[Vietsub] Đàn Kiện Thứ phỏng vấn cùng Phòng thí nghiệm giải trí (娱情Lab) - vai Nguyên Mạc, Tứ Phương Quán 240905 - video Dailymotion

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Transcript

00:00How did you get into the role of Tan Jianci?

00:03Yuqing Experimental Studio, my report, you come out.

00:05Hello everyone, I'm actor Tan Jianci.

00:07What is your role in the play?

00:09I play Yuan Mo in the private theater.

00:12It's a very heavy class,

00:14and then a very beautiful ancient worker,

00:18an aboriginal worker.

00:19You grew up in a hot-blooded, professional private history from the play.

00:23How did you grasp the growth and change of this role?

00:27In fact, more than that,

00:29it reflects his intelligence and intelligence in the play.

00:33Then there is such a spirit of small but great,

00:36and then a little bit of growth,

00:38a little bit of change in the eyes,

00:41from a rotten squid master

00:45to a very firm private history,

00:48such a change in growth.

00:51From the beginning of the play,

00:52it's more scattered,

00:54and then there is such a person who has no rules.

00:57Then later on,

00:58there is such a person who cares about the world,

01:01a person with a big pattern.

01:04Then everyone also saw you wearing a red official uniform.

01:07They all said you are the god of red clothes.

01:09What do you think of this?

01:12How do I see it? I dare not see it.

01:14When he wears an official uniform,

01:15in fact, I think

01:18it will also give me a breath of fresh air.

01:22So I think maybe it's the clothes that saved me.

01:27It's good.

01:28Didn't everyone just say

01:31to let me comfort everyone?

01:32I think Yuan Mo is the best warm heart pill.

01:36Let everyone jump out of the sad mood

01:40and let everyone be happy to face

01:43my new role.

01:44Then for the netizens who said Yuan Mo

01:46is Xiang Liu's reviver,

01:47what do you want to say?

01:48I was particularly impressed by that play.

01:50When I went to that place,

01:51I found that the top of the mountain

01:54was the top of the mountain where Xiang Liu died.

01:57Then I went there to pay a visit.

01:58Yes.

01:59Then I think it's very interesting.

02:01In addition to that coincidence,

02:03there is another place

02:05where A Shu raises a snake.

02:08That snake,

02:09I've been talking about it on the set.

02:12That snake actually

02:13I think it's very similar to Xiang Liu's snake.

02:14In the play of private house,

02:15that snake also has a lot of competition with me.

02:19I and it also belong to

02:21the feeling of being in the wrong place.

02:23With the snake, yes.

02:24What kind of work do you want to do?

02:27I really hope that I can

02:28have such a beautiful mental state.

02:30I just feel that

02:31I have to finish my work.

02:32It's the kind that I can't sleep if I don't finish it.

02:35So you belong to the introversion type.

02:37I think it's the introversion type.

02:39Either I don't accept this job,

02:43but if I get it in my hands,

02:45it feels like

02:46this is my mission

02:48that must be completed.

02:50So how do you solve this introversion?

02:52So I play Yuan Mo.

02:53After playing Yuan Mo,

02:54I feel a little better.

02:56Bring you some new...

02:57Bring you some new mindset in life.

03:02Yuan Mo has been beaten all the time.

03:04In the play, who is beaten the most?

03:07It must be A Shu.

03:08Although he often teases others,

03:10but he always wins.

03:11A Shu can win him.

03:13So he is a bit of a bully.

03:17Is there any difference in their way of beating?

03:19A Shu's way of beating me

03:21is mainly using props.

03:23He will sprinkle some powder

03:26to make some poisonous things.

03:29Then Yu Shihua is relatively simple and rough.

03:32Then Wang Kunwu mainly orders me

03:36to do some things

03:38that I don't want to do.

03:39Your actors and netizens all love to watch.

03:41But this time you have to hide your strength.

03:42Do you have any different feelings?

03:44No, I'm so happy.

03:45When I can't dance, I watch it every day.

03:47You know, Hengdian was so hot at that time.

03:50I feel sorry for Brother Chun every day.

03:52Brother Chun was beaten everywhere every day.

03:55His head was cracked.

03:57Hengdian was so hot.

03:59Then I was also very hot every day.

04:00But I didn't have to move.

04:02I told Brother Chun.

04:03I said, last year,

04:04when I was shooting the movie,

04:06on this day,

04:07I was beaten outside every day.

04:09I said, I know this kind of pain so well.

04:11I even taught him a trick.

04:12I said, what should I do?

04:14So you were happy to be beaten.

04:15Yes, I was happy to be beaten.

04:17In the movie,

04:18you may think I'm miserable.

04:20But outside the movie,

04:20I'm actually very calm.

04:23When I first came into contact with acting,

04:26I learned it was a comedy.

04:28So I have always been yearning for comedy.

04:32So I think it's more about rhythm control.

04:34In this movie,

04:35we will rehearse many times on the set.

04:37There will be some new sparks as we rehearse.

04:40So I think comedy is

04:41produced in these gaps.

04:44Yes, I think any form of comedy,

04:46as long as I watch it,

04:48it can make everyone...

04:48Because I think the difficulty of comedy

04:50is a lot of burden,

04:51including a lot of jokes.

04:54After using it once,

04:55maybe if you use it again,

04:57its effect will be much smaller.

04:59So when expressing comedy,

05:01you may have to keep innovating.

05:03I think this is the difficult part of comedy.

05:05Netizens said they saw a clip of your private studio.

05:07After you finished filming,

05:09you went to the monitor

05:10to see if the director could do another one.

05:12They found out that you are an actor, Tan Jianci.

05:15He said he thought you were the most touching moment

05:18when you checked your performance results

05:20in front of the camera.

05:22I don't know if this sentence

05:24makes you feel a sense of resonance.

05:25I like to stay in the monitor.

05:27I don't know why.

05:28In the space of the monitor,

05:30we can also have a lot of time

05:32to discuss with the director and the screenwriter.

05:37And the key is that it's cool there.

05:41The process of discussing and communicating with each other

05:43is a way to find the character

05:45or the rhythm of the play.

05:49What do you think is the most touching moment as an actor?

05:52The most touching moment as an actor

05:53is the moment when I forget myself.

05:55Yes.

05:56I forget myself in a play.

05:59It's the moment when I don't want to be called.

06:02We integrate ourselves into the play,

06:05with the characters,

06:06with everything around us.

06:08Then we play very well.

06:10If the director doesn't want to be called,

06:12we don't want to be called.

06:13If the director doesn't want to be called,

06:15you can keep acting.

06:16I really enjoy it.

06:17Yes.

06:17Do you have any special moments in the play?

06:20No, no.

06:21The play itself has some special moments.

06:22Yes.

06:22Like I said,

06:23it's a bit...

06:24It's a bit strange.

06:25Except for the strange props

06:28he used on me,

06:31sometimes,

06:32when I'm disobedient

06:33or when I say something wrong,

06:35he will pinch my ears.

06:37Everyone says that if you pinch your ears,

06:38Tan Jianci will look aggrieved.

06:41Can you share

06:42some tips on how to act aggrieved?

06:45I think,

06:45oh,

06:46audience,

06:46you have to love me more.

06:47I'm so pitiful.

06:49Right?

06:50So I want to invite everyone to watch the film,

06:53and to pity Yuan Mo.

06:57OK.

06:57Speaking of aggrieved,

06:58the wind of archaeology

06:59also blows to Tan Jianci.

07:01There is a scene

07:02where Tan Jianci is told

07:04not to be fierce to him.

07:05Tan Jianci,

07:05don't be fierce to me.

07:07Hurry up.

07:09I'm young and frivolous.

07:12My desire to express is too strong.

07:14Do you encourage netizens

07:15to look for more archaeology in the future?

07:18No, I don't.

07:18I think

07:19we resist.

07:21No, I don't mean to resist.

07:22It's casual.

07:23I think

07:23these are all my

07:25footprints.

07:27Yes.

07:27I think everyone can feel it.

07:30Can you still find

07:31the feeling of youth and cuteness now?

07:34Me now?

07:35I think I'm still the same now.

07:37Yes.

07:37But now

07:38I'm more restrained.

07:40And I'm more

07:41self-judgmental.

07:45At that time,

07:45I was so nervous.

07:47I thought

07:47how to have fun,

07:49how to do it.

07:50Every role has a different grievance.

07:51Yes.

07:52So Yuan Mo

07:53is more childish

07:55and cute.

07:57For example,

07:57someone told you,

07:58Tan Jianci,

07:59don't be fierce to me.

08:00Am I fierce to you?

08:01How do you feel when you hear the word old?

08:05Old.

08:06Old Yuan.

08:07I only hear old.

08:09It seems that old Yuan

08:10is really

08:12old.

08:14I also have this feeling.

08:15Really?

08:15You didn't hear the word male group strength?

08:18Well.

08:20Thank you for your compliment.

08:21The bitterness I had

08:23and the effort I had

08:26I think

08:27I didn't waste it.

08:28Yes.

08:29In the near future,

08:31many people will see it.

08:33I think it's

08:35worth it.

08:37When I see this word,

08:37I have a picture.

08:39You have a white beard

08:40and you are holding a cane.

08:41I often see it on the stage.

08:43So old.

08:44It's really old.

08:45I feel like old Yuan.

08:47Because old Yuan

08:48is a little too old.

08:50In fact,

08:51I used to be old, right?

08:53I'm not really old.

08:55I think

08:56I can only say

08:58I'm from the previous era.

09:00The male group from the previous era.

09:02Four-dimensional language test.

09:03Please guess the meaning of the following words

09:05and make a sentence with the tone of the language.

09:07Taolai.

09:08What is Taolai?

09:09Hello.

09:10No.

09:10Hello.

09:12Based on your guess,

09:13you make a sentence.

09:15Four-dimensional tube.

09:16Taolai.

09:17Taolai is beautiful.

09:18How much is it?

09:19It's beautiful.

09:20Can I?

09:21Yes.

09:22OK, next one.

09:23Russian pronunciation.

09:25Ou Qin Ha La Shao.

09:28Four-dimensional tube.

09:31Ou Qin Ha La Shao is beautiful.

09:33French pronunciation.

09:34Baudeport Blemu.

09:36If you want Baudeport Blemu,

09:38come and see the four-dimensional tube.

09:39It means no problem.

09:41Yes.

09:41If you want your life to be no problem,

09:43come and see the four-dimensional tube.

09:44After the test,

09:45Tan Jianci successfully passed the four-dimensional tone test.

09:50Tan Jianci sings and Zhou Shen sings.

09:52Who do you like to sing?

09:54It's Zhou Shen again.

09:55Every time,

09:56I seem to have received all the questions and jokes he threw out.

09:59I like to listen to Zhou Shen sing Tan Jianci's songs the most.

10:03Is there any song you want to recommend to Zhou Shen?

10:06Let him sing a song for me.

10:08A song I can sing and dance.

10:12Help me promote the four-dimensional tube.

10:13Don't talk about this.

10:13Just give it to him.

10:16Working part-time, happy tube.

10:18Four-in-one ball.

10:19Give you fun.

10:21Please support

10:24and come and see the four-dimensional tube.

[Vietsub] Đàn Kiện Thứ phỏng vấn cùng Phòng thí nghiệm giải trí (娱情Lab) - vai Nguyên Mạc, Tứ Phương Quán 240905

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