La promesa - Temporada 3 - Ep 418
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00:00I had the door locked with furniture.
00:10Yes, in case Gregorio happened to appear here.
00:14Ah, well, for that, I would have to find her first.
00:16Yes, well, nobody assures me that they can't.
00:19Already, I see that you are not very safe here.
00:22Well, no, while Gregorio is free, I do not feel safe anywhere.
00:27I'd like to bring you interest and value, but all I can bring you is some milk and some food.
00:32Thank you very much. Sit down, please.
00:35And look, I'm going to put some homemade lentils in the cream.
00:39Thank you, but I'm already having dinner.
00:40I was going to say no to some lentils with veal chorizo.
00:44Anyone who says no to a dish like that, right? Although then I'll have a bad night.
00:48Well, my nights are all bad. Eat what you eat.
00:53Well, tell me, how about the palace? Any news?
00:57No, no, no. My God, no. There is no news.
01:01Are you referring to the matter of Hanna and Manuel?
01:05Yes, yes.
01:06Have you already spoken to them?
01:08Yes, I have already told them that nothing has come out of my lips about their relationship.
01:12Well, they must have been calm, because the news would have become the news of God is Christ.
01:17The apocalypse would have become, yes.
01:19And I confess that I am about to tell Mr. Marquez, but well, after talking to you, my doubts were dissipated.
01:25Well, I'm glad you had the restraints to face a situation like this, because those two needed it.
01:32Well, nothing. They can breathe easy, yes.
01:34The one who is not going to be calm is going to be me, because I have betrayed the Lord.
01:37You have done well, Mr. Baeza.
01:39Look, it's a true love story.
01:42And love is such a precious thing that you have to cultivate it.
01:44Yes, I think so too, but ...
01:46But nothing. What good would it do to tell Mr. Marquez? Tell me.
01:50It is my obligation, I must do it.
01:53Well, they say that the faults for love have a hundred years of forgiveness, right? Well, that's it.
01:56It seems to me that you are changing the saying to your convenience.
02:00Well, I may have said it to María Fernández, but it is true.
02:05Shall we have dinner?
02:06Eh? No. Re-dinner, God. Re-dinner.
02:08Well, and I don't think I'm going to feel bad.
02:12You're not going to feel bad. These lentils are so rich, it's impossible.
02:15No. Well, yes. Look, having dinner twice a week is fine.
02:19And hiding things from the gentlemen is appropriate.
02:22That's it, that's it.
02:26Delicious.
02:29They are cooked over low heat.
02:31Since I have nothing else to do here.
02:45Finally alone.
02:48Why do you say that?
02:52Because lately it seems that you and I cannot be together without Julia appearing, suddenly.
03:00Well, I think she's a very nice girl. Don't you like her?
03:05No, it's not that. It just bothers me.
03:09No, it's not that. It just bothers me.
03:15But is there any reason for that discomfort?
03:21Well, I don't know how to tell you. It's a feeling of mine and that's why I can't give you any reason.
03:32Or maybe yes. Maybe it's because that young woman is more striped than that record.
03:39Always with the same Montserrat.
03:42Let's see, which one is it?
03:46Martina, I've already told you a couple of times.
03:49Julia doesn't stop talking about the war. And not only does she talk, but she also asks.
03:53And I assure you that it is the last thing I would like to talk about.
03:55I can't think of it. Well, the next time I bring it up, you tell her to stop.
03:58Yeah, as if that would help.
04:01No, and there is something else that I don't quite understand.
04:05Let's see, what?
04:08I don't understand why she's still here.
04:12Well, because she wanted to avoid that trip to see her brother-in-law.
04:16And how she did me the favor of coming here to give me back the pendant.
04:19You invited her, a few days have passed.
04:21Of course.
04:22I think it's great.
04:24Don't you think you gave her your hand and she took your arm?
04:28I just don't get the feeling that it's any use.
04:31I just don't get the feeling that it's any use.
04:34Ah, no.
04:35No.
04:36And how long are her parents going to spend in San Sebastián?
04:39I don't know, well ...
04:41Let's see.
04:43Would you be excited to go on vacation with your father, with the captain of the Mata?
04:46No.
04:47Even if they are family, they are not forced to get along.
04:50It doesn't matter, don't be suspicious.
04:52Yes, yes.
04:53But don't you think it's weird that even if her parents are not in that palace, she doesn't come back?
04:59Her servants will be waiting for her there, right?
05:03Maybe.
05:05Well then, maybe it's time to kindly tell her that she has to go.
05:12Hmm?
05:26Look.
05:28Let's put this one.
05:29This one looks good, isn't there another one out there?
05:36Mozart, but maybe not this one.
05:38If you like it.
05:42Yes.
05:52So have you finally told her the truth?
05:55Yes.
05:57And what did she say?
05:59Well, she didn't tell me anything either.
06:01She stood still.
06:03And I don't know, María, I don't think she expected it either.
06:06What do you mean to expect it?
06:08Well, and what did she tell you when you told her that you thought it was her grandfather,
06:12the baron of Linaja, who killed your mother?
06:14I didn't tell her that exactly.
06:16Besides, Mr. Márquez just arrived at that moment.
06:19But you did tell her that Mr. Curro is your brother, right?
06:22Neither.
06:24So what? So what did you tell her?
06:26That after Tuesday comes Wednesday?
06:28Let's see, María, what gave me time before she became her father.
06:31With what it has cost you to start, I don't know if you will be able to continue.
06:35Let's give time to time.
06:38I think it's better to finish.
06:39I told you little by little.
06:41And remember that you were very upset every time I told you one thing.
06:44Man, as if not to be, Hanna.
06:47Right?
06:48Maybe.
06:50But hey, let's continue with this.
07:08I'm looking for a source to serve breakfast to the gentlemen.
07:12What have you prepared for them today?
07:14Well, some crispy torrijas with lemon zest and a touch of cinnamon.
07:18They must be about to suck their fingers.
07:20Yes, that's what they say.
07:22Everyone says there are scandalous kitchens.
07:24And rightly so.
07:25I have never eaten as well as here.
07:27I have never eaten as well as here.
07:29I have never eaten as well as here.
07:31I have never eaten as well as here.
07:33I have never eaten as well as here.
07:35I have never eaten as well as here.
07:37Thank you very much.
07:39But that is also the merit of Mrs. Simona and Mrs. Candela.
07:43I don't even know how to fry an egg.
07:45And that Teresa is worse.
07:46Once she wanted to make some tortillas and she cooked them so much that they looked like gachas.
07:51Well, the times I've needed Teresa to help me in the kitchen have been very effective.
07:56Well, I don't know what she did, but I'm telling you.
07:58That looked like a mess.
07:59Besides, it was disgusting.
08:01I have never eaten such a bad dish in my life.
08:03Marcelo, we all screw up a dish sometime.
08:07Even those of us who spend all day in the kitchen.
08:09No, no. If you're wrong, you're human.
08:11And we're all human, right?
08:12Some more than others.
08:14And where did you learn to cook?
08:16Well ...
08:17You know what? I would love to learn to make a dish.
08:19It would be nice if I could go through the kitchens.
08:21It would be worthy.
08:23I don't think so, Marcelo.
08:25In the kitchen we always have a lot of work.
08:27And whoever doesn't work gets in the way.
08:29I wouldn't get in the way, of course.
08:31Marcelo, I'm going to be very honest with you.
08:33Marcelo.
08:35I think you should take care of doing your job well.
08:38Which is what they're paying you for.
08:40Why do you say that?
08:42What did they ask you to do?
08:44Review the dish for breakfast, right?
08:46And that implies that the dish has to be bright and without soap or grease stains.
08:50Right?
08:54How is this dish?
08:57Is it lustrous enough to be served at the dining room?
09:00Well, yes and no.
09:02This dish has rags from the cloth.
09:08And how is this other dish?
09:10Because it has ...
09:12the fingerprints of your fingers.
09:14Do you think we can serve this dish to the dining room?
09:16That must have happened to me.
09:18Yeah, Marcelo, a lot of things happen to you.
09:21I really don't understand how they have hired you
09:23with how demanding they are with the service.
09:25Hey, you can always learn.
09:27No one does it knowing.
09:29Yeah.
09:32To learn, you need attitude.
09:34For example, you should already know that to light the dish
09:36you need a dry cloth.
09:38How is your cloth?
09:40It's wet.
09:43Well, you know what you have to do.
10:02Good morning.
10:04Good morning.
10:06I was reading a news about ...
10:08If you're going to tell me another bullshit about the war,
10:10I ask you to save it.
10:12I have no desire to live something like that.
10:14I wasn't going to tell you about that.
10:16So?
10:18Do you remember the Orestes?
10:20Yes, they have been here as guests more than once.
10:22I just read that your son fell while riding
10:24and broke both legs.
10:26We should send him a letter.
10:28Very well, then tell him the usual.
10:30That we feel for him a lot
10:32and that we hope he has a quick recovery.
10:34It's just that you are the one
10:36who always takes care of those matters.
10:38Alonso,
10:40things have changed a lot in this marriage.
10:42From now on,
10:44we will take care of each of his affairs.
10:46It's just that this is not good for both of us.
10:48The Orestes are your friends.
10:50They seemed charming to you.
10:52No, I never put up with them.
10:54That man bites his teeth with a toothpick
10:56and she ...
10:59What a woman.
11:01Every two by three she says a word in French
11:03and she doesn't even know the language.
11:05I will write that letter.
11:07I don't want us to argue again.
11:09Neither do I.
11:11Or do you think I like to argue?
11:13What happens is that I have the feeling
11:15that you are always looking for a way to bother me.
11:17But what have I done now?
11:19Tell you that we have to send a letter?
11:21It has nothing to do with the letter.
11:23But then what's wrong with you?
11:25What have I done that bothers you so much?
11:27Lorenzo has told me that you want to take away
11:29the business of the jams
11:31to give it to your little daughter Catalina.
11:33I haven't made a decision yet,
11:35but yes, I'm thinking about it.
11:37Can you tell me why?
11:39Lorenzo has given up on that business
11:41during the last few months.
11:43Lorenzo giving up on something?
11:45Come on Cruz.
11:47Well, who has taken care of the jams?
11:49Lorenzo.
11:51But maybe he hasn't taken care of us very well.
11:53In any case, I already tell you that the decision
11:55will be better if you continue like this
11:57without making a decision, as you always do.
11:59Alonso, for God's sake, Catalina can't even take care
12:01of a doll house.
12:03If I had done that, I would not have raised
12:05that business almost without help.
12:07Well, it seems that the money from the smuggling
12:09came in handy to clear the accounts.
12:11That's too much water.
12:13And what happens if he suddenly decides
12:15to return another season to the hangar?
12:17What would happen to the company?
12:19You know very well why he left.
12:21And on top of that, he's going to see
12:24and he brings it back to us here.
12:26And without warning.
12:28I know the story very well.
12:30You don't have to tell me.
12:32Well, it doesn't seem so, dear.
12:34It doesn't seem so.
12:36I just don't understand why you want to put
12:38the jam business in his hands
12:40and in the hands of that used man.
12:42Catalina has had a very bad time.
12:44So what?
12:46Does that mean she has to do whatever she wants?
12:48Your daughter is older, she is an adult.
12:50And adults, no matter how bad we have it,
12:52we can't do anything about it.
13:02Tell me what you've come to tell me.
13:04I have a lot of trouble in the kitchen.
13:06I wanted to talk to you because I know
13:08how much Catalina appreciates you.
13:10Yes, for me she is almost like a daughter.
13:12I know.
13:14And she sees you as the mother she lost as a child.
13:16I also know that your opinion
13:18is very important for the rest of the service.
13:21And?
13:23Well, for Catalina, the service is part of the family
13:25and this palace too.
13:27Miss Catalina knows our problems,
13:29lives our reality and cares for us.
13:31And you are for her.
13:33Specifically you.
13:35And that's why I know how bad
13:37she has had to go through,
13:39seeing her suffer for the damage I caused her.
13:41Not even half as bad as she has.
13:43I assure you that.
13:45I know, Simona, I know.
13:47And you don't know how ashamed I am.
13:49Everything that Catalina has cried for my fault.
13:53That's why I want to make up for all that pain.
13:55Leave it behind.
13:57And that happens by apologizing to you.
13:59Apologize?
14:01That's it.
14:03Simona, I wanted to apologize
14:05for making you go through that ordeal.
14:07Catalina already knows
14:09that my love for her is sincere
14:11and that I want us to build something new, together.
14:13Now I just need to convince you.
14:15And believe me, I will do whatever it takes.
14:17I see, I see.
14:19Simona, I'm not a bad person.
14:21I've just made bad decisions.
14:23Let me prove it to you.
14:25And if I were a bad person,
14:27I wouldn't admit it, would I?
14:29It's also true.
14:33Tell me, do you have Catalina for a fool?
14:35Of course not.
14:37Miss Catalina is very awake.
14:39Awake and a noble soul, right?
14:41So I say that
14:43she will have found something good in me
14:45so that we can continue together.
14:47Love sometimes blinds us.
14:49Come on, Simona.
14:51Grant me the benefit of the doubt, please.
14:53I really want to improve as a person.
14:55I don't want to make any more mistakes
14:57and, above all, I want to make Catalina happy.
14:59I see.
15:01But until now, she has made you a wretch.
15:03I don't know if I have gone
15:05away from her.
15:07That's why I don't want us to separate anymore.
15:09And that's why I'm here,
15:11talking to you and telling you
15:13about your Catalina.
15:15Simona, can you forgive me
15:17for the evil I did to her?
15:19Because she has already forgiven me.
15:23Look, think that she is in front of a man
15:25who loves her madly and would do anything for her.
15:29Anything?
15:31Yes, that's what I said.
15:33Okay.
15:35Come to the kitchen.
15:43Yes.
16:05Are you coming for firewood
16:07or have you seen me
16:09and you needed any excuse to get closer?
16:11It's a bit of both.
16:13And that Mrs. Simona
16:15kicked me out of the kitchen.
16:17I have nothing to do.
16:19Really? And why? Are you angry?
16:21No, no, no.
16:23I don't know.
16:25They will have something in their hands.
16:27And what could it be?
16:29Well, look,
16:31I honestly didn't want to ask
16:33because whenever I ask, I end up silent.
16:35I love to see you smile.
16:37And you don't do it enough.
16:39Well,
16:41lately it hasn't been my best days
16:43with my mother passing by here whenever she feels like it.
16:47Let's hope that from now on she has understood
16:49that it is useless to return.
16:51Yes, I hope so.
16:53That's why I'm a little calmer.
16:55And more sleepy?
16:57Still, I can't get it out of my head
16:59that they could have spoken
17:01the last time the Marquise and my mother saw each other.
17:03You'll see.
17:05Well, today I have crossed paths
17:07with the Marquise and she has looked at me as always.
17:09Come on, she hasn't even looked at me.
17:11Well, that only means that your mother
17:13has not betrayed you. You were right.
17:15Yeah, but then what has she come to?
17:17To apologize for standing here
17:19without announcing herself? Or to enter the service area?
17:21Well, it could be.
17:23The Marquise had to find it very strange.
17:25Well, I guess Don Rómulo
17:27told her and the Marquise
17:29asked for explanations.
17:31Well, that's why I'm back. So let it be.
17:33Yeah, but I doubt the Marquise
17:35has given you the excuse that he wanted the recipe
17:37for the cakes.
17:39What kind of lady is he interested in cooking?
17:41They are more interested in eating well.
17:43Go find out what excuse he gave
17:45to get out of the way.
17:49You have to stop thinking about it.
17:51Look, what you have to do now
17:53is enjoy your new life.
17:57And I love this new life.
17:59Especially you, who are the most important part.
18:01You're going to blush.
18:03That's what I'm looking for.
18:05You're very funny when your ears turn red.
18:07Me?
18:09My ears don't turn red.
18:11Come on, it's not happening to you.
18:13No.
18:15Yes, you turn red like a tomato.
18:17You look gorgeous.
18:19And it's hard for me to control myself,
18:21you should know.
18:23Really? And why is that?
18:25Well, because I really want to kiss you.
18:27And we're in the courtyard.
18:29Come on.
18:31Help me hang this sheet.
18:33Now.
18:35You help me, you fool.
18:37Come on.
18:49Clip.
18:59Clip.
19:03And now, come here.
19:17I'm telling you, she's going to come down.
19:19I don't know, she's busy.
19:21Maybe I should go up and look for her.
19:23What are you saying, you fool?
19:25If Mrs. Petra catches you at the noble plant,
19:27look at her, she's coming alone.
19:29María Fernández told me you wanted to see me.
19:31What happened?
19:33No, nothing, miss.
19:35Don't worry.
19:37We have the pleasure of inviting you to have a snack.
19:39Simona is always teasing me.
19:41Let's see, what have you prepared today?
19:43We haven't prepared anything.
19:45So who did it?
19:47Well, believe it or not,
19:49I prepared all this myself.
19:51No, I can't believe it.
19:53Yes, I just came down to apologize to Simona.
19:55And nothing, I got tangled up.
19:57And what happened?
19:59Nothing now.
20:01But what happened at the time,
20:03not only affected us,
20:05also the people who love you.
20:07And there are many in the service.
20:09All of us, basically.
20:11Yes, the point is that I told Simona
20:13that I was willing to do anything
20:15to show her my love for you.
20:17And she asked me to start cooking
20:19so that she could live her reality a little.
20:21What a coincidence.
20:23Cayo has never caught a frying pan in his life.
20:25Until today.
20:27Well, he has caught up to a rod
20:29and he has dared to light the oven.
20:31And has he done well?
20:33Let's say he has done what he has been able to.
20:35No one can deny that.
20:37And he has also been chatting with us for a long time.
20:39Yes, the gentleman.
20:41When you have a very good sandwich,
20:43the man knows everything.
20:45I know these women are very important to you.
20:47And I wanted to show you that they will also be for me.
20:49Well, yes, they are.
20:51Simona has raised me, as they say.
20:53She and Candela.
20:55Well, yes.
20:57Yes, this is my paradise.
20:59The kitchen.
21:01And now I understand better why.
21:03I appreciate the compliment.
21:05But it is not Menester who will cook again.
21:07You have just made a mess.
21:09Well, it's true.
21:11I'm going to have to send everything straight to the laundry.
21:13Let's see, I think it's just some flour.
21:15I don't know if that's going to be enough.
21:17Look.
21:23It seems that the cooks are leaving us.
21:25Maybe they want to leave us a little privacy, right?
21:47There is a time for everything.
21:49And there are people always willing
21:51to measure that time.
21:53For example,
21:55there is also a time for mourning.
21:57But your people
21:59don't agree.
22:01Is half a year enough
22:03to get a boyfriend
22:05if you have lost the other one?
22:07Or a whole year?
22:17And for secrets,
22:19how long can you keep
22:21a very fat secret
22:23that a friend has told you?
22:31You can't even tell
22:33your boyfriend?
22:35It seems not.
22:47What are you doing,
22:49María Fernández?
22:51I'm sweeping the sheets.
22:53Why didn't you see yourself sweeping?
22:55Because I stopped a little
22:57to thread the needle.
22:59It was already threaded.
23:01Or because I threaded it,
23:03Mrs. Petra.
23:05Needles don't thread on their own.
23:07Come on.
23:09Go upstairs and fix
23:11the ladies' bedrooms.
23:13They have already gotten up from their nap.
23:15Now?
23:17Of course now.
23:19You'll regret that later.
23:23María Fernández, what are you waiting for?
23:25I'm coming, Mrs. Petra.
23:31María!
23:33I'm coming, I'm coming.
23:35Fly!
23:45Fly!
23:49Well, this cake is not bad.
23:51This one is safe, but the first one
23:53went straight to the trash.
23:55No one has taught you.
23:57And you have made a double effort.
23:59Cooking and talking to Simona.
24:01I did it because I know how important
24:03Simona is to you.
24:05And because I want to be good to you,
24:07but also to the people you love.
24:09You're on the right track.
24:11Although the cake didn't turn out very well.
24:13The intention is the important thing.
24:15Although it wouldn't have been bad
24:17if it wasn't so hard.
24:19It really is so inedible.
24:21It looked like it was made of sand.
24:23What a mess.
24:25I've already told you that what matters is the intention.
24:27And yours is very good.
24:29And improvable.
24:37I missed your lips so much.
24:39Doesn't it taste like sand?
24:41Stop making fun of me.
24:43It's okay, it's okay.
24:45I won't laugh anymore.
24:47You know what?
24:49To make up for my laughter,
24:51I want to take you to Lujan's confectionery one day.
24:53I also want to take you somewhere.
24:55Where?
24:57I received an invitation from my friend,
24:59the composer Don Eugenio Santiago,
25:01for his engagement party.
25:03The truth is, I was surprised.
25:05It's been a long time since I received invitations.
25:07Imagine me.
25:09Would you go with me to his party?
25:13Yes, I'm honest.
25:15I don't really feel like it.
25:17But Catalina, it could be a good way
25:19to return to a normal life.
25:21We don't have to keep hiding.
25:23We've been criticized so much,
25:25and we've been made fun of so much.
25:27Maybe if you see us together,
25:29you'll realize how little we care about those girls.
25:31Come with me, please.
25:33Okay, I'll go with you.
25:37I'll write to you today
25:39to confirm that we're going.
26:05Come on.
26:07Let's go.
26:33That horse was limping last year.
26:35Now he's fully recovered.
26:37What's wrong, son?
26:39Are you sick?
26:41I'm sorry, father. I have a headache somewhere else.
26:43I guess it's because of some news I read about the war.
26:49Do you like the painting, Juan?
26:51It excites me.
26:53It has everything.
26:55Good stroke, harmonious color.
26:57And the model, of course.
26:59What a lady.
27:01Yes, she's my first wife.
27:03The mother of my daughter Catalina
27:05and of my late son Tomás.
27:07I didn't know. I'm sorry.
27:09No, don't worry.
27:11Life is like that.
27:13It's a good painting.
27:15By Enguidanos, a very fine painter.
27:17I know him.
27:19But it's a shame about his state of conservation.
27:25Hasn't he deteriorated?
27:27He's been here for years,
27:29but I think he looks perfect.
27:31At first sight.
27:33Do you see those wrinkles? He's starting to age.
27:37I think it's normal.
27:41Normal if he were 200 years old, perhaps.
27:43But it's not the case, is it?
27:45No, it's not. I'm not that old.
27:47And look closely.
27:49This white, if I'm not mistaken,
27:51should be a pure white.
27:53That's the effect of the smoke,
27:55of the dust.
27:57I'm worried about what you're telling me
27:59because I value this painting a lot.
28:01It's nothing
28:03that has no remedy.
28:05A good restoration
28:07would fix all these problems
28:09and leave the painting as new.
28:11But you would have to take it out of the promise.
28:13It wouldn't be necessary.
28:15Although I've never restored a complete work
28:17by myself, I know a lot about the subject
28:19and I could leave the painting as new.
28:21I thank you, young man,
28:23but I've heard stories
28:25of very unfortunate restorations.
28:27In a church in Murcia,
28:29a fan left a very valuable painting
28:31made by an ex-CEO.
28:33Yes, I also know that story,
28:35but I assure you that nothing like that would happen to me.
28:37I've studied and a couple of valuable paintings
28:39by friends of my parents have already passed through my hands.
28:43Besides,
28:45think that in this case there is no need to repaint.
28:47It would be better
28:49to clean the dirt
28:51and give a varnish.
28:53And that does not entail any danger?
28:55It would only be about
28:57removing the dust from the cracks
28:59and changing the varnish.
29:01And the original colors would be recovered?
29:03That's right.
29:05And with the new varnish, it will be more protected
29:07and it will recover the lustre.
29:09I don't see that restoration wrong.
29:11And it seems that Miss Julia
29:13knows what she's talking about.
29:15So I could thank you for everything you've done for me.
29:19I would need, however,
29:21to order a few materials
29:23and a quiet space to work.
29:25The hangar.
29:27My hangar, I think it's perfect.
29:29A lot of light comes in.
29:33Well, there's nothing else to do.
29:35Do it in the hangar.
29:37Prepare a list with everything you need
29:39and a servant will take care of getting everything.
29:43And now, would you like to join us
29:45for a drink?
29:53The new priest, Don Samuel,
29:55has organized a competition
29:57for fried aubergines.
29:59And what does religion have to do
30:01with fried aubergines?
30:03I think it's what you want to do
30:05with the pilgrims.
30:07And he had thought of participating.
30:09The prize is a handful of ham.
30:11Or two, it's not a bad prize.
30:13And how would we do it?
30:15With honey or without honey?
30:17As you prefer.
30:19I like them anyway.
30:21I'm going to make some sandwiches
30:23and put a jar of cane honey next to it
30:25if you like it wet.
30:27Leave that for a moment
30:29and go up to the music room.
30:31Mrs. Marquesa is waiting for you.
30:33What happened?
30:35Is she worried?
30:37No, not that we know.
30:39But whenever Mrs. Marquesa
30:41calls you upstairs,
30:43it's to give you a rapapolo.
30:45And it couldn't be to congratulate you
30:47for a dish or a good dessert, for example.
30:49López, how many times has Mrs. Marquesa
30:51called you since you've been here
30:53to congratulate you?
30:55I don't remember any.
30:57Me neither, Mr. Pellicer.
30:59I've been in this kitchen all my life.
31:01But that doesn't mean
31:03she's going to yell at you now.
31:05Mr. Pellicer, when she said it,
31:07she meant it seriously.
31:09Maybe she didn't like the soup last night.
31:11López, what did I tell you?
31:13It was too spicy.
31:15Well, stop speculating and go up at once.
31:17Otherwise, you'll be late.
31:19Let's go.
31:21I'm going.
31:23Let's go.
31:25Excuse me.
31:27Let's go.
31:47Nothing.
32:01The telegram?
32:03No.
32:05Hello.
32:07I'm going to light some matches.
32:09Very well.
32:11Hello.
32:17Are you okay?
32:19Yes, but...
32:21the words are very expensive.
32:27What did you say?
32:29This here?
32:31Well, nothing.
32:33The telegrams charge a lot
32:35per word,
32:37and my boyfriend sent me one.
32:39He barely told me anything.
32:41But he's not far, is he?
32:43No, but he's not here,
32:45and I miss him.
32:47They offered me a very good job
32:49at the Count's palace in Matesán.
32:51I said yes right away.
32:53How could I refuse?
32:55Of course.
32:57Well, I'm sorry you're sad,
32:59but it's a very good job, isn't it?
33:01Yes.
33:03I'm making a lot of money.
33:05And who knows, maybe God doesn't want it,
33:07but things happen, and the same thing happens.
33:09It can happen.
33:11Yes.
33:13The thing is, I miss him a lot,
33:15because I was used to seeing him all the time.
33:17What can I tell you?
33:19Me? Why?
33:21Well, because you have Teresa here.
33:23Ah, yes, yes, of course.
33:25But if you want to keep your distance, it doesn't matter.
33:31Now we just have to work,
33:33earn a living, and save.
33:35Save?
33:37For what?
33:39Because we're thinking of getting married.
33:41And we want to buy a small farm
33:43to live in the garden
33:45and no one will send us away.
33:47And we want to have animals,
33:49chickens, rabbits, I don't know,
33:51even a donkey called Ernesto.
33:53I want to have him.
33:55Sounds like a great idea.
33:57Well, I'm going to show you the routines.
34:01Hey, Maria, can I ask you a question?
34:03You seem very excited.
34:05Of course, your question.
34:07In the vice of asking, there is the virtue of remaining silent.
34:09Could you tell me how to illustrate the routines?
34:11I'm sure you know how to do all this work.
34:13It's ugly for me to say it,
34:15but I know how to do everything.
34:19And the first thing you have to do
34:23is put on the sleeves.
34:27And the second thing,
34:29you have to take the brush.
34:31Kid, take off your jacket.
34:35Sorry.
34:39The brush.
34:41You pass it
34:43removing the dirt.
34:49May I?
34:51Mrs. Marquesa?
34:53There's no one here, Lope.
34:57They told us to come here, right?
35:01Oh my God, Mrs. Simona.
35:03Maybe we're late.
35:05We already told Lope.
35:07What do we do?
35:09Do you want me to go get the Marquesa?
35:11No, I think it's better to wait here.
35:13Do you think?
35:15If you want, I can call Mr. Pellicer.
35:17Are you here?
35:19Yes, Mrs. Marquesa, I thought we didn't know ...
35:21Come in, Mrs. Amalia.
35:23Where is Vera?
35:25The Duchess of Carril has asked to see her.
35:27Mr. Pellicer informed us
35:29that it was time for Vera.
35:31Well, she should be here.
35:33Well, if you want, I can go tell her.
35:47Hanna.
35:49I've been looking for you all over the palace for a long time.
35:51You have to finish telling me that story.
35:55Manuel, right now I have to finish the job
35:57because this is not the place.
36:01Hanna, please.
36:03I can't stop thinking about it.
36:05I need to know everything.
36:11Please.
36:13Please.
36:27Was this the ring that the man who killed your mother wore?
36:37Manuel, this is not the time or the place.
36:39No one is coming.
36:41My cousin has gone with her mother
36:43to take a walk and will be back soon.
36:45Hanna, please, let's talk.
36:51Okay, what ...
36:53What do you want to know?
36:55What will it be?
36:57You insinuated that my own grandfather
37:01could have something to do with your mother's death.
37:05I want to know everything.
37:07Manuel,
37:09I think your grandfather
37:11is to blame for my mother's death.
37:15But not only for his death.
37:19I think he is also to blame
37:21for the death of your brother Tomás.
37:27It can't be.
37:29It can't be my grandfather.
37:33It can't be.
37:35It can't be.
37:41And why did it take you so long
37:43to tell me, Hanna?
37:45Why, after all the time
37:47you've been in La Promesa?
37:49Manuel, because I was afraid for you.
37:53Let me explain.
37:55The first night I arrived
37:57at La Promesa, I talked to your brother
37:59and told him everything
38:01you know now.
38:04But then he appeared dead.
38:06My brother knew who you were.
38:10Manuel, you have to understand that I didn't tell you
38:12because I didn't want to put you in danger.
38:23What does my brother have to do with all this?
38:25And why did you tell him everything?
38:29Well, because your brother surprised me at the library.
38:31While I was looking for a photograph
38:33and he thought I was stealing,
38:35so I had no choice
38:37but to tell him who I was
38:39and why I had come here.
38:41So my brother was aware of absolutely everything?
38:43But the most curious thing about all this,
38:45Manuel,
38:47is that he didn't take it again.
38:49What do you mean?
38:51That Tomás suspected the truth
38:53and promised to help me
38:55so that everything would come to light.
38:57I know that's why they killed him,
38:59Manuel.
39:02And yet, how do you accuse my grandfather
39:04of the death of my brother?
39:06Why?
39:07What do you mean, why, Manuel?
39:09Because he was able to kill an unarmed woman
39:11in front of his children?
39:14Assuming what you say is true, Hanna.
39:17Assuming it's true.
39:19Do you have any evidence to prove it?
39:21Anything against him?
39:24No.
39:30Well, no.
39:31At this point, I don't think I can have it.
39:34Your grandfather took his secret to the grave.
39:38Hanna, it can't be.
39:41Manuel,
39:43Tomás suspected something
39:45and promised me he would tell me everything,
39:47but first he had to see someone.
39:50Who?
39:52I don't know.
39:54In fact, I didn't finish believing it.
39:57So he gave me something as a gift.
40:01He gave me his wedding ring.
40:05He gave you his own ring on the same day of his wedding?
40:09And then they killed him.
40:18But my grandfather wasn't here that night, Hanna.
40:20Or that's what made us believe, Manuel,
40:22and that's why we don't consider him a suspect.
40:25But everything points to him.
40:28My murderer grandfather.
40:32And my brother.
40:39Manuel, I'm so sorry.
40:41I knew all this would hurt you.
40:45But there's one thing you still don't know.
40:48What?
40:52I found my brother.
40:55I found him years after they took him.
41:01He's alive.
41:07He's in this house.
41:20My brother, huh?
41:23My brother is Curro.
41:35And when is the Duchess's visit expected?
41:38Well, as far as we know, it could be this afternoon.
41:41Then we'll have to have everything ready.
41:44No, no, no. The lady doesn't want anything special to be done.
41:47The idea is for her to see the kitchens in her usual environment.
41:51Except for one thing.
41:53Vera.
41:54This is nonsense, López.
41:55Where have you seen a Duchess entering the palace
41:57from the kitchen of the Marquises?
41:59Well, she's going to start seeing them on the promenade.
42:02Are you sure my mother doesn't care about the kitchen at all?
42:05What I don't understand is what she wants to achieve with all this.
42:09What if I've ruined everything, María?
42:11But what are you going to ruin everything, Hanna?
42:14That's it, huh?
42:15Stop whining about the cow's milk.
42:17And if this is the reason for your wedding,
42:19it's because your love wasn't as strong as you thought.
42:21And it does you a favor.
42:22María.
42:23I've heard that you offered to restore the portrait in the tea room.
42:27That's right.
42:28It will be a way to compensate for the kindness of your family
42:30to welcome me here these days.
42:32We will win, I assure you.
42:35We all have a lot of appreciation for that painting.
42:37It's a memory of my dear mother.
42:39I can't stand that spoiled brat Catalina anymore.
42:41You have to get her out of here as soon as possible.
42:43If it were up to me, I would do it and with pleasure.
42:45She has exceeded all my limits.
42:47Come on, she's even giving me urticaria.
42:50Doesn't that friend of Martina have an allergy to walnuts?
42:53Well, I have Catalina.
42:55What happened to you, Teresa?
42:58So desperate you were about to forget my son
43:00that you had to sleep with the first idiot who crossed your path.
43:03For God's sake, don't be vulgar.
43:05No.
43:06You are the vulgar one.
43:08I don't understand why you want to favor Lorenzo
43:10passing over a member of the Lujan family.
43:13I know that Lorenzo is married to my sister,
43:15so he is also part of the family.
43:17But of course, it's mine, which may not be as important as yours.
43:20Excuse me, why?
43:22I am convinced that his experience on the front
43:25has generated very strong friendships and unbreakable bonds.
43:29You know, we also talked about that this morning.
43:32I admit that Julio makes me nervous with so many questions.
43:36Well, I think he is a tremendously curious person.
43:38Yes, especially in relation to war.
43:41That's precisely what I'm trying to forget.
43:43That fool doesn't know how to do anything right.
43:46He doesn't even know where the wind blows him.
43:48He's useless.
43:50So Teresa is trying to cover up for her husband's stupidity.
43:54I'm sure of it.
43:57She changed my son Feliciano for an incompetent
43:59who didn't even get the smell of his shoes.
44:02You are an insult to everything he represented
44:06and to all the dignity that there is in this world,
44:08inhumane and sinful.
44:10That you have taken her place in Teresa's heart
44:13only shows that she was not deaf.
44:16But I will not allow you to take her place in this house.