CS 6th September 2024
Coronation Street 6th September 2024
Category
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TVTranscript
00:00Here you go, Ken.
00:25One soft-boiled egg.
00:26I'll get your sandwiches for you.
00:28Talk about the life of Riley.
00:29Don't be expecting this when you're mended.
00:30Do you want me to lob the scalp off for you?
00:31Would you?
00:32Yeah.
00:33A, that was some barney you had with the footballer's wife yesterday.
00:34A, my wife.
00:35B, private call.
00:36Private call.
00:37The way you were shouting.
00:38Surprised the whole street didn't hear you.
00:39There you go.
00:40More fighting.
00:41I'm sorry, Ken.
00:42I know she's your daughter, but she's got some brass neck on her, that one.
00:43No, no, no, no.
00:44I'm sorry, Ken.
00:45I know she's your daughter, but she's got some brass neck on her, that one.
00:46No, no, no, no.
00:47I'm sorry, Ken.
00:48I'll try and keep it civil.
00:50Right, you get stuck into that, and I'll make you a freshly brewed coffee.
00:51You're very kind.
00:52So, um, do you get a pedicure after brekkie, or does that clash with the massage?
00:53I shall miss her when she's gone.
00:54Yeah, I bet you will.
00:55You'll have to read that gazette on ironed.
00:56I mean, all this is very nice, but it's...
00:57I'm sorry, I'm sorry.
00:58I'm sorry.
00:59I'm sorry.
01:00I'm sorry.
01:01I'm sorry.
01:02I'm sorry.
01:03I'm sorry.
01:04I'm sorry.
01:05I'm sorry.
01:06I'm sorry.
01:07I'm sorry.
01:08I'm sorry.
01:09I'm sorry.
01:10I'm sorry.
01:11I'm sorry.
01:12I'm sorry.
01:13I'm sorry.
01:14I'm sorry.
01:15I'm sorry.
01:16I'm sorry.
01:17I'm sorry.
01:18I'm sorry.
01:19I'm sorry.
01:20I'm sorry.
01:21I'm sorry.
01:22I'm sorry.
01:23I'm sorry.
01:24I'm sorry.
01:25I'm sorry.
01:26I'm sorry.
01:27I'm sorry.
01:28I'm sorry.
01:29I'm sorry.
01:30I'm sorry.
01:31I'm sorry.
01:32I'm sorry.
01:33I'm sorry.
01:34I'm sorry.
01:35I'm sorry.
01:36I'm sorry.
01:37I'm sorry.
01:38I'm sorry.
01:39I'm sorry.
01:40I'm sorry.
01:41I'm sorry.
01:42There you are.
01:43Hard, graphty been doing this, mum.
01:49Mm.
01:50I've enjoyed it all as well, Ken, but let's be honest.
01:53You're well on the men now.
01:55You don't really need me any more.
01:57Well, my case in point.
01:58I don't want to be a burden to Steve or Amy.
02:00I think you're going to have to squeeze me in
02:03for something as trivial as a drink or a walk.
02:06Or what, you're saying?
02:08Well, my body may have healed itself,
02:10but it needs a much stronger cure for loneliness.
02:15How would you feel about extending our arrangement?
02:23Oh, hiya. Hi, Miss Connor.
02:26How do you manage to make even that sound zorky?
02:29Practice. What are you two gossiping about?
02:32Just having a coffee with my mum, if that's OK with you.
02:35Coffee at your age?
02:37What were you drinking at my age?
02:39Let's draw a veil over that, shall we? Bye, boomers.
02:42Hey, you! I'm Gen X, me.
02:46Sorry about that. It's all right, I'm used to it.
02:50Me too, unfortunately.
02:54Listen, thanks again for talking to her yesterday.
02:57PHONE RINGS
02:58Oh, here we go.
03:00Who is it?
03:02A college?
03:04Hello? Just keep it to yourselves, yeah?
03:06Well, I'm not comfortable lying.
03:08Are you having a laugh?
03:10You tell everybody you wear size 5 shoes?
03:13Shut up, David, it's not funny.
03:15I had Leanne crying on my shoulder yesterday.
03:17OK, look, we just want Sam to hear it from us,
03:19not tittle-tattle on the street.
03:21I don't tittle-tattle. Again, another lie.
03:23Oh, shut up. Make yourself useful. Take that to Carla.
03:26She hadn't ordered one?
03:28No, it's for my sake, not hers. Go on, off you go.
03:32And what about Lily? You know she's got a right gob on her.
03:35Yeah, but they didn't rock around together, did they?
03:37Well, they walk home from school sometimes, don't they?
03:39There's a coffee there.
03:41Do you work here now?
03:43No, I'm a day off, but, you know, I help out where I can.
03:46Bit like Batman.
03:48Hey, have you put something dodgy in this?
03:50No. I wish I hadn't bothered.
03:52Yeah, I'll talk to her. Thanks for letting me know.
03:54Right, bye.
03:56So?
03:58She hasn't been going in.
04:00What, at all?
04:02No. I mean, I even dropped her off there yesterday.
04:04What has she been doing?
04:06The fact her coming to the factory is that she's working round a free period.
04:09Yeah, well, from the sounds of it,
04:11she's been on a free period since term started.
04:15No answer.
04:17You're not going to leave her a message?
04:19Nope. This is one conversation that needs to be had face-to-face.
04:24So when you see a traffic stop and a US cop show,
04:27the copper will touch the back of the car or the side.
04:30You see, it leaves fingerprints, see?
04:32So if you decide to drive off or change the plates,
04:34the fingerprints will still be on the back of the car to identify the vehicle.
04:38I know.
04:39I try and do it and all, just pretend I'm on the way home.
04:43Brilliant.
04:45He loves your police stories.
04:47I mean, it's all these reruns of the bill that he's watching.
04:52Ha. Ha.
04:54Sounds dead sarky on that vocoder thing.
04:57It's a voice synthesiser.
04:59A vocoder's what Cher uses.
05:01Oh.
05:06I'll take it.
05:09It's good of you to pop round.
05:12Well, the joys of shift work.
05:15I wondered if you needed anything.
05:17No, we're all right, aren't we?
05:20Although he could do with a haircut.
05:23You are looking a bit shaggy, Apollo.
05:25It's funny, all the boring little things that you take for granted.
05:29Dentists, haircuts.
05:32All seems pretty impossible when you're confined to barracks.
05:38Yeah, someone managed to get Billy out for a walk yesterday, but he's pretty reluctant.
05:42Oh, could you get her to come here and take him out for a walk?
05:45Why? What have I done?
05:46Same thing as you do whenever you've got a day off.
05:48You hang around here getting on my wick.
05:50Actually, I was meant to go out for a few drinks with Billy,
05:53but never materialised. Shall I text him?
05:55Yeah, that'd be great.
05:56Yeah, dear, my world of good.
05:57Look, let me know how you get on and I'll tag along.
06:00Yeah, yeah, sure.
06:01Thanks, Stevie.
06:02See you later, love.
06:05My good deed for the day.
06:07You haven't done anything yet.
06:09What's the difference between a raisin and a sultana?
06:12I'm not in the mood for jokes.
06:14No, I'm not joking.
06:15I actually want to know more about Eccles case.
06:17Forgive me for taking an interest in your work.
06:20Hiya.
06:21Hi.
06:22You all right?
06:23No, not really.
06:24Stayed in a hotel last night.
06:26Didn't get a wink of sleep.
06:27What a waste of money, that was.
06:28Well, if it's any consolation, Nick's really upset.
06:31Yeah, well, at least he got to stay in his own bed.
06:33David, can I have a word?
06:35Oh, please, take him. Lock him up, I beg you.
06:37Yeah, sure.
06:40Nick was in earlier.
06:42Saying what?
06:43Asking us to keep it on the DL about him and Toya.
06:46He's more concerned about his good guy image than he is about me.
06:50Hey, I'm team you, but in fairness,
06:52I do think he's just trying to protect Sam.
06:54Yeah, well, maybe he should have thought about that
06:56before he dropped his wife once.
06:58You know, I don't understand why it's you
07:00who has to stay in some poxy room.
07:02You've done nothing wrong.
07:04If this was me, I wouldn't be going into hiding.
07:06I'd be plotting my revenge.
07:11There you are.
07:12What are you thinking of?
07:16The menu.
07:17OK.
07:18Cheers.
07:20That's really kind of you.
07:22Thanks, David.
07:23Wow, Kit's idea.
07:25You did all the work.
07:27OK, I'll pay you something.
07:28Don't be daft.
07:29I'll tell you what, though.
07:31Why don't we have those jars that we arranged,
07:33you remember, ages ago?
07:34You can get me a pint or two.
07:36I can't.
07:38You can.
07:40See?
07:41And I've nothing else planned today
07:43except bugging Shona for a bit.
07:45I fancy a bit of a laugh.
07:47Bernie's working this afternoon.
07:49He shouldn't finish till six.
07:50Oh, I can hang on till then, mate.
07:53I can't.
07:54It just... It wouldn't feel right.
07:56Go.
07:57You big wuss.
07:59See?
08:00Do as your husband says.
08:02Listen, I'll tell you what.
08:04Why don't you sort yourself out here
08:05and then meet me over at the bistro?
08:07We can kick off there.
08:08Plus I get free olives.
08:09Cos I'm family.
08:11I'll see you.
08:12See you.
08:14DOOR SLAMS
08:15I must say, this is a first.
08:19What, lunch at the bistro?
08:21No, you paying me.
08:24What's the catch?
08:25There's no catch.
08:26I just thought it'd be a nice chance
08:28to have a chat about work and stuff.
08:31What do you mean, work and stuff?
08:33Oh, good old-fashioned chinwag.
08:35Oh.
08:36I mean, the big boys in the News Angels game
08:39might call it a performance review.
08:41A performance review?
08:43A performance review?
08:45Who do you think I am, Elaine Page?
08:50Shut up!
08:52Sorry.
08:53Sorry.
08:54Lunch for two, is it?
08:56Actually, it's a performance review.
08:59All right, well, in that case,
09:00I'd better get you a couple of menus.
09:02Oh, we've got a great deal on the shabbily today.
09:04Bring the bottle.
09:05I'll be drinking.
09:07Do you need a hand with anything?
09:09No, I've got everything.
09:10It's all tip-top.
09:15You could say that.
09:17You could say that.
09:20I've not been here before.
09:22Have you not?
09:23I usually avoid it in the mornings.
09:25It's got all the people here, you know,
09:26on the laptops with those earbuddy things,
09:28just chatting away, drinking water.
09:30I don't know how she turns over a profit.
09:32My locals are saying it looks more like a call centre
09:35than it does a wine bar.
09:37And people are weird, aren't they?
09:39Aren't they just?
09:41Oh, we've spent so much time gassing,
09:44I've not even shown you our price list.
09:47Hmm?
09:49Can I show you some samples?
09:51Or shall we just keep slagging people off?
09:54Let's do both.
09:58Gentlemen.
09:59Always.
10:02Do you feel this process has been a two-way street?
10:05Yes.
10:06Next.
10:10Do you feel like your gender identity
10:12is respected by your co-workers?
10:14My what?
10:16Your gender identity.
10:18I haven't time for gender identity.
10:20I'm up at five for papers.
10:22Who writes these questions?
10:24It's just a form I downloaded.
10:25I mean, it's supposed to be very witty.
10:27Well, I don't understand the questions,
10:29let alone the answers.
10:31Next.
10:34Where do you see yourself in ten years' time?
10:40Ah, Nick.
10:42I'm glad you texted.
10:45Well, what's that?
10:51Do you like what I've done with the place?
11:06I had no idea.
11:09Poor Leon.
11:10Yeah, go on, tear them all down.
11:12I'll just stick more up.
11:14Fly on the wall at her next performance review.
11:17Right, everyone, we're going to close early, OK?
11:20Your bills are on us for the inconvenience.
11:23It's a result.
11:24No, it isn't.
11:25I didn't get my food.
11:27So, come on, we're going somewhere else.
11:29Because you haven't heard my performance review of you...
11:33yet.
11:39Hello.
11:40Oh, hi.
11:43Is this a bad time to book a table?
11:55Should we be all sorted?
11:57Yeah, he's asleep.
11:58And Bernie will be here in a bit, so...
12:00David's just texted.
12:02He said that the bistro's closed,
12:04so they've been trying to find somewhere else.
12:06Todd's going to come on off.
12:08Right, cool.
12:09Let me know where you are.
12:13Billy, I've seen enough situations like these
12:16to know what a straining can be for the carers.
12:18You need to let off some steam.
12:20You know, you'll be more used to Paul once you have done.
12:23Go. That's an order.
12:26Oh, thanks, Kit. This really means so much.
12:31I really do need a drink.
12:39Look, I know you're upset.
12:41Do you? Really?
12:44My sister, Nick.
12:46My sister.
12:48What's this, reinforcements?
12:50Oh, they...
12:51I didn't call her.
12:52I did.
12:53Felt it on her face,
12:54seeing as how it's her face that's splashed everyone.
12:56You can do one and all.
12:57I don't even know what you're hanging around for.
12:59Looking after kitchen knives.
13:00You all right? I've got it from here.
13:02Look, just sort it out, all right, all of you.
13:04I mean, stuff happens, but it's how you deal with it.
13:07Stuff happens, but it's how you deal with it that matters.
13:14Can we talk about this properly?
13:16Just go away. Lee, please.
13:18I said go away!
13:19And by the way, you're sacked.
13:25How can I make this right?
13:28You're so deluded.
13:30It's not just us, is it?
13:32Sam, the flat, this business.
13:35I know you want to burn it all down right now.
13:37Oh, don't tell me.
13:39I'm going to go to the flat. I need to pick up some stuff.
13:43I'm so sorry.
13:45Yeah, so am I.
13:51You're naughty. You shouldn't have got that, you know.
13:53Oh, it's a pleasure.
13:54Much more fun than my usual business meetings.
13:59Well, I'll be in touch about the order, all right?
14:03Are you coming?
14:04No, I think I'm just going to sit here on my phone,
14:07talking really loudly to everybody in my business.
14:11See you.
14:12See you.
14:23Hi, Joe.
14:24Ah, Carla.
14:27Are you a client of his?
14:30What's going on? Is it rape? Murder?
14:34Because he does both.
14:35He's very multifaceted.
14:39Ignore her. Grudges are pretty commonplace in my line of work.
14:42No, he's good at his job.
14:44I mean, he's actually been off of GBH himself, you know,
14:47so he can kind of see the perspective from both sides.
14:50Lauren, Bolton, you must have read about it in the papers.
14:54It was all over the place.
14:56I'll call you. Excuse me.
14:57Yeah, and that's just one of the girls we know about.
15:00He's a dark horse, really.
15:02Ain't he, Joe?
15:05Don't mess with me, Carla.
15:09I think your manager's dead.
15:11And you just sat there,
15:13like the cowardly little nobody you really are.
15:18I'm warning you.
15:19You're warning me what?
15:22What do you mean? What are you going to do?
15:24Beat me after death with a chair leg like you did Lauren?
15:28Debbie won't be best pleased. She's just had the place refurbished.
15:31Excuse me, waiter. Get the check for this woman-beater.
15:35Or are you staying for coffee?
15:41No, thanks. I'm all set.
15:43Yeah, playing hard to get, are we?
15:45That's all right. I'm a hard worker. I don't mind a challenge.
15:49SHE SOBS
15:51You all right, bro?
15:53SHE SOBS
15:55OK, you OK? Yeah. Don't panic.
15:57Er...
15:59SHE SOBS
16:01SHE SOBS
16:03White mouth. White mouth.
16:06See, I was paying attention when Bernie did this before.
16:09SHE SOBS
16:11No blockages.
16:13SHE SOBS
16:25Right, OK, mate, I'll be with you in a second.
16:29All right?
16:35OK. OK.
16:39Mask over the mouth, yeah?
16:42Strap over the head.
16:44OK. Let's get these tied up.
16:49OK. And on there.
16:51Right.
16:53All right, mate, yeah. Let's start on there.
16:56OK.
16:58Right. Some nice deep breaths, right?
17:15All right?
17:17Well, I was. Been shopping.
17:20It's food for your dad's tea.
17:22I can see you're far too busy.
17:24Well, it's what you paid for, isn't it?
17:26Amongst other things, yeah.
17:28Yeah, I imagine Steve's enjoying all the little extras.
17:32Sorry, can I just get in there a minute?
17:38I'd offer you one, but I know you've had your...
17:42various problems.
17:45I don't care what you think about me.
17:47I'm here for your dad.
17:49Where is he now?
17:51He's at the rovers next door with Steve.
17:53I nipped back to do his tea for him.
17:55Bet that was a bit awkward, with my dad there, playing third wheel.
17:59I popped in to ask him what he wanted for his tea,
18:01if that's all right with you.
18:03I've seen the way you look at Steve.
18:05I bet you can't wait to get your claws into him.
18:08Or has that happened already?
18:10You couldn't be more wrong.
18:12Business owner, bit of cash in the bank, somewhere to live.
18:15Be like winning the lottery for you, that, wouldn't it?
18:17If you're so worried about Steve, why don't you try talking to him?
18:20Eh? Rather than being snide with me.
18:22He's been great with your dad and your daughter.
18:25Oh, you've got it bad, coming to the defence of my husband.
18:29I see what I see.
18:32Look, I'm only going to say this once.
18:35There is nothing going on between me and Steve,
18:39apart from the fact that we both care for your dad.
18:42It's a completely professional relationship,
18:44and I would never cross that line.
18:46Now, just as a common courtesy,
18:49your dad and I have had a little chat.
18:51And we're talking about me staying on after he's better.
18:54To do what?
18:56To keep house for him, to keep him company, to walk with him.
19:00You might not like me, but your dad does.
19:03Tracy, I'm not your enemy.
19:06I'm your best friend.
19:08Because I'm doing all the things that you should be doing
19:12while you do all the things that you want.
19:21Hi, lads. Everything OK?
19:24Yeah.
19:26Do you need an hand?
19:28No, no, you're all right.
19:30Roy gave me an early dart. Bless him.
19:33And a load of leftovers from the calf.
19:35The man is a saint.
19:37He knows Billy don't have much time for food shopping.
19:40Hey, do you fancy a pasty kit?
19:42No, you're all right. I'm going to go and have a pint with the lads later.
19:46Right. I'm bursting for a waz.
19:48Hey, Apollo, do you fancy a funny film tonight?
19:54Men.
19:55Good.
19:57Cos Dev's off on his Mallorcan golf extravaganza thingy,
20:02so I am all yours!
20:06Don't mention coughing.
20:10I should say something, shouldn't I?
20:12In case it happens again.
20:19No.
20:22You're worried she'll tell Billy and he'll come home?
20:28Yes.
20:32You're the boss.
20:35Wow.
20:38Well, it was good spending this afternoon with you, bro.
20:43And I do...
20:45..wish I met you sooner.
20:47You and Gemma.
20:54Won't be long now.
21:02Well, erm...
21:04..how about I spend as much time with you as I can?
21:08Make up for what we lost.
21:15Double mint.
21:21See you tomorrow, bro.
21:22See you tomorrow, bro.
21:43Leanne, my key won't work.
21:49Leanne, this is silly. Come on.
21:53Leanne, let me in.
22:13Are you for real?
22:14Er, yeah.
22:16Last time I looked, I thought I was human
22:18and I'm feeling a lot of emotions right now,
22:20so, yeah, I'd say so.
22:21Oh, I get it, I get it, I get it.
22:23Oh, do you? Yeah, yeah, yeah, you're angry.
22:25Oh! Well, aren't you miserable?
22:27What gives you the right to lock me out of my son's home?
22:30Oh! Oh, I'm sorry, this is your son's home now, is it?
22:33Well, it's not mine, is it? Cos I couldn't get through the flaming door!
22:36Oh, hang on a minute, hang on.
22:37I'll just try and find the tiniest violin in the world.
22:39I've got one here somewhere.
22:40Oh, I should have known better than to try and rationalise
22:42with the Queen of Sarcasm.
22:43Oh, well, whose fault's that, eh?
22:45I tell you what, shall I give you some pointers?
22:47Lovely, Leanne.
22:48Actually, look in the mirror and you'll find your answer.
22:50Actually, look in the mirror and you'll probably see our toyer behind you
22:53with all the bits hanging out.
22:54But it wasn't that sleazy.
22:55Well, it was a bit.
22:56Well, it's not readers' wives, is it?
22:57Do you know what?
22:58What you two get up to in the privacy of your own home is up to...
23:00Oh, no, sorry.
23:02It's not your own home, is it?
23:04It's our home.
23:05Wow, do you know what?
23:06Things are really confusing right now.
23:08I seem incorrigible.
23:09Incorrigible, but I'm not wrong, am I?
23:10I never said you were.
23:11Didn't you?
23:12OK, OK, fine.
23:13I'm sorry.
23:15Oh!
23:17Great!
23:18So what am I supposed to do?
23:19Just let it roll and let you and Toyer live happily ever after?
23:23Yeah, we would do if you weren't kicking off 24-7.
23:25Oh!
23:26Oh, right.
23:27OK, then.
23:28Well, I'll tell you what, I'll tell you what.
23:29Let's get a schedule that suits you, eh?
23:31What about weekdays?
23:33Five till seven?
23:34Yeah, yeah!
23:35Would you just drop it?
23:36Drop it!
23:37Yeah, I will.
23:38Consider it, like me, dropped.
23:40I only came to tell you you can have the flat.
23:42What do you want?
23:43A big clock?
23:44OK, right, until I find somewhere else.
23:46And do you know what?
23:47Do you know what?
23:49I take full responsibility for what happened with me and Toyer.
23:52Oh.
23:53Oh, right.
23:54So she was the unwilling participant.
23:56Oh, poor girl.
23:57You know, she really should put a complaint in.
23:59I can't talk to you when you're like this.
24:03Why did you do it, Nick?
24:05Why?
24:07I know you said that we drifted apart when...
24:09You know what?
24:11Just...
24:13Way before the Institute, if I'm honest.
24:16Before Rowan.
24:20When was the last time we got on?
24:26I don't know who you are anymore.
24:31Who are you?
24:37I've just sat here like chopped liver.
24:40Who's he texting?
24:41Bernie, again.
24:42Oh, right.
24:43She's going to be sick of you sticking me in ebbing.
24:45I've only sent her three messages.
24:47You're meant to be on a date night with me and him.
24:49And we feel totally ghosted.
24:51Totally.
24:52Shut up.
24:53Look, come on.
24:54Get one of these down your neck.
24:57I'm a bit boring, aren't I?
24:59Self-awareness is a wonderful thing.
25:01No, it's just because it's been ages since, you know,
25:03I haven't spent 24-7 with Paul.
25:05It's like we've been conjoined twins.
25:08Conjoined in the what, though?
25:12I'm a bit boring, though, aren't I?
25:14Hmm?
25:15I'm a bit boring.
25:16No, no, no, I heard you, yeah.
25:17I was just watching some paint drying behind you.
25:19Look, come on.
25:20Down the hatch, let's go.
25:21Get the salt.
25:22I think I should go home.
25:23One shot.
25:24See how you feel.
25:26Paul's not going to want you slobbing back early on you
25:28one night off, is he?
25:29Come on.
25:31All right.
25:35All right.
25:39Night, ladies.
25:41Just on the way out, please.
25:49OK.
25:54Just one sec.
26:04Are you seeing something you like there?
26:07Well...
26:09Ah, if it isn't the little midnight mass.
26:13Grass.
26:15Listing all my misdemeanours like that.
26:17You were enjoying that, weren't you?
26:19Yes, Joel, it was one of the top ten moments of my life.
26:22Well, do you know what slander means, Carla?
26:26I can see you know what patronising means, Joel.
26:30Because, just so it clear, I'm going to sue you for it.
26:34You really are living your best life, aren't you?
26:37Hey, I'm as innocent as your great pal Cropper.
26:41Although, that being said, I wouldn't be surprised
26:43if he did have the hots for that jailbait, Lauren.
26:48Why do you think people are so convinced he's a pervert?
26:51It's because if it looks like a perv, it usually is.
26:54You really are holding your breath, smacking her face, aren't you?
26:56Whoa, calm down, Carla.
26:57Don't do anything you'll live to regret.
26:59I'll regret it if I don't smack him.
27:02Did you see that? Did you? Her regression, it's off the scale.
27:05You really aren't used to women standing up to you, are you, Joel?
27:09Just get out.
27:12Go on, leave!
27:15You all right? Yes.
27:17So you don't know who I am any more.
27:19Well, maybe I've changed.
27:21You didn't need to rip my sister's clothes off
27:24just because I was on some journey to discovering myself.
27:28Is that what the Institute was? A journey?
27:32Yeah. Yeah, that was part of it.
27:35Highway to Hellmore.
27:36Like, you've been pushing me away for months and you know it.
27:39Have I?
27:41Really?
27:43You sure about that?
27:45Or was I running away, Nick?
27:47Running away?
27:49Yeah. From you, Nick.
27:52The suits, the snarls, the way you look at everybody like we all stink.
27:57Yeah, things haven't been right for months, but...
28:00Well, maybe that's why I was drawn to the Institute in the first place.
28:05But do you know what's really funny?
28:08Actually, it's not even funny at all.
28:11What?
28:12I never stopped loving you.
28:16That's not funny.
28:19It's tragic. You've got a weird way of showing it.
28:23Shall I tell you something else?
28:26And this really is the killer punchline.
28:30I still do.
28:32Why are you telling me that?
28:34Why would you do that? What, are you trying to make me feel guilty?
28:38No, I'm not. I'm saying it because it's true.
28:41Why do you have to overanalyse everything?
28:43Oh, well, I don't know whether to laugh or cry.
28:45Oh, go on, have a laugh. Have a laugh. I'm here all week.
28:49SHE SNIFFS
28:51Oh, right. Well, I've got to go and pick Sam up from chess.
28:56Oh, great. Well, I just drown in my own self-pity. Cheers.
29:03So what do we tell him?
29:05Don't tell him anything.
29:07We'll tell him together when you get back.
29:19DOOR OPENS
29:29DOOR CLOSES
29:31I just can't believe I let him get in my head.
29:33I can't stand to see him get away with what he did to Roy and Lauren.
29:36Well, there might still be a way of bringing him to justice.
29:39I just hate feeling like this, you know.
29:41I've run this place and I've run it well,
29:43but everything I do, it has to be in control.
29:46I have to be in control of it, and nothing is at the moment.
29:49But with Peter beggaring off, Stephen running rampage,
29:51Roy being banged up, Jenny stealing my...
29:54Actually, scratch that, it's just everything.
29:56It's just blooming everything.
29:58I feel so out of control, honestly.
30:03Oh, great!
30:05Betsy?
30:07What's up with her?
30:09Betsy!
30:11Bets! Old ones are the best, aren't they?
30:14And Ree's with a spoon, she's wicked in it.
30:16And Jennifer, what's it? Coolidge?
30:20Right, let's get your teeth cleaned, get you ready for bed.
30:23Ash is going to bob over in a bit and help me with the hoist.
30:27You writing a message to Bella?
30:30Hey, Paul. Paul.
30:32You do the bend...
30:34..and snap!
30:38Right.
30:41Let's get you all fresh and beautiful for bed, honey bun.
30:47Well, come on.
30:49Read us a message you've written to Billy.
30:55Hope you're having a good night, Billy.
30:58I'm off to bed, so sweet dreams.
31:01Don't rush home.
31:03Keep painting the town pink for me.
31:06Love you.
31:10You sent it?
31:15Yes.
31:17Well, that's just gorgeous, that.
31:20You guys.
31:22What a bond.
31:24Proper true love, is that.
31:27And all the way through, Billy has been unwavering.
31:32You know, some folk...
31:34..they live 100 years and they never get out like that.
31:38Right.
31:40Let's get those gnashes nice and clean.
31:45Hey, do you want me to put the heating on?
31:47It's gone a bit fresh, hasn't it?
31:49I don't care either way.
31:50I was talking to Sam, actually.
31:52You weren't very specific, were you?
31:54Oh, well, I am really sorry about that.
31:56Are you two going to tell me what's wrong?
31:58Wrong? There's nothing wrong.
32:00It's not stupid, love.
32:02Don't love me.
32:04Sam, do you want to sit down?
32:07Yeah.
32:19You hardly said a word in the car.
32:21You didn't use your door keys.
32:23And the atmosphere in here is very frosty.
32:27Yeah, well, there's a...
32:29..there's a good reason for that.
32:31Look, everything's going to be fine, Sam.
32:33I'm so sorry, Sam.
32:35Me and Leanne, um...
32:37..we're separating.
32:39We've just drifted apart.
32:42Nothing major's happened, it's just...
32:44..it's just something that we need to do.
32:46Well, that's not strictly true, is it?
32:49Um...
32:51..I've got feelings for Toya.
32:53Nick. What?
32:55He doesn't need to know all the ins and outs.
32:57Better he's it for most than someone else.
32:59Look...
33:01..we just drifted apart.
33:04Has Toya got feelings for you?
33:06Now look what you've started.
33:08Yeah, yes, she does.
33:10Do you love each other?
33:12Please.
33:14Yes.
33:16Yes, we do.
33:18Are you going to move out?
33:21Well...
33:22Please don't move out.
33:23Sam, he can't stay here. I'm sorry.
33:25Look, you can... you can live with Leanne.
33:27Nick, we haven't even talked about this.
33:29Until we find somewhere permanent for us to live.
33:34Oh, Sam, come here.
33:39I'm sorry.
33:41I'm sorry.
33:58Must be her.
34:00Shall I go to my room? No, you stay here.
34:02Don't be daft. I think I will.
34:14I take it you've changed the locks.
34:16No, it gets past you, does it?
34:18Especially not the men.
34:20Look, I'm glad you're here, actually.
34:23I know things.
34:26How are you feeling?
34:28Now that the dust's settled a bit.
34:30And why the sudden interest in my well-being?
34:33Oh, that's a bit...
34:34You know, it's a shame you didn't have such a moral barometer
34:36when you were slipping between the sheets with my fella.
34:38Of course I care about you, Lee.
34:40Oh, well, aren't I the lucky one? Hashtag blessed.
34:42And I know that this has ruined everything between us.
34:44And the award for stating the obvious goes, too.
34:47And that kills me.
34:48But what kills me more is the thought
34:50that this might make you lean even more
34:52into the Institute for support.
34:53Yeah, well, that's none of your business, actually, is it?
34:55It was really hard seeing you take their side over mine.
34:57So hard that you threw yourself at Nick for comfort.
35:00I've just found all this...
35:02It's just such a struggle, and...
35:05You know, it's really funny.
35:06You come round here to check if I'm doing OK,
35:08but you've actually made this all about you.
35:10Oh, I changed the habit of a lifetime, eh?
35:12Yeah, you must have really sucked at being a counsellor.
35:15It would have been all about you, wouldn't it?
35:17Me, me, me, me, me.
35:19You must see now that it was the Institute
35:21who told the police about me burying Rose.
35:24Yeah, I am sorry about that. I was bang-up.
35:26I'm sorry about that. I was bang-up about it.
35:32Cheers.
35:33Is she staring at you?
35:35No, I don't know what they're thinking.
35:36Look, fly have let themselves go.
35:39Which cheers us to karaoke.
35:41You don't mind me taking a long beer, do you?
35:43Yeah, no. No, of course not.
35:44It's just...
35:45David insistent.
35:47I've had more than the elegant sufficiency to drink.
35:51All yours if you don't want it.
35:53Yeah, how was he when you left him?
35:55You don't need to worry about it tonight, OK, mate?
35:57You're not just saying that.
35:58Of course you're just saying it.
35:59What do you want him to do, sing it?
36:01No, I'm sorry. It's just...
36:02No need to apologise.
36:06Right, this is going to sound awful.
36:08Just say it. We're old mates.
36:10Not this.
36:13I really do feel like I'm on some sort of countdown with Paul.
36:19There's this big ticking clock.
36:22I'm even dreaming about clocks, like I'm in some thriller
36:25and I've got all these mad tasks that I need to be doing
36:28and if I don't get them done, then...
36:32Who knows how long he's got left?
36:37These next few months are going to be really precious.
36:41Every time I wheel him to the window, I feel like I'm taunting him,
36:45you know, like showing him his past.
36:49What's ahead?
36:50What's ahead?
36:51Well, no-one knows, mate.
36:53Yeah, well, I'm meant to. Paradise.
36:57Billy, you're doing a brilliant job with him.
37:00And if I can see it, that anyone can.
37:04Joe, he's made a list of all the things he wants me to do
37:07after he's gone.
37:08Need he get?
37:10I'm a control freak, you know.
37:14He wants me to find love.
37:16In a hopeless place?
37:17With air artwork.
37:21I am glad I came out tonight.
37:23Just call us Prozac and human form.
37:27I'll drink to that. To mates.
37:29To mates.
37:30To McFly.
37:37I do appreciate you acknowledging how much the Institute have hurt me.
37:41Deeply.
37:44And I just want to say...
37:47Well, come on, get on with it.
37:48Well, come on, get on with it.
37:49I'm going to need an haircut at this rate.
37:52That I am really sorry for the pain that I've inflicted on you two.
37:56So does that make us quits?
37:58Of course not.
37:59Well, then.
38:01Oh, just give me half an hour, I'll pack a bag and get out of your way.
38:04Oh, what, so you and Nick can go off to a little love nest together?
38:07No, I don't think so.
38:08It just happened, Lee.
38:11You'd gone AWOL, I was vulnerable, he was lonely and...
38:15And they all lived happily ever after.
38:18I'll just get me bag.
38:20You're going nowhere.
38:22I'm sorry that I turned my back on you when you needed me the most.
38:27But that doesn't mean I'm going to forgive you as a result.
38:30I've already lost my fella.
38:32I'm sure as hell not going to lose my sister as well.
38:36I might hate your guts.
38:39But you're going nowhere.
38:41I don't want you to.
38:49FOOTSTEPS
38:55Oh, nice one, mother. It's only taken you 15 hours to find me.
39:00I'm not buying into your immaturity, Betsy.
39:02Being a drama queen doesn't hide the fact that, yet again, you didn't go to college.
39:08Mum's not even been dead, what, three years?
39:12Look, I don't know what you think you saw earlier, but are you blushing?
39:18I had my hand on Carla's arm. It was a comforting hand.
39:21Yeah, it was a cramp in your style.
39:25What are you talking about? Carla is straight.
39:28Yeah, it was so spaghetti until you boil it.
39:30Right, that is enough, OK?
39:32You have got this all wrong. Carla had just had a running with Joel and I was...
39:36Did you really want to replace mum with that hard-faced cow who knocked a kid off his bike and then drove off her?
39:42Do you?
39:46What?
39:49Oh, Trace. Are you OK, hun?
39:51I'm fine, hun.
39:53You know, you've got lovely teeth.
39:56You want to show them off more when you smile.
39:58I hope you don't mind me saying, babes.
40:00There's nothing wrong with my smile.
40:03Er, Steve, just before I go...
40:05Yeah?
40:06You don't fancy a pint before the Weather County game, do you?
40:09Sounds like a plan.
40:10It's out. It's green, their kit, isn't it?
40:13You know who it is?
40:14Bab, I've got these amazing leggings I'm going to wear.
40:17Emerald green, like a second skin, Trace.
40:20Can't wait.
40:21Right, Ali, catch you later, babes.
40:24See you later.
40:27Is it her?
40:28Is what her?
40:29The woman you fancy.
40:31Is it the jolly green giant?
40:33Don't be daft.
40:34Well, she can deny it all she likes, Steve, but she's got the hots for you.
40:39Look, we are just very good friends.
40:41And, you know, Ken likes her, so...
40:43Hmm.
40:46What?
40:47I'm saying nothing.
40:48Pfft.
40:49I'll be a first.
41:02Are you all right, Ben?
41:03You had a good night, yeah?
41:04Oh, yeah, it was wicked.
41:07Yeah.
41:09Yeah.
41:11She's not one of them boys.
41:13I like her bro-mode.
41:17How is he?
41:19Yeah, he's out like a light, bless him.
41:24I'm going to just go and check on him, just make sure...
41:26No, no, Billy, don't, don't.
41:28Not in that state.
41:30Right, I've made you up a bed here,
41:32so he can get a good night's sleep, and Summer's in her room.
41:34If you're up, I'll need her.
41:36Oh, Ben.
41:38Oh.
41:43Does it help, does it?
41:45Reading stuff like that?
41:47No, we all have our different books and beliefs to see us through, eh, Billy?
41:51Yeah, it's true.
41:54Oh, I really can't thank you enough for tonight, Billy.
41:57It's...
41:59It's very much appreciated.
42:00Don't be daft.
42:02Here's my boy.
42:04You both are.
42:06Mm.
42:09I love you, Bernie.
42:12I do.
42:13Like, loads.
42:15All right, sleep it off.
42:19That's an order.
42:21Night-night.
42:31Hey.
42:34Hey.
42:37How's Sam?
42:39Erm, I don't know, he's in his room, so...
42:43I told him about me and you.
42:45What?
42:47There's too much dishonesty in our lives, it's not good for anyone, is it?
42:50This clears the path for me and you.
42:53Those that need to know, know now.
42:55I can't believe you actually told Sam.
42:59I want to be with you.
43:02And I was hoping you felt the same.
43:07You do feel the same.
43:13Oh, come on.
43:16Come on, we love each other.
43:19I can't do this, I'm sorry.
43:21You can't do what?
43:22What can't you do?
43:23Any of it, I can't do any of it.
43:26But you love me.
43:28Yeah, I do.
43:31But...
43:32I love Leanne more.
43:34And I can't do this to her.
44:02I can't do this.