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00:00A FEW HOURS EARLIER
00:03What's wrong, honey?
00:07Well, I lied to you.
00:13What kind of lie was that, love?
00:15Don't worry, I won't get mad.
00:19Do you remember I told you I was staying all afternoons
00:23at my friend Susana's house?
00:25You have to tell your sister that you were staying with your friend Lara
00:28and that you hadn't told her so as not to worry her.
00:31Well, I was staying with my friend Lara for a few days.
00:36I know I should have told you, but...
00:39since you were so busy, I didn't want to worry you anymore.
00:45Don't worry, it's nothing.
00:49Aren't you mad because I told you a lie?
00:52Well, I would have preferred you to tell me the truth,
00:56although I would like to meet Lara's mother.
00:59She's very nice.
01:01We'll all meet very soon.
01:05Although I would like you to trust me.
01:08But how can I trust you, little girl?
01:10Of course I trust you.
01:12Come on, give me a hug.
01:22Shall we play with the dolls?
01:23Yes.
01:40So, is the girl okay?
01:43Yes, perfectly.
01:44Thank God, I was worried. You ran away.
01:48False alarm, don't worry.
01:51I'll see if my men have been luckier with the register.
01:53Yes.
02:04Aren't you going to tell me where they are?
02:08It's quite ridiculous.
02:10You've already been fooled by those two women.
02:13Those two women have fooled all of us.
02:15Are you sure? You too?
02:18Me? The same as you.
02:20I fell into Mrs. Bárbara's clutches
02:22just like you fell into Carla's.
02:25But I admit you saw the wolf's ears much earlier than I did.
02:28Fabio, tell me the truth. You knew everything.
02:32I have no reason to cover for Mrs. Bárbara.
02:36I understand that a mother is willing to do anything to protect her daughter,
02:39but the way she involved me is unforgivable.
02:43Fabio, to the point. Where is Carla?
02:45At this time?
02:47In the high seas, on the way to America.
02:50How?
02:52I've already told the police. That was the plan.
02:54From the beginning, to get Carla out of the country.
02:57But Carla refused.
02:59And then Mrs. Bárbara had the crazy idea of hiding her in the basement.
03:05So you were aware of everything?
03:07Of course not.
03:08I believed the same lie that everyone believed.
03:12I would never have accused you of murder
03:15if I had known that Carla was still alive.
03:17A man in love is capable of doing anything.
03:21Without a doubt.
03:23Especially if he is in love with a woman as fascinating as Mrs. Bárbara.
03:29But accusing a friend of a crime...
03:31No, that's a Rubicon I would never cross.
03:34Not for a woman, not for anyone.
03:36But Fabio, at some point you had to find out everything.
03:38Yes. And why didn't you say it?
03:39Because Mrs. Bárbara swore to me that she would get Carla out of Spain.
03:42I thought it was the best. That woman is crazy.
03:45God knows the damage she could have done if she stayed here in Spain.
03:48I hope you have given the police all the information about the bar she is going to go to.
03:52I have told them everything I know.
03:55Although...
03:56I don't think they will be able to find her.
03:59Or find them.
04:00It would be nice to know if they haven't gone together.
04:04Íñigo, really.
04:06I hope that one day you can forgive me for everything we have done to you.
04:12That is not important now.
04:14The important thing is that those two women end up
04:17in the hands of justice.
04:19It will be difficult.
04:20If they have managed to embark.
04:22We will have to try.
04:25I trust that you will help.
04:27Of course I will.
04:29In everything that is in my hands.
04:34You didn't like it.
04:37What?
04:38The dinner that you didn't like. Neither you nor Agustín.
04:41What was it? The pimentón?
04:42Look what he told me.
04:43Laurita, don't start cooking and not a new recipe.
04:46No, Laurita. The dinner was great.
04:48Really.
04:49Then why were you so quiet this time?
04:52We were very quiet.
04:53Yes, more than a dinner. That looked like a funeral.
04:57Well, we are nervous.
04:59It's because of the rehearsals.
05:01But Inés, you don't have to.
05:04Everything in the Madrid Cabaret went great and you have regained your voice.
05:07Yes, but it's not the same as being alone one day.
05:10Than singing every night in a cast having to follow the score to the end.
05:13Yes, you are right.
05:14Besides, Agustín is worried.
05:17I think he doesn't know that waiting for me was a good idea.
05:20Of course it was a good idea.
05:21Inés, what you have to do is not worry.
05:23You have to take care of your voice, rest.
05:27What are you doing?
05:28I'll sweep. You take an infusion and go to sleep.
05:30No, no, I can sweep.
05:32Laurita, really, I can sweep.
05:36Inés.
05:38You are very brave.
05:39You know it, don't you?
05:43But why?
05:45For sweeping?
05:46No, for everything you are trying to do to regain your voice.
05:50Besides, you are very lucky to have found Agustín.
05:53Someone who takes care of you and you know he won't leave you alone.
06:00Yes, yes.
06:01Yes.
06:03Yes, I think he is helping me a lot.
06:05Maybe too much.
06:08Too much for what?
06:10Well, because...
06:12Because it's not fair to steal so much time from him.
06:15And besides, I could do the exercises alone perfectly.
06:19Well, but don't worry if he is delighted.
06:21You can tell in his eyes. You are his right eye.
06:23No, no.
06:24No, no, I'm just the cast.
06:27He pays more attention to me because...
06:29because what happened to me happened to me.
06:31No, Inés, you don't believe that either.
06:33He pays more attention to you because you are special and because you have a lot of talent.
06:37Yeah, but that's not fair, Laurita.
06:40It's not fair for whom?
06:42Well...
06:45Well, for the other girls in the cast.
06:47No, no, but you don't have to worry about that.
06:51You take advantage of it.
06:52Besides, he is delighted and so am I.
06:56You too?
06:57Yes.
06:58I like to see how he cares about you and how he takes care of you.
07:02It makes me feel like... I don't know, like more in love.
07:06Hey, what do you think if we have another dinner in a couple of days?
07:10No, Laurita, please.
07:12Stop saying anything, please. I'm begging you.
07:15It's fine, but don't get like that.
07:17Yeah, well, I'm just tired. I'm tired.
07:21I'm going to bed. I need to rest.
07:36Pietro.
07:41Antonia, why are you so uptight?
07:43Well, I've been away for a while. I wanted to wait for you to come out to talk to you.
07:48Has something happened?
07:49No, yesterday Lucia told me that she had signed the papers to cancel the marriage.
07:56Yes, it's true. I was going to tell you when you got to La Moderna.
08:01Finally, some good news, right?
08:03But then, she's going to Italy.
08:06Yes, of course.
08:07But is that true?
08:08But is that true? Are you sure?
08:11Yes, it's just that she has nothing left here, right?
08:14I don't know, it seems strange to me, right?
08:16Suddenly, that change that came with so many hours of fighting and now so tame, I don't know.
08:22Are you sure there's no cat locked up?
08:23Don't worry, there's no cat locked up.
08:26We have to celebrate. Finally, some good news, right?
08:30We can get married.
08:32I'll celebrate when I see myself with a ring in my hand and a priest telling us that we're husband and wife.
08:37Until then, be careful.
08:39But do you still want to marry me?
08:43How silly.
08:45Of course I want to marry you. And you?
08:50Of course.
08:53I can't think of anything else.
08:55It's just that I love you.
08:59I've been thinking.
09:00What do you think if, when you get out of work, we go buy Lucia's tickets?
09:07For her trip to Italy.
09:09I think it's a good idea.
09:10And then, when you see her on the train, we'll celebrate.
09:15Deal.
09:16I'm going to work. I have a lot of work to do. I'll see you later.
09:20Happy day, my love.
09:21Happy day.
09:37Happy day.
10:05Are you hungry? Do you want something else?
10:07No, no, no.
10:08It's just that I don't think it's appropriate for us to be here having breakfast in front of all the employees.
10:14Why?
10:15Because it seems like you're dispensing a favor?
10:20Let it seem like it.
10:22It's the least we can do after what happened to her.
10:25It was a misunderstanding. It could happen to anyone.
10:28No.
10:29Do you know what could have happened to anyone?
10:31That they took advantage of the situation and asked for a raise in their salary or seven days of paid vacation.
10:38Instead, you insisted on going back to work right away.
10:43Modern technology is a very complicated device.
10:46It's like a Swiss watch.
10:47But if a piece is missing, the watch doesn't give the time.
10:51Well, the watch will be delayed today by half an hour so that we can have breakfast as God commands.
10:56And that everyone sees that it has returned as it should.
11:02Mrs. Lázara, good morning.
11:03Good morning.
11:05I'm glad to see you back.
11:06And I'm glad that you're glad.
11:08Because I feel very happy and very grateful for this revolt.
11:11If you need anything, you know where I am.
11:14You're very kind, Inés.
11:15I'm very lucky that you're by my side.
11:17We've missed you a lot, haven't we?
11:20Yes, yes, we've all missed you a lot.
11:22Modern technology is insufficient.
11:24It's not the same.
11:25Well, I have to go to work.
11:27Goodbye.
11:27Goodbye, darling.
11:32Do you really think that everyone has missed me?
11:35Why wouldn't I be so sure?
11:37Well, you know that the more authority you have, the less empathy you arouse among the employees.
11:42But don't take it personally.
11:44I'm not the one who takes it personally.
11:47I've always treated all my employees equally.
11:50Well, if I've made any difference, it's because of their performance.
11:54But not because one seems more kind to me than the other.
11:58However, there are those who don't love me.
12:00Yes, I know, I know.
12:02Teresa and Cañete don't love each other, and they can't be together.
12:05Honestly, I don't understand why.
12:08Mrs. Latra, don't focus on what separates you from them,
12:11but on what unites them.
12:13In work and in the effort for the good of Moderna.
12:17Well, you have to admit that they are very hard-working, yes.
12:20And well-intentioned.
12:22Believe me, if I tell you that Teresa didn't work to harm you,
12:27but thinking about the benefit of Moderna, she was wrong.
12:29Yes, she was wrong.
12:32But the intention is what counts.
12:35I'll try to keep it in mind.
12:37I'm glad that's the case, because I would be very sorry
12:40if there were quarrels among the workers.
12:42I won't be the one to start any kind of confrontation with the employees.
12:46Don't worry.
12:47I like to think that Moderna is a great family,
12:50and also very well-informed.
12:57Some toasts.
13:04I mean, if we have breakfast.
13:08The soul for love has been created,
13:11but it is satisfied in passing things,
13:14when for pleasures it is called.
13:17I see. Jam or oil and tomato?
13:22Aren't you going to leave the book for breakfast?
13:24When you see something that attracts the soul very strongly,
13:27time goes by and nothing the man warns.
13:33Thank you very much, my love, for bringing me this book.
13:37I don't know when I was going to get it.
13:39Do you realize that at this moment I can be fired?
13:42Oh, please, no need to go ahead with these events.
13:45Maybe Don Salvador didn't see you.
13:47What? He didn't see me? Of course he did.
13:49What are we going to do if now...
13:52What are we going to do if now I lose my job
13:55and the baby is about to be born?
13:57I would never forgive myself.
13:59No greater pain than remembering the happy time
14:04in the misfortune.
14:06Enough with the verses, not one more, please.
14:08Don't worry, you don't have to yell at me or talk to me like that.
14:11You know that here the baby listens to everything.
14:13You have to be calm, with tranquility, to see me calm.
14:16Besides, you only have to fear those things
14:19that can cause some kind of harm,
14:22but not the others, because they don't do any harm.
14:25My love.
14:30Don't you want to read and you have a very good memory?
14:33Well, here, read and memorize.
14:37What's that?
14:38That's a list of possible questions
14:40that friends can ask us when we get back to work.
14:43You have to study them and know them by heart.
14:45How long does it take a donkey
14:47to go from the bus stop to the hermitage?
14:50I don't know how long it takes.
14:52You and I have never been in a hermitage
14:55and we haven't ridden a donkey either.
14:57Turn around and here's the answer.
15:02Two hours and 20 minutes.
15:04If the donkey doesn't stop eating the grass on the way,
15:07with Miguel's, you can go another quarter of an hour easily.
15:11Do you want me to learn all this?
15:14On the run.
15:16Wait, wait, wait.
15:17Who's going to ask us these stupid questions?
15:20The idea is safe.
15:21How do you know?
15:22Because the fool in his house knows more than the pig in the henhouse.
15:26The fool in his house knows more?
15:28No, not this, not the money thing.
15:31No, it's the quixote, which for me is much better.
15:34And now please study, or I'll take the comedy
15:36and stop being a diva in less than two seconds,
15:39because I'll do it three times.
15:41Well, well, son, how unpleasant you get sometimes.
15:44Let's see.
15:56So, how are the exams going?
15:58I don't know, Esperanza, I guess it's going well.
16:01But let's see, you study, because if you don't, you'll screw up.
16:05I already told you that I study.
16:07Every night I stay studying in the classroom
16:09until I close my eyes.
16:11And I'm not exaggerating, Esperanza,
16:13but many times I fall asleep on top of the books.
16:16Well, that's going to hurt your neck. Turn right.
16:18Antonia tells me the same.
16:20The poor girl often gets up to take me to my room.
16:23Well, woman, if you ever need a day off to study,
16:28let me know and I'll cover for you.
16:30Don't worry, Esperanza.
16:31For now, I think I can do it with everything.
16:34Well...
16:37With everything?
16:39With that too?
16:41What's that smell coming out of the subway?
16:44It's the smell of the poor.
16:46Of course, because in the subway only the poor go, right?
16:50And that smell coming out?
16:52Marta, what could it be?
16:54Ah, the smell of an idiot.
16:56Because only an idiot can say something like that.
16:59What an air of superiority.
17:02And she's holding Salvita's arm as if they were already married.
17:05What a slut.
17:07Ah, of course.
17:09These are the reservaos.
17:10Teresa told me they were cleaning them for three people.
17:13What am I saying? The whole reservao for three people?
17:17How special.
17:19For me, it's like the Monumental of Sales.
17:22And who are they?
17:24Vanessa.
17:25What?
17:26Vanessa.
17:28That's the name?
17:29That's the name.
17:30What name is that?
17:31Vanessa.
17:33They're going that way. They're going the other way.
17:35Ah, a lot of personality in the same person.
17:38There's no coherent hope, none.
17:49Have you read the correspondence?
17:51Good, uncle. No.
17:53Well, I'll read it to you.
17:54The presence of the Martial Torero, Lalanda,
17:57caused a sensation in the gallery,
17:59where fans and curious people
18:00flocked to see their idol.
18:02In the visit he made to the gramophone shop
18:05and the tea room.
18:07And right next to the article,
18:09an ad for the shop and La Moderna.
18:11What do you think?
18:13Well, that's a triumph.
18:14I told you more people would come than usual.
18:17By the way, Celia, you wanted to tell me something, right?
18:20Wait, before I talk about that,
18:22I wanted to ask you if you spoke to Inés today.
18:24Yes, this morning, in the office. Why?
18:26And you haven't noticed anything strange?
18:28No, nothing. Is something wrong?
18:31It's just that lately she's been acting strange at home.
18:35Yesterday I organized a dinner with Agustín
18:37to thank him for everything he's been doing for her,
18:40and the atmosphere was very strange.
18:43Well, a little birdie told me
18:45that the night before you barely slept
18:47because of your sister's performance at the Madrid Cabaret
18:49and then you went to celebrate it.
18:51I don't think that has anything to do with it.
18:53Yes, I know you're young and your body can take it,
18:56but after a night like this,
18:58you usually go home,
18:59stay a couple of days,
19:00and you don't start preparing dinners,
19:02and the days come and go.
19:05Laura, I think your uncle is a very busy person.
19:08Why don't we tell him why we called him?
19:11Yes, that's fine.
19:13As you know, next October 1st,
19:15the Parliament has to decide whether to change the electoral law
19:18and finally allow female suffrage.
19:21Yes, yes, lately women don't talk about anything else.
19:23You've spent your whole life without voting, and now you're in a hurry.
19:26Uncle, it's a matter of absolute justice.
19:28Yes, yes, I'm not saying it's not,
19:30but I find it funny that suddenly it's the most important thing in the world.
19:34Precisely because it's something that matters a lot to society,
19:38I had thought of organising a conference on the matter.
19:41Ah, a conference.
19:42And who would be the speaker?
19:44Two people from the Parliament.
19:46Two deputies?
19:47Two deputies.
19:48Deputies?
19:49Victoria Kent and Clara Campoamor.
19:52Clara Campoamor and Victoria Kent are political rivals, right?
19:56Yes, one is from the Radical Party
19:58and the other from the Radical Socialist Party.
20:00As I understand, Campoamor is in favour of female suffrage
20:03and Victoria Kent isn't.
20:04Victoria Kent says that now is not the time to give women the vote
20:08because most of them would vote for the most conservative parties.
20:11Well, that's normal.
20:13But let's see what I understand.
20:15Because one thing is a conference
20:17and another thing is to gather these two deputies
20:20to talk about this matter.
20:21This can become a political debate.
20:23Well, I prefer to see it as an exchange of ideas
20:26about a matter that worries society a lot.
20:28And as an opportunity to appear in the paper again.
20:31Yes, and I'm not saying it's not a matter of public interest,
20:34but you already know my opinion.
20:36In matters of politics, I'm absolutely neutral
20:40and extremely prudent.
20:43I'm sorry, but...
20:45No, I don't think it's a good idea.
20:48In this case, I'm not going to insist anymore.
20:50Thank you for coming, Mr. Fermin,
20:52and for showing us the article by Marcial Lalanda.
20:54These are the articles we need.
20:57Not in the section of politics, but in the section of society.
21:02I'll go with you.
21:04See you later, Laurita.
21:05See you.
21:15Celia, I was surprised that you didn't insist.
21:19Why? If I wasn't going to convince him?
21:22I know you.
21:23You've got a lot on your plate.
21:26Jerez de la Frontera is a unique place in the world.
21:29Although, compared to Madrid, it's still a small town.
21:33Of course, there's a lot of cultural life in Madrid.
21:35Yes, but it's also full of poor people everywhere.
21:38And dirt. And noise.
21:39Well, and not to mention those bureaucrats and pedigrees
21:43who, as soon as they find out you have a noble title,
21:45they want to take you from here to there and feed you.
21:49Of course, you don't get bored, do you?
21:50You end up thinking that they're feeding you like a duck
21:53and then making you a paté.
21:56You're absolutely right, dear.
21:58Villa y Corte is full of rich kids
22:00who want to look like what they don't have
22:02and cling to the hottest sun.
22:04How do they say it in the south?
22:06Tiesos. Tiesos, that's it.
22:10Don't you think, son, that Vanessa has a great beauty
22:13probably inherited from her mother,
22:15the most elegant woman I've ever met?
22:18Very elegant, yes.
22:20You're making me blush.
22:22If you'll excuse me, I'm going to the toilet for a second.
22:34You could try to be a little nicer, right?
22:37But, Father, you realize what you're asking me to do.
22:39How am I going to marry that broomstick?
22:42She's an elegant, well-mannered woman.
22:45And her family is immensely rich.
22:48What's the problem?
22:49The problem is that I don't feel anything for her.
22:52Everything she says is nonsense.
22:55Don't listen to him.
22:56Do you think I took note of everything your mother said?
22:59I'd rather marry a woman I was in love with.
23:02In love?
23:04You've read a lot of novels.
23:07You're in the age to get married.
23:09It's a good match.
23:10And the only girl you've noticed apart from her
23:13is not up to you.
23:14That's what you're saying, but...
23:16No buts, no buts.
23:18And stop protesting.
23:19You know what's going on.
23:21Either you marry Vanessa,
23:23or the broomstick will pay for the duck.
23:25Got it?
23:34Let's see.
23:35Don't get upset over that little broomstick.
23:40What you have to do is focus on your studies
23:42and work on your future.
23:45Yes, Esperanza, I'll do that.
23:47Salvita doesn't listen to me?
23:49I have more time to study.
23:52Very well said.
23:53Besides, when you're a teacher,
23:55you won't remember her.
23:57I'm sure of it.
23:59Are you in charge of cleaning the playpen?
24:02Yes, ma'am.
24:03What can I do for you?
24:04Ma'am, I'd like you to do your job well.
24:08That playpen isn't as it should be.
24:10What isn't as it should be?
24:12There isn't enough soap.
24:15I went there 20 minutes ago
24:17and the soap wasn't even half full.
24:20That's it.
24:21In a place like this,
24:22the soap has to be whole,
24:24without any leaks.
24:26Who's been handling the soap, for God's sake?
24:29Who knows?
24:31Let's hope it's not one of those poor people.
24:33God forbid.
24:36Well, Vanessa,
24:37are you willing to see the house of the Retiro beasts?
24:40No, thank you, Don Salvador.
24:41I've seen a lot of...
24:43Beasts.
24:45This way.
25:02As for the waiters' shifts...
25:05Cañete, look at what we have for Friday.
25:08What's going on on Friday?
25:10I'm talking to Cañete.
25:15On that day, there will be an event,
25:17a multitudinous breakfast at the Puerta del Sol.
25:20Pietro may go as a representative of La Moderna.
25:24Very well.
25:25The event includes a pastry contest.
25:28But you already know that, Don Fermín.
25:30Have you discussed it with Pietro?
25:32There's nothing wrong with getting ahead.
25:35That's how problems are avoided.
25:37If Pietro isn't there that day,
25:39on Thursday, he'll make a big batch of sweets
25:42to fill the room.
25:44I understand.
25:45I'll tell the waiters to go to the bakery
25:48to get sweets,
25:50and to have the bakery full.
25:52The waitresses can do it too.
25:54I'd rather the waiters do it.
25:56On Fridays, at that time,
25:58there's a lot of work at the bakery.
26:00It's a lie that you don't know.
26:04Is there a problem?
26:06Is there something you want to tell me?
26:09Nothing at all.
26:11Tell me, Teresa.
26:13What worries you?
26:17It's not that I'm worried.
26:19It's just that it's a surprise for me to have her back.
26:22A pleasant surprise for everyone.
26:25Right, Teresa?
26:27If there's nothing else to do,
26:29we should go back to the living room.
26:31It's not good to have the box unattended.
26:35Excuse me.
26:36Sorry.
26:40I was told you wanted to see me.
26:42That's right.
26:43Don't leave, please.
26:46Stay.
26:47I'm aware that in the corridors of La Moderna
26:51they talk about everything about me.
26:53It's normal, given the circumstances.
26:56But I'd like you to send a message from me to the staff.
27:01I'm sorry, but I don't gossip in the corridors.
27:04Of course not.
27:06I don't like gossip either.
27:09Or people who talk about things they have no idea about.
27:13It's bad news, Elías.
27:15We have to get rid of it as soon as possible.
27:19Anyway.
27:21Since you get along with everyone and you know them all,
27:26that makes you the ideal spokesman for the board.
27:30Spokesman for the board?
27:32That sounds great.
27:34What should I say?
27:35Just tell them I've returned to the board to stay.
27:40I'm not moving from here. I'm not going anywhere.
27:44So you can stop gossiping and start working,
27:47which is what you're paid for.
27:48I'll keep that in mind.
27:51Very well.
27:52That's all.
27:53You can go now.
27:57Excuse me.
27:58Excuse me.
28:05Excuse me.
28:24Why don't you leave the book for a while?
28:27Sure.
28:28I've got my shoes on.
28:31If you don't change your posture.
28:33Let's walk a few steps.
28:34They say it's not good to stay in the same place for too long.
28:40You can leave the book. No one will steal it.
28:43You want me to study these files.
28:46That wouldn't be bad.
28:47Is it true that Esperanza, being so stingy,
28:51will ask us questions?
28:53Well, between her and Elías.
28:55And then there's Don Fermín, who'll ask us questions.
28:59Let's start improvising.
29:00Sooner or later, they'll fire us.
29:03You're right.
29:05We could start by thinking about how the village is.
29:10Yes, look.
29:12For example, I'll read this one first.
29:16What was the church like?
29:19It's in a bad shape because a few years ago
29:22there were leaks in the roof.
29:24But the organ is fine.
29:26It's original and it was restored recently.
29:30And the restoration was paid for by a villager
29:33who inherited a mine in Asturias and now he's a millionaire.
29:37That's a good idea. I'll write it down.
29:40Yes, you're right.
29:42We have to study these dates.
29:44The confusion of people always started with the evil of the cities.
29:50This is from Ciccio's book, isn't it?
29:52Paraíso, page 16.
29:55Here you go.
30:06I hope one day my place will look like this one.
30:09We'll have parties with celebrities, like Marcial Lalanda.
30:13That was a good idea.
30:16How did you get Fernando Delgado and Carmen Bianze to come?
30:20I don't want to give credit to anyone,
30:23but Matilde came up with the idea.
30:26She knew that the director and the actress
30:29who shared a poster with Marcial in the film
30:32made great friends during the shoot.
30:35She had a great idea, Matilde.
30:39In the end, Madrid is like a Manchego village.
30:42But it's full of artists and intellectuals.
30:45Well, Sevilla too.
30:47It's hard to get them in the place.
30:50Speaking of which,
30:53I'm getting mixed up in a lot of things.
30:56Is Carla out of the country?
31:02Apparently, yes.
31:05At least, that's what Fabio said.
31:08We can't trust either of them.
31:10I think it's logical.
31:12It's shocking that she wasn't taken out of the country before.
31:16She didn't want to leave.
31:17Why would she stay in her basement?
31:20Because everyone has a purpose in life.
31:23Her purpose was to ruin Matilde and my lives.
31:27To completely ruin them.
31:29That's why she had to stay in Madrid.
31:32What about Inspector Jiménez?
31:34Did he tell you anything?
31:36Will you be able to deal with her?
31:38It won't be easy.
31:40First, Carla has a fake document.
31:43Fabio doesn't know or doesn't want to tell us
31:46what's in that document.
31:48Second, the police have to issue
31:51an international arrest warrant.
31:53That would take a long time.
31:55They haven't even issued it in Spain.
31:58Anyway, if we knew where Navira was going,
32:02we could check the passenger list
32:05and see if there's a name that suits us.
32:08I think the police have thought about it.
32:11Besides, a transatlantic flight like that
32:14would take five or six days to get to America.
32:17Five or six days? That's very little time.
32:20The worst part is, we don't know where she's going.
32:23Carla is a cult woman.
32:25She could go anywhere.
32:27The US, Argentina, Brazil.
32:30When Matilde finds out that Carla is leaving Rositas,
32:34I'll be in big trouble.
32:41A peseta for your thoughts.
32:45It's just that...
32:47I'm thinking about something.
32:52What if Fabio is lying?
32:54What if these two are here, in Spain?
32:58Even in Madrid?
33:01Yes, it could be.
33:04Besides, it's not the first time he's lied to us.
33:07But this is a matter for Inspector Jiménez.
33:10I told him to keep us informed.
33:14In any case, I'll stay in Madrid for a few days.
33:19Yes, I think it's great.
33:21You can help me a bit with the Madrid-Cabaret.
33:25Yes, of course. I'll help you as much as necessary.
33:34Hi, Matilde. How are you?
33:37Here.
33:38I'm trying to frame the numbers.
33:41I should have given Teresa the budget yesterday,
33:44but there's no way.
33:46I can help you. I'm good with numbers.
33:49Thank you, Marta, but numbers aren't the problem.
33:52I don't have it in my head.
33:54What happened?
33:57Yesterday, we went into Carla's house.
34:00With the police.
34:02Did they find the killer?
34:04No. They found that there's no killer.
34:07Carla is alive.
34:09What?
34:11Yes, but she was found dead in the river.
34:14They found a dead woman in the river, but it wasn't her.
34:17But she was alive and so calm.
34:20Did you find her at her house?
34:22No. We couldn't find her.
34:24I don't know if she smelled like we were going after her,
34:27but we don't know where she is.
34:29And to think that poor Íñigo was arrested
34:32for the death of that woman.
34:34So your hallucinations weren't hallucinations.
34:37Carla showed up at your house, right?
34:40I don't know if she was at my house.
34:42When we were checking the palace,
34:44we found Clarita's hat.
34:46She must have stolen it on one of her visits.
34:49My God, that's horrible.
34:52By the way, speaking of Clarita,
34:55we wanted to tell you something that worries us.
34:58Yes, it's that Clarita has been coming for the corral
35:01and for what she sees alone, not with Susana's mother.
35:06On her own.
35:07Clarita told me something.
35:09Apparently, she has a new friend.
35:11I imagine she lives in the neighborhood
35:13and she's been with her a few times.
35:16She didn't tell me anything at the time
35:18because she says she's very worried
35:20and that I don't trust her.
35:22You really don't trust her.
35:25Well, Antonia, she's at a very complicated age.
35:27And she's going to get complicated
35:29if her older sister doesn't listen to her.
35:31You have to get her in trouble, Matilde.
35:33I know, Antonio, but I hate to scold her
35:35for everything that's happened.
35:37Scandalous and without telling anyone.
35:39She's still a child.
35:41Yes, that's true.
35:43And I'm going to keep it short.
35:45But now that she's told me the truth,
35:47I don't want to scold her.
35:49If not, she'll think twice before telling me anything.
35:52If you want, I can go visit her
35:54and I'll stay with her for a while.
35:56For my beloved and for her more.
35:58But I don't want to steal your time.
36:00You have to study. Give time to everything.
36:08Mmm!
36:10By the way, do you know what Esperanza told me?
36:12Elias is telling you around.
36:15Now he's the manager's spokesman.
36:17Can you believe it?
36:19Of course. You know how Elias is.
36:21He likes a position.
36:23Do you know what else Esperanza told him?
36:26Let's see.
36:28That Mrs. Lázara has signed us
36:30at Mr. Fermin's office.
36:32I told her no.
36:34We were just working with her
36:36as we've always done.
36:38No problem.
36:40She's been a bit firm with us.
36:42I'm going to be firm with Elias
36:45for saying what he doesn't have to say.
36:50Did you also think what Mrs. Lázara told us was a threat?
36:54Totally. It was a very clear warning.
36:58I'm not afraid of her.
37:01Me neither.
37:03She thinks we're going to steal.
37:06Don't worry about that.
37:08We're going to step on it hard.
37:10That's it.
37:17What?
37:19Don't look at me like that.
37:21I've told you a thousand times.
37:23Every time you look at me, I look like a fool.
37:26Hey, let's go for a walk after we leave.
37:28For the retreat, for example.
37:30I don't know if I have the body for walks.
37:33Well, we can do one thing.
37:36We take Elias, get on a boat,
37:38throw him in the middle of the lake
37:40and see if he eats the carps.
37:42I'm going to die.
37:45Well, let's go.
37:47Come on.
37:49I'm going for a walk.
37:51Let's go.
37:56Fifteen to fourteen.
37:59Fifteen who? You? Impossible.
38:01What do you mean impossible?
38:03I've done fifteen well and you fourteen.
38:05I win.
38:07But I wrote the cards.
38:09I have a lot of memory.
38:11In the middle of...
38:13Don't start with Dante again.
38:15I'm from Dante to La Coronilla.
38:17Read another card.
38:19It's the last one.
38:21If you fail, I win.
38:25What did you eat at the convite?
38:28Easy.
38:30Cooked maragato and dessert.
38:32Wait, wait.
38:34I didn't change it.
38:36Bitter.
38:38Imperials.
38:40Imperials? How can we burn Imperials?
38:42It's impossible. Imperials are as big as the Sobaos.
38:45That's what it says here. Imperials.
38:47It must be a mistake.
38:49It's not a mistake.
38:51Fifteen and you fourteen. I win.
38:53No, I want revenge.
38:55I'm sure you're cheating.
38:57Who are you to sit and judge
38:59a thousand miles away
39:01when your sight only reaches a palm?
39:04Canto XIX.
39:06Let her read it.
39:08It's your place.
39:10No, Miguel.
39:12No, no, no.
39:14Are you crazy?
39:16Be careful with the girl.
39:18It's very hard.
39:20It's mine.
39:23Let's start again.
39:25Are you serious?
39:27Are you crazy?
39:29I'm a bookseller.
39:32Let's start again.
39:35I didn't know I'd hire such famous actors.
39:38What am I going to do with all these people?
39:41I think the better the cast,
39:44the better the role.
39:46They'll see me as a blessing.
39:48No, not at all.
39:51They'll welcome you with open arms.
39:54Everyone has started out as a stranger.
39:57When you're a stranger,
39:58you play a minor role.
40:00But I'm Lota, the lead.
40:02I have the least experience.
40:04Please, don't worry about that.
40:07I've never sung with an orchestra.
40:10I've never learned a choreography.
40:12There's always a first time.
40:14In any case, the choreography will be done by the dancers.
40:18Yours will be much easier.
40:21You'll see.
40:23But...
40:24Enough with the buts.
40:27You have to trust yourself more.
40:30With your voice and your character,
40:33you don't need anything else.
40:37Hello.
40:41Hello.
40:43Sorry.
40:45I'm leaving.
40:47I'm going for a walk.
40:50Bye.
40:56What's wrong with my sister?
40:59She's leaving.
41:01She's nervous about the role.
41:04No, I know my sister.
41:07I've told you about me.
41:09No, it's because of the rehearsals.
41:12You've been preparing for a while.
41:15You should trust each other.
41:17What did you do today?
41:20We were rehearsing.
41:22Yes, but why?
41:24The first act...
41:26Can we stop talking about the role?
41:36I'm sorry.
41:38I didn't mean to raise my voice.
41:41I just think...
41:43I'm a bit nervous too.
41:51Hello.
41:53Come in.
42:00Have you found the tickets?
42:03Yes, it's all organized.
42:07It'll be on the train.
42:10It leaves next week.
42:12We'll have to change the train twice,
42:14but there was no other option.
42:16There are three countries.
42:21You're welcome.
42:23By the way, the workers told me
42:25my house is almost finished.
42:27Have you fixed the car...
42:29Carcoma?
42:31Yes, I've fixed it.
42:33I'll be back in three or four days.
42:36I'm the only one in the store.
42:38Of course.
42:40I'm very grateful that the tickets are on the train.
42:44There was a boat leaving tomorrow morning,
42:47but Pietro knows I can't take a boat.
42:51I'm afraid of a storm when I came from America.
42:55I didn't know.
42:57I thought the train was the fastest way.
43:01Didn't he tell you about the storm?
43:05I'm sorry.
43:07No, I'm sorry for you.
43:09It'll take another week to see Giancarlo.
43:12You'll want to see him.
43:14A lot.
43:18Well, let's go home.
43:21We have to make dinner.
43:23See you later.
43:38I'm glad you had a good time with Marta.
43:41I always have a good time with her.
43:44She's a gem.
43:48Did you wash your hands?
43:50No, I'm going to run.
43:52We'll wait for you to start.
43:56Any news?
43:58Inspector Jiménez is going to check the passengers' list
44:02of all the boats that left for America in the last two days.
44:06All of them? How many?
44:08Yes, they're taking it seriously,
44:11but I doubt it'll be of any use.
44:14What do you mean?
44:17From what the police told me,
44:20it's almost impossible to deal with her.
44:23By the time they find out the name of the boat she's on,
44:27Carla will have disembarked.
44:30But they can send a telegram. That's almost instantaneous.
44:34Yes, but first they have to know the name of the boat she's on.
44:38Find out the name of the boat she's on.
44:41Then they can notify the courts
44:44to issue an arrest warrant.
44:47Then the country's court would have to review it.
44:51Between one thing and another, more than five days will pass.
44:56Then she'll have disembarked.
44:58So you're saying that after all she's done,
45:02Carla could end up giving herself away in a Cuban hacienda
45:05or in an apartment in New York?
45:09Justice is doing everything it can to prevent it,
45:12but it's a possibility.
45:15No, there are two types of justice.
45:18One for the rich and one for the poor.
45:20We should have taken justice into our own hands.
45:24God!
45:33Is it true that Mrs. Carla is alive?
45:36As alive as I am.
45:38My God!
45:39You don't know how much I regret
45:41not having the courage to go to the police
45:44as soon as I found out.
45:46Why didn't she do it?
45:47To issue an international arrest warrant.
45:49But she has to pay for her crimes.
45:51Let the police and the judges act.
45:54We have something more important to do.
45:58What?
46:00Us.
46:02You have to show me you want to be with me,
46:05or you want to go to the gallery.
46:07I've told you...
46:08I know what you've told me,
46:10but I think you should go to the gallery.
46:12If you really wanted to be with me,
46:14you'd face your father.
46:15I wouldn't have imagined my boyfriend
46:18with my sister working side by side.
46:21Life is full of twists and turns.
46:24I just wanted to tell him personally
46:26that I'm the manager of this holy house again.
46:29I've been so busy that I haven't noticed his absence.
46:32What I don't understand
46:33is why he's with a girl like her.
46:35I'd like us to get back together.
46:37I'd like to tell him it's possible,
46:39but I don't feel like it today.
46:42Today means that maybe in the future...
46:45In the future, God knows.
46:47I'm sick.
46:48I'm upset about everything that's happened.
46:50I want to know if you'll be able
46:52to work under the manager's orders.
46:54I'm not asking you to be friends,
46:56but I don't want your rivalry to affect the gallery.
46:59Do you think you can do it?
47:01He got very nervous
47:03and spoke in a tone I didn't like.
47:05We weren't talking about anything weird,
47:07just my sister.
47:08My words weren't very accurate.
47:10Laura doesn't deserve to be spoken like that.
47:12No, she doesn't.
47:15Ines, I...
47:16No.
47:17No, I don't want to hear it, Agustín.
47:20Yeah, but that won't make it less real.
47:22I'm glad you hugged me.
47:24Now I know what you're like.
47:26What do you think I am?
47:28A potato boy.
47:29A guy who thinks he can do whatever he wants.
47:32Can I stay while you rehearse?
47:34If you don't mind.
47:36Well, we haven't even started yet
47:38and I don't know if it's going to convince us.
47:40I'm sick of thinking
47:42what Ms. Carla has done to you.
47:44What's in the papers
47:46is just a small part.
47:48Hasn't Ms. Carla committed more crimes
47:50besides pretending to be dead?
47:57We have to call Jiménez.
47:59Antonia, are you okay?
48:01Leave it.
48:02I'm so scared. I can't even open the sink.
48:05Sit down, sit down.
48:09I'm going to burn. I'm going to call a doctor.
48:11Don't move.
48:12What the hell are you doing here?
48:16Surprised?
48:17Where's your son?
48:19Far away.
48:20The police are looking for him.
48:21He won't leave the country without being arrested.
48:23Let me laugh, Peñalver.
48:25The police will never find my daughter.
48:27I don't think you can say that
48:29with such force.
48:31Your daughter will end up in prison, like you.
48:34She's going to have a good time in the shadows, ma'am.