鶴瓶ちゃんとサワコちゃん～昭和の大先輩とおかしな２人～ 2024年9月2日 【#23 歌手・尾藤イサオ】
鶴瓶ちゃんとサワコちゃん～昭和の大先輩とおかしな２人～ 2024年9月2日 【#23 歌手・尾藤イサオ】
#EnglishMovie #cdrama #drama #engsub #chinesedramaengsub #movieshortfull
#EnglishMovie #cdrama #drama #engsub #chinesedramaengsub #movieshortfull
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TVTranscript
00:00Today's guest is Mr. Isao Bito.
00:03Nice to meet you.
00:05Nice to meet you too.
00:06When did you meet Mr. Bito?
00:08Yes?
00:09When did you meet Mr. Bito?
00:11I was working in Asakusa.
00:15There was a location near a rock bar in Asakusa.
00:20It's been 30 years.
00:2330 years?
00:25It's like the other day.
00:27What do you mean?
00:28It's like the other day.
00:30Oh, really?
00:31I thought I met you recently.
00:33It's been 30 years.
00:34That's right.
00:35You remember well.
00:37I haven't changed.
00:39I used to know you well.
00:43You're too young.
00:45It's been 30 years.
00:48I haven't aged 30 years.
00:51I'm still young.
00:53You look young, but you're old.
00:58You said your eyes are old.
01:00How old are your eyes?
01:03I've aged a little over the past year.
01:10I can see a little.
01:12Did you get sick when you were young?
01:14Yes.
01:15It's called retinal degeneration.
01:18I can't see my retinal degeneration.
01:22I've been eating at home since I was 38 years old.
01:28My child's face looks distorted.
01:32I thought it was strange because I didn't sleep enough the day before.
01:39But after a month or two, I couldn't sleep at all.
01:44So I went to the hospital.
01:46At first, I thought it was a central retinal disease.
01:54You can't see the middle of your eyes, but you can see the sides.
02:01That's right.
02:02I can see your face well when I look here.
02:09I can see your hand.
02:14But when I go to you, I can't see your hand.
02:17I can't see your hand at all.
02:19I can see your hand.
02:20I can't see your hand.
02:24What's wrong with you?
02:27I thought it was a disease that occurs when you get older.
02:33I'm 38 years old, so I don't know if it's a good age.
02:38I'm sorry, but how do you see me?
02:42I can see your face well when I look here.
02:47But when I go to you, I can't see your face at all.
02:52What happens when I look here?
02:55That's a difficult question.
02:58I don't know how to answer.
03:01If you look here, you're looking at me.
03:04I don't know.
03:06Should I look at you from the side to make eye contact with you?
03:14I can see your hand.
03:19But when I go to you, I can't see your hand at all.
03:26I've seen a lot of musicals and live performances.
03:32I've seen a lot of musicals and live performances.
03:35If I look at you, you're looking at me.
03:42If I look up, you're looking at me.
03:47You can look down, but I can't see you.
03:52I can't see you in the center.
03:55I can't see you in the center.
03:59I can't see you in the center.
04:03I have to make eye contact with you.
04:08There's a stage in Shinjuku called Komagekijo.
04:12When I move my feet, the stage goes down.
04:21When I move my feet, the stage goes down.
04:30That's dangerous.
04:32Why did I invite you?
04:35I was in a musical with Miyu Nakao.
04:40I was in a musical with Miyu Nakao.
04:45It was a day service show.
04:49It was a day service show.
04:51Miyu Nakao was the one who came up with the idea.
04:55She was one of the members.
04:57It was a 77th anniversary live performance.
05:01Miyu Nakao had a party.
05:05I went to see her.
05:08I went to see Miyu Nakao.
05:10She was 80 years old.
05:12She was 80 years old.
05:15She was 80 years old.
05:18Her voice is already in her teens.
05:20Her voice is already in her teens.
05:22When I went to greet her, she was too young.
05:27She was 80 years old.
05:29She was 73 years old.
05:30She looks a bit older.
05:32She looks a bit older.
05:33Yes.
05:34Yes.
05:35She must be working hard.
05:37What are you talking about?
05:40She must be working hard.
05:42She is too young.
05:45We used to watch her when she was a kid.
05:48She danced with a jenny.
05:50She danced with a jenny.
05:52We watched her dance.
05:54That's how she became a twist.
05:56She is one of the original rockabilly dancers in Japan.
05:59That's right.
06:00She is one of the original rockabilly dancers in Japan.
06:02She is one of the original rockabilly dancers in Japan.
06:09I think I debuted three or four years later than her.
06:14I think I debuted three or four years later than her.
06:19I'm sorry.
06:21Why?
06:22Can I say something?
06:26When she debuted, she worked hard in rockabilly.
06:29Now she is working hard in rehability.
06:31I wanted to say this.
06:33I'm sorry.
06:35That's how old she is.
06:37I don't mean to say that.
06:41I don't know what you are talking about.
06:44Rockabilly and rehability.
06:46Rehability.
06:49Mr. Misao Rito, a Japanese singer.
07:02I'm 80 years old.
07:04I'm 80 years old.
07:07He used to be a songwriter.
07:10He used to be a songwriter.
07:14I went to the USA to a Japanese show for about a year.
07:20I went to the USA to a Japanese show for about a year.
07:25I went to a Japanese show for about a year.
07:32He met the best dancer in his life, Nichi Miki Western Carnival.
07:39I saw Keijiro Yamashita and Katsuta Miki on the stage, and my whole body was shaking.
07:52And then...
07:53Joe!
08:00The famous song, Ashita no Joe, reveals a lot of the behind-the-scenes stories.
08:06But...
08:10I forgot the lyrics.
08:13You didn't listen to them?
08:14No, I didn't.
08:17Seven-Eight-chan and Sabako-chan.
08:21Showa's Great Senpai and Okajinatari.
08:27I was surprised to learn that you were in the Komagata area of Taito Ward, Tokyo.
08:34Yes, Komagata.
08:35Did your father and mother work as entertainers?
08:39Yes, they did.
08:41When I was three years old, my father worked as an entertainer.
08:47He was known as the Hundred-Face Man.
08:53He was known as the Hundred-Face Man.
08:57He was like Shinbo Minami.
08:59Yes, that's right.
09:01When I was three years old, I didn't watch my father's performances.
09:06My older brother, who was taller than me, followed my father.
09:14My mother was a shamisen player.
09:20My oldest brother and...
09:23How many siblings do you have?
09:25I'm the youngest of five siblings.
09:28I'm the oldest of five siblings.
09:34When I was little, I didn't have any food.
09:41I was always the youngest.
09:44My mother would say,
09:46I'm hungry, I'm hungry, I'm hungry.
09:48You talk so much that I can't eat.
09:50Shut up!
09:52She would say, yes.
09:55She was the mother of the lower class.
09:57She used to say,
09:58When I'm thirsty, I drink Tsuba.
10:02Really?
10:03I can't drink anymore.
10:06I was the youngest.
10:08My father was a shamisen player,
10:10so I never imagined that I would have a father and a mother from the lower class.
10:19That's how I was born.
10:23And you also trained, didn't you?
10:27Where did you train?
10:28In Kyokugeishi.
10:29I was a disciple of Kagami Kotetsu.
10:37My name was on the mirror.
10:40Your name was on the mirror.
10:42Yes, my name was on the mirror.
10:45How many years did you train?
10:49I trained for five years and one year in the cold.
10:52I trained for three years and one year in the cold.
10:56Did you perform on stage?
10:58Of course.
11:00What did you do?
11:02I was a so-called juggler.
11:07I couldn't study at all,
11:10but I was able to learn Kyokugeishi quickly.
11:14You were very skillful.
11:16I've been on standby for a long time,
11:19and I've been wanting to do it,
11:21but I can't stand it anymore.
11:23What is it?
11:24I'm going to show you something wonderful.
11:29What am I going to show you?
11:31I'm going to show you a magic trick.
11:33I'm going to show you a magic trick.
11:38I'm sorry to be so quiet.
11:41You have a bad eye, but you can't show me that.
11:44I'll hit you in the eye.
11:47You can still do this, right?
11:51Is this one of the jugglers?
11:53This is a magic trick.
11:58There's another one, right?
12:00There's another one?
12:02No, no, no.
12:04I don't think so.
12:06Are you a juggler?
12:08You can do this, right?
12:10You can do this, right?
12:13You can do this, right?
12:16I'm holding a little today.
12:21I'm holding a little today.
12:23I'm surprised.
12:26So, the song and performance by Isao Rito will be performed.
12:33I'm going to do it.
12:35I'm not going to bother you.
12:37I'm just going to dig.
12:44You have a bad eye. Are you okay?
12:46Wait a minute.
12:48Calm down.
12:50I did it.
12:53You did your best.
12:55I'm going to throw it.
12:57I'm going to throw it.
12:59How much did you do?
13:02I practiced all day yesterday.
13:09I practiced all day yesterday.
13:10I practiced all day yesterday.
13:14Please give him a round of applause.
13:17Please give him a round of applause.
13:19I'm glad I did it.
13:24Please give him a round of applause.
13:28I should have done it more vividly.
13:31I don't think so.
13:33I don't think so.
13:34How many years has it been?
13:36How many years has it been?
13:41It's been about 30 years.
13:48It's difficult.
13:50I'll do my best.
13:56It's difficult.
14:00It's impossible.
14:02One move.
14:04One move.
14:06Do I do this?
14:08Left, then right, then left.
14:11This is the basic.
14:13Do this.
14:15Two, three, four.
14:18That's right.
14:20Yes.
14:22Do I do this?
14:24That's great.
14:26You can do that with your left hand.
14:28That's great.
14:30Let's do it together from tomorrow.
14:34It's fun to practice.
14:36It's fun.
14:38It looks easy.
14:41It's hard to do it in front of people.
14:45You're good.
14:47You can do it.
14:49Really.
14:50Leave it to me.
14:53And after this.
14:55I'm going to stop singing.
14:58From a songwriter to a singer.
15:00Tenshin Hiwa is clearly...
15:03I'm sure there will be something tomorrow.
15:16Disneyland Park opened in the United States.
15:21Kojien and Transistor Radio appeared in Japan.
15:26It was in the 1930s.
15:29He met a big star in the United States.
15:38When I was 10 years old, I became a disciple of my master.
15:43When I was 12 or 13, I met Presley.
15:49Where did you meet him?
15:51I heard about him on the radio.
15:54In Japan?
15:55Of course.
15:57I was a disciple of my master in Japan.
16:00When I heard Presley's song,
16:04I wanted to be like Presley.
16:09When the song was released,
16:12I thanked my master.
16:16I said,
16:18You're going to be independent today.
16:21You'll be able to make money tomorrow.
16:24I hope so.
16:26I said,
16:28I'm going to stop singing.
16:31What are you doing?
16:33You've been educated for six years.
16:36What are you going to do?
16:38I said, I want to be like Presley.
16:41He said,
16:42Are you a real bad guy?
16:46He said,
16:48You're a bad guy.
16:50You're a bad guy.
16:52He said,
16:54You're a bad guy.
16:56I learned the song from my master.
17:00That's the origin of my song.
17:04Did you know about Presley?
17:07I heard about him on the radio.
17:10I heard about him on the radio.
17:13My master is a member of the Japanese military.
17:17He was part of the camp of the Japanese army.
17:20He did the song,
17:23He did the song,
17:25He did the song,
17:27He did the song,
17:30He was a juggler.
17:33Is he trying to get angry?
17:35No, no.
17:37You did it.
17:39I did it.
17:41That's why he juggles.
17:50What are you doing?
17:53That's funny.
17:55It's funny.
17:57I had to stop him, but I started to say,
18:04Before that, before you were shocked by Elvis Presley,
18:08Did you listen to American Pops or Western music?
18:20Yes, I listened to Western music.
18:27What was it?
18:31I'm not happy.
18:35I don't know what you're talking about.
18:39It's not a documentary, but before that,
18:45In Japan, there are three girls,
18:48Misora, Hibari, Erichiemi, and Izumi Yukimura.
18:52I listened to a lot of Western music on the radio.
18:56I forgot the title of the song.
19:02Then my master said,
19:05It's the same.
19:07Your master is fast.
19:09I grew up in the generation of my older brother and sister.
19:12I'm your younger brother.
19:15It's all coming in.
19:18When I was in junior high school,
19:21There was a movie called G.I.Bruce.
19:24What is this?
19:25G.I.Bruce.
19:34There was a movie called G.I.Bruce.
19:39Was Elvis Presley different from that?
19:42It's completely different.
19:45What was good?
19:47I don't know what's good.
19:50When I listened to Elvis Presley's Heartbreak Hotel,
19:58My whole body was numb.
20:01Did you remember everything?
20:04Yes.
20:06At that time, of course, there was no tape recorder.
20:11I listened to it on the radio.
20:14You listened to it once.
20:17I listened to Your Hit Parade, S-Band Hour, L-Band Hour,
20:23I listened to it on the radio.
20:27I listened to it once and remembered the melody.
20:31When I was on TV, I was in the middle of that era.
20:35But isn't it strange to be on TV so soon?
20:39What happened?
20:41You were moved by your master,
20:43and you quit singing.
20:45How did you become a singer?
20:47I went to the U.S. for about a year.
20:50There was a Japanese spectacle.
20:53There were about 30 people,
20:56including Japanese shamisen players,
20:59tap dancers,
21:01and singers.
21:04I was one of them.
21:08When I came back,
21:10I didn't just want to sing.
21:13I wanted to sing.
21:16Sammy Davis Jr.
21:19I wanted to sing and dance.
21:22I wanted to be a musical star.
21:25I wanted to be a musical star,
21:28both as a cat and a cat.
21:32When I came back,
21:35I was introduced to a production company.
21:38I had a job in Taiwan.
21:41I thought I could make a living
21:46by singing.
21:49But Tetsu-chan said,
21:52I should bring my musical instrument, too.
21:56I see.
21:58The song is a little suspicious.
22:00I said, I understand.
22:02At that time, there was a man named Kyoko Izumi.
22:05He took me to Taiwan for two months.
22:10I thought I could sing,
22:13but he made me sing until the end.
22:16You couldn't sing?
22:18No, I couldn't.
22:20But you couldn't say,
22:22I want to sing.
22:24No, I couldn't.
22:26Did you learn to sing by yourself?
22:29Not by myself,
22:31but I listened to Plessy's records.
22:35You copied it?
22:37Yes, I used English katakana.
22:41But didn't you say you wanted to sing
22:45when you went to Taiwan?
22:48You said, let me sing.
22:50I didn't care about singing
22:53because I was already a musical star.
22:56But when I went to Taiwan,
22:59I saw a band on local TV.
23:02I listened to the band's performance
23:06and wondered if I liked it.
23:10I liked the song,
23:13so I sang Plessy's song.
23:16You sang in the band?
23:19Yes, I sang in the band.
23:21There was a song called Me Woman Blues.
23:32I thought it was a good song.
23:35You're good at singing.
23:37I was told I was good at singing.
23:41There was a show called Dyna Showa
23:46in the west of Edessa,
23:50in the east of Edessa,
23:53in the west of Dyna Showa.
23:57We were invited to the Dyna Showa show.
24:02Yes.
24:04I sang in the show.
24:08You made your debut in America?
24:11Yes.
24:13Was it a band from there?
24:16No, it was an a cappella band.
24:20You wanted to sing, didn't you?
24:24Yes.
24:26Did they tell you to sing
24:29or to try singing?
24:32Yes, they told me to sing.
24:36There used to be a 3K hall in Otemachi.
24:41I used to sing in a 3K hall.
24:46It was 80 yen for an hour.
24:50I sang in a 3K hall for three hours.
24:53I used to wipe the glass
24:57and mop the floor.
24:59I used to sing all the time.
25:02One of my seniors told me
25:05to sing all the time.
25:08He told me to do it.
25:11I made my debut in singing
25:14two or three months after that.
25:17There was also a Monday show.
25:21I sang in a 3K hall every Monday.
25:24I sang in a 3K hall.
25:27I sang live.
25:30My uncle asked me,
25:33was that really you?
25:36You suddenly changed your attitude.
25:39Saburo Kitajima made his debut in Japan.
25:44The Beatles made their debut in the world.
25:47The Barbie dolls were released in Japan
25:51in 1937.
25:55The Beatles finally made their debut in Japan.
26:00But there was another story.
26:04Why did you make your debut?
26:07Who told you to do it?
26:12Someone I went to America with
26:16introduced me to a production company.
26:20I was 17 or 18 years old.
26:24There was Takashi Shikauchi
26:28in my senior's office.
26:31Takashi Shikauchi was a great singer.
26:35He told me to try singing.
26:38He played the guitar in the dressing room.
26:42It wasn't a simple song.
26:44It was a song sung by
26:47Mack the Knife, Lazy River, and Bobby Darling.
26:51It was a difficult song.
26:54If it was a blues song,
26:57Takashi Shikauchi would be able to play the guitar.
27:07It was hard to play the guitar.
27:10I had to sing something else.
27:13I sang Lazy River.
27:21It was hard to play the guitar.
27:24Takashi Shikauchi would be able to play the guitar.
27:28I sang Choo Choo Train.
27:36Takashi Shikauchi played the guitar.
27:39When I was a kid,
27:42I used to sing Choo Choo Train.
27:51I couldn't sing it well,
27:54but I could play it well.
27:57I'll sing it again.
27:59Choo Choo Train is chugging down the track
28:03Gotta travel on, never coming back
28:07I was going to sing this song as a lie.
28:12I thought I couldn't speak English well,
28:16but I was able to sing it well.
28:20Now you can sing it well.
28:23I can sing it well.
28:25If you go up and down,
28:28it's like a circle.
28:31That's why you can sing it well.
28:39After your debut,
28:42you made your debut
28:45at the Western Carnival.
28:48It was a dream come true
28:51at the Western Carnival.
28:53It was a dream come true.
28:56I was on the 7th floor of the Nishigeki
28:59at the Nishigeki Music Hall.
29:02There was a woman
29:05who was a very expensive
29:08nude dancer.
29:11I was on the 7th floor
29:14of the Nishigeki Music Hall
29:17at the Western Carnival.
29:20I was a juggler.
29:23I knew that there was a Western Carnival
29:26at the bottom of the building.
29:29I went down from the 7th floor
29:32to the 1st floor.
29:35There were complicated stairs
29:38inside the building.
29:41I heard people saying
29:44to get off the building.
29:47I thought,
29:49I did it!
29:52Finally,
29:55I got off the stairs
29:58that led to the 1st floor.
30:01I saw Keijiro Yamashita,
30:04Mr. Oshidaoma,
30:07and Kazusa Miki.
30:10My whole body was shaking.
30:13You wanted to go to the 7th floor,
30:16didn't you?
30:19I wanted to go to the 7th floor.
30:22You just wanted to go to the 7th floor,
30:25but you got on the stage
30:28of the Western Carnival.
30:31Yes.
30:34There was a production
30:37where Shikaguchi Senpai was.
30:40He tested my singing.
30:43I think that
30:46Shikaguchi Senpai
30:49had been on the stage
30:52for 6 years before me.
30:55So I thought
30:58it would be interesting
31:01if I sang while moving.
31:04I think that's why
31:07the president of the agency
31:10approved it.
31:13There was a jazz bar
31:16in Shibuya,
31:19and I sang in front of Shikaguchi Senpai.
31:22You were finally able to sing.
31:25Yes, I sang one song,
31:28and I added the chorus
31:31of I Can't Stop Loving You.
31:34I did it so that
31:37Shikaguchi Senpai wouldn't get in the way.
31:40I had to stand out.
31:43What did you do?
31:46I made a twist
31:49and danced.
31:52You made a twist
31:55without being told to dance?
31:58Yes, of course.
32:01I made a twist.
32:04A twist?
32:07Next,
32:10let's take a look at
32:13your twist.
32:16Showa Hensen.
32:19Showa Hensen.
32:22Twist, twist, twist.
32:25I used to dance a lot when I was a kid.
32:28That's right.
32:31I used to dance a lot.
32:34But when I went to the U.S.
32:37in 1959,
32:40I saw women and men
32:43dancing like this.
32:46Then,
32:49men danced like this.
32:52Then, men danced like this.
32:55Then, men danced like this.
32:58Until then,
33:01I used to dance a lot,
33:04but I didn't know
33:07what a twist was.
33:10It was sexy and exciting.
33:13Women danced like this.
33:16Why are you laughing?
33:20But it was really exciting.
33:23Yes, it was exciting.
33:26I made a twist without being told to dance.
33:41I was 80 years old.
33:44I had a bad reputation.
33:46You were 80 years old
33:49even though you had a bad reputation.
33:52But I didn't learn it.
33:55I just liked it.
33:58It was amazing.
34:01Where did you learn it?
34:04I really liked it.
34:07I think it's amazing.
34:10I don't have a teacher
34:13because it's new.
34:16That's what I thought.
34:19At that time,
34:22there was a girl named
34:25Smiley Ohara in a big band.
34:28She danced a twist.
34:31She danced a twist.
34:34What's your name?
34:37Toni Itani.
34:40It's a different era.
34:43It's funny.
34:46It's a different era.
34:49It's your name.
34:52Everyone was angry at me.
34:55It was the era of black and white TV.
34:58That's right.
35:12That's good.
35:14That's good.
35:17What's your sad wish?
35:20That's my song.
35:44That's my sad wish.
35:54That's my sad wish.
35:57Did you wear a black leather jacket?
36:00That's right.
36:03How many are different?
36:06Two?
36:09I don't know.
36:11I think it's a top and bottom of jeans.
36:14It's leather.
36:17Did you want to wear it?
36:20Did you want to wear it?
36:23That's right.
36:26I don't have money.
36:29I wanted to wear it.
36:32I wanted to wear it.
36:35Did you appear on TV
36:38in your own clothes?
36:41I think I wore it twice.
36:44At the office.
36:47It was a back pillow.
36:50I paid for the back pillow.
36:53I wore it twice a year.
36:56You were paid.
36:59It was a great era.
37:02I didn't have time to play for three or four years.
37:05I didn't have time to play for three or four years.
37:07I played in jazz clubs.
37:10I was a jazz player.
37:13I played jazz in Yokohama in the middle of the night.
37:17I played in a jazz club called Spark Show.
37:20It's not a jazz club anymore.
37:23Koichi Sugiyama,
37:25Kiryu Sugiyama
37:28I played at Zahid Parade and Spark Show.
37:32He's a high school player.
37:34I also made my debut as a member of the Spark Boys.
37:39The three members of the Spark Girls are Mie Nakamori, Yukari, and Mari Sonoma.
37:46The other day, I told Mie that I was in the Spark Boys.
37:51She said,
37:52''We're in the Spark Girls, aren't we?''
37:55And I said,
37:56''Yes, we are.''
37:58And then...
38:00Joe!
38:05The secret of the lyrics of the famous song ''Tomorrow's Joe'' will be revealed.
38:13The Zundo Kobushi of The Drifters was a big hit.
38:17With the landing of Kentucky Fried Chicken and Osaka Banpaku,
38:22the culture of the world began to arrive in Japan in the 45th year of Showa.
38:29The hit song ''Tomorrow's Joe'' was born.
38:36So, the theme song of ''Tomorrow's Joe'' was...
38:40Wait a minute, wait a minute.
38:41You only say unnecessary things, but you say good things.
38:44Why?
38:45I wanted to know that.
38:46''Tomorrow's Joe''.
38:47''Tomorrow's Joe''.
38:48You say good things.
38:49Oh, really?
38:50I can't calm down.
38:52You put it in little by little.
38:55You did it again.
38:56Are you praising me?
38:57Are you making fun of me?
38:58I'm praising you.
38:59I'm praising you.
39:00I'm praising you.
39:01I'm praising you.
39:02I'm praising you.
39:03I'm praising you.
39:04I'm praising you.
39:05Thank you very much.
39:06The theme song of ''Tomorrow's Joe'' was a big hit.
39:08This was good, too.
39:09It was a great hit.
39:10But I've been watching ''Tomorrow's Joe'' all the time in Shonen Magazine.
39:16At one time, Mr. Chiba from the office...
39:19Mr. Chiba.
39:20Mr. Chiba.
39:21Mr. Chiba is fine.
39:22I don't think he's fine.
39:24The other day, I went to Mr. Chiba's house for ''Tomorrow's Joe''.
39:30And he asked me to sing a verse.
39:47After that, Mr. Chiba said,
39:50''Tatake!''
39:51''Tatake!''
39:52''Tatake!''
40:03Mr. Chiba sang from ''Tatake'' to the end.
40:20Which one is tomorrow?
40:26Thank you, Mr. Chiba.
40:29I went to Mr. Chiba's house for the first time in 40 years.
40:34I went to Mr. Chiba's house for the first time in 40 years.
40:36I went to Mr. Chiba's house for the first time in 40 years.
40:37Later, ''Tomorrow's Joe'' became a big hit.
40:44That's a big deal.
40:46That's a big deal.
40:47That's a big deal.
40:48Of course, I became a singer.
40:54And I met Elvis.
40:56And I met ''Tomorrow's Joe''.
41:00I'm going to do it for decades.
41:07I think it's better to sing that song than a hit song.
41:13It's a story.
41:16I'm surprised.
41:17I'm surprised.
41:18I know young people like ''Tomorrow's Joe''.
41:20I know young people like ''Tomorrow's Joe''.
41:22I know young people like ''Tomorrow's Joe''.
41:23I think they'll be glad if I sing that song.
41:26I think they'll be glad if I sing that song.
41:29The singers of anime are very popular now.
41:33The Japanese anime is popular in the United States.
41:39I'm glad Mr. Chiba told me about ''Tomorrow's Joe''.
41:43What was the next part of Rururu-chan?
41:46The next part of Dakedo.
41:48Dakedo.
41:49Yes, yes, yes.
41:50I wanted to hear that.
41:52What was the next part of Dakedo?
41:54Dakedo was composed by Masao Yagi.
42:00The poet was Shuji Terayama.
42:02That's right.
42:03I thought it was amazing.
42:05And Chibagate-sensei drew the picture.
42:10So I went to Yagi-sensei's place.
42:13It was like an audition.
42:16Yagi-sensei was definitely Mr. Bitou.
42:19So I was doing it like this.
42:25And there were three record companies behind me.
42:31While I was singing, I said to Yagi-sensei,
42:35Yagi-sensei, Mr. Bitou is definitely Mr. Bitou.
42:41It suits him, doesn't it?
42:43That's what I said while I was singing.
42:46Did you hear that?
42:47Of course, of course.
42:48I was right behind him.
42:50Yagi-sensei was doing it here, and I was in the middle.
42:54While I was saying,
42:56Yagi-sensei said,
42:58It's good, isn't it?
43:02It's good, isn't it?
43:06I forgot the lyrics.
43:08Because you were listening to it.
43:10I thought it was good, isn't it?
43:12But then,
43:14at that part,
43:17at the unison,
43:20at the harmony,
43:26I wasn't singing like this,
43:28but when I made a mistake,
43:30I was singing like this.
43:36I was singing like crazy.
43:39Well, it can't be helped.
43:41I'm sorry I stopped you.
43:44So I was singing like a fool.
43:47And then Yagi-sensei said,
43:49It's better to go there with humming.
43:56Yagi-sensei said it was better to go with humming.
43:59Yes, Yagi-sensei said it was better to go with humming.
44:02Of course, after that,
44:04I was singing like this.
44:07But I didn't think I'd be humming so soon.
44:13So I thought it was better to go with humming.
44:17Humming is good.
44:19There's a reason for that.
44:21Shut up!
44:22I didn't hum.
44:24I don't sing.
44:26Go ahead.
44:28But...
44:59That's what I'm talking about.
45:03Everyone in my age is surprised.
45:06I think people who are listening to this are happy.
45:10You're 80 years old now.
45:13Yes.
45:14How do you train your voice so that it doesn't age?
45:18I think this is all thanks to God.
45:24About 50 years ago,
45:27when I was working at a jazz bar,
45:30I was working in the middle of the night.
45:33I've been hit by my voice many times.
45:36When I wake up in the morning,
45:38I can't sing.
45:40I hate my voice.
45:42I have to go to work with this voice.
45:45But I don't have to sing.
45:50The office told me to show my face.
45:54When I go to a jazz bar,
45:56I have to sing in front of people.
45:58I can't help it.
46:00I have to sing like this.
46:07I have to sing like this.
46:09I've been hit by my voice many times.
46:15Thanks to God,
46:18In winter,
46:20singers work together.
46:23I caught a cold.
46:26Thanks to God,
46:28I was able to make a living.
46:30At that time,
46:32I was paid 10,000 yen a month.
46:36But now that I think about it,
46:39I've been hit by my voice many times.
46:42I don't have to worry about my voice now.
46:45I think it's my fortune.
46:47You've been trained.
46:49I'm sure I've been trained.
46:51I didn't train myself to train myself.
46:54It's just a job.
46:56Even now,
46:58don't you feel like you're getting taller?
47:01Don't you feel like your vocal cords are getting thinner?
47:05No, I don't.
47:07That's amazing.
47:09I have a high voice.
47:12I don't have a falsetto.
47:16I've been singing with my real voice.
47:19It's been 40 to 50 years.
47:23I've been singing.
47:26That's amazing.
47:28When I was young,
47:30I worked hard for it.
47:33Even now,
47:35I'm still singing.
47:37I'm still singing.
47:39I'm still doing it.
47:41Today is the 6th year of Reiwa.
47:43What kind of day is it for you?
47:46Of course, it's the same for you.
47:49I didn't know you were such an interesting person.
47:54I'm sorry.
47:56Thank you very much.
47:58It was fun.
48:00I'm a little crazy.
48:03I'm excited because I remember a lot of things.
48:07But you're really good.
48:10I'm serious.
48:11I'll be your disciple.
48:13Let's go around together.
48:15Let's go around together.
48:17At the end,
48:18a great senior in Showa.
48:20The words of life from Isao Bito.
48:30Thank you for your work.
48:35Isao Bito.
48:39The next great senior is
48:41walking the Star Road as The Spiders.
48:45He is still active as an actor and host.
48:48Masaaki Sakai.
48:50It's time.
48:52He will talk about the Showa drama world.
48:56What is this T-shirt?
48:58It has a tail.
49:00I don't know about T-shirts.
49:03It's a bean.