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Agatha Christie's Poirot 1-3, The Adventure of the Clapham Cook, 名探偵ポワロ 第1話 コックを捜せ 日本語字幕 英語学習にも
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9/21/2024
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Category
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Fun
Transcript
Display full video transcript
00:00
But this is not the country, my friend.
00:21
The country is full of trees, and flowers, and public houses.
00:27
This is a desert.
00:30
I don't know why we've come all this way anyway.
00:32
You found the cork.
00:33
No.
00:34
The cork is but the beginning of the story, Hastings.
00:38
We're on to bigger things.
00:44
Look at that work.
00:59
Look at that view.
01:00
Yes, well, views are very nice, Hastings, but they should be painted for us so that
01:08
we may study them in the warmth and comfort of our own homes.
01:12
That is why we pay the artist for exposing himself to these conditions on our behalf.
01:16
What do you mean, conditions?
01:17
It's a wonderful day.
01:20
Just fill your lungs with that air.
01:22
No, my poor friend.
01:23
This sort of air is intended for birds and little furry things.
01:28
The lungs of Hercule Poirot demand something more substantial, the good air of the town.
01:41
We have got the right Eliza Dunn.
01:45
We have got the right Eliza Dunn, have we?
01:47
I mean, what's she doing all the way up here?
01:50
That is what we are here to find out.
01:58
Wonderful position.
01:59
Yes?
02:00
Formerly an employee of the Mrs. Yes?
02:06
Formerly an employee of the Mrs. Ernst and Todd at 88 Prince Albert of the Mrs. Ernst
02:11
and Todd at 88 Prince Albert Road, Clapham.
02:14
That's right.
02:15
I am Hercule Poirot, Miss Dunn.
02:17
I have to answer my newspaper advertisement.
02:20
Oh, yes.
02:21
My letter, sir.
02:22
I've already got my legacy.
02:23
I've already got my legacy.
02:24
Miss Dunn, may we be permitted to come into the house for a moment?
02:30
I'm sure your employer will not object.
02:33
No, she won't mind.
02:36
Come in.
02:38
Come in.
02:39
My laugh, sir, I'm sorry, sorry, is I don't have no employer, see?
02:52
This is my house.
02:53
Oh, Miss Dunn, forgive me.
02:56
That's all right, sir.
02:57
You wasn't to know.
02:59
This is part of my legacy, see?
03:02
Oh, sit down, do.
03:06
Miss Dunn, you have mentioned your legacy, but Captain Hastings and I, we know nothing
03:20
of this.
03:21
What was the ad then?
03:23
Your late mistress, Mrs. Todd, was much concerned about you.
03:26
She feared some accident might have befallen you.
03:28
But didn't she get my letter?
03:30
No, she got no letter.
03:32
She got no word of any kind.
03:34
Oh, dear, sir.
03:36
I gave the letter to Mr. Crock.
03:38
I said most particular he was to give it to me, he was to give it to Mrs. Todd.
03:43
Perhaps you would recount to Captain Hastings and me, count to Captain Hastings and me,
03:48
the whole story?
03:49
No.
03:50
And it was last Wednesday that it all, it was last Wednesday that it all started like.
03:58
The stone which the builders rejected, the same has become the head of the corner.
04:05
I'd been over to see my friend in Oxton and I was on my way home when a gentleman stopped
04:09
me.
04:10
He said he'd been asking for me at number 88.
04:14
Then he told me some story about an old friend of my grandmother's in Australia leaving me
04:21
a house and some money in her will.
04:23
Well, I didn't believe him at first.
04:27
And then he showed me this letter.
04:29
It will be the stone which the builders have rejected.
04:34
127 Wentworth Way, Melbourne.
04:39
127 Wentworth Way, Melbourne.
04:43
Well, one of them is right here, Miss Dan.
04:50
Benjamin Crouchet, Attorney-at-Law.
04:55
Oh, yes indeed, sir, I didn't mean to doubt you.
05:02
It's just over by Acton, isn't it, sir?
05:07
Oh, my good God.
05:09
But before we confront that particular difficulty, there is one other...
05:12
Oh, my good God.
05:13
But before we confront that particular difficulty, there is one other...
05:16
Oh, God.
05:17
But before we confront that particular difficulty, there is one other stipulation that we should
05:21
get out of the way.
05:22
And what of is that, sir?
05:24
Well, it's of no importance as it doesn't apply in this case, thank heaven.
05:29
It's just a stipulation that you should not be in domestic service.
05:33
Oh.
05:36
As the madam has done.
05:38
I am a cook, sir.
05:41
Didn't they tell you at the house?
05:44
My dear Miss Lloyd, dear.
05:50
This is very unfortunate.
05:54
Er, now, sir.
05:58
Now, sir.
06:00
That's ever so nice.
06:03
Even if it is a bit out of the way.
06:07
Believe I have it.
06:10
We lawyers always know a thing or two.
06:14
The way out here is for you to have left your employment before we met.
06:21
But we have met, sir, I mean, and I haven't.
06:24
Haven't you?
06:25
No.
06:27
Haven't you, Miss Dan?
06:29
No, I...
06:34
Oh, I see.
06:37
Yes.
06:39
You left your employment this morning, did you not, before we met?
06:44
Yes.
06:46
I remember now.
06:48
I did, as a matter of fact.
06:50
There.
06:52
Now, it is imperative that you take possession of the house by noon tomorrow.
06:58
In order to do that, you must catch the night train from Kings Cross.
07:02
Oh.
07:03
Go along, Miss Dan.
07:04
I'll give you ten pounds or so for the fare.
07:07
And you can write a note to your employer at the station, which I shall personally deliver for you.
07:12
And explain everything.
07:16
And was everything as Mr Crotchet had said?
07:20
Oh, yes, and more, sir.
07:23
Now, what about your luggage?
07:25
All the things you had left at 88 Prince Albert Road.
07:28
Oh, well, Mr Crotchet sent them on like he said he would,
07:31
but they was all done up in brown paper, like.
07:34
I don't know.
07:36
I suppose Mrs Todd was angry with me and grudged me my bit of luck
07:40
and wouldn't let him have my box.
07:43
But Annie said the trunk was.
07:44
Later, my friend.
07:46
Later.
07:47
What, my letter?
07:55
Say.
07:57
Say.
07:59
A little muddle about your trunk.
08:02
A little muddle about your trunk.
08:05
Which I will straighten out with Mrs Todd.
08:07
A little muddle about your trunk.
08:10
Which I will straighten out with Mrs Todd, if you will permit.
08:13
Oh, thank you very much, sir.
08:16
Come, Hastings.
08:18
We must return to London.
08:21
With all possible speed.
08:28
If there's nowhere you can contact the Chief Inspector,
08:32
then telephone him at his home.
08:34
Yes, of the greatest urgency.
08:37
Tell him he should not be looking for babies.
08:39
He should be looking for Simpson.
08:42
Not babies, but Simpson!
08:45
Sir.
09:09
Sir.
09:10
What's Simpson supposed to have done?
09:13
Sir.
09:14
What's Simpson supposed to have done?
09:16
What's Simpson supposed to have done?
09:22
Talking today, eh?
09:23
They take a little vacance, eh?
09:27
They take a little vacance, eh?
09:31
It's to do with this Eliza, isn't it?
09:34
No.
09:38
Then it's something to do with this Australian fellow.
09:41
There is no Australian fellow.
09:43
Yes, there is. She told us about him.
09:49
No.
09:51
Oh, right, the lodger, yes.
09:53
Do you remember I asked him if...
09:55
Oh, right, the lodger, yes.
09:57
Do you remember I asked him if he took an interest in...
09:59
Yes.
10:00
Do you remember I asked him if he took an interest in amateur theatricals?
10:05
Yes, I do, as a matter of fact.
10:08
I don't know.
10:09
I don't know.
10:10
Yes, I do, as a matter of fact.
10:13
Why do you think I asked him that?
10:16
Why?
10:18
Well, making conversation, I suppose.
10:24
That's because he had recently been wearing a false beard.
10:29
He had a tiny trace of gum Arabic in his...
10:33
What do you call it here?
10:34
Sideburn.
10:35
Sideburn, yes.
10:41
Shh, boom.
10:42
Shh, boom.
11:10
Oh, my God.
11:27
Arcule Poirot, who are you?
11:31
Arcule Poirot, who are you?
11:35
So, who are you?
11:38
Sarge, there's some French gent at the door.
11:41
No, no, no, no, no, I am not some French gent.
11:43
I am some Belgian gent.
11:46
Oh, well, well, and if it isn't Mr. Poirot.
11:48
It is.
11:49
Is the lady of the house in?
11:51
The chief inspector's here.
11:52
Mr. Poirot!
11:54
Ah, Mrs. Togden-Morning.
11:55
I don't know how you have the impotence.
11:57
You were paid off handsomely.
11:59
Well...
12:00
And then look at this, we've got policemen crawling all over the house.
12:02
Well...
12:03
And then look at this, we've got policemen crawling all...
12:07
Well...
12:08
And then look at this, we've got policemen crawling all over the house.
12:09
Well...
12:10
And then look at this, we've got policemen crawling all over the house.
12:11
Well...
12:12
And then look at this, we've got policemen crawling all over the house.
12:13
Well...
12:14
And then look at this, we've got policemen crawling all over the house.
12:15
Well...
12:16
And then look at this, we've got policemen crawling all over the house.
12:17
Well...
12:18
And then look at this, we've got policemen crawling all over the house.
12:19
Well...
12:20
And then look at this, we've got policemen crawling all over the house.
12:21
Well...
12:22
And then look at this, we've got policemen crawling all over the house.
12:23
Well...
12:24
And then look at this, we've got policemen crawling all over the house.
12:25
Well...
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