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Top 10 Songs That Demand a Wide Range to Nail
MsMojo
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9/1/2024
These songs demand a wide range to nail. Welcome to MsMojo, and today we’re counting down our picks for the popular songs that can really test a singer’s vocal range.
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00:00
I will always love you
00:08
Welcome to Ms. Mojo, and today we're counting down our picks for the
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popular songs that can really test a singer's vocal range.
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Number 10, Love on Top, Beyoncé
00:23
Honey, I can see the stars all the way from here
00:29
She may be an icon and a legend, but Beyoncé doesn't get nearly enough credit for her vocal
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technique. The last half of this joyous track from her fourth album is a showcase of her range.
00:47
Love on Top is a buoyant and exuberant song about finally finding a partner who respects you,
00:53
but that joy is earned through some pretty complicated vocal acrobatics.
00:59
Requiring energy, precision, and breath support, the famed climax of the song is a test for even
01:10
a trained singer. With each new repetition of the chorus, the song ascends to a higher key.
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It's no small feat. Maybe try this one in the shower before you bring it to karaoke night.
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Honey, you put my love on top, baby, cause you're the one that I love
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Baby, you're the one that I need
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Number 9, Without You, Badfinger
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Mariah Carey and Harry Nilsson may have found great success with their covers of this vocally
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strenuous ballad, but it was rock band Badfinger who first introduced it. In fact, the original
01:50
version may cover the most ground as far as singing goes. The song about lost love is
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heartbreaking to the point of being over the top, but there's no denying that with the right power
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and artist behind it, it's a real tearjerker. But no matter what version you listen to,
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a performer has to sell the emotion at what may be the top and bottom of their range.
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Number 8, Chandelier, Sia
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What really sets this one apart as far as range goes are the notes Sia belts. The verses mostly
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stay in a pretty comfortable and stable spot for a lot of singers. It's when you get to the chorus
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with those trademark embellishments Sia puts on words like I'm and chandelier that you can get
02:57
tripped up. These embellishments are what make the song memorable. Without them, something would
03:10
clearly be missing. Sia's technique also makes her version almost untouchable.
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It's why she can flip between head and chest voice so easily during the chorus,
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and why the rest of us risk vocal damage.
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Number 7, Blue Bayou, Roy Orbison
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Thick with sultry, bluesy verses and a chorus that can blow the roof off the place,
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Roy Orbison's 1963 country pop single is a great test for a singer.
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It would later become even better known from the cover by Linda Ronstadt.
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Both artists have something in common. Their vocal skills were near untouchable.
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Not only could they sit comfortably in the song's notably low parts,
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but they both made its heartfelt, nostalgic chorus ring clear as a bell.
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Ronstadt's falsetto at the end forever puts her stamp on it,
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but it's optional and definitely not for beginners.
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Number 6, Under Pressure, Queen and David Bowie
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While Bohemian Rhapsody has some challenging notes,
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its four-part harmony does a great job of dividing the work.
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But Freddie Mercury's incredible voice might get one of its best workouts on Under Pressure.
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Sharing the vocals with David Bowie gave him a chance to be playful and
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cycle through his range like a jazz artist.
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Mercury unleashes some incredibly high notes in it.
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Some of them are so high he didn't replicate them live.
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But what he didn't deliver in range, he could always make up for in power.
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Number 5, Don't Worry, Be Happy, Bobby McFerrin
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This jazz singer made history by having the first a cappella song to hit the top of the charts.
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Don't Worry, Be Happy highlights Bobby McFerrin's considerable range
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and talent for maneuvering between pitches almost instantly.
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What may sound like an easy, breezy song is anything but.
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Shifting from a lower register to a high one is difficult enough.
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Try doing that without knowing where you're going to breathe.
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When you listen to the track, he doesn't have much time to make those transitions.
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But you wouldn't know it by the fullness and confidence in his voice.
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There's a world in which you could sing this song without hitting the whistle note.
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But anyone who's ever heard Love & You is going to be really disappointed if you don't.
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Minnie Riperton was a marvel.
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Her legendary five octave range and versatility of genre make her hard to compete with even now.
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Love & You isn't just about the high notes though.
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It's got lots of subtle rises and falls within the same phrases.
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Not only that, but it's meant to be a lullaby.
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So if you try to compensate with lung power, it loses its magic.
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Catchy and upbeat, this seems like a karaoke-friendly 80s bop at first.
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But then comes that chorus.
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Up to that point, Morten Harket, the lead singer of Norwegian pop band A-HA,
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demonstrates a fairly smooth and deep voice.
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So when he comes out with that left hook of a high note at the end of the chorus,
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it makes you sit up and take notice.
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The chorus stretches the entire range of notes within the song,
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increasing with each new phrase.
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Even then, it's still surprisingly high once it tops out.
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And ultimately, it makes the whole song all the more memorable and hard to perform.
08:54
I Will Always Love You – Dolly Parton
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Whitney Houston's version is identical to the original,
09:01
Whitney Houston's version is iconic to be sure.
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But even in the hands of original singer-songwriter Dolly Parton,
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this soaring ballad is a feat of vocal acrobatics.
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Regardless of the genre and style, I Will Always Love You suits a great singer.
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Its story of lovers parting and wishing each other the best
09:26
packs enough narrative punch on its own.
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But the emotional climax doesn't really hit without those soaring notes,
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and that's where Whitney really sets up the challenge to singers.
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The best thing about the song is that it suits so many different genres.
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Whether it's country, pop, or R&B,
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an ability to stretch the limits of your voice is a must.
10:01
1. Emotions – Mariah Carey
10:25
Designed to show off Carey's full and luscious deep tones,
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her pristine belt, and her famous whistle register,
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Emotions runs the gamut of her five-octave range.
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Aside from the breadth of notes it covers, it's also incredibly fast-paced.
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Even if you can make the transitions,
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you need time to catch your breath to give each note the support it needs.
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It's also unique in her discography.
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In many Mariah Carey songs,
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the whistles are a detail you might be able to do without and still deliver a good rendition,
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but the whistle notes are not a side dish in Emotions.
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Sticking the landing almost depends on them.
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Which of these songs would you be brave enough to sing at karaoke?
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Let us know in the comments.
11:29
2. Music – Mariah Carey
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Do you agree with our picks?
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Check out this other recent clip from MsMojo,
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and be sure to subscribe and ring the bell to be notified about our latest videos.
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