J Anoop Seelin ನನಗೆ ದೊಡ್ಡ ಬ್ರೇಕ್ ಕೊಟ್ಟಿದ್ದೆ ಗೂಗ್ಲಿ ಸಿನಿಮಾದ BGM
ಖ್ಯಾತ ಸಂಗೀತ ನಿರ್ದೇಶಕ ಅನೂಪ್ ಸಿಳೀನ್ ತಮ್ಮ ಸಂಗೀತದ ಜರ್ನಿಯ ಬಗ್ಗೆ ಫಿಲ್ಮಿಬೀಟ್ ಜೊತೆ ಮಾತನಾಡಿದ್ದಾರೆ
#GooglyBgm #JAnoopSeelin #PreethiAnnoDyavruSong #PramodMaravanthe #AnoopSeelinSongs #AnoopSeelinInterview #HamsalekhaCopySong #PreethiAnnoDyavruAlbum #AnoopSeelinAlbumSongs #FilmiBeatKannada
~HT.188~PR.30~ED.33~
#GooglyBgm #JAnoopSeelin #PreethiAnnoDyavruSong #PramodMaravanthe #AnoopSeelinSongs #AnoopSeelinInterview #HamsalekhaCopySong #PreethiAnnoDyavruAlbum #AnoopSeelinAlbumSongs #FilmiBeatKannada
~HT.188~PR.30~ED.33~
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NewsTranscript
00:00I used to do it myself. I used to sing it and do it in octaves.
00:04I used to do it in octaves and do it in bass.
00:08There were a lot of people like that.
00:17I used to go to her coffee shop and have a cup of coffee.
00:21It was a youthful thing.
00:30Who are your favourite music directors in Kannada?
00:41My favourite is Gurugadu.
00:45Gurugadu was at the top back then.
00:48I like their songs.
00:54I like Charan's music.
00:59I like their melodies.
01:03I like that song.
01:11I like the humming.
01:14There's another one.
01:20I like that a lot.
01:22I also like Ajnesh.
01:26I like this one a lot.
01:34I like all the music directors.
01:37If I like it, I'll message them.
01:40I like all the music directors.
01:45Have you tried to write lyrics?
01:48No.
01:50Why only music?
01:53I like the old school.
01:56I like the old school.
01:59I like the old school.
02:02I like the old school.
02:05Have you tried to write lyrics?
02:08No.
02:11I don't know how to write music.
02:14I don't know how to write music.
02:17If you go to the north, there are a lot of movies in the south.
02:22There's a lot of music in the south.
02:27I've come to the level of directing.
02:32When it comes to south music, it's like Canada.
02:37Sometimes it goes up, sometimes it goes down.
02:42Some movies don't go to that range.
02:45Some people say that the number of people is decreasing.
02:48Some people say that we'll come to the theater with a good movie.
02:53This year, it's completely down.
02:56After Bheema came, it was okay.
02:59Now it's down.
03:02Now it's down.
03:05It's like there's no rain, there's no sun.
03:09The industry itself made it difficult for people to come to the theater.
03:16You said that if people give us a good movie...
03:19You said that if people give us a good movie...
03:22The first thing we need to learn in cinema is how to accept failure.
03:30In this field alone, there is a lot of failure.
03:35It's hard to accept failure.
03:38In cricket, you can get a century.
03:41In the next match, you'll get zero.
03:44It's the same with the cinema industry.
03:47We want to make all our movies to be a hit.
03:50We want to make it popular.
03:53We don't know what will happen after the movie is released.
03:56We judge the movie as a massive hit.
03:59We want to make all our movies a super hit.
04:03There are good movies like Moorane Krishnappan and Shakahari.
04:16They all get reviews.
04:19They all get good reviews after OTT.
04:22What we need to think about is...
04:25How will people react after OTT?
04:29There will be flaws in the system.
04:34How will people understand that this is happening?
04:39You're doing an interview.
04:42You're giving a platform for this.
04:45People are expecting something larger than life.
04:48They're very close to it.
04:51They have something in their minds.
04:55We don't know what they'll take or not.
04:58You've done a lot of music in your career.
05:01When did you feel you should make a movie like this?
05:07Everything was there back then.
05:10But now...
05:13It's the first time for directors like me.
05:16Why do you get a lot of comments?
05:19It's always been like that.
05:22Even now...
05:25I haven't found a combination to be a hero.
05:31The first movie I did was for Sudeep sir.
05:35Then I did two movies for Sivannan.
05:40In 16 years...
05:46Directors say that I've achieved a lot.
05:52I did a lot of movies for Dali.
05:55But I did it from his first movie.
05:58He was a massive hero.
06:01But his first movie was a director special.
06:04I did it like Jesse.
06:07I don't know why.
06:10I didn't say that.
06:13It was a journey.
06:16But I'm still enjoying it.
06:19I'm not giving up.
06:22I want to talk about BGM.
06:25Why did I ask this question?
06:28You gave Darshan a BGM.
06:31You called him D-Boss.
06:34But you didn't use it anywhere.
06:37You used it to make the BGM.
06:40No, I didn't.
06:43I sang it and made it into an octave.
06:46I was like D-Boss.
06:49He was a massive hero.
06:52In Inspector Vikram's movie...
06:55I was a massive hit.
06:58He was a guest appearance in that movie.
07:01The footage was very good.
07:04Narsimha's direction.
07:07Naveen's cinematography.
07:10He came out stylish.
07:13It was good.
07:16It was in the set of Ravan.
07:19It was a special episode.
07:22Did you have a visual in mind?
07:25Yes.
07:28Visuals and actors.
07:31If you take Dedu Manjunath...
07:34He's in minimal music.
07:37But you have to give it full impact.
07:40If you take Dedu Manjunath...
07:43Even if it's a comedy movie...
07:46It's a woman's point of view.
07:49What is her pain?
07:52How does a woman feel when she's drunk?
07:55That's what I did in music.
07:58When it comes to BGM, you can't talk about it on Google.
08:01I didn't have a job after Siddling.
08:04When I did Googly...
08:07I did Googly BGM.
08:10I did Joshuva Sridhar's songs.
08:13That's when the commercial doors opened.
08:16How did that happen?
08:19I was challenged in the initial days.
08:22You might have heard of it.
08:25I met Guru Prasad and Vijay Prasad.
08:28I did comedy genre movies.
08:31How do you remember that?
08:34You have to hit the hard hits.
08:37If it's a comedy, the sound is fixed.
08:40If you look at those movies...
08:43I didn't use the term towing for comedy.
08:46I gave it musically.
08:49I gave it in a classical style.
08:52Nirdeshekar liked that too.
08:55I did the same with Siddling.
08:58If you watch a movie with Siddling, there's no comedy effect.
09:01There's no comedy effect in a comedy movie.
09:04Both of them stopped doing that.
09:07Pavan Odeyar observed that.
09:10Siddling was used for background music.
09:13The hero and heroine is a small stunt.
09:16It's not a comedy.
09:19It's a mannerism comedy.
09:22There's a scene where the hero and the heroine go for a cup of coffee.
09:25It's a small scene.
09:28It's youthful.
09:31It should be a romantic scene.
09:34The hero and the heroine go for a cup of coffee.
09:37There's no need for anything there.
09:40There's no need for anything there.
09:43There's no need for anything there.
09:52There's no need for anything there.
10:04We used to do this in college days.
10:07We used to do this in college days.
10:13That movie came to me.
10:16There was another singer, Nirdeshekar.
10:19I enjoyed that movie.
10:22I enjoyed that movie.
10:25I remembered you with such a beautiful BGM.
10:28Someone once told me...
10:31Someone once told me...
10:34Anup Silin's RR would be great.
10:37He asked me that question.
10:40He asked me that question.
10:43He asked me that question.
10:46There's a song called D.
10:49There's a song called D.
10:52There's a song called D.
11:07How did you come up with the music?
11:10How did you come up with the music?
11:13What's your all-time favorite music?
11:16What's your all-time favorite music?
11:19If you look at it that way, it's Preeti Anno Devaru.
11:22If you look at it that way, it's Preeti Anno Devaru.
11:25What's your all-time favorite music?
11:28There's a lot.
11:31I can take Manson Roy.
11:34I can take Manson Roy.
11:37Manson Roy is special because...
11:40It's instrumental.
11:43It's instrumental.
11:46It's instrumental.
11:49It's instrumental.
11:52It's instrumental.
11:55It's instrumental.
11:58It's instrumental.
12:01It's instrumental.
12:04It's instrumental.
12:07I like Savandari's Malaiyali Athi, when it was hit with a violin...
12:10I like Savandari's Malaiyali Athi, when it was hit with a violin...
12:13I like Savandari's Malaiyali Athi, when it was hit with a violin...
12:26targets me!
12:29People would get afraid whenever other musicians come up.
12:32I don't know how it came to be.
12:35When I saw a Barsi song in Malayalam, it went viral.
12:40So, I just kept the violin.
12:42When I saw it in Kannada, it was a boom.
12:45When I saw it in theatre, the sound, the rain...
12:48It was fantastic.
12:50Ravindra's direction...
12:52It came from you, right?
12:54No, I mean...
12:57You won't believe it.
12:59There was no composing session.
13:02There was a heroine's entry in college.
13:07It was like a college fest.
13:09The heroine would come there.
13:12We had to finish the song in 40 seconds.
13:17I had to finish the song in 40 seconds.
13:21I had invited Chande and the violin player.
13:26I was singing and the violin player came.
13:30He was a fantastic violin player.
13:32He was watching me.
13:34He was watching what I was doing.
13:36I went to him and told him the rhythm.
13:41Chande was listening to it.
13:45I had given him a phrase.
13:53I was wondering what they were doing.
13:57He didn't know the tune.
14:00I went to a bigger studio.
14:04He showed me the phrase.
14:07He showed it to me.
14:15He asked me to make it harder.
14:20It took me 30 minutes to finish it.
14:25He shot it very well.
14:30A musical journey of 16 years.
14:35It's going very beautifully.
14:38Your music is getting a lot of hits.
14:41It's getting a lot of views on YouTube.
14:45Give an invitation to people to watch your songs.
14:49We have done a lot of things.
14:52I, Pramod Maruwanthe, Sugnayan, JP Music, my wife...
14:59I keep asking people why we are doing this.
15:09We have hurt others.
15:12We have harmed nature.
15:16I have tried to open it on a small screen.
15:23I have acted as if I have done it.
15:28People are liking it.
15:31I want to thank them.
15:34I will give them the strength to do more.