.
13:56And what can we do?
13:58Oh, I know.
13:59Start by setting a goal, for example.
14:02We can do it if you want, you decide.
14:04Write a certain number of pages a day, for example.
14:07Two or three pages.
14:09I couldn't write two lines yesterday.
14:13I see.
14:14But you have to write.
14:16You always have to write,
14:18even if you don't like what you write.
14:20You have to write.
14:21Sure.
14:22I'll do it.
14:23I'll try.
14:25You're welcome.
14:26Well, I'll go see my sister.
14:28Very well.
14:29I'll write.
14:30I hope so.
14:31Come out what comes out.
14:34Okay.
14:45Brother, do you have the last records?
14:49Yes, sit down.
14:50Calm down.
14:51No, I have a lot to do.
14:52Sit down.
14:55Mr. Emre, tell us,
14:57how does it feel to work instead of being on your honeymoon?
15:00Terrible.
15:01No more questions.
15:04Emre.
15:05Hmm?
15:06Look, honey.
15:07Oh.
15:08They weigh a lot.
15:09Here you go.
15:10These are all the contracts.
15:11In one I found the provisions
15:13on the non-compliance of the conditions.
15:16Mom, how many folders and how many contracts are here?
15:20Well, 15 or 20.
15:23You signed them.
15:24I can't do anything.
15:2615 or 20.
15:27Well, I'll check them after the honeymoon.
15:30Don't even talk.
15:31It's urgent.
15:32And don't waste time.
15:33Come on.
15:34Start now.
15:35Come on.
15:36Mom never misses him.
15:38Emre, I'm very sorry for you.
15:40I have to solve this paperwork.
15:43Do you remember Mom's list?
15:45Could you check it to help me a little with her?
15:48Yes?
15:49Very well.
15:50Yes, your brother is ready to help you.
15:52I'm going to see Zanem,
15:53because she has a folder with the travel agency.
15:56And she should have sent it to me,
15:59but she forgot.
16:00So I'm going to Vargo.
16:02I'll take care of it.
16:03Don't worry.
16:04Give me a hug.
16:05You're welcome, brother.
16:06Thank you very much, Jan.
16:07Mom doesn't have a heart, but mine is worth two.
16:11Stay here and work.
16:12See you.
16:13Yes, well.
16:14Goodbye.
16:17Hey Jan, thank you very much.
16:25It's strange.
16:26In that house there are many things,
16:27but none of them belong to me, you know?
16:29I feel like I'm living in a stranger's house.
16:33But you don't have to adapt to that house either.
16:36Think of one thing.
16:38Soon you can move with Emre to your own apartment.
16:41Yes, I hope we can do it soon.
16:43We'll see.
16:44Let's see, even if you marry the person you love,
16:47marriage is not easy.
16:49If you also add smoke to the equation,
16:51things get more complicated.
16:53I come as a whirlwind in our lives.
16:55The truth is that I'm worried, but I don't say anything to Jan.
16:59For me it is obvious that Uma does not accept us.
17:03Yes, it is very possible.
17:05But try not to be so pessimistic.
17:07That's even worse.
17:09I think that when you are with the person you love,
17:11they can face any difficulty together.
17:13I hope so.
17:14After seeing everything you've been through,
17:16now I'm afraid to get married.
17:18And... and...
17:19I don't know what to do about it.
17:21No, Sanem.
17:22Don't say that.
17:23Every relationship is different,
17:25but the mother-in-law is the same.
17:27And what do we do then?
17:29Are we going to leave the people we love because of Uma?
17:32Do you understand what you're going to have to go through?
17:49What's up?
17:50Did you make any progress?
17:52The truth is that...
17:57What's wrong with you?
18:03I think Sanem...
18:06She has doubts about marrying me.
18:09And why do you say that?
18:11I heard her down here while she was talking to Leila.
18:16In short, she told her that sharing her life with another person
18:23is already quite difficult.
18:28And I'm afraid of my mother.
18:31Well, I understand that you are afraid.
18:34Mom is someone who inspires fear.
18:36True, but yesterday I took an important step.
18:39Although that is not the problem, Emre.
18:42Yesterday we went to the real estate agency and looking at the houses.
18:48We realized that we did not agree on anything.
18:51Do you understand, brother?
18:53That's why Sanem is like this.
18:55She is afraid.
18:56And...
18:58I think she has doubts about whether she should share her life with me.
19:06Let's see...
19:08Listen to me.
19:09The love between you and Sanem has inspired Leila and me.
19:15They tried to separate us with lies, manipulating us.
19:19And they did not succeed.
19:22And if Sanem did not love you, she would have left you.
19:28All the difficulties have made them more united than ever.
19:36Take it into account.
19:39Stay strong.
19:43Do not be afraid.
19:46You're right.
19:56Leila?
19:57Yes, tell me.
19:58Hey, here are the copies of the contract we will send to Canada.
20:01Can you check my translation?
20:03Sure, I'll check them.
20:05Good.
20:07Oh, hey.
20:09And I found that there was an error in the printing cost of the books.
20:14And, well, our numbers do not match those of the printing.
20:17So it's an urgent matter and we have to solve this problem as soon as possible.
20:22Of course, I'll take care of it.
20:25It's my mother. I answer and then I continue.
20:28Good.
20:31Yes, mom.
20:33As you wish, mom.
20:37Good.
20:39Incense.
20:40Tea.
20:42And my headphones too.
20:44Strength.
20:45Determination.
20:46I have everything I need.
20:48I'm ready to write and create my novel.
20:51Okay.
20:52Of course.
20:53I know.
20:55Look, I'm not going anywhere until I finish the list, okay?
20:58Well, I have to hang up.
20:59Goodbye.
21:00Sanem.
21:02Sister.
21:03Please, I need you to help me.
21:05I have to finish this list or mom won't let me go to the honeymoon.
21:09And I'm very busy.
21:10I don't have time.
21:11Wow.
21:12I know you're also very busy and you have to focus as much as you can to write your novel.
21:17But please help me to the honeymoon.
21:21Okay, no problem.
21:25You're the best sister in the world.
21:27Look.
21:29We have to pack.
21:30That will distract mom for a long time.
21:32Do you understand?
21:33Of course.
21:34Thank you very much.
21:35Then I'll talk to Jan.
21:37Can we go together?
21:38Yes, of course.
21:40And the list?
21:41Leave it there.
21:50Hello.
21:52Hello.
21:53Hello.
21:55Hello.
21:56Hello.
21:57Hello.
21:58Hello.
21:59Hello.
22:02JJ.
22:03Hello, Sanem.
22:04What's up?
22:05Here, working.
22:06I'm a very hard-working person.
22:08I spend all day working.
22:10The agency's weight falls on me.
22:13Do you want to see what I've done?
22:15We were all expecting Jan and Sanem's wedding and it turns out Leila and Emre get married by surprise.
22:20Let's see.
22:21I knew Jan wasn't in a hurry, but Emre's thing has surprised me.
22:26I admire both of you.
22:27Really.
22:28Because they're two brothers who have always supported each other.
22:31And this could be a kind of rehearsal for Jan and Sanem.
22:35Yes, it could be.
22:36But I honestly think Jan is overwhelmed.
22:40The poor boy doesn't know the details of organizing a wedding.
22:44I think he's afraid to get married now.
22:47Really?
22:48I've never seen Jan afraid of anything at all.
22:51I thought the same, dear.
22:53But then I heard myself that Emre told her what he really thinks about marriage.
23:10Wow, I would have made a huge list.
23:15Use ties and flowers to decorate the groom's car.
23:19What are the packages for grooms?
23:21Leila told me they are packages that carry clothes and other things.
23:24We give them to his family and they give them to us.
23:28It's like a kind of exchange.
23:30How much nonsense.
23:31Packages, henna.
23:33What else?
23:34I agree.
23:35But Leila doesn't want to hurt her mother.
23:38It's a tradition.
23:39And I don't complain to avoid problems.
23:41Yes, I understand.
23:42We say yes to everything to keep the families happy, but they never ask the grooms.
23:47Is it true?
23:49Unfortunately.
23:50And then they say that marriage kills love.
23:52And of course, how are you going to kill it if from the beginning they don't even let you breathe?
23:56Don't exaggerate.
23:58You're going to help me, right?
24:00Of course I'm going to help you.
24:01How am I going to leave you alone with all this?
24:03Perfect.
24:06Hello.
24:07Hello, my love.
24:08How are you?
24:09Come, sit down.
24:10We were talking about the list, reviewing it.
24:14That's why I came.
24:16We have to complete it urgently.
24:18My mother is pressuring Leila a lot and she gave me the list.
24:22And should I do it alone?
24:24Because you're busy too, like my sister.
24:28I can go alone.
24:29I know this is boring.
24:31No, we go together.
24:32They are boring and senseless tasks, but we can't do anything.
24:36But hey, let's see what the list says.
24:39They wrote down a lot of things here.
24:41Well, where do we start?
24:43What do we do first?
24:45I'm not very sure.
24:46I'd start with the packages.
24:48That way we'd get rid of the most complicated stuff.
24:50Good idea.
24:51I can go and you stay and review the contracts.
24:54No, you do the contracts.
24:56You understand more of those things.
24:57And so we do the list, right?
25:00Uh-huh.
25:01Well, let's go.
25:03Postponing it doesn't solve anything.
25:06Well, let's go.
25:07No?
25:08If you finish earlier, pick up Leila and catch up with us.
25:10Yes, let's see if I can.
25:11I don't think I'll give you time.
25:12It's a lot of work.
25:13Let's start, right?
25:14There are 15 contracts.
25:16We have to buy some shoes with sheepskin.
25:19I saw where they sell them.
26:14It's here.
26:38Hey, can you leave the bags on the floor?
26:41Good morning.
26:42We came because we want to buy henna.
26:45Sure, what do you need?
26:46Of course, the henna for the henna night.
26:50Well, we want some templates for the bride and groom,
26:53and some handkerchiefs for the guests, like these.
26:56This list is endless.
26:58It's not as refined as your mother's,
27:00but they're things typical of our tradition, Jan.
27:02I don't like my mother's either.
27:04Are you the grooms?
27:05No.
27:06No.
27:07No.
27:08But we'll get married too.
27:09But not now.
27:10First, my brother and his sister did it,
27:12and if they survive, then we'll go.
27:14Well, here we have several templates.
27:16You put it on your hand like this.
27:18Good.
27:19Then you fill in the gaps, then...
27:21Hop.
27:22And you'll look like an Indian woman.
27:24An Indian woman?
27:25That's what they say.
27:26We have a lot to do.
27:27There's still more work to do.
27:29There's also this template.
27:30You put it on top, and then you wet it a little.
27:32Like this?
27:33And you let it dry.
27:34It's like decals.
27:35Exactly.
27:36It's better if you buy a normal template and the henna,
27:39and we'll continue with the list, okay?
27:41Yes.
27:42Of course.
27:43Good.
27:44I haven't been to a store like this in a long time.
27:47Yes.
27:48Almond sand.
27:49Well, it's also in my mother's store.
27:53Yes.
27:55Are you okay?
27:56Uh-huh.
27:57Uh-huh.
27:58You look tired.
27:59No, I'm not.
28:01Actually, you look tired.
28:04Tired?
28:05Aren't you?
28:06Don't you get tired of spending time doing all this, Jan?
28:09I don't know.
28:10I don't get tired easily.
28:13On the other hand, you do look tired.
28:15No, not at all.
28:17I'm fine.
28:19And this helps us practice.
28:22Oh, that's true.
28:23For our wedding.
28:24Then comes ours.
28:27Here are the materials.
28:28How much is it?
28:29No, Jan, I'll pay.
28:30No, let me pay.
28:31Jan, leave it.
28:32Don't even talk.
28:33You paid for the previous purchase.
28:35But Jena's night is only for girls.
28:37So what makes it only for girls?
28:39I already told you no.
28:40My mother insisted.
28:41It's about our rites and our tradition.
28:43So accept it.
28:44And if the groom's family pays for it, what happens?
28:46I told you no.
28:47We have to do things the right way.
28:53Well, I give up.
28:55I don't understand any of those traditions of yours.
28:58But we'll do whatever you want.
29:01Look, my traditions may seem silly to you.
29:04But I grew up with them.
29:07And to me they are important because they are our customs.
29:11Well, if it's so important to you, pay and let's get this over with.
29:16Okay.
29:17Okay.
29:18How much did he say it was?
29:22Here you go.
29:29Thank you very much.
29:34That's what they say.
29:35But then they forced him to marry her.
29:37Of course they did.
29:38Yes, of course.
29:39That's what happened.
29:40What do you say about Leila?
29:41Again with your gossip?
29:42We didn't say anything.
29:43What are you talking about?
29:44Didn't I tell you to leave us alone?
29:45I already told you.
29:46Get out of here.
29:47Run, run, run.
29:48Let me go, sir.
29:49I'm telling you to let me go.
29:50Let me go.
29:52What's going on?
29:53Let me go.
29:54What's going on?
29:55Aihan.
29:56Aihan, Aihan.
29:57Aihan, calm down.
29:58Everyone, go away.
29:59Go back to your work.
30:00Okay.
30:01That's enough.
30:02Alright, alright.
30:03Relax.
30:04Sit down.
30:05Relax.
30:06Good.
30:07That's right.
30:08What happened?
30:09Huh?
30:10Tell me what they said to you.
30:12They didn't say anything to me.
30:14Well, then, tell me what you did to me.
30:18You didn't do anything to me.
30:20So?
30:21It's just that lately I've been very upset.
30:28Well, it's over. Calm down.
30:31I don't want you to worry.
30:38I'll try to write now that there's no one.
30:44Come on, you can do it.
30:50I'll try.
31:03Jan, how does love affect people?
31:06Yes, I know, but for example,
31:08let's say you're free and you say you're very happy and so on.
31:12But one day you realize that that freedom is accompanied by loneliness.
31:19Jan, I'm very afraid.
31:21If we do the same as Emre and my sister, what will happen?
31:26I have an idea.
31:27Until everything calms down, let's not talk about the wedding.
31:32It's much better that way, don't you think?
31:39Yes, it may be, but I sincerely believe that Jan is overwhelmed.
31:44The poor boy does not know the details of organizing a wedding.
31:47It seems to me that now he is afraid to get married.
31:59Let's see, even if you marry the person you love,
32:02marriage is not easy.
32:04If you also add Uma to the equation, things get complicated.
32:08And the truth is that I'm worried, but I'm not saying anything to Jan.
32:12For me it is obvious that Uma does not accept us.
32:17After seeing everything you've been through, now I'm afraid to get married.
32:23And I don't know what to do about it.
32:30I can't write, not even a word.
32:34Oh Sanem, the atmosphere is perfect. I love incense.
32:37Yes, but it didn't help at all.
32:39What? You couldn't write?
32:41No, I try to concentrate, but when an idea comes, it almost immediately disappears.
32:49So what are you going to do?
32:51It seems that your thoughts are like clouds, they fade.
32:56Hey, I don't want to pressure you, don't misinterpret me.
33:00I know how much you love to write and I'm sad to see you like this.
33:04And of course, writing is not an easy task at all.
33:08Of course it is not, it is not at all.
33:11But you have to be able to write, it is very important.
33:14Let's see.
33:16First of all, you have to listen to your inner voice.
33:19But here it is impossible, there is a lot of noise and distractions.
33:23It is true.
33:25The people who love you, the people with whom you share your life, whoever they are, should give you an opportunity.
33:33And if they don't want to give it to you, you should give it to yourself.
33:38Do you understand what I mean?
33:40You have to get out of all this mess to listen to your inner voice.
33:45You need peace of mind.
33:52I thank you very much, Chiquit.
33:57You just gave me good advice.
34:02I'm going to talk to Jan about what overwhelms me.
34:09Jan?
34:11What's wrong? You look scared.
34:13No, nothing bad has happened, or at least nothing that I know of.
34:17But we started the day with a few surprises.
34:21Oh, what's the first one?
34:24Who's getting married today?
34:26Oh, no, no, no one's getting married today.
34:29It's a surprise.
34:31Oh, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no.
34:35Jan's not getting married today.
34:36Oh, no, no, no one's getting married,
34:38but you've gotten close to the marriage.
34:43What is it? What is it?
34:45Well, let's see. Do you know Sweet Line?
34:48It's a clothing brand.
34:49It's our new client. It's very important.
34:52We've organized a photo shoot today. We're ready.
34:58All right, just do what you planned.
35:00Yeah, even though the client today asked us for something different.
35:04Let me guess.
35:05Let Yandivid take the pictures.
35:08It's classic.
35:09You've hit the nail on the head.
35:10Classic.
35:11It's classic.
35:12Yes.
35:13Okay, I'll do it.
35:14Yes, but they've also surprised us with another request.
35:16They've asked Yandivid to pose as a model in the pictures.
35:20It can't be.
35:23What's wrong?
35:25They want me to work as a model posing in the pictures.
35:28You're just in time to give me a hand.
35:30I'm in a very difficult position.
35:32Very well.
35:33Don't you think Jan would do a great job as a model?
35:37It's crazy.
35:38But Jan, please don't shut up.
35:40They'll allow you to work however you want.
35:43I had found a Ukrainian model for the session and he broke his arm.
35:47I can't think of what I can do now.
35:49Peren, I'm the owner of the agency, but I'm not a model.
35:53And I don't know how to pose.
35:54I would do it very well, Sanem.
35:56Don't you think you can do it?
35:58I would do it great.
36:00Yes.
36:01Besides, we don't have another model who can do that, Jan.
36:05You're very handsome and you would do it great.
36:07Listen, Jan.
36:09The signature says that Yandivid and his well-known adventurer spirit
36:15match the image of the brand they're looking for.
36:18And that's why they can't settle for any other model that has that.
36:22No, Peren.
36:23Don't worry.
36:24I've got it all under control.
36:26I know that.
36:27You will be above all, controlling everything that is done.
36:31I know you well, but I won't do it.
36:34Sanem, help me.
36:38Well, what a shame.
36:41Jan, we've worked very hard on this project.
36:45I also got some interesting information.
36:48This brand is going to partner with other companies to enter the European market.
36:53And if we do this project well, we'll have the following.
36:56Well, that means it would generate a lot of income for a year.
37:02And the concept?
37:03You want to know?
37:04It's bridal gown.
37:06And the bride?
37:08There's a Ukrainian model.
37:14What's wrong?
37:17Sanem, would you marry us?
37:21Okay.
37:52This is Sanem.
37:56We're wearing bridal gowns.
37:58I can't believe it.
38:00Well, it's great.
38:01It's a proof of our wedding.
38:05I had no doubt that you would look beautiful in bridal gown.
38:09But you're more beautiful than I imagined.
38:12Extremely beautiful and fantastic.
38:15How silly.
38:17You're also very handsome.
38:19Uh-huh.
38:20Well, you're great.
38:23Great?
38:25That's more than handsome.
38:27Yes.
38:29We have to pose.
38:31Shall we start?
38:32Yes, let's start.
38:33Very well.
38:34Let's go.
38:35Are you ready?
38:36Look at the camera.
38:37Uh-huh.
38:40Let's get comfortable.
38:42Let's get it right.
38:46Very good.
38:47Keep it up.
38:54Sanem, you have to relax a little.
38:56What do you want me to do?
38:58It's my first session.
38:59Wait a minute.
39:00I'll take care of this.
39:02I'll make you relax.
39:03You trust me.
39:04John.
39:06Ayan, what are you doing?
39:08Did it work?
39:09You're better, aren't you?
39:10What do you think?
39:12Now you're more relaxed.
39:14It's true.
39:15Yes, yes.
39:16Come here.
39:17Come here.
39:24Now one while you kiss me on the cheek.
39:27Very good.
39:28Yes.
39:29Very good.
39:30Very good.
39:31Very good.
39:32Very good.
39:33On the cheek.
39:34Very good.
39:35Yes.
39:36I'll send it to you.
39:38Shall we change?
39:39Uh-huh.
39:40Ayan, what do you think of this wedding dress?
39:43There's more.
39:44This is one of them.
39:47And an emoji of flowers, because girls love that.
39:50Take an emoji.
39:51On the cheek.
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