Centrespread (1981) Full Movie
Category
🎥
Short filmTranscript
00:00:00Why don't I buy a photograph of a bear with a leather lash?
00:00:27Hip to the camera, it's body count, it drives me wild when I'm going fast
00:00:34Ladies and gentlemen, give me your attention, watch all your dreams come true
00:00:41I can't describe all the things on my mind that my body can do to you
00:00:47You and you, I'm the center's play, I ain't bad, bad, bad
00:00:55But I'm a goddess, I'm a princess in a satin bed
00:01:02Come to the center, Paige, and boy, I'll drive you mad
00:01:09Cos it's worth all the pain and the lights and the fights to be inside your head
00:01:15And be your center's play
00:01:21Come to the center, Paige, and boy, I'll drive you mad
00:01:35Describe me and show me how much you can do
00:01:38You see me moving, I know I move
00:01:42I'm excitement in motion like waves on the ocean
00:01:45Yes, no one can thrill you like I do
00:01:48I'm your center's play, I ain't bad, bad, bad
00:01:55But I'm a goddess, I'm a princess in a satin bed
00:02:03Come to the center, Paige, and boy, I'll drive you mad
00:02:10Cos it's worth all the pain and the lights and the fights to be inside your head
00:02:16And be your center's play
00:02:22Everyone ready?
00:02:23Yeah
00:02:24Good
00:02:25Okay, everybody listening?
00:02:27I want this right first time or it's out
00:02:30I'm not opening another block for one more shoot
00:02:47Boom
00:02:50Boom
00:03:16Boom
00:03:46Boom
00:04:17How did you get in?
00:04:19Are you the big photographer?
00:04:21Yes, I am
00:04:47Ladies and gentlemen, tonight we want to present to you today
00:04:51one of the most beautiful creations in the world
00:04:54Today, the members of the W.E.S.T.A.R. band
00:04:57are going to perform a one-man performance
00:04:59for you as a tribute to the greatest of the interstitial sport
00:05:03Please welcome the W.E.S.T.A.R. band
00:05:16W.E.S.T.A.R.
00:05:46W.E.S.T.A.R.
00:06:16W.E.S.T.A.R.
00:06:47W.E.S.T.A.R.
00:07:12W.E.S.T.A.R.
00:07:17W.E.S.T.A.R.
00:07:31W.E.S.T.A.R.
00:07:36W.E.S.T.A.R.
00:07:39Okay, hold.
00:07:56Wrap it up.
00:07:57Gerard, end of block.
00:07:58Good enough.
00:07:59Where's Mark?
00:08:00Anyone know where Mark is?
00:08:01Mark?
00:08:02Mark?
00:08:03I've got to go.
00:08:12Why?
00:08:13The boss is calling.
00:08:14We thought you were in charge.
00:08:16Everybody has to serve somebody.
00:08:17I agree.
00:08:18Hello?
00:08:42Gerard, it's Kelbert.
00:08:43He wants to see you tomorrow.
00:08:44Gerard?
00:08:45Yeah?
00:08:46It's Mr Kelbert on the phone.
00:08:49He says...
00:08:50Yeah, yeah.
00:08:51I heard you the first time.
00:08:52Tell him I'll be there in the morning.
00:08:54Mr Kelbert?
00:08:55Gerard says he'll see you tomorrow morning.
00:08:58Gerard, he wants to know what time.
00:09:02In the morning.
00:09:04Gerard says in the morning, Mr Kelbert.
00:09:07Goodbye.
00:09:08I don't think that answered his question.
00:09:11He didn't seem completely satisfied.
00:10:08Gerard, what's happening?
00:10:12Is this control?
00:10:13Just shut up!
00:12:07No!
00:12:18How?
00:12:19What the hell do you think you're doing?
00:12:20She was going to kill him.
00:12:21How would you know?
00:12:22How in the hell would you know what's supposed to happen?
00:12:25I didn't know anything about that knife.
00:12:26I'm supposed to have a record of everything.
00:12:30You have what I give you.
00:12:32You don't assume anything.
00:12:34What did you want?
00:12:35What was supposed to happen?
00:12:37Don't ask so many questions.
00:12:39Just do as you're told.
00:12:41Okay.
00:12:42Don't ever do that again.
00:12:45Now let's pack up and get out of here.
00:13:07I'm sorry.
00:13:10I'm sorry.
00:13:13I'm sorry.
00:13:16I'm sorry.
00:13:19I'm sorry.
00:13:22I'm sorry.
00:13:25I'm sorry.
00:13:28I'm sorry.
00:13:31I'm sorry.
00:13:34At first we thought this one might do, but look at that.
00:13:43Just what are you looking for?
00:13:44I've seen lots of girls through here who look terrific.
00:13:53That's just the problem.
00:13:55They all look alike.
00:13:57We've seen them all before.
00:13:59What we're looking for is someone different, fresh, a new look.
00:14:06The problem is we don't know what to look for.
00:14:11In the beginning, we relied on Central to come up with what we wanted,
00:14:17which it did, but...
00:14:19We need a new look, a different approach, someone for the new century,
00:14:26and to top it all, we're running out of time.
00:14:29Where do I come in?
00:14:30Right here. We want you to find her.
00:14:35Well, how much time would I have?
00:14:37We shall need about 23 blocks taken of her before the 19th day in your last schedule.
00:14:45That's not enough. What happens if I can't find her in time?
00:14:48Central has a list of names as long as you're around.
00:14:51Any one of them is capable of taking your place.
00:14:54Now, wait a minute. My job's photographing, not finding.
00:14:59We're prepared to issue you with a G5 plate, which, as you know, will give you unlimited credit.
00:15:05Plus, you will have access to Central's files, not only here, but in every other sector as well.
00:15:11Why me?
00:15:12Central gave us your readout as the person most capable of succeeding.
00:15:19Let's hope, for your sake, it's correct.
00:17:11Can I help you?
00:17:29Can I?
00:17:34Can you what?
00:17:37Can I help you with anything?
00:17:39No, I'm just looking around. Thank you.
00:17:43Well, why don't you then?
00:17:46I'm sorry. I didn't mean to be rude. It's just...
00:17:56What's your name?
00:17:58Nikki.
00:18:00It's an unusual name.
00:18:02Do you want anything in particular?
00:18:06No. To be honest with you, I didn't even know this place existed.
00:18:12It's been here for donkey's years. The old man refuses to give it up.
00:18:16You're odd, ma'am.
00:18:17No, my father's dead.
00:18:20Oh.
00:18:23I didn't think places like this were allowed to stay open anymore.
00:18:28I guess they thought it was easier just to let the old man die rather than close it up.
00:18:35I've never seen so much old stuff.
00:18:37That's why I like working here.
00:18:40It's history.
00:18:42It gives me a sense of belonging.
00:18:47Do you come from around here? I haven't seen you before.
00:18:51No.
00:18:53I'm not from this sector. I was just out walking.
00:18:56I came across the place without realising it.
00:18:59Do you live near here?
00:19:01I can't see as that's any of your business.
00:19:05No.
00:19:07You're right. I'll come back when I've got more time to look around.
00:19:32Gah!
00:19:34Gah!
00:19:38Gah!
00:19:42Gah!
00:19:46Gah!
00:19:49Gah!
00:19:52Gah!
00:19:55Gah!
00:20:00Gah!
00:20:04Gah!
00:20:08Gah!
00:20:12Gah!
00:20:17Gah!
00:20:21Gah!
00:20:23Gah!
00:20:26Just one thing, before you go.
00:20:56I'd like to take some shots of you taking off your makeup and maybe changing into street
00:21:01wear.
00:21:02Okay?
00:21:03I want it to be very natural.
00:21:06So just forget I'm even there.
00:21:07Okay?
00:21:08Okay.
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00:22:47Ah! It's you again.
00:22:50Have you worked out what you want yet?
00:22:52Have you any old cameras?
00:22:56Just what I wanted.
00:23:03G5? What's a G5?
00:23:11Well, it's a...
00:23:12I've never seen one of these before.
00:23:14This means you're an important person, doesn't it?
00:23:18No, not really.
00:23:19Not really.
00:23:27Who are you? And what do you want?
00:23:34G5
00:23:56Enter, ladies. You're a little early, aren't you?
00:23:58No, we're right on time.
00:24:00We're here for an audition with Gerard.
00:24:02I'm entertained.
00:24:04But I've been taking care of auditions lately,
00:24:06and I'll see if you're suitable for the block or not.
00:24:08Where do we go?
00:24:09The change rooms are on the left. I'll be waiting over there.
00:24:32That's our book.
00:24:54Do you mind standing in a line in front of me, please?
00:25:03Taxi! Taxi!
00:25:08Over there, please.
00:25:21Just over there, please.
00:25:32Over there, please.
00:25:47Sorry, not this time.
00:26:03Where were you today? At the antique shop?
00:26:06Yeah. I'm looking up some old values.
00:26:10You go ahead and set up under the cliffs.
00:26:32Taxi!
00:27:02Taxi!
00:27:32Taxi!
00:28:02Taxi!
00:28:32Taxi!
00:29:02Taxi!
00:29:04Taxi!
00:29:06Taxi!
00:29:08Taxi!
00:29:10Taxi!
00:29:12Taxi!
00:29:14Taxi!
00:29:16Taxi!
00:29:18Taxi!
00:29:20Taxi!
00:29:22Taxi!
00:29:24Taxi!
00:29:26Taxi!
00:29:28Taxi!
00:29:30Taxi!
00:29:32Taxi!
00:29:34Taxi!
00:29:36Taxi!
00:29:38Taxi!
00:29:40Taxi!
00:29:42Taxi!
00:29:44Taxi!
00:30:01Here.
00:30:03Let me.
00:30:05Ta.
00:30:07Where do you want it?
00:30:09Over in the window.
00:30:15Nicky, I'm a photographer.
00:30:19I'm a photographer.
00:30:21I'm a photographer.
00:30:23I'm a photographer.
00:30:25I'm a photographer.
00:30:27I'm a photographer.
00:30:29I'm a photographer.
00:30:31And I'd very much like to take your photograph.
00:30:33That's a new one. Not bad either.
00:30:36I'm serious.
00:30:37I know you are.
00:30:38The old man told me you bought a camera.
00:30:41That was just something I took a fancy to.
00:30:48I run a studio for a magazine company.
00:30:51The old man thinks you've taken a fancy to this shot.
00:30:55Nicky, it's not a lie. I'm not trying to pick you up.
00:30:58I really am a photographer.
00:31:02Well, let me prove it to you. What time do you finish?
00:31:05About now. Why?
00:31:07Because I'll take you home in my car.
00:31:09Have you got a car?
00:31:10Sure.
00:31:11Really?
00:31:13Okay. I'll go and get my stuff.
00:31:15I haven't been in a car since I was a little girl.
00:31:19I'll just wait here.
00:31:21Okay. Back in a sec.
00:31:29Can I touch it?
00:31:31Sure you can.
00:31:35It affects most people that way.
00:31:37It's beautiful.
00:31:38Are you serious about taking me home in it?
00:31:40I certainly am. Right now.
00:31:46Did you know these headlights light up one and a half kilometres at the road at night?
00:31:49Oh, really? How much do they light up in the day?
00:31:52They've even got an infrared relay there.
00:31:54Gerard, I'm not offended. I enjoy a good fantasy.
00:31:58I can't find my keys.
00:31:59Keys? Yeah, I knew you were going to say that.
00:32:01I must have dropped them or something.
00:32:03My bus is here. I've got to go.
00:32:05You know, you don't have to pretend you're someone you're not just to ask me out.
00:32:09I don't want to ask you out.
00:32:11I want to go home.
00:32:13I don't want to go home.
00:32:15I don't want to go home.
00:32:17I don't want to go home.
00:32:19I don't want to go home.
00:32:21I don't want to go home.
00:32:23I want to take your photograph.
00:32:25When you play, you go all the way, don't you?
00:32:27I'll see you later.
00:32:29It is my car!
00:32:31Sure it is.
00:32:54What are you looking for?
00:32:57I've lost my keys.
00:32:59These them?
00:33:01That's them. Where did you find them?
00:33:03Conveniently left in the shop.
00:33:05Of course.
00:33:07Now look, you've got this all wrong.
00:33:09No, you've got it wrong.
00:33:11There's something strange about you.
00:33:13And if I ever catch you here again, I'll thrash you.
00:33:17Within an inch of your life now. Move.
00:33:23Move.
00:33:41Get down!
00:33:53Stop that. Gerard's not here yet.
00:33:56No, but we are.
00:34:07Me next.
00:34:24Come on, we've got to get the board together.
00:34:37Oh, Gerard's going to kill me.
00:34:42You must go to the change room.
00:34:44You must go to the change room.
00:34:53Oh!
00:35:23Oh!
00:35:42Well, that was a waste of time, wasn't it?
00:35:45I'm sorry, Gerard. I just thought...
00:35:47I know what you thought.
00:35:49Just don't do too much of it next time.
00:35:53I'm sorry.
00:36:14Good.
00:36:16Very good.
00:36:20And this one different.
00:36:22Your style is changing.
00:36:26You should continue this sort of photography.
00:36:34These are definitely what we're looking for.
00:36:36Or at least they're heading in the right direction.
00:36:39Hmm.
00:36:41They're all acceptable for the magazine.
00:36:45But I'm having a bit of trouble getting through my schedule.
00:36:48We noticed that you've taken less photos.
00:36:51And you're not using the full bank of allocated film.
00:36:55But your photos seem to be the only ones that have a market demand,
00:36:59so we're making allowances.
00:37:01But one thing we won't make allowances for
00:37:04is your continual absence from the studio during shooting time.
00:37:09Do you want me to find this girl or not?
00:37:12Yes.
00:37:14But do it from what we send you, or from Central Files, will you?
00:37:17I'll do it any way I see fit.
00:37:22You know the prestige of this magazine
00:37:25and its standing in the market
00:37:27depends upon you finding this girl.
00:37:31No, I'm not saying that if she isn't found
00:37:34that the magazine would collapse.
00:37:36Far from it.
00:37:38But, Gerard,
00:37:41you certainly would.
00:37:52Nicky!
00:37:54Hi.
00:37:56Come to take me home, have you?
00:37:59No car? Haven't found the keys yet, huh?
00:38:02No.
00:38:04I didn't bring the bloody thing.
00:38:06I wasn't even going to come back.
00:38:09I was just out walking.
00:38:12Here I am.
00:38:14It's all right. The old man told me.
00:38:16I know you own the car.
00:38:18He knows you're not trying to take away the shop.
00:38:20Thank God for that.
00:38:22I'm sorry I didn't believe you about the car,
00:38:24but it was a little hard to believe.
00:38:26That's all right. It wasn't your fault.
00:38:35Will you have dinner with me tonight?
00:38:37No. Thanks anyway.
00:38:39Why not?
00:38:40My night-time pass isn't valid yet.
00:38:42I've still got a few days left on my day-time pass.
00:38:44Lunch?
00:38:45When?
00:38:46I'll take you tomorrow.
00:38:48No. I'll take you.
00:38:51Where?
00:38:52My usual place.
00:38:55What time?
00:38:56About one.
00:38:57OK.
00:38:58OK.
00:38:59I'll see you tomorrow.
00:39:00See you later.
00:39:16Over here.
00:39:17Sorry we're late.
00:39:18The monorail was held up.
00:39:20It's OK.
00:39:21Come over by the light.
00:39:32You three get changed for vanity shots, OK?
00:39:38I'm sorry.
00:39:39It's OK.
00:39:40It's OK.
00:39:41It's OK.
00:39:42It's OK.
00:39:43It's OK.
00:39:44It's OK.
00:39:54No.
00:39:55Don't take it off.
00:39:57I want to shoot you as you are, OK?
00:40:00Maybe a bus stop.
00:40:02You're waiting for a bus.
00:40:07OK. It's coming.
00:40:09Now.
00:40:14Now.
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00:44:04Oh.
00:44:05Oh.
00:44:06Oh.
00:44:07Oh.
00:44:08Oh.
00:44:09Oh.
00:44:10Oh.
00:44:11Oh.
00:44:12Oh.
00:44:13Oh.
00:44:14Oh.
00:44:15Oh.
00:44:16Oh.
00:44:17Oh.
00:44:18Oh.
00:44:19Oh.
00:44:20Oh.
00:44:21Oh.
00:44:22Oh.
00:44:23Oh.
00:44:24Oh.
00:44:25Oh.
00:44:26Oh.
00:44:27Oh.
00:44:28Oh.
00:44:29Oh.
00:44:30Oh.
00:44:31Oh.
00:44:32Oh.
00:44:33Oh.
00:44:34Oh.
00:44:35Oh.
00:44:36Oh.
00:44:37Oh.
00:44:38Oh.
00:44:39Oh.
00:44:40Oh.
00:44:41Oh.
00:44:42Oh.
00:44:43Oh.
00:44:44Oh.
00:44:45Oh.
00:44:46Oh.
00:44:47Oh.
00:44:48Oh.
00:44:49Oh.
00:44:50Oh.
00:44:51Oh.
00:44:52Oh.
00:44:53Oh.
00:44:54Oh.
00:44:55Oh.
00:44:56Oh.
00:44:57Oh.
00:44:58Oh.
00:44:59Oh.
00:45:00Oh.
00:45:01Oh.
00:45:02Oh.
00:45:03Oh.
00:45:04Oh.
00:45:05Oh.
00:45:06I'd say that you were very much mistaken.
00:45:15How do you know if you don't let me photograph you?
00:45:19I don't want to know.
00:45:22How do you know that you don't want to know if you don't know to find out?
00:45:25Pardon?
00:45:27Whatever it was, you should put it to music.
00:45:29It sounded like a great lyric.
00:45:31I'll come with you.
00:45:33Who knows?
00:45:34Maybe I can convince you on the way.
00:45:37It's miles out of your way.
00:45:39The bus comes back, doesn't it?
00:45:41Yeah.
00:45:42I'll take the round trip.
00:46:01I love you.
00:46:31I love you.
00:47:01I love you.
00:47:31I love you.
00:47:35I love you.
00:47:38I love you.
00:48:01We need a new image, a different approach.
00:48:05Someone for the new century.
00:48:07We want you to find her.
00:48:09You didn't hear me.
00:48:11It's not my job.
00:48:13I can't do it. It's out of my register.
00:48:15We'll give you the authority needed.
00:48:17That's all very nice, but I've already got enough work scheduled to last right through the next century.
00:48:21Let alone find someone before it.
00:48:23We can always give your G5 to another photographer.
00:48:26Good idea.
00:48:28I'll have Central relocate you right away.
00:48:31What do you mean, relocate?
00:48:34You're not capable of doing what's expected of you.
00:48:37Perhaps you ought to be placed in a less pressured position.
00:48:41Can I cancel my present commitments?
00:48:43No.
00:48:44What do you expect me to do?
00:48:46Exactly what we ask.
00:49:03I love you.
00:49:33I love you.
00:50:04Gerard, it's ready!
00:50:06You know how...
00:50:08On the way here I was telling you about this girl I'm supposed to be finding.
00:50:12Well, what would you say if I said you might be the one?
00:50:15I'd say that you were very much mistaken.
00:50:19Well, how would you know if you're not going to be photographing?
00:50:22I don't want to know.
00:50:24Right.
00:50:26I want to get the atmosphere of a café.
00:50:29Café?
00:50:30A busy café.
00:50:32Okay, let's do it.
00:50:33Let's try some up the back.
00:50:36Right.
00:50:38I want to get the atmosphere of a café.
00:50:41Café?
00:50:42A busy café.
00:50:43Okay, let's do it.
00:50:44Let's try some up the back.
00:51:05I'm sorry.
00:51:06I'm sorry.
00:51:07I'm sorry.
00:51:08I'm sorry.
00:51:09I'm sorry.
00:51:10I'm sorry.
00:51:11I'm sorry.
00:51:12I'm sorry.
00:51:13I'm sorry.
00:51:14I'm sorry.
00:51:15I'm sorry.
00:51:16I'm sorry.
00:51:17I'm sorry.
00:51:18I'm sorry.
00:51:19I'm sorry.
00:51:20I'm sorry.
00:51:21I'm sorry.
00:51:22I'm sorry.
00:51:23I'm sorry.
00:51:24I'm sorry.
00:51:25I'm sorry.
00:51:26I'm sorry.
00:51:27I'm sorry.
00:51:28I'm sorry.
00:51:29I'm sorry.
00:51:30I'm sorry.
00:51:31I'm sorry.
00:51:32I'm sorry.
00:51:33I'm sorry.
00:51:34I'm sorry.
00:51:35I'm sorry.
00:51:36I'm sorry.
00:51:37I'm sorry.
00:51:38I'm sorry.
00:51:39I'm sorry.
00:51:40I'm sorry.
00:51:41I'm sorry.
00:51:42I'm sorry.
00:51:43I'm sorry.
00:51:44I'm sorry.
00:51:45I'm sorry.
00:51:46I'm sorry.
00:51:47I'm sorry.
00:51:48I'm sorry.
00:51:49I'm sorry.
00:51:50I'm sorry.
00:51:51I'm sorry.
00:51:52I'm sorry.
00:51:53I'm sorry.
00:51:54I'm sorry.
00:51:55I'm sorry.
00:51:56I'm sorry.
00:51:57I'm sorry.
00:51:58I'm sorry.
00:51:59I'm sorry.
00:52:00I'm sorry.
00:52:01I'm sorry.
00:52:02I'm sorry.
00:52:03I'm sorry.
00:52:04I'm sorry.
00:52:06I'm sorry.
00:52:32Alright.
00:52:34Come up the front now.
00:53:04Just what is it you're trying to do?
00:53:18What are you getting at?
00:53:20Have you found the girl you're looking for if you have produced the photos?
00:53:24I think I've found her.
00:53:26Just give me a little more time.
00:53:27That's all you have got.
00:53:29A little more time is all that's left.
00:53:31All your other work has fallen away.
00:53:33You've got to get back to the standard that you had before and get away from what you
00:53:36were doing today.
00:53:37I liked what I was doing today.
00:53:40It's natural.
00:53:41Clean.
00:53:42It looks more like some kind of prophetic statement about society as it is today.
00:53:45People don't want any reminders.
00:53:47Thank you very much.
00:53:49That wasn't it.
00:53:51Trust you to see it that way.
00:53:53That's the way Central saw it and it does not like it!
00:53:57Calvert!
00:53:58I'm searching for your new style.
00:54:01And I'm not far off it.
00:54:03You are not being paid to search for a new style.
00:54:07All we want you to do is to maintain your original style.
00:54:10Girard!
00:54:11If you've got something to produce, I suggest you do it fast.
00:54:15Your time is just about up!
00:55:01I've got to get back to the standard that I had before and get away from what I was
00:55:28doing today.
00:55:30Hello, Mark speaking.
00:55:31Girard, where the hell are you?
00:55:32OK.
00:55:33Yes, but Girard, Calvert rang and he's fuming.
00:55:34Yeah.
00:55:35Yeah.
00:55:36Me.
00:55:37Yeah.
00:55:38Yeah.
00:55:39Yeah.
00:55:40Yeah.
00:55:41Yeah.
00:55:42Yeah.
00:55:43Yeah.
00:55:44Yeah.
00:55:45Yeah.
00:55:46Yeah.
00:55:47Yeah.
00:55:48Yeah.
00:55:49Yeah.
00:55:50Yeah.
00:55:51Yeah.
00:55:52Yeah.
00:55:53Yeah.
00:55:54Yeah.
00:55:55Yeah.
00:55:56Yeah.
00:55:57Yeah.
00:55:58Are you sure?
00:56:02Just one?
00:56:04OK.
00:56:06See ya.
00:56:28Can you change? There's a vehicle waiting for you.
00:56:40Okay, number one positions. Let's take some photographs for Gerard.
00:56:58This is the pool. There's a sauna over there.
00:57:08What an amazing house.
00:57:16You've got everything you want, haven't you?
00:57:19One would think so.
00:57:21I've never seen anything like it. You must be very happy.
00:57:30Can I have a swim?
00:57:33If you like. An extra one.
00:57:38This shot shouldn't take too long. I think you'll be quite suited.
00:57:58Why don't you come in? You look like you could do with a bit of relaxing, Gerard.
00:58:09Coming in?
00:58:11Why not?
00:58:26After all, if you're privileged enough to have a pool, why not use it?
00:58:33I agree.
00:58:49Beat you.
00:58:51I didn't know we were racing.
00:58:53Didn't you?
00:59:09You must be very good, Gerard, to have all this.
00:59:15But there's something missing, isn't there?
00:59:18And what's that?
00:59:39You never give anything away, do you, Gerard?
00:59:43Don't I?
00:59:46Maybe more than you think.
01:00:14Do you enjoy modeling?
01:00:17Sometimes.
01:00:22Depends on the photographer.
01:00:24But what about you? What do you enjoy?
01:00:31Your file doesn't do you justice.
01:00:35It should be an interesting session.
01:00:38I'm glad I've pleased you.
01:01:04I'm sure you don't mind, do you?
01:01:34Oh, hello, love.
01:02:03Love?
01:02:32Nicky.
01:02:39Please let me take your photograph.
01:02:43I won't take you to the studio.
01:02:45I'll take you to my place.
01:02:48That's the way I'd prefer it.
01:02:50If you don't like them, that's as far as they go.
01:03:17Okay.
01:03:27Gerard, it's okay.
01:03:29I know what I'm doing.
01:03:31Look, Nicky.
01:03:33Anytime you want to stop, just say it.
01:03:36Just tell me and it's over.
01:03:38No one will ever know.
01:03:40Thanks.
01:03:42But I'm here because I want to be.
01:03:44Okay?
01:03:47Is this some of your work?
01:03:50Yes.
01:03:52That's the kind of stuff that earns me a G5 from Central.
01:03:55I know exactly what they want and I deliver.
01:03:58No questions.
01:04:14Why are all your photos so aggressive?
01:04:18We're all bound by certain controls, certain codes.
01:04:23I'm just a servant.
01:04:26Central determines public taste.
01:04:28I don't question their judgment.
01:04:30But you have, haven't you?
01:04:32I mean, that's partly why I'm here.
01:04:35I find girls on the streets or in the public files.
01:04:38I photograph them.
01:04:39They appear in the magazine.
01:04:41Their sector status is raised.
01:04:43They become the goddesses of Central's computer readouts.
01:04:47And they make me a G5.
01:04:50In the old books I read in the shop,
01:04:52well, they said that art was an individual's expression of something
01:04:57which he or she felt strongly about.
01:05:01Why did they change that?
01:05:03Why?
01:05:05It was inevitable.
01:05:07Violence in our society was out of control.
01:05:10Something you can read about in your books, Nicky.
01:05:13But it's part of all of us.
01:05:15We can't escape it.
01:05:17Central knows that.
01:05:19So it created the magazine.
01:05:21To fulfill our lusts for hostility.
01:05:24It's like the games in Rome.
01:05:27The lions devouring the Christians in the Colosseum.
01:05:31We've just found a better way of capitalizing on it, that's all.
01:05:35But when I started to question the content,
01:05:38the fantasies, whips, knives, brutality,
01:05:43and started to look for something different,
01:05:48Central indicated that I was dispensable.
01:05:54And do you know why?
01:05:57Because I had started to question.
01:06:01Gerard, do you still want to take my photo?
01:06:05I do, yes.
01:06:07Tilt the head. That's it.
01:06:10Wonderful.
01:06:13Where on earth did you get those things?
01:06:16Things were so feminine then.
01:06:18And you don't really mind, do you?
01:06:21No, I don't.
01:06:24How many of the girls you photographed do you go to bed with?
01:06:31None.
01:06:33Sounds very dispassionate, I know.
01:06:36When I'm working, I don't.
01:06:39Don't you feel any involvement with me?
01:06:42Professional.
01:06:44I mean, don't you ever feel attracted to the girls you photograph?
01:06:49Sexually attracted.
01:06:52It's not part of my job.
01:06:56Aren't you sexually attracted to me?
01:07:00Yes, I am.
01:07:05Yes, I am.
01:07:08Touch me.
01:07:10What?
01:07:11I said, touch me.
01:07:13Please.
01:07:16I really care for you, Gerard.
01:07:19I think you care for me, too.
01:07:29It wasn't that bad, was it?
01:07:32No, it wasn't.
01:07:35Man made dreams for those who are awake, Plato.
01:07:39I didn't...
01:07:41Plato.
01:07:43I didn't.
01:07:45I didn't.
01:07:47I didn't.
01:07:49I didn't.
01:07:51I didn't.
01:07:53I didn't.
01:07:55I didn't.
01:07:57I didn't.
01:07:59I didn't.
01:08:01I didn't.
01:08:03I didn't.
01:08:04Plato.
01:08:06That's what I've been making.
01:08:09Man made dreams.
01:08:33Man made dreams.
01:08:36Man made dreams.
01:08:39Man made dreams.
01:08:42Man made dreams.
01:08:45Man made dreams.
01:08:48Man made dreams.
01:08:51Man made dreams.
01:08:54Man made dreams.
01:08:57Man made dreams.
01:09:00Man made dreams.
01:09:03Man made dreams.
01:09:06Man made dreams.
01:09:09Man made dreams.
01:09:12Man made dreams.
01:09:15Man made dreams.
01:09:18Man made dreams.
01:09:21Man made dreams.
01:09:24Man made dreams.
01:09:27Man made dreams.
01:09:30Man made dreams.
01:09:33Man made dreams.
01:09:36Man made dreams.
01:09:39Man made dreams.
01:09:42Man made dreams.
01:09:45Man made dreams.
01:09:48Man made dreams.
01:09:51Man made dreams.
01:09:54Man made dreams.
01:09:57Man made dreams.
01:10:00Man made dreams.
01:10:03Man made dreams.
01:10:06Man made dreams.
01:10:09Man made dreams.
01:10:12Man made dreams.
01:10:15Man made dreams.
01:10:18Man made dreams.
01:10:21Man made dreams.
01:10:24Man made dreams.
01:10:27Man made dreams.
01:10:30Man made dreams.
01:10:33Man made dreams.
01:10:36Man made dreams.
01:10:39Man made dreams.
01:10:42Man made dreams.
01:10:45Man made dreams.
01:10:48Man made dreams.
01:10:51Man made dreams.
01:10:54Man made dreams.
01:10:57Man made dreams.
01:11:00Man made dreams.
01:11:03Man made dreams.
01:11:06Man made dreams.
01:11:09Man made dreams.
01:11:12Man made dreams.
01:11:15Man made dreams.
01:11:18Man made dreams.
01:11:21Man made dreams.
01:11:24Man made dreams.
01:11:27Man made dreams.
01:11:30Man made dreams.
01:11:33Man made dreams.
01:11:36Man made dreams.
01:11:39Man made dreams.
01:11:43I'm not going to give Central your photos.
01:11:46Why?
01:11:49Because if I do, I'll lose you.
01:11:52Why should that happen?
01:11:55It will. Believe me.
01:11:59I know.
01:12:03But if you don't give them the photos, your career's over.
01:12:08Once someone gets demoted, they never regain their original status.
01:12:13You know that.
01:12:15Perhaps.
01:12:17But that's my decision.
01:12:20It's my decision to let you photograph me.
01:12:24Please, give them the photos.
01:12:29Please, give them the photos.
01:12:41There you are, Calvert.
01:12:44The most fantastic girl you ever laid eyes on.
01:12:47The girl of the century.
01:12:49She'll be here in 15 minutes.
01:12:51It's too late, far too late.
01:12:53The deadline wasn't met and the photos can't be used.
01:12:58Well, just look at them before you make any decision.
01:13:01Forget the bloody deadline.
01:13:03We have no alternative.
01:13:04Calvert!
01:13:08She's natural, new.
01:13:11She's just what everybody's looking for.
01:13:16She carries a sort of light in her eyes that...
01:13:20...deems beauty as it should be.
01:13:24As it was.
01:13:29Put her in the magazine, Calvert.
01:13:32People will be affected the same way.
01:13:35You'll be the first to see her.
01:13:38You'll be the first to see her.
01:13:43People will be affected the same way.
01:13:47Can't you drag yourself away from your bloody desk long enough to loosen up?
01:13:52Look around.
01:13:53Find something you don't even know what you're looking for.
01:14:04Calvert.
01:14:09Gerard.
01:14:13Your photographic standing is non-existent with this magazine.
01:14:19You are relocated to a small magazine in...
01:14:25...D sector dealing with...
01:14:28...animals.
01:14:31Animals.
01:14:33You have also been dropped to a blue disc credit...
01:14:36...which, as you know, will just about keep you in food...
01:14:39...and if by some strange chance you ever come to your senses...
01:14:43...Central may relocate you at a later date.
01:14:54What about Nicky?
01:14:59Leave the photos. We may be able to do something for her.
01:15:06Here's your readout card.
01:15:12And your new contract.
01:15:15I won't be seeing you again.
01:15:22Fine.
01:15:29Calvert, you was right.
01:15:33She's fantastic.
01:15:42She still might make the magazine, if we're lucky.
01:15:49As soon as a young lady by the name of Nicky arrives...
01:15:52...send her to me down here.
01:15:57She's the one.
01:16:19Come in.
01:16:22Ah, you must be Nicky.
01:16:28And you look terrific.
01:16:31We have an offer for you that you won't believe.
01:16:35Where's Gerard?
01:16:37Oh, he's gone, Nicky. He did his job in finding you...
01:16:40...and now he's... he's on a new assignment.
01:17:18What?
01:17:37This is it, they tell me. He has lunch here.
01:17:40Are you sure you're doing the right thing?
01:17:42Positive.
01:17:43Tell him I'll look him up.
01:17:45Tell him I know what used to get him so down about this job now.
01:18:16Nicky, you look great.
01:18:23My photographs just don't do you justice.
01:18:46How did you find me?
01:18:50Mark brought me. He told me everything that happened.
01:18:55It doesn't matter now.
01:19:04They really dress you well.
01:19:11I love you, Gerard.
01:19:28I love you. I can't offer you much.
01:19:32I don't want much.
01:19:41Are you sure, Nicky?
01:19:45You have a huge future.
01:19:47We have.
01:20:11Power
01:20:18You know you can be powerful
01:20:26By being in love
01:20:33Fame
01:20:40Fame
01:20:47You can be famous
01:20:54By being in love
01:21:01Fame
01:21:07You know power causes problems
01:21:14That never seem to go
01:21:20And fame, the magazines that print your name
01:21:26Are never gonna fade away
01:21:32Only love
01:21:37Can help you escape
01:21:44Only love
01:21:50Can help you escape
01:21:56Only love
01:22:01Can help you escape
01:22:06Only love
01:22:11Can help you escape
01:22:16Only love
01:22:21Can help you escape