J Anoop Seelin ನನಗೆ ದೊಡ್ಡ ಬ್ರೇಕ್ ಕೊಟ್ಟಿದ್ದೆ ಗೂಗ್ಲಿ ಸಿನಿಮಾದ BGM

Filmibeat Kannada

ಖ್ಯಾತ ಸಂಗೀತ ನಿರ್ದೇಶಕ ಅನೂಪ್ ಸಿಳೀನ್ ತಮ್ಮ ಸಂಗೀತದ ಜರ್ನಿಯ ಬಗ್ಗೆ ಫಿಲ್ಮಿಬೀಟ್ ಜೊತೆ ಮಾತನಾಡಿದ್ದಾರೆ     #GooglyBgm #JAnoopSeelin #PreethiAnnoDyavruSong #PramodMaravanthe #AnoopSeelinSongs  #AnoopSeelinInterview  #HamsalekhaCopySong #PreethiAnnoDyavruAlbum #AnoopSeelinAlbumSongs #FilmiBeatKannada                         ~HT.188~PR.30~ED.33~

Transcript

00:00I used to do it myself. I used to sing it and do it in octaves.

00:04I used to do it in octaves and do it in bass.

00:08There were a lot of people like that.

00:17I used to go to her coffee shop and have a cup of coffee.

00:21It was a youthful thing.

00:30Who are your favourite music directors in Kannada?

00:41My favourite is Gurugadu.

00:45Gurugadu was at the top back then.

00:48I like their songs.

00:54I like Charan's music.

00:59I like their melodies.

01:03I like that song.

01:11I like the humming.

01:14There's another one.

01:20I like that a lot.

01:22I also like Ajnesh.

01:26I like this one a lot.

01:34I like all the music directors.

01:37If I like it, I'll message them.

01:40I like all the music directors.

01:45Have you tried to write lyrics?

01:48No.

01:50Why only music?

01:53I like the old school.

01:56I like the old school.

01:59I like the old school.

02:02I like the old school.

02:05Have you tried to write lyrics?

02:08No.

02:11I don't know how to write music.

02:14I don't know how to write music.

02:17If you go to the north, there are a lot of movies in the south.

02:22There's a lot of music in the south.

02:27I've come to the level of directing.

02:32When it comes to south music, it's like Canada.

02:37Sometimes it goes up, sometimes it goes down.

02:42Some movies don't go to that range.

02:45Some people say that the number of people is decreasing.

02:48Some people say that we'll come to the theater with a good movie.

02:53This year, it's completely down.

02:56After Bheema came, it was okay.

02:59Now it's down.

03:02Now it's down.

03:05It's like there's no rain, there's no sun.

03:09The industry itself made it difficult for people to come to the theater.

03:16You said that if people give us a good movie...

03:19You said that if people give us a good movie...

03:22The first thing we need to learn in cinema is how to accept failure.

03:30In this field alone, there is a lot of failure.

03:35It's hard to accept failure.

03:38In cricket, you can get a century.

03:41In the next match, you'll get zero.

03:44It's the same with the cinema industry.

03:47We want to make all our movies to be a hit.

03:50We want to make it popular.

03:53We don't know what will happen after the movie is released.

03:56We judge the movie as a massive hit.

03:59We want to make all our movies a super hit.

04:03There are good movies like Moorane Krishnappan and Shakahari.

04:16They all get reviews.

04:19They all get good reviews after OTT.

04:22What we need to think about is...

04:25How will people react after OTT?

04:29There will be flaws in the system.

04:34How will people understand that this is happening?

04:39You're doing an interview.

04:42You're giving a platform for this.

04:45People are expecting something larger than life.

04:48They're very close to it.

04:51They have something in their minds.

04:55We don't know what they'll take or not.

04:58You've done a lot of music in your career.

05:01When did you feel you should make a movie like this?

05:07Everything was there back then.

05:10But now...

05:13It's the first time for directors like me.

05:16Why do you get a lot of comments?

05:19It's always been like that.

05:22Even now...

05:25I haven't found a combination to be a hero.

05:31The first movie I did was for Sudeep sir.

05:35Then I did two movies for Sivannan.

05:40In 16 years...

05:46Directors say that I've achieved a lot.

05:52I did a lot of movies for Dali.

05:55But I did it from his first movie.

05:58He was a massive hero.

06:01But his first movie was a director special.

06:04I did it like Jesse.

06:07I don't know why.

06:10I didn't say that.

06:13It was a journey.

06:16But I'm still enjoying it.

06:19I'm not giving up.

06:22I want to talk about BGM.

06:25Why did I ask this question?

06:28You gave Darshan a BGM.

06:31You called him D-Boss.

06:34But you didn't use it anywhere.

06:37You used it to make the BGM.

06:40No, I didn't.

06:43I sang it and made it into an octave.

06:46I was like D-Boss.

06:49He was a massive hero.

06:52In Inspector Vikram's movie...

06:55I was a massive hit.

06:58He was a guest appearance in that movie.

07:01The footage was very good.

07:04Narsimha's direction.

07:07Naveen's cinematography.

07:10He came out stylish.

07:13It was good.

07:16It was in the set of Ravan.

07:19It was a special episode.

07:22Did you have a visual in mind?

07:25Yes.

07:28Visuals and actors.

07:31If you take Dedu Manjunath...

07:34He's in minimal music.

07:37But you have to give it full impact.

07:40If you take Dedu Manjunath...

07:43Even if it's a comedy movie...

07:46It's a woman's point of view.

07:49What is her pain?

07:52How does a woman feel when she's drunk?

07:55That's what I did in music.

07:58When it comes to BGM, you can't talk about it on Google.

08:01I didn't have a job after Siddling.

08:04When I did Googly...

08:07I did Googly BGM.

08:10I did Joshuva Sridhar's songs.

08:13That's when the commercial doors opened.

08:16How did that happen?

08:19I was challenged in the initial days.

08:22You might have heard of it.

08:25I met Guru Prasad and Vijay Prasad.

08:28I did comedy genre movies.

08:31How do you remember that?

08:34You have to hit the hard hits.

08:37If it's a comedy, the sound is fixed.

08:40If you look at those movies...

08:43I didn't use the term towing for comedy.

08:46I gave it musically.

08:49I gave it in a classical style.

08:52Nirdeshekar liked that too.

08:55I did the same with Siddling.

08:58If you watch a movie with Siddling, there's no comedy effect.

09:01There's no comedy effect in a comedy movie.

09:04Both of them stopped doing that.

09:07Pavan Odeyar observed that.

09:10Siddling was used for background music.

09:13The hero and heroine is a small stunt.

09:16It's not a comedy.

09:19It's a mannerism comedy.

09:22There's a scene where the hero and the heroine go for a cup of coffee.

09:25It's a small scene.

09:28It's youthful.

09:31It should be a romantic scene.

09:34The hero and the heroine go for a cup of coffee.

09:37There's no need for anything there.

09:40There's no need for anything there.

09:43There's no need for anything there.

09:52There's no need for anything there.

10:04We used to do this in college days.

10:07We used to do this in college days.

10:13That movie came to me.

10:16There was another singer, Nirdeshekar.

10:19I enjoyed that movie.

10:22I enjoyed that movie.

10:25I remembered you with such a beautiful BGM.

10:28Someone once told me...

10:31Someone once told me...

10:34Anup Silin's RR would be great.

10:37He asked me that question.

10:40He asked me that question.

10:43He asked me that question.

10:46There's a song called D.

10:49There's a song called D.

10:52There's a song called D.

11:07How did you come up with the music?

11:10How did you come up with the music?

11:13What's your all-time favorite music?

11:16What's your all-time favorite music?

11:19If you look at it that way, it's Preeti Anno Devaru.

11:22If you look at it that way, it's Preeti Anno Devaru.

11:25What's your all-time favorite music?

11:28There's a lot.

11:31I can take Manson Roy.

11:34I can take Manson Roy.

11:37Manson Roy is special because...

11:40It's instrumental.

11:43It's instrumental.

11:46It's instrumental.

11:49It's instrumental.

11:52It's instrumental.

11:55It's instrumental.

11:58It's instrumental.

12:01It's instrumental.

12:04It's instrumental.

12:07I like Savandari's Malaiyali Athi, when it was hit with a violin...

12:10I like Savandari's Malaiyali Athi, when it was hit with a violin...

12:13I like Savandari's Malaiyali Athi, when it was hit with a violin...

12:26targets me!

12:29People would get afraid whenever other musicians come up.

12:32I don't know how it came to be.

12:35When I saw a Barsi song in Malayalam, it went viral.

12:40So, I just kept the violin.

12:42When I saw it in Kannada, it was a boom.

12:45When I saw it in theatre, the sound, the rain...

12:48It was fantastic.

12:50Ravindra's direction...

12:52It came from you, right?

12:54No, I mean...

12:57You won't believe it.

12:59There was no composing session.

13:02There was a heroine's entry in college.

13:07It was like a college fest.

13:09The heroine would come there.

13:12We had to finish the song in 40 seconds.

13:17I had to finish the song in 40 seconds.

13:21I had invited Chande and the violin player.

13:26I was singing and the violin player came.

13:30He was a fantastic violin player.

13:32He was watching me.

13:34He was watching what I was doing.

13:36I went to him and told him the rhythm.

13:41Chande was listening to it.

13:45I had given him a phrase.

13:53I was wondering what they were doing.

13:57He didn't know the tune.

14:00I went to a bigger studio.

14:04He showed me the phrase.

14:07He showed it to me.

14:15He asked me to make it harder.

14:20It took me 30 minutes to finish it.

14:25He shot it very well.

14:30A musical journey of 16 years.

14:35It's going very beautifully.

14:38Your music is getting a lot of hits.

14:41It's getting a lot of views on YouTube.

14:45Give an invitation to people to watch your songs.

14:49We have done a lot of things.

14:52I, Pramod Maruwanthe, Sugnayan, JP Music, my wife...

14:59I keep asking people why we are doing this.

15:09We have hurt others.

15:12We have harmed nature.

15:16I have tried to open it on a small screen.

15:23I have acted as if I have done it.

15:28People are liking it.

15:31I want to thank them.

15:34I will give them the strength to do more.

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