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Augustin Abenn HD™
  • 9/25/2024

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00:00THE LORD OF THE SKIES
00:07Come in.
00:11Mrs. Arcos.
00:13Come in, Santos.
00:15Come in and close the door.
00:26What's with the face, Santos?
00:29Santos Pellicer always keeps his word.
00:34You did it.
00:35Did you doubt it?
00:37No.
00:38Actually, no.
00:41Have you found any information?
00:43I haven't been able to read it well yet.
00:45I just picked it up from Maria Fernández's room.
00:48No one would have seen you, right, Santos?
00:50Of course not.
00:52Come on, sit down.
00:58And read something.
01:01What?
01:02I don't know. Open it and the first thing you find.
01:05I'm looking forward to seeing if Maria Fernández
01:08writes the same nonsense she says.
01:12Let's see...
01:16This one.
01:18But despite how much she loved her lover,
01:23something was wrong with the girl.
01:25Every time they talked about marriage,
01:27she would come in like a paralysed person.
01:32And she didn't know why.
01:35Well, I guess you're not reading the spelling mistakes, are you?
01:38No, because you can't.
01:40But she has a few that are very boring.
01:42Although that's the least of it.
01:44This brochure is unsmokable.
01:46Yes.
01:47I think it would be more useful to liven up the fire in the chimneys.
01:50But keep reading.
01:51Maybe you'll find something more interesting.
01:54You choose what you want.
01:57Let's see...
01:58I'm so clueless.
02:02Look.
02:03Here, for example.
02:06But then, why did her departure hurt so much?
02:13Maybe it wasn't just the distance, but...
02:17But something had broken between them.
02:22No, no.
02:23Don't go on.
02:24I'm going to cry.
02:25Well, I guess this whole paragraph is dedicated to her lover, Salvador.
02:30That's what it's for.
02:31Cursing and cursing at the same time.
02:34Well, look.
02:35Maybe you'll find something more interesting.
02:40Let's see...
02:44This one, for example.
02:47He was a fair and kind man.
02:51So good, so good, that many people thought he was too soft.
02:57She was the complete opposite.
02:59Hard as a stone.
03:01Maybe she had a heart, but it was so cold
03:05that she never showed any kindness or closeness.
03:09Stop.
03:10Don't keep reading.
03:11What's going on?
03:13It's clear that he's talking about the Marquises.
03:17You think so?
03:18Yes.
03:19It's obvious that this notebook contains something more than innocent notes.
03:25This notebook contains grievances that we must not let pass.
03:36Santos.
03:38Don't tell anyone what you just read.
03:41Of course not.
03:44If you don't mind, I'm going to return it right now.
03:47No, no.
03:48Don't do it.
03:51I think this notebook will be much more useful than I imagined.
03:59I'm going to examine it in detail.
04:14Curro.
04:16Are you here?
04:17Yes, I was trying to read the newspaper.
04:20So you're not very busy.
04:22No, not really.
04:30Great, why do I have to talk to you?
04:33I see.
04:34What's going on?
04:39It's about my wedding with Hanna.
04:43Do you already know the date?
04:46Yes.
04:48It will be tomorrow.
04:49What?
04:50Really?
04:51Yes.
04:52But Manuel, that's wonderful.
04:54I know.
04:55I'm sorry I can't tell you more.
04:57You already explained to me the reasons.
04:59You don't want me to ruin it.
05:00Curro, that's not it.
05:02What I don't want is to compromise you.
05:04If you don't know anything, they can't force you to say anything.
05:07Do you understand?
05:10Then why are you telling me the date?
05:15Because your dear sister did the same thing with María Fernández.
05:20I see that something has failed in your perfect plan to keep everything in the most absolute of secrets, right?
05:26Well, yes.
05:29And given the circumstances, I think it's fair that you are also aware.
05:32Yes?
05:33Since I am the brother of both traitors, I thank you for the gesture, yes.
05:39Although you know perfectly well that what I would like would be to take you to the altar.
05:45Yes, I know.
05:46Don't worry.
05:47It's impossible.
05:48It's okay.
06:00Manuel, you are in a bad mood.
06:03Why do you say that?
06:04Well, because you are shaking like a flan and because you just drank my coffee.
06:09Forgive me.
06:10No, forgive me.
06:12After all, this is going to be the most important day of my life.
06:16The only thing I feel is that it will not be the wedding I dreamed of for Hanna.
06:19And why do you say that?
06:21Because it will be.
06:23Ángel would love us to be able to share this day with the people who love her the most.
06:28And there are many.
06:29Yes, starting with María Fernández, from what I see.
06:32And for you.
06:37I swear I would love to shout to the four winds that I am going to marry her.
06:42But unfortunately it is impossible.
06:45Yeah.
06:47Well, you told me.
06:49Even if I'm not shouting.
06:54Curro, you know that one way or another you will be there with us, right?
06:59I don't know.
07:03And now, tell me.
07:06How can I help you?
07:09You have already helped me a lot.
07:11Yes, yes, I know.
07:12But I'm sure I can do something else to make you feel better.
07:18Well, actually you can.
07:20Let's see, tell me.
07:26Brother, when ...
07:28When we get married, I'm going to ask Father Samuel to bring a letter of promise.
07:32A letter?
07:33Yes.
07:34In it I will explain what happened and why I acted in that way.
07:38So are you going to tell your love story with Hanna?
07:42That's right.
07:44And something tells me that the news will be devastating.
07:47Your mother is not going to take it well.
07:49No.
07:50But my mother's is not fixed.
07:53What matters to me is how our father is going to take it.
07:58And you want me to be present?
08:01That's right.
08:03And why don't you prefer that I give him the letter directly?
08:06No.
08:07Not in any way, because that would make you my accomplice.
08:11And I don't want to put you in that problem even when I'm going to put land in the middle.
08:14So?
08:17So I need you to be there.
08:21I need you to support our father in what he needs.
08:27And most importantly,
08:29that you make him see the good side of all this.
08:35Okay?
08:36Yes, like, for example, make him see that you are going to be very happy.
08:42Right?
08:44Immensely.
08:48Well, count on it, brother.
08:52Don't worry.
08:53Calm down.
08:58Hello.
09:07Am I interrupting some captivating reading?
09:11Actually, I can't get past the first page.
09:14Well, then it's not that captivating, right?
09:17I'm afraid the problem is not the reading, but myself.
09:24Let's see ...
09:26If I'm honest with you, I couldn't either with this novel, huh?
09:30You're right.
09:32The election didn't help either.
09:37Why do you spend your hours here, locked up?
09:40If you were interested in reading and you were spoiled, I could understand, but ...
09:45I don't know, I'm surprised not to see you wandering around the farm,
09:49watching the crops or ...
09:51that the grain grows properly.
09:55The grain grows well without surveillance.
09:59Let's see, I'm an ignorant in everything that has to do with the field, we all know that, but ...
10:04This ignorant is worried about you.
10:07I'm just tired.
10:09I don't think it's anything serious.
10:11But thank you for worrying about me.
10:14You are my favorite cousin.
10:16Thank you, Martina.
10:20And how are you?
10:22Fine.
10:25Well ...
10:27I think I'm dying of jealousy, cousin.
10:30Jealous of whom?
10:32They are my feelings, so let's leave the subject.
10:35Come on, tell me. Jealous of whom?
10:38Well, I know that those jealousies are not justified,
10:42because I was the one who insisted that she stay with us, so ...
10:46Are you talking about Julia?
10:48I couldn't imagine that she would be interested in that way for work.
10:52Really?
10:53She doesn't even leave him alone.
10:55But wait a minute, wait a minute.
10:57How is it that you are jealous of Julia?
10:59Well, maybe I chose the word wrong. What I mean is ...
11:05that I feel displaced.
11:07That's what I mean by being jealous.
11:09But now Curro and you have a friendship relationship, right?
11:12Yes, that's why I told you that I chose the word wrong.
11:15But we have known Julia for a very short time.
11:18And now they seem inseparable.
11:21Curro has been at the forefront.
11:23I think he knows how to take care of himself.
11:25Yes, in many aspects yes, but in many others I don't think so.
11:30And I would be afraid to let Julia hurt him.
11:35Are you listening to yourself, cousin?
11:38Why?
11:40Well, I think you have chosen the right words and you are dead jealous.
11:45What is there between Curro and you?
11:47Is that you are together again?
11:49No.
11:53We are fine, but we are not ...
11:57You don't know what you are.
11:59It's not true.
12:01I know we are not dating.
12:03And I know we are not engaged.
12:06But I know we are fine.
12:08And that maybe there is some possibility that there is something more.
12:13And do you think Julia's presence can ruin that possibility?
12:19I'm afraid so.
12:21Well, talk to him.
12:23Let him know that you are worried.
12:26No, I can't.
12:28Be honest with him.
12:30And so he will be with you.
12:32Maybe that can help you find out who you really are.
12:54Vera.
12:56Vera.
12:58Do you know where Javel's water is?
13:00What?
13:02It's just that I just had some tablecloths with María Fernández
13:05and we have realized that one has a stain and does not come out with soap.
13:08Yes, yes, of course, sorry.
13:10The point is that it has run out.
13:12I suppose they will bring it now when they go shopping in town.
13:15Well, in that case, the tablecloth will have to wait.
13:18I have to go up to attend to the gentlemen.
13:19If you want, I can clean it as soon as they bring Javel's water.
13:24Would you do that for me?
13:26Of course, it costs me nothing.
13:28Thank you, Vera, you are a heaven.
13:30You will see less.
13:32No, really, I'm not exaggerating.
13:34You are one of those people who deserve to have returned the promise.
13:37Now I'm going to smile, Teresa.
13:39Well, that's what I feel.
13:41And not only do I think so, everyone is delighted with you.
13:44Thank you very much.
13:46All but Santos, of course.
13:47And I don't understand why.
13:49María Fernández told me in one of her letters that you became a couple.
13:56Well, a lot has happened since then.
13:59Yes, of course.
14:02I guess it's something personal, but I just want you to know that you can count on me for everything you need.
14:10In reality, there is not much to tell.
14:14I was never very convinced of that relationship.
14:17Oh, no?
14:19No.
14:21I never felt very comfortable with Santos.
14:25I didn't know.
14:27Don't worry.
14:29No one knew, or almost no one.
14:34I'm sorry.
14:35No one knew, or almost no one.
14:39And then why were you with him?
14:42Well, it's ... it's hard to explain.
14:45Not even the whole past?
14:49Let's just say that Santos always found a way to keep me by his side.
14:56That doesn't sound good at all.
15:00So you didn't have feelings for him?
15:05No.
15:07Although the situation between Santos and I could seem like it from the outside, it was always very tense.
15:12I'm sorry, but ...
15:15But hey, that's already part of the past.
15:18And ...
15:19Are you happy now?
15:22Yes, I think so.
15:24I'm glad.
15:25And I'm very sorry I couldn't have been there before to help you.
15:29Well, actually, all this happened while you were away on a trip and ...
15:33And even if you had been here, you couldn't have done much.
15:36You can always do something, even if it's giving unasked advice.
15:42And what advice would you have given me?
15:46Well, I guess I would have told you ...
15:49that it is important to face the truth.
15:53And that you have to face the problems head-on.
15:56It makes perfect sense.
15:59And it's not even my advice.
16:04It's something Feliciano always told me.
16:12Well, it's very good advice.
16:14Very sensible.
16:17It's a shame that sometimes it's so hard for us to act that way.
16:22Yes.
16:24Of course it is.
16:28Let's go.
16:40An envelope.
16:42With the pledge of the promise, sir.
16:45Wow.
16:46And in the name of Don Gregorio Castillo.
16:59I'm going to leave this letter to the taverner.
17:02So he can give it to you as soon as he sees it.
17:05And what have you written?
17:06Nothing new. It's the same location as last time.
17:08And I'm not going to tell you when.
17:12Yes, I know what I put in that envelope, Mr. Baeza.
17:20I wrote it myself.
17:21I knew it.
17:23I didn't tell Sergeant Gordino.
17:25I know.
17:26Because otherwise I would be making a statement in the barracks.
17:30I have to, sir.
17:34So we can deduce that the sergeant found the envelope but not the note that was inside.
17:38Considering the questions he asked me, it seems so.
17:42What did that note say?
17:47Just the time and place of the citation.
17:49It didn't say anything that personally intrigued him.
17:52No.
17:54I don't think so, at least.
17:56But can you tell me why that man kept only the envelope?
17:59Maybe he took a mental note of the address and got rid of it.
18:04The only thing that would go through his head is that poor devil.
18:07The one you call devil, I remind you that he is a murderer.
18:09I know.
18:11And he was willing to kill himself again, Mr. Baeza.
18:13Anyway, what we do know now is that the Civil Guard has evidence that relates the promise to that man.
18:20And everything seems to indicate that I am one of the last people who saw him alive.
18:23That's right.
18:24And that's what makes me one of the main suspects.
18:36It seems so.
18:39Mr. Baeza, I assure you that I have nothing to do with his death.
18:41You don't need to tell me. I totally believe your innocence, sir.
18:45And don't worry because the envelope doesn't show anything.
18:48What it shows is that I was with that man a few hours before he died.
18:51It doesn't show anything if it doesn't find anything else.
18:57Listen, I know it's not going to sound like a good idea, but I think you should go talk to that sergeant.
19:02That would be to succumb to panic, sir.
19:05Let's let things go at their course.
19:08It is not convenient for him to impersonate himself in that briefcase.
19:22The noble seamstress guild allows only single girls
19:32to meet every week in the home of each sister
19:40so that they can sew and sing at work, sew and sing, sew and sing, sew and sing.
19:48Sew and sing.
19:50You are like María Fernández.
19:53Well, we already know what I can do if they fire me.
19:56As a seamstress and as a seamstress too.
19:59Look at the most beautiful arrangement that the waist of the dress throws at him.
20:04María, for God's sake.
20:06Thank you very much.
20:08Today for you, tomorrow for me.
20:10Although the one who gets married tomorrow is you.
20:13It will be your turn tomorrow.
20:15This step is not mine.
20:19Let's see.
20:26You know what?
20:29I still can't believe that tomorrow at this time I will be married
20:34and that Manuel and I are going to be husband and wife.
20:36Until death do us part.
20:38And let's hope that this is within many, many, many, many years.
20:41I don't care about that.
20:43As long as I can live the rest of my days with him and as long as we don't have to hide our love.
20:47Who was going to tell you, huh?
20:49Less than a year ago, your fiancé was having sex in the trenches.
20:53And at that moment I thought I would never see him again.
20:57But well, things have changed a lot.
21:00And let's hope they stay there.
21:02That you were right and things in the promise change very quickly.
21:05With what you told me, that you were here this morning.
21:08And I'm still here.
21:10But one thing does not take away the other and you are going to get married in Luján, right?
21:13Near the Marquesa.
21:14And that's playing with fire.
21:16I already know, I could get married further away.
21:19But well, it is true that having the priest nearby has helped us to speed it up and plan things well.
21:25Yes, I don't intend to convince you.
21:27But come on, I could have married you in Puebla de Tera, which is a shot from an airplane.
21:31Manuel doesn't have the plane here.
21:33I see.
21:35Yes, I just ...
21:37I already know, Maria.
21:39And I appreciate your advice.
21:41Because I know you give them to me with good intentions.
21:42I see.
21:44But you're going to be submissive, right?
21:46As if I were watching you.
21:48Well, yes, I'm going to marry Manuel and the hermit of Luján tomorrow.
21:51It has been quite difficult for Manuel to manage them so as not to reveal the priest's identity.
21:56As if it were Don Fermín.
21:58He would have slapped each of them twice.
22:01That's the luck of having a new priest who doesn't know his dangers.
22:05You'll see, Ana.
22:07But lying to a priest, that has to be a sin.
22:09And a very big sin.
22:11Maria, we are not lying to him about the essentials.
22:13We love each other.
22:15Yes, yes, I know we have no choice.
22:17As if I wasn't going to formalize yours.
22:20Of course.
22:22So what's wrong with you?
22:24Don't you want me to get married or what?
22:26It's not that.
22:28I want you to get married, Ana.
22:31But it's going to be the most special day of your life and ...
22:34And I'm not going to be able to see it.
22:40You're going to be with me.
22:43One way or another, but ...
22:45You're going to be with me.
22:48And you know what?
22:51You have to remember what Teresa said.
22:54That the important thing is not the day of the wedding, but what comes next.
22:58The rest of our lives.
23:00Yeah, and we're going to share that.
23:03Of course.
23:09Come on, you're going to hit the marquise.
23:12You're going to rent balconies to see him.
23:15You're going to rent a good one because ...
23:17No one can stop this.
23:20Come here.
23:29I'm not proud to have lied.
23:31But it was the only way I had to get to you.
23:35Well, but talk to me about you.
23:37I barely know Matilde.
23:39Well, before being Julia,
23:41she was the institute of the grandchildren of the Duchess of Ferino.
23:45Matilde, a babysitter.
23:47I didn't expect that.
23:49Well, some of the Duchess's grandchildren are no longer exactly children.
23:53Oh, no?
23:55No. In fact, the oldest granddaughter is quite a woman.
23:58Her name is Carolina and she is a kind and sweet young woman.
24:03I taught them to read, to write, history, art ...
24:08And well, to be up to the task, I had to train myself.
24:13That shows that you have a lot of ambition.
24:16It shows that it has come this far.
24:18But that's another story.
24:20Well, we have time.
24:22Besides, I want to meet her.
24:24Well, that girl, Carolina,
24:26had lived outside of Spain for a long time.
24:28And she barely had friends.
24:30That's why my lady got her granddaughter
24:33to go to the feast of the Duchess of Trezuelos.
24:35The one Martina went to?
24:37That's right.
24:39But Carolina was not there to attend.
24:41She only came if I accompanied her.
24:44I see.
24:46But that reception was only for young ladies.
24:50That's why we agreed that I would pretend to be one of them.
24:54At first I didn't think it was a good idea.
24:56But then I found out that Martina de Luján
24:59was also invited to the feast.
25:01And by then you already knew the relationship you had with Manuel
25:03and with me at the request of Luján, right?
25:06That's right.
25:08So I agreed to play your game
25:10and I stopped being Matilde of Institut Tri
25:13and I became Miss Julia.
25:15I understand.
25:18I only went to the feast to meet Martina
25:21and thus be able to get to you.
25:24I needed to talk about Paco.
25:26To know everything about his death.
25:30There is only one thing
25:31that I don't quite understand.
25:34You came to this palace
25:36to give Martina the pendant, right?
25:40Did you steal it?
25:42No, please, no.
25:44No, no, no.
25:46I took advantage of a moment of carelessness
25:48in which he kept the pendants in his bag
25:50and I borrowed one.
25:52And so I could have an excuse
25:54to visit La Promesa.
25:56An inexcusable excuse.
25:58Just like all those who came later
25:59to extend their stay in La Promesa.
26:01Their dizziness,
26:03their parents' trip,
26:05restoring the painting ...
26:07I already told you that I hate lies.
26:10But I had to do it.
26:12For Paco.
26:30Come in.
26:34What are you coming for, Petra?
26:36To bring me another bouquet,
26:38as if it were for me?
26:40Excuse me, ma'am.
26:42That was just a carelessness.
26:44One of many.
26:46Ma'am, I actually ...
26:48Petra, I'm almost ready to go down to have a snack,
26:50so whoever has to wait, let them wait.
26:52Actually, ma'am, I came
26:54for the pendant.
26:56For the pendant.
26:57Actually, ma'am, I came
26:59for something else.
27:03And why should I be interested
27:05in your needs?
27:07The truth is that I can't stop thinking ...
27:09If it was a mistake to ascend
27:11to Amadellávez.
27:13Yes, you have already told me that
27:15on several occasions, ma'am.
27:17But both of us know the answer.
27:19The mistake would have been to ascend.
27:24Tell me what you came for.
27:27What is this?
27:29A notebook.
27:31It is the proof of my efficiency
27:33as Amadellávez.
27:35Read it yourself and you will see.
27:41Vera, I left the soufflé half-cooked.
27:43The soufflé can wait.
27:45We can't.
27:47I just put it in the oven.
27:49I need to know that it goes up well.
27:51Lope, it always goes up perfectly.
27:53That's why you're Lope,
27:55the best cook in the region.
27:57It's not very complicated.
27:59Look, that's exactly what I wanted to talk to you about.
28:01The soufflé?
28:03No.
28:05The one you always miss, Lope.
28:07And it's not fair that you treat yourself like that.
28:09Look, I know what I am
28:11and the place I occupy in the world.
28:13And what about the place you occupy in my heart?
28:15Because what demoralizes me
28:17is that we have already talked about this before
28:19and no matter how much I repeat it to you,
28:21it seems that you don't finish believing me.
28:23It's not about believing or not believing.
28:25No, you're right there.
28:27What do you mean?
28:29That I'm tired, Lope.
28:31And that I can't go on with this laziness.
28:34So what do we do?
28:36No, the question is what are you going to do.
28:38Are you going to keep pretending to be the victim
28:40or are you going to accept once and for all
28:42that for me you are just as worthy as any of the gentlemen?
28:45Lope, I'm very clear who I was, who I am
28:48and what I want to be.
28:50And if my past makes you feel inferior,
28:52you may not be prepared for the present.
28:54Much less for what comes next.
28:57So if that's the case,
28:59we'd better leave it as soon as possible.
29:02I can't be with someone who feels inferior to me.
29:05My love, it's not you.
29:07What do you mean it's not me?
29:09No, it's everything that surrounds you.
29:11Everything I've abandoned, you mean.
29:19Forgive me.
29:22Will you forgive me?
29:24I love you more than my life
29:25and I promise you that I won't doubt again
29:27and that I will be up to it.
29:30Let's see if it's true.
29:39At Lope's level,
29:41it's hard for me to believe that there is a cook
29:43who has as much art in the kitchens as he does.
29:45Well, it's the truth.
29:47He is one of the best cooks in Madrid
29:49and he will take care of the banquet of our wedding.
29:51Well, I share Margarita's skepticism.
29:53I don't think she cooks better than Lope.
29:55There is no guest who has ever left
29:57without giving a compliment to one of his dishes.
29:59Not to mention that you will realize
30:01that he is a cook from Madrid.
30:03Money is not a problem.
30:05And yes, I don't doubt that Lope is excellent,
30:07but he doesn't have the prestige or the name
30:09that I propose.
30:11Don't tell me that your cook is going to sign a menu,
30:13that he is an oil painter.
30:16You can laugh at everything you want, Cruz,
30:18but the truth is that it has been very difficult
30:20for him to access to cook for us.
30:22In fact, it has been almost a miracle.
30:23Oh yeah?
30:25And how did the miracle happen?
30:27Well, through a good friend.
30:29Who?
30:31For discretion, I prefer to keep the name a secret.
30:33I will only tell you that he works for the Royal House.
30:36Please, how fantastic.
30:39And why would Ignacio have to invent something like that?
30:42To give himself importance, for example?
30:44No, because my fiancé doesn't need to do that.
30:47Leave it, Margarita.
30:49It's not worth it.
30:51When you tell us the specific identity
30:53of the genius of the stoves,
30:55I will believe you, Ignacio.
30:57Cruz, that's enough, please.
30:59Oh yes, that's fine.
31:01We are organizing our wedding with the greatest enthusiasm.
31:03I don't understand why you can't share our joy.
31:05Yes, what should I be happy about?
31:07Margarita, don't push yourself.
31:09It is obvious that you are resentful of something.
31:11Resentful of me?
31:13What nonsense.
31:15We better talk about something else.
31:17Or we don't talk about anything at all and that's it.
31:19Lately, in the promise,
31:21it seems that everyone is very upset.
31:23That even young people behave in a strange way.
31:26If you mean my son Manuel,
31:28I remind you that he has just arrived from a war.
31:30I mean Manuel, Catalina,
31:32who is locked up all day.
31:34Are you going to compare me being in the front
31:36with the leg of a spoiled girl?
31:38Now you are going to attack my daughter.
31:40Let her mature at once.
31:42Stop it, Cruz.
31:44You are going to take her side, as always.
31:46Catalina is making a lot of effort with the subject of the jams
31:48and she is a little upset.
31:50You should understand her.
31:51I wish I could, dear.
31:53But don't give up.
31:55You don't want anyone to understand you.
32:05Come on, miss.
32:07Give the snack a try.
32:09We have prepared it with a lot of love.
32:11I appreciate it, but I wasn't kidding
32:13when I said I wasn't hungry.
32:15Oh, oh, oh.
32:17Miss Catalina is not hungry.
32:19The thing is serious.
32:21Let's see if you're going to have a little temper.
32:24No, no, I'm fine.
32:26Yes, yes, you don't look bad.
32:30And how is the jam business going?
32:33Any news?
32:35Well, I've barely had time to review the accounts
32:38and analyze the state in which it is.
32:40Yeah, but with everything you've told us,
32:43I'm sure the business will go ahead, no matter what.
32:46Yes, we will have to adapt to the current market
32:49and the new times.
32:51The market in Plaza de Ato?
32:53But they haven't moved, have they?
32:55No, Candela, I don't mean that market,
32:57but a more global market.
32:59Well, as soon as you know the news,
33:02let us know that we will be delighted
33:04to get down to work,
33:06even if it is with more common flavors.
33:08Be careful, Lope.
33:10And I guarantee you that we will not diminish your creativity,
33:13even if we have to focus it in another way.
33:14Yes, of course,
33:16given how things are in the world.
33:18Yes, offering a product as innovative as the one we offered
33:21will be difficult to sell now.
33:23Excuse me, Miss Catalina,
33:25but I don't quite understand.
33:27Well, because of the situation we are in,
33:29we are at war.
33:31People don't have rooms or are up for new things.
33:33They want things to be like before.
33:35Sure, people want strawberry jam
33:37to be strawberry jam.
33:40That's right.
33:42Don't worry.
33:44We will find a way
33:46to make the jam again.
33:48No, Miss Catalina,
33:50those are very logical arguments.
33:52Now is the time to do things as God commands,
33:54with quality products.
33:56Very well said.
33:58Have you heard from Lope?
34:00When he has news, let us know.
34:02Yes.
34:06Lope, Candela,
34:08don't you have to go to Alacena
34:10to do some inventory?
34:12Us?
34:14Why?
34:16Because we have had a lot of trouble these days.
34:18Don't worry, Mrs. Simona, we'll get back to work.
34:20So, let's go, Mrs. Candela.
34:22I'm busy.
34:24Let's go, let's go, let's go.
34:26This way we'll be alone for a while.
34:28I wasn't going to stay much longer either.
34:30Nothing, just a little while,
34:32to give you a break.
34:34It will have to be at another time.
34:36As you wish, Miss.
34:38Thank you very much for the snack.
34:40You're welcome.
34:45Something's wrong with this girl.
34:47I told you,
34:49she's weirder than a green dog.
34:51It's normal that she hasn't eaten the snack.
34:53No, what's not normal
34:55is that she hasn't told me what's wrong with her.
34:57Well, then,
34:59let's go to Alacena, Lope,
35:01and I'll do the inventory, or not?
35:03Candela, it was just an excuse.
35:05I knew it.
35:07Come on, you look like you're about to play mouse.
35:09Of course, I'll take her as my partner.
35:11Come on, you two are so clever.
35:12Let's go.
35:14It's so smart of you to come here.
35:28Olé!
35:32Olé!
35:34There are more beautiful things there.
35:39Olé!
35:40Olé!
35:42We had a great time.
35:46Let's go, let's go.
35:48To the square.
35:55Let's go.
35:59Olé!
36:06Marcelo.
36:08Come here for a moment.
36:11What's up?
36:13Me?
36:15But I was just shaking the carpets.
36:18I see. And with what were you shaking them?
36:20With your tongue?
36:22Why do you say that?
36:24I say it because I'm not Leila.
36:26I know perfectly well what you were doing.
36:28I don't do that.
36:30Well, that's not what my eyes have seen.
36:32I was shaking the carpets
36:34and it turns out that one of them was so small
36:36that it almost looked like a crutch.
36:38I see.
36:40It's not my fault.
36:42The girl thought it was funny, don't you think?
36:44We're here to work, not to make fun of others.
36:46Because clowns are already in the circus to laugh.
36:49Hey, it was an innocent joke, woman.
36:51Well, you seem less innocent to me anyway.
36:53So, let's work and concentrate.
36:55You've had enough of that.
36:57Are you sure you don't want me to slap you too?
37:00I'm jealous of Joselito the Rooster.
37:02Don't even think about it, Marcelo.
37:04Don't even think about it.
37:06But why are you so mad at me, woman?
37:08Come to work.
37:10Come to work.
37:30The potatoes are ready to fry.
37:32Lasha, some eggs for Lupe's dessert.
37:36Oh, no, I'm coming right now.
37:38You told me that five minutes ago.
37:40I told you.
37:42The rooster that's going to catch the boy is going to be anthological.
37:44You're right, Candela.
37:46I'm sorry.
37:48I'm very sorry.
37:50But the one who's going to get close to the oven is me.
37:57Nothing.
37:59It's not enough.
38:01It wasn't that much.
38:03It wasn't that much, but it had that.
38:05You know what's wrong with you?
38:07Why are you so upset?
38:08What's wrong, Miss Catalina?
38:10The boy is fine.
38:12But we have a job to do.
38:14Yes, yes, yes, of course.
38:16Yes, of course, of course.
38:18But he's not here.
38:20My heart is breaking.
38:22Have you seen the little enthusiasm
38:24when I asked him about the jam?
38:26Of course, she's not.
38:28She's unrecognizable.
38:30Look, look, what a bad reputation the captain has.
38:32You see what he's done with the business.
38:34Yeah, but I don't think that's why.
38:36I think something else is wrong with him.
38:38Why?
38:40Well, that's what I'd like to know, Candela.
38:42But it has to be something very big
38:44so that he doesn't trust me and tell me.
38:46Will he have something to do with him and Nedañi?
38:49It could be.
38:51Can you imagine if after coming to the palace
38:53to convince him to come here,
38:55in the end the girl is not in love?
38:57It could happen.
38:59But Miss Catalina has to tell the truth.
39:02It's hard for her, like everyone else,
39:04but in the end she does.
39:06So?
39:08It has to be something very big,
39:10but I don't feel like it.
39:19As you can hear,
39:21I was taking him for a walk as if he were a bullfighter.
39:23And Trini was laughing at him.
39:26Isn't Trini supposed to know he's married?
39:29The one he's supposed to forget is him,
39:31who wanted to take me for a walk.
39:33Really?
39:35Yeah.
39:36According to him, he wasn't doing anything wrong.
39:38He must be shameless.
39:40Are you sure you're exaggerating?
39:42Not a little bit, Hanna. Not a little bit.
39:44Well, maybe all this we're imagining doesn't exist.
39:47Yes, of course, I would have imagined
39:49that I was doing a Veronica to him.
39:51Maria, maybe he likes gossip and gossip.
39:53Yes, he likes it. I'm telling you.
39:55Besides, you told me he was flirting with Josefa, right?
39:59Maybe he's just a good partner, that's it.
40:02Well, yes, he may be a good partner, yes.
40:04What's strange to me is that Teresa
40:07noticed that man.
40:09No, I'm also quite surprised.
40:11Yes.
40:13Teresa!
40:15What are you doing here?
40:17Well, I came to look for the iron,
40:19but I happened to hear my name.
40:21Really?
40:23Yes.
40:25No, no.
40:28We were saying that...
40:31that...
40:32that Hanna couldn't use the iron
40:35because I'm sure you were coming for her
40:37and that she couldn't use it.
40:39So, yes, Hanna.
40:41Sure.
40:43Well, if you're using it, I'll come for her later.
40:45No, take it if you want.
40:47Yes, sure.
40:49Yes, of course.
40:53To the iron.
40:55Why didn't you tell us?
40:57Who, me?
40:59You, who's going to tell you?
41:01No, no.
41:03Because you're right and the boy was drunk.
41:06Well, even so, I think she should know.
41:10Besides,
41:12I've told her a few times that Marcelo went too far.
41:16And what did she say?
41:18She gave me the impression that she didn't care too much,
41:21the truth.
41:30What do you want now, Petra?
41:34Ma'am, I've heard that the dinner didn't end well
41:38and I was wondering if you needed anything.
41:41No, I don't need anything,
41:43especially not from you.
41:46If you allow me to ask,
41:48I'd like to know
41:50if you need anything.
41:52No, I don't need anything,
41:54especially not from you.
41:56If I may ask,
41:58if I may ask,
42:00have you had the opportunity
42:02to read the notebook I gave you?
42:05And why would I waste my time on that nonsense?
42:08Because I have the feeling
42:10that you have information that would be very interesting for you, ma'am.
42:14Well, once again you're wrong.
42:16Before going down to have a snack, I could take a look
42:19and I've only found absurd jokes and childish stories.
42:22Well,
42:24maybe, ma'am,
42:25it's just that
42:28you haven't read the pages of Massenjulia.
42:31Where do you want to go?
42:33Nowhere, ma'am.
42:35But I insist that
42:37I should give you a second chance.
42:40As if it were another waste of time, you'll be responsible.
42:44I assure you that lately,
42:46the idea of degrading you to Fregona is the most attractive thing to me.
42:49Let me show you the most succulent fragments
42:53and read them yourself, ma'am.
43:05Once she got sick
43:09and had to go for a season
43:13to a retirement home
43:15and he suffered a lot from his absence.
43:17It could be said
43:19that they loved each other
43:21more
43:23in the distance than in the proximity.
43:26But does this have to do with me?
43:28I think so, ma'am.
43:30That fable dared to write about me
43:32and in this tone?
43:34I assure you that I'm going to kick her out.
43:37And no one in the region, no decent house,
43:39will hire her.
43:41Before doing that, ma'am,
43:43I would keep reading
43:44because
43:46there is other information
43:48even more interesting.
43:56And who could imagine
43:59that those two
44:02servants
44:04united by chance
44:06would find love
44:08in the same palace
44:10where they lived?
44:11The first fell in love
44:13with a
44:15son of a marquis.
44:18A young,
44:20brave
44:22priest
44:24capable of flying through the sky.
44:28The two friends organized their wedding.
44:31The first in private
44:33because no one
44:35could find out about their romance.
44:37What is this?
44:39You can deduce it yourself, ma'am.
44:41That gentleman, son of a marquis,
44:45capable of flying through the sky,
44:47is none other than his son Manuel.
44:50But then?
44:52Then who the hell is the bride?
44:55Can't you guess, ma'am?
44:59Pull the expose.
45:12Leave this notebook where you found it
45:16and pretend no one ever saw it.
45:28You intrigue me.
45:30What's so secret you have to tell me?
45:33You'll see, more than secret, it's serious.
45:36So I need your maximum discretion.
45:39Manuel, you're scaring me.
45:41Tell me, what is it about?
45:44Catalina, do you remember that time you turned to me
45:47to cover your back when you went to visit Pelayo?
45:50Of course, and I'm very grateful to you.
45:54Do you remember what I told you?
45:57I need you to return the favor.
46:01What are you up to, brother?
46:04None right now,
46:06but everything will change tomorrow.
46:09What are you talking about?
46:12Sister, do you trust me?
46:14Of course I trust you,
46:16but I don't understand why there's so much mystery.
46:18I can't tell you anything else.
46:21Then you're not going to tell me anything you expect from me.
46:29I need you to defend me no matter what happens tomorrow.
46:32Will you do it?
46:34I've always done it.
46:36But what's going to happen tomorrow?
46:37Nothing bad.
46:39I give you my word,
46:41but I need yours to defend me.
46:44Please, sister, I know this is very strange,
46:47but I need you to give me your word.
46:51I beg you.
46:53Okay, okay, I'll do it.
46:55You have my word, I'll defend you no matter what happens.
47:15First of all,
47:17thank you for coming with such urgency.
47:19Thank you for letting me know.
47:21I assume it's something important.
47:23That's right.
47:25Something you forgot to tell me this morning.
47:28I'm afraid so.
47:30I'm sorry for the inconvenience.
47:32You won't be if you manage to shed some light
47:35on Mr. Castillo's death.
47:37I'm afraid I haven't made any progress in your investigation.
47:40Do you really want to be the one to ask the questions?
47:43No, no, no, for God's sake, no.
47:45I'm sorry.
47:47But no.
47:49Unfortunately, we still have no leads.
47:51That's why I'm here.
47:53Because I hope you'll give them to me.
47:56I lied to you.
47:59What did you say?
48:01I didn't tell you the whole truth.
48:03I got scared.
48:04I didn't know the implications of revealing
48:07the name of the owner of the envelope.
48:11Do you know who did it?
48:13Who put Gregorio Castillo's name on it?
48:17I did it.
48:19I was the one who sent the envelope to Mr. Castillo.
48:22You did?
48:24Yes. There was a note inside that said he had to meet me.
48:29I don't understand.
48:31Why did you want to meet Mr. Castillo?
48:35I wanted to convince him to leave Mrs. Adarre alone.
48:45Mrs. Adarre.
48:47Your wife.
48:51I understand it less and less.
48:53Didn't you tell me that Mrs. Pia Adarre had died?
48:59I also lied to you.
49:02Mrs. Adarre is alive.
49:04Fortunately.
49:25What's that, Rosa?
49:27It's an attempt to make up for not arriving in time
49:30to talk to the cooks about the jam.
49:33Don't worry.
49:35I'm very sorry, Catalina.
49:37I went to Lujan and the saint went to heaven.
49:40It doesn't matter.
49:43I already went down and explained the situation.
49:46And what did they say?
49:48What they told us, that they are at our disposal.
49:51Lope seems a little more convinced
49:54of the decision to make more conventional jams.
49:56I'm very glad.
49:57Thank you very much.
50:02Darling, will you forgive me?
50:05There's nothing to forgive.
50:09No, no.
50:17Catalina, what's going on?
50:24No, no, no.
50:25You're not going anywhere without telling me what's wrong with you.
50:28Speak at once.
50:36I'm pregnant.
50:49Mrs. Adarre, do you have
50:52a problem with registering the cabin?
50:56No, of course not.
50:59Although I already told you that I'm not going to find anything.
51:02Where do you have the money?
51:05What money?
51:07Don't play dumb, Mercedes.
51:10And above all, don't take me for a fool.
51:12You know exactly what money I'm talking about.
51:15You're wonderful.
51:26I want the closet to be ordered tomorrow,
51:29and not the day after tomorrow.
51:31The thing is, tomorrow is my day off.
51:33So?
51:35I've been invited to a snack today.
51:37That's an excellent plan.
51:39Since you've got up in such a good mood,
51:41maybe you'd like to join me this afternoon.
51:43Well, yesterday I tried to give him a task for this afternoon
51:47and he already said that it was his day off.
51:52I've proposed to my son a plan for this afternoon,
51:55but it's a very absurd excuse.
51:57It's obvious that you're hiding something, ma'am.
52:00Now all that's left is for Father Samuel to give us his blessing.
52:04Yes.
52:05You shouldn't be here.
52:07At the last moment, I asked him to look for the photographer from Luján.
52:10You wanted a memory so our children could see it.
52:13But don't you want to go out in the photo with that cape
52:16covering all the dress you're wearing underneath?
52:18Today is the day.
52:20Or there are many possibilities that it is.
52:22All that's left for us
52:25is to find out where they're going to get married,
52:28that pair of fools.