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00:01It's about my guest.
00:04But have you all lost your minds? Alonso?
00:07What kind of guest is the old fiancé of your daughter?
00:10That's something they have to decide.
00:13What have you brought him for?
00:15The Count of Añil and I are considering resuming our relationship.
00:19So you don't even have any dignity left?
00:21Cruz.
00:23How dare you talk about dignity
00:25when you've been in charge of airing the family's dirty rags against Pelayo and me?
00:29Again with that?
00:30Because it was very serious.
00:31Look, one thing is clear.
00:33If there are dirty rags to air, it's thanks to you.
00:36You dragged Lujan's last name through the mud
00:38and you're willing to do it again.
00:41And you, Alonso?
00:43What's the matter? Have you already forgotten what the Count of Añil did to us?
00:45No.
00:47But it seems regrettable, or so I want to believe.
00:49No, this is incredible.
00:51If my daughter thinks she deserves another chance, it's her decision.
01:00You'd better not be wrong.
01:06Mr. Baeza, have the Count of Añil's belongings taken away and a dormitory prepared for him.
01:10Thank you, Marques.
01:16Thank you, Father.
01:20I hope I'm doing the right thing.
01:23Mother, I don't know why he's back, but he can leave now.
01:27And if what you want is for him to come back to you, I'm telling you it won't happen.
01:30I think the last time I spoke to you, I was clear enough to tell you again.
01:34I'm not going back.
01:37I'm very happy here and I already told you the last time.
01:40Being the daughter of a Marquis, please.
01:42I don't want him to understand, I just want him to respect it.
01:45Open your eyes, this is not your place.
01:48Open your eyes, this is not your place.
01:51You are my daughter, you are the daughter of a Duke Mercedes.
01:54Don't call me that again.
01:56My name is Vera, here and everywhere, because this is my place.
02:01Honey, I understand perfectly the reasons that led you to take refuge in the promise.
02:07But things have changed a lot since you left.
02:10Your father, although it is difficult for him to recognize it, misses you.
02:13You know that's impossible.
02:14He has given orders that no one touch your room,
02:17that you are always prepared for when you return, because he doesn't want to lose hope.
02:21But every day that passes and this doesn't happen, it goes away.
02:25And the same goes for your brothers, honey.
02:27You have to come back.
02:29I don't understand how he can ask me something like that.
02:31He knows perfectly well why I left.
02:33I'm sure he would be willing to forgive you.
02:36My father is a monster.
02:38And you know it perfectly well.
02:41When I denounced him, I exposed all the abuses he had committed for so many years.
02:45God knows how much money and how many due favors got him out of prison.
02:50But his name is already stained and that won't forgive me.
02:54I know. I know it's very difficult.
02:57But if you showed regret, I'm convinced that he would forgive you.
03:01And I, I could protect you.
03:04I don't regret anything, mother.
03:07And I'm sorry to tell you, but your protection comes too late.
03:13Mercedes.
03:14I don't insist.
03:16Just do me the favor of not coming back.
03:19It's not good for either of us.
03:23So there's nothing I can do for you to change your mind?
03:28You know it perfectly well.
04:07I'm sorry to interrupt you, ma'am, but I bring you your correspondence.
04:12Do you want me to order you to upload something of Pepe?
04:15Is it too soon for a cognac?
04:18No, better a glass of Laudano.
04:20Even the cicuta of Ayala would not disgust him right now.
04:27María Teresa Sánchez de García, this is for you.
04:31Baronesa de Cienfuegos, this one too.
04:34Baronesa de Cienfuegos, this one too.
04:36And what should I answer, ma'am?
04:38Well, tell them whatever you want.
04:39Because in the end, they are going to come up with something much worse against us and they will apologize for all the liars.
04:45But this, read it to me.
04:48It's from the Duchess of Cerezuelos.
04:50I want to know what she takes into account in everything.
04:53Of her feast of coestation.
04:56Dear Marquesa, the reason for these letters is nothing more than the deep ...
05:00To the point, Petra. To the point.
05:03Well, actually, what it is to thank and comment on the good deed of Miss Martina during the evening.
05:11And she is also interested in the state of health of her stepdaughter.
05:14I knew it.
05:15What else does she say?
05:17Well, that she wants her to feel better.
05:20And what else does she say?
05:22Well, that she wants her to feel better.
05:25And that when this is the case, she wants to invite you to a pisco lavis in her gardens.
05:29Will it be gossipy?
05:31Do you want to know about Catalina?
05:33Well, Catalina will know.
05:34Answer her. Answer her.
05:35Tell her that Catalina is not as sick as she assumes.
05:38But that she has been backbiting with the Count.
05:43That is the reason for your anger, isn't it, ma'am?
05:46Not at all.
05:47They can turn against me.
05:49What bothers me is that they have come to make the promise.
05:52It is that Miss Catalina has returned.
05:55You are in deep trouble, Petra.
05:56You should be aware of these things.
05:58You forgive me.
05:59But yes.
06:00She has returned.
06:01And from the hand of that incompetent, relentless pussy.
06:05If you think I can do something to alleviate your anguish ...
06:08Yes, you can. Yes.
06:09Leave me alone.
06:18Can we talk?
06:21About what?
06:24About the scene you set in the living room in front of Pelayo.
06:28And what? Do you think it was wrong?
06:30What should I have done?
06:31Receive him with open arms as if he were another son?
06:33I don't agree with his return either.
06:35No, of course.
06:36That's why his luggage is in one of the balconies.
06:39I do everything for my daughter.
06:41If you want to do something for your daughter, Alonso,
06:43you should force her to marry you.
06:45What are you saying?
06:47Well, those two have been living together in the Count's palace without a carabiner.
06:50Do you need me to explain it to you more clearly?
06:52I do not allow you to doubt the virtue of my daughter.
06:55They have said that not even their relationship is firm.
06:57And what did you expect?
06:58That I would explain to you who they have been playing?
07:02If you want to do things right, Alonso,
07:04you should fix the wedding now and then leave.
07:08Or you will have to assume the consequences.
07:11THE CONSEQUENCES
07:22THE END
07:24EPISODE 2 WANT
07:29Yes?
07:34How are you?
07:35Am look amazing!
07:37How are you?
07:40In a very big problem.
07:43What happened?
07:47I lost one of the earrings my mother lent me.
07:50Your grandmother's?
07:51Yes.
07:53I don't know how it happened.
07:56I had them, they bothered me, I put them in my bag,
07:58and when I was coming back from the Duchess of Cerezo's house,
08:00I realized that one of them had disappeared.
08:02But did you check the bag?
08:04Of course I checked the bag.
08:07Well, I don't know.
08:09Well, look at it for the good side.
08:11What good side?
08:13That you still have one.
08:15Enough to honor your grandmother's memory.
08:17Yeah, it's just that a pendant alone is useless
08:19because there are things that don't make sense without their partner.
08:21Yeah.
08:22But in the meantime, you have to take care of this one.
08:26Until your partner appears.
08:30And what if he never appears?
08:33I have hope.
08:36It's not about hope, it's about reality.
08:39And the reality is that recovering something that has been lost is ...
08:43It's very difficult.
08:45But I think that with time and patience, everything is possible.
08:52Well, I'm afraid that patience will take too long.
08:57And it will be impossible to recover what has been lost.
08:59No, that's not going to happen.
09:01No?
09:02No.
09:03No if you keep the most important thing.
09:06The will.
09:09I don't lack that.
09:12Neither do I.
09:16Can we ...
09:18speak clearly?
09:22Well, that has never been our strength.
09:34I love you.
09:38And you love me.
09:41True.
09:45But whenever we have tried to formalize it,
09:48even if it has been between us, well ...
09:51it has not gone badly.
09:54Well, maybe ...
09:56we should ...
09:58not name our love.
10:04Yes, yes, yes.
10:07Okay.
10:08Let's go step by step.
10:10And ...
10:11enjoying what comes, whatever it is.
10:20All good?
10:22All good?
10:26Uh ...
10:30What's going on here, Martina?
10:34That I have lost one of the pendants that I borrow.
10:37I'm sorry.
10:50Thank you very much for receiving me, Mr. Baeza.
10:52Of course, Miss ...
10:54Miss Villamil.
10:57How can I help you?
11:02Look, yesterday ...
11:04I told some colleagues that I was at La Promesa just in passing.
11:07I see. But what you need is a job.
11:12The devil knows more about the old man than the devil.
11:15I would not like to put you on a commitment, Mr. Baeza.
11:17You can't put me on any commitment.
11:20Yesterday, as soon as I found out about your visit,
11:22I started doing the relevant management.
11:25Really?
11:26So I could go back to work at La Promesa?
11:30It's been a few months since you left,
11:32do you remember Mrs. Carranza?
11:34Yes, of course, Virtudes, Mrs. Simona's daughter.
11:36Well, a few days ago she left her job as a maid.
11:39I don't mean to say that she will degrade her, no.
11:42You left the house as a maid and as such you would return to the service.
11:49I don't know how to thank you, Mr. Baeza.
11:51No, don't do it yet.
11:52I still have to talk to Mrs. Arcos.
11:54After all, she is responsible for the female staff.
11:57Of course, of course. I understand, Mr. Baeza.
11:59In fact, I don't understand how I didn't get your request through her.
12:05Because I understand that your relationship in the past was very good.
12:10Yes, in fact, my first intention was to talk to her,
12:13but let's say that her reception was rather cold.
12:17And I suspect that my husband's presence had something to do with it.
12:21Leave it to me.
12:23I know how to convince Mrs. Arcos to accept her reincarnation.
12:30As soon as I have news, I will let you know.
12:35Thank you very much, Mr. Baeza.
12:40There is one more thing I would like to ask you.
12:43Go ahead.
12:45Vera, it's about my husband.
12:48He also had to resign from his job after our wedding.
12:51I had to say goodbye to the palace of the Duchess and ...
12:54he resigned from his job in the village's kolmado.
12:57And he did it for me.
12:58I understand.
12:59I'm sorry to tell you that right now I have nothing to offer you,
13:02but in any case, tell me what your experience is
13:06and as far as I can, I will help you find a place.
13:10Really?
13:11Yes. Well, if he was in charge of the kolmado,
13:14I suppose he will have accounting options.
13:17No, he worked as a waiter.
13:19And has he served before in a renowned house?
13:23He has always worked in the field, in very simple jobs.
13:26But he is a good man and he is always willing to learn.
13:29Well, we'll see what can be done.
13:31Thank you very much, Mr. Baeza.
13:33As soon as I have news of Mrs. Arcos, I will let you know.
13:56Jara.
13:57Jara.
14:13What is this?
14:27Well, what do you think?
14:32It seems to me that you have advanced a lot in such a short time.
14:36If my calculations are correct,
14:37he will not only have greater autonomy than Gleriot,
14:39but he will also surpass Potencia in power.
14:43And that means what?
14:47That we could reach our beach in a blink of an eye.
14:51Although soon we will have to escape
14:54to be able to be together.
15:04How are things in the service area?
15:07I heard that Simona's daughter left La Promesa.
15:10Yes, she had to go to take care of her son.
15:14And how is Simona?
15:16Well, with a broken heart,
15:18because on the one hand she knows that it is best for virtues,
15:21and also for her grandson,
15:23but on the other hand, she has been separated for a long time
15:26and it hurts her to leave.
15:28Of course.
15:30And why does she have to leave?
15:32Can't she take care of her son here, in La Promesa?
15:36Well, if you could ask your mother,
15:38who is the one who does not want the Friadas to have children here.
15:43I understand.
15:45In any case,
15:46we think that Virtudes could stay at least in Lujan,
15:49and in fact she got a fantastic job,
15:51but everything went to waste.
15:54Why?
15:56Well, because she was going to work taking care of the parish,
15:59but you know that Don Fermín left Lujan.
16:03If I am honest with you,
16:04lately I have been doing very little with the church.
16:08But in any case, the new priest will have arrived,
16:10because he does not work for him.
16:11That's what we all think,
16:13but it turns out that the priest who replaces Don Fermín
16:16is a young priest,
16:18and he wants to do things his way.
16:20And what does that mean?
16:21That he does not want to have anyone at his service.
16:25And then who is going to cook or do the laundry for him?
16:28I'm sorry, but I find it hard to believe a man with a bathtub in front of the stoves.
16:31Yeah, and cleaning a stain from his clothes.
16:37He will soon change his mind.
16:38You'll see.
16:40Are you sure?
16:42I am.
16:43I know he will have arrived eagerly,
16:45I don't argue with that,
16:46but I assure you that he will soon change his mind.
16:49The moment he meets his new faithful Beatonas,
16:52he will have so many gossip and criticism
16:54that he won't even have time to fry an egg.
16:59Cheer up.
17:01You'll see how soon it takes.
17:02Simona is back with her daughter and her grandson.
17:05Yeah.
17:07No, that's not why I'm like this.
17:08I'm like this because,
17:10when talking about us,
17:12about our wedding,
17:13about the beach,
17:16I've remembered that Don Romulo knows about us.
17:21We've already talked about it.
17:23There's nothing to worry about.
17:24I'm not worried, Manuel.
17:27I'm just ashamed.
17:29Ashamed of what?
17:32Because I lied to him,
17:33and because now I have to cross him through the corridors
17:35and I don't even know what face to make.
17:39My love,
17:41those ghosts are only in your head,
17:43I assure you.
17:45Do you think I've ever thought that,
17:47I don't know,
17:48I would have liked our story to be different?
17:51And do you know what I do when that happens?
17:54I immediately discard that idea.
17:58Wouldn't you have liked it if ours were a little easier?
18:04No.
18:07Because our story,
18:09as it is with its difficulties,
18:12is what made us get here.
18:15And I wouldn't change that for anything in the world.
18:20Come.
18:25Manuel, what's going to happen to someone?
18:30Why don't we meet this afternoon?
18:34No, I can't.
18:35This afternoon I've stayed with my mother to go to the theater.
18:39Don't make that face.
18:42You know I would stay with you all afternoon.
18:45But I owe it to you.
18:46I know, silly,
18:47that you don't have to make excuses to go to see your mother.
18:51Now I have to be with her more than ever.
18:54Because
18:56I'm sure that when we get married,
18:59something will break between her and me.
19:04I'm very sorry, Manuel.
19:07You don't have to apologize.
19:10I've already accepted it.
19:12And now my mother will have to accept
19:13that there is nothing I say or do
19:15that changes the love I feel for you.
19:20I love you.
19:23And I love you.
19:29What's going on, Manuel?
19:32Sorry, I couldn't help it.
19:39I love you.
19:50Damn my stamp!
19:52Don't curse me, Candela.
19:53It's just that a piece of cloth has been cut off.
19:56I already told you that it wasn't a good idea
19:58for me to prepare the mayonnaise.
19:59And why is that?
20:00You've done it a thousand times.
20:01Well, because I'm with those days.
20:03You know,
20:04with Juana Menesera, who visits you every month.
20:06I know.
20:08But are you still in those?
20:10What's wrong? Do you think it's weird?
20:14Maybe it's better that you do the mayonnaise.
20:16Come on, don't be silly.
20:18It has nothing to do with one thing or another.
20:20They're old monsters.
20:21Well, it looks like it.
20:23Have you added the apoc.cox oil?
20:25Well, no.
20:26A little bit,
20:27and stir it as if it were tomorrow.
20:29Look, silly girl.
20:30What surprises me
20:31is that it has ever worked for you.
20:33Listen to me.
20:34Add it little by little.
20:36Where are you going?
20:37To throw it away.
20:38That's why the oil is a little bit.
20:40No, no more oil.
20:41Water.
20:42Water?
20:43Yes, a splash of hot water.
20:45You pour it
20:46and you start to stir well until it boils.
20:48Come on, water.
20:49It's the first time I've heard of water.
20:51I'm listening.
20:56Good afternoon, Mrs. Petra.
20:58What can I do for you?
20:59I just came to tell you
21:01that tonight there will be two more dinners
21:03with two gentlemen.
21:04Ah, and that?
21:05Do we have guests at home?
21:07No guests.
21:08It's about Miss Catalina.
21:10Ah, that's great.
21:11She's already back.
21:12And Count Daniel too.
21:13What?
21:14And how did that man become La Promesa?
21:17He must have had a lot of courage
21:19to set foot here again.
21:21Or a little bit.
21:23Well, you better get used to it
21:25because he probably spent
21:27a good season here.
21:29Since he has come.
21:30How did Mr. Marqués allow it?
21:32Well, enough nonsense.
21:33I've already told you what you needed to know.
21:36So now get to work.
21:45Did you hear the same thing I heard?
21:47I'm shorter than the mayonnaise.
21:49Now up there you have to be
21:51riding a good one, huh?
21:52Yes.
21:53As a father, very my Lord.
21:55And why did that scoundrel come?
21:57Why did that scoundrel come?
21:59He didn't bring a gift, huh?
22:00Because he doesn't know anything about mass.
22:03There is a person who does know.
22:05And it's Catalina.
22:06Josefa, bring the water.
22:08Yes.
22:09Let's see, let's see what else.
22:10Little by little?
22:11No, just a little bit.
22:13A little bit?
22:14Yes.
22:15It's the first time I do it.
22:22I'm very glad to have you back, sister.
22:24Thank you for doing me the favor of telling me where I had gone.
22:30They don't deserve it.
22:31And of course not.
22:32I'm sure I made a good fuss after my departure.
22:34And above all, because I had left.
22:36The normal thing.
22:37My mother put the cry in the sky
22:39and my father didn't like it.
22:41I'm so sorry.
22:43But if I had spoken to them,
22:45they would never have let me go.
22:47I know.
22:49As I also know the real reasons for your departure.
22:52Pelayo smuggled weapons.
22:57They told you.
23:00I'm very sorry I told you at the time, Manuel,
23:02but I didn't want to worry you.
23:04Catalina, you don't have to justify yourself, I'm not judging you.
23:06If you hadn't told me at the time, you'd be right.
23:09But I already told you, be very careful.
23:15Besides,
23:16this isn't going to come out for free.
23:19Besides,
23:20this isn't going to come out for free.
23:23When the time comes,
23:24I'm going to ask for your understanding back.
23:26Is this a joke or are you serious?
23:28I've never spoken more seriously.
23:30And what do you want?
23:33All its due time.
23:35Why don't you keep talking about Pelayo?
23:37Have you managed to put your feelings in order?
23:41Well, the truth is, no.
23:44But yes, we have something in common.
23:46Thank goodness.
23:47Hey, don't make fun of me.
23:48Oh, sorry.
23:51Those days we've been together
23:53have helped us realize
23:55that there's still something alive between us.
23:58And that we can't let the past stain it.
24:01So you're going to give him a new chance.
24:04Yes.
24:05I don't know where this will take us, but...
24:09But I'm listening to what you said.
24:11I'm giving myself the luxury of doing something that doesn't make much sense.
24:17What I don't understand is how you're going to do it
24:19being here and him in his palace.
24:21No, he's in La Promesa.
24:23In La Promesa?
24:27It's obvious I spend too much time in my studio with my sketches.
24:30I don't even know what's going on in the real world.
24:32Well, I thought your mother's screams
24:34had been heard all over the palace.
24:38And what did Father say?
24:42Well, at first it was hard for him,
24:44but he ended up agreeing.
24:48So you can say later that you're not his favorite.
24:51Are you jealous?
24:53You know, a little bit, yes.
24:57And even more now.
24:59Because I've known him for so long that he hasn't seen you so happy, sister.
25:05Although you wouldn't have made the imprudence of leaving him alone in there.
25:08No, no, no.
25:09He's resting in his room.
25:11And I trust they'll leave him alone there.
25:14But why don't the three of us go for a snack together?
25:18A snack?
25:20Do you want to?
25:23Sister, I can't.
25:24I'm meeting my mother to go to the theater.
25:27And I'm sure she's been waiting for me for a long time.
25:31I'll see you later.
25:33Yes, yes.
25:41Going to the theater with the Marquis.
25:44Yes.
25:51Mr. Arcos is about to arrive.
25:55Well, while he arrives,
25:57I wanted to talk to you about a private matter.
26:00Your son?
26:01No, no, no.
26:02It's not that.
26:03No, thank God, no.
26:05The reason is very different.
26:07This morning, the Duchess of Carril has shown up at the palace.
26:12Without warning.
26:13And she wasn't looking for the Marquise,
26:16or the Marquis,
26:17or Miss Margarita.
26:20And guess what?
26:21She came in through the service door.
26:25Well, start telling me that nonsense,
26:27because what you're telling me doesn't make any sense.
26:30Well, I'm afraid that no matter how much I tell you, this will continue to be like this.
26:32Who was she looking for, then?
26:34Well, in her own words, the cooks.
26:38She needed the recipe for the cakes that were served at that snack.
26:41It was enough for her to have sent a note,
26:44if she had answered with the recipe, back.
26:46Well, that's what I told her.
26:48Yes, but she excused herself by saying,
26:50saying that, curiously, she was close to the promise,
26:52and she decided to make the message in person,
26:54so as not to bother.
26:55That's what she told you?
26:56Yes, word for word.
26:58And did she get the recipe?
27:00Well, I hope so.
27:01Don't you know?
27:02No.
27:03No, because in the end she didn't speak to
27:05Simona or Lope.
27:07She spoke to Vera.
27:08And why did she speak to Vera?
27:10Well, the Duchess saw her,
27:12recognized her from the snack,
27:14and asked her to be the one to serve her.
27:16But Miss González doesn't have the slightest notion of pastry.
27:20Well, apparently she knows the recipe for the happy cakes.
27:24At that time, the only thing that occurred to me
27:26was to give them the office so that they were away from indiscreet glances.
27:29You did very well.
27:30The presence of a duchess in the service area
27:32has been, at least, irregular.
27:34Did anyone else see her, apart from Miss González and you?
27:38As far as I know, no.
27:39Well, it's still like that.
27:40Such a strambotic matter should not reach the ears of the Marquis,
27:43much less of the Marquise.
27:48Mrs. Alcos is taking a long time to arrive.
27:51Do you want me to go get her?
27:53No, look, we'd better take the opportunity to put you up to date
27:56on the matter we're going to talk about, which is quite tricky.
27:59Isn't it about the substitute of virtues?
28:02That's right.
28:03My proposal is a young lady you already know
28:05because she was here until recently.
28:07Yes, Miss Villamil.
28:10Yes, you already know the palace that has that of Pelegudo.
28:14Well, that girl was the fiancée
28:17of the late son of Mrs. Alcos.
28:20And she is no longer a young lady because she is married again.
28:27And you already know this, Mrs. Petra.
28:29What do I have to know?
29:00Are you thinking about the mosquitoes?
29:02Yes.
29:04Look, a tree can fall on you.
29:06No.
29:09No, I was thinking about my things.
29:12I've been looking for you all day
29:14and we haven't been able to meet or have lunch.
29:16It's just that it's been a complicated day.
29:18I see.
29:21Are you worried about the substitute of virtues?
29:24Yes.
29:26Are you worried about the position of first in the street?
29:29Of the count of Matesán, right?
29:36And have you already thought of an answer?
29:40Are you going to leave or are you going to stay?
29:43I just don't want anything you don't want, Maria.
29:46Salvador, please stop calling me dead.
29:48We're talking about you, not me.
29:49It's okay, it's okay.
29:50I know it's my chance.
29:52And I also feel prepared to be first in the street
29:54and I know I'm not going to get it here.
29:57Look, I know it's your dream.
29:59No, Maria.
30:01That's not my dream.
30:04I don't want to be...
30:06a street or a mayor or anything.
30:12All I want is to save money to finally be free.
30:17My dream is to be with you.
30:20That's my dream.
30:22And tomorrow, well, to be able to have a house together.
30:28With a garden, with animals.
30:31To be able to have all the children we want.
30:35But without mandates.
30:38To be free. I just don't want any more.
30:41And that would make me completely happy.
30:46Well, then...
30:49Then go.
30:54But Maria, you're first.
30:59That's precisely why, Salvador.
31:02Because your dreams are my dreams.
31:06And if we're going to get it, we have to be apart for a while.
31:12Or almost.
31:16Really?
31:18Yes.
31:35I promise that as soon as it's enough,
31:37we'll leave together.
31:42I'm going to miss you so much.
31:46And I'll miss you, Maria.
31:48Every second of my life.
31:51Why are you exaggerating?
31:54I'm not exaggerating.
31:56I love you with all my soul, Maria.
32:00And I love you.
32:02You're so beautiful.
32:18I love you.
32:24Mrs. Villamil's request arrives at the best time possible,
32:27since after Mrs. Carranza's departure,
32:30we've run out of female staff.
32:32But I didn't want to take the step before consulting with you.
32:36Undoubtedly, it's our best option.
32:38And why is that?
32:40Well, because she knows the palace.
32:43She was working here in the past, as a maid.
32:45As a maid?
32:46You said it.
32:47As a maid.
32:49And Virtudes was just a maid.
32:51What was she trying to do?
32:52Degrade her?
32:53No. If you're right, you're right.
32:55Mrs. Carranza was just a maid.
32:57But the reason was that she didn't know the functions of a maid.
33:01But Mrs. Adarre always had the intention,
33:04from the first moment,
33:05to promote her as soon as she was ready.
33:07So we are willing to hire her as a maid,
33:11if that's what worries you.
33:16I agree.
33:18Are you willing to accept that we hire her?
33:23Are you so surprised, Mr. Baeza?
33:25I thought you would deny me because I've seen you arrive with your husband.
33:30I have to confess that it has hurt me very much to see
33:34that he has forgotten my son so soon.
33:37But here we are judging whether she is suitable or not
33:40to cover Don Tello's position.
33:42And indeed, she is the best for it.
33:45So let her join as soon as possible.
33:48There is a lot of work to do.
33:57Well, in the end, it wasn't so difficult.
33:59To see, to believe.
34:01Now, I hope this doesn't bring a tail.
34:05But I'm afraid it will.
34:13SEVILLE
34:18Don't turn around, Margarita.
34:21We will go to a jewelry store that I know in Seville
34:23and you can choose the earrings you prefer.
34:27Look, Ignacio, I thank you for the effort you make to cheer me up,
34:30but no matter how much I appreciate your gift,
34:33it will not be able to replace that earring.
34:36Are they so important to you?
34:38Well, they are the gift of request from my late husband.
34:43I understand.
34:46Well then, I propose something else.
34:50This jeweler I know is a true artist.
34:53We will take the earring and ask him to make another jewel.
34:57I don't know, a ring, a gargantua, whatever you prefer.
35:00So you can always carry the earring with you.
35:02What do you think?
35:04Well, I think it's very good.
35:06Thank you very much, Ignacio.
35:07I don't know what I would do without you.
35:09Well, fortunately there is no need to discover it.
35:16Sorry, I interrupted you.
35:19No, not at all. I was leaving.
35:21I have to discuss some matters with Lorenzo before dinner.
35:33I'm sorry.
35:34I'm sorry.
35:35Really, I know ...
35:37I know you're angry with me because Grandma's earrings were very important to you.
35:41And I really understand, but ...
35:43I'm so sorry.
35:45Martina, don't worry.
35:48I know it was ...
35:49It was a mistake.
35:51Don't get it wrong because I'm not angry.
35:53What I am is ...
35:55It's sad.
35:58I still remember the first night I put them on.
36:02The night your father gave them to me.
36:06We were having a party at your grandfather's ranch and I remember it was ...
36:09It was a warm night.
36:11And everything was impregnated with the sweet smell of orange.
36:15And your aunts made amberjacks.
36:17Mr. Tantalus, they called him.
36:20But well, that didn't last long.
36:22It didn't last long because everyone's heart was won right away.
36:26Especially mine.
36:29He was so handsome.
36:31So handsome.
36:32With that jacket.
36:33So martial.
36:34With that beard.
36:36That I felt ...
36:38I felt the happiest woman in all of Spain.
36:42And besides, those earrings matched my dress perfectly.
36:46Or I found out they were his mother's.
36:51But what I remember the most is ...
36:55When I was dancing with him,
36:58hugging your father ...
37:04I felt that he was capable of everything, Martina.
37:08As long as he was by my side.
37:12Well, I guess I've always tied that memory to those earrings.
37:17Don't cry, daughter.
37:19Don't cry because Ignacio is right.
37:23Look at me.
37:25That memory is not in those earrings, Martina.
37:29Because that memory is here.
37:35And now it's also here.
37:41It's here.
37:52Treat them more carefully.
37:54Don't you see that if you wrinkle them ...
38:07Do you want me to help you, ma'am?
38:11No, and I'm not going down for dinner, so you can pick up all those dresses.
38:15How's the theater department?
38:18A mess.
38:20They intend to make it look intellectual,
38:22something that is nothing more than a loaded pomposity.
38:25I'm sorry it wasn't to your liking.
38:28In the end, it's better this way.
38:30Because Manuel was also looking like a horror.
38:32So we left in the middle of the night
38:35and we took the opportunity to take a walk in the cool of the afternoon.
38:39I'm glad you could enjoy it with your son.
38:44Teresa Villamil has returned.
38:48That's right.
38:50Tomorrow she will be reinstated in her position as maid.
38:53Yes, Mr. Pellicer has already told me.
38:56In the end, they all come back.
38:58What I don't understand is why you didn't tell me.
39:00The mayors arranged it that way, ma'am.
39:04And since when has it been an impediment for you to advance?
39:07You warned me that it was not necessary.
39:11You are uncomfortable with his return, aren't you?
39:14I thought you had a good relationship with her.
39:18It was your son's promise, wasn't it?
39:21That's how it was.
39:24Then stop being mysterious and tell me what's going on.
39:32Retire.
39:41She's back with ...
39:45with a husband.
39:47What?
39:51Well, she's in a hurry, isn't she?
39:54What do they call him?
39:58And why didn't you tell me at first?
40:01You know as well as I do that we don't talk as much as we used to, ma'am.
40:05I just thought it wasn't in your interest.
40:09It is true that our communication is less fluid than before.
40:14As it is also true that your performance in your tasks leaves much to be desired.
40:20I put all my dedication and effort into it, ma'am.
40:23Don't justify yourself, Petra.
40:26I need you to find me a personal maid now.
40:29I only see useless people in my bedroom.
40:32It's not an easy task, ma'am.
40:35But if you would allow me to combine my functions as a key master ...
40:38No.
40:39I need someone who doesn't have as many other important functions as you.
40:43It's okay, ma'am.
40:44As you say, you have your tasks as a key master.
40:49You know, I want Teresa as a personal maid.
40:54Let's see what I've learned from that Duchess.
40:57And wouldn't you prefer to try with another one?
41:00Vera, for example.
41:02I said Teresa.
41:05As you wish, ma'am.
41:07Tonight I will have dinner here, in my bedroom.
41:12As you wish, ma'am.
41:37There is no one available to lend a hand, Mr. Romea?
41:40No, I offered myself to Mr. Pellicer to do it alone.
41:43Don't worry, I'll be ready in a moment.
41:46For dinner?
41:48Yes.
41:49No, but it's not necessary, sir.
41:51No, that way we'll be more at ease, you and me.
41:54Besides, I'm not going to lose my rings.
41:58I'm not going to lose my rings.
42:00I'm not going to lose my rings.
42:03I'm not going to lose my rings.
42:07The more responsibilities of service you acquire,
42:10the more humble you must be.
42:12The important thing is to get the job done, not who does it.
42:16That's a good advice.
42:18I'm sure you will apply in the future.
42:24Did I say anything wrong?
42:27Don't you want to be the first one to fall?
42:31That's exactly what I wanted to talk to you about, sir.
42:34But, well, it's for now.
42:36Right now, in La Promesa, we don't need to cover that position.
42:40It's not in La Promesa.
42:43Have you received a job offer from any other company?
42:47In the Palace of the Counts of Matezán, sir.
42:50I see.
42:51And do you have any doubts about whether to accept it or not?
42:55Actually, the decision has already been made.
42:58And I'm going to accept that job.
43:00But I hope it has nothing to do with old rings.
43:03For my part, it's all in the past.
43:05And for mine too, sir. It's all forgotten.
43:08Well, in that case, I have no choice but to congratulate you.
43:15You have chosen the wrong destiny.
43:18I am convinced that you will leave the name of La Promesa very high in that house.
43:22I trust that, sir.
43:24And if I do it right, it will be all thanks to you,
43:27who is the best teacher you can have.
43:31Don't give me the cold shoulder,
43:33because it won't help you at all if you don't work in this house.
43:38Thank you very much, Mr. Baena.
43:41THE END
43:59As far as I know, there is no intention of opening a trade route
44:02until the situation in the Atlantic is calmed.
44:05Well, I hope it will be soon.
44:07With half of Europe at war and America blocked,
44:10I'm going to lose my harvests, and with them, my savings.
44:13You should have chosen a more lucrative business.
44:15Like the arms business.
44:17Yes, I've read about it.
44:191,500 million dollars for the Yankee arcs.
44:21And that counting the legal sales to the bandit.
44:25Good evening.
44:26Good morning.
44:27Cruz and Alonso have not arrived yet?
44:29Cruz will not have dinner with us tonight.
44:31She is tired after the theatrical performance.
44:34And she has asked me to excuse her.
44:36The play was so bad.
44:38Terrible.
44:40We can't wait to see the whole play in the interact.
44:43We go out with our feet in dust.
44:46When you go to a town theater, you have to go with low expectations.
44:50I don't agree.
44:51I've seen works in Lujan and Tenerantes that were pretty good.
44:55Can I know why there are two extra covers?
45:02Good evening.
45:03Good evening.
45:06Good evening.
45:07Sorry for the inconvenience.
45:09We have gone for a walk and time has run out.
45:14I think I owe everyone an apology.
45:17It is not necessary, Pelayo.
45:19Even so, if you allow me, Marquis.
45:27I know that my departure from this palace was hasty and ...
45:30I am aware that it was not in the best circumstances.
45:33To put it mildly.
45:35Although I want to add that I am not guilty of the accusations that were later poured on me.
45:41And maybe I don't deserve it, but ...
45:44Even so, I want to take the risk of asking you to give me another chance, just like Catalina did.
45:51It is an immense pleasure for me to welcome you back to the palace, Mr. Count.
45:57Thank you, Manuel.
45:59Welcome, Pelayo.
46:03I was very happy when your sister told me that you had returned from the front safe and sound.
46:10I was happier, I assure you.
46:13It had to be a pride to fight for good and democracy.
46:16Don't say it with such admiration, Mr. Count.
46:19You have also played a relevant role in that war.
46:25And what is it, if I may know?
46:27Margarita, let's not spoil the dinner by talking about the war.
46:33I think that now I understand much better the indisposition of the Marquise.
46:36Ignacio.
46:37What?
46:38I have taken my place. The least I can afford is to make a joke.
46:42Your place? I didn't know.
46:44Leave him alone, Ayala.
46:46I will not allow you to continue to bother my guest.
46:49If I have bothered you, why didn't you tell me yourself, Mr. Pelayo?
46:54I have already listened to my sister, Mr. Count.
46:56Let him be.
46:58He is our guest.
47:00Of all.
47:02Of the family.
47:03That's enough.
47:04What do you want?
47:05For this to become a school fight?
47:11You excuse this totally unjustifiable lack of decor.
47:16The Count is a guest of my daughter Catalina.
47:18He will stay in Paris as long as the two of them agree.
47:22And I don't want a single insidious comment more.
48:02Come in.
48:07Were you looking for Mr. Manuel, Miss Expósito?
48:09No, no, no. I just came to clean.
48:12At this time of night?
48:14Well, I wanted to take advantage of the fact that Mr. Manuel had gone to the theater with his mother so as not to bother.
48:19You should go down immediately to the service area.
48:22Mrs. Arcos is looking for you.
48:24Right away.
48:25One second.
48:27Our key lady can wait a moment.
48:30Do you need anything from me?
48:33We have a conversation pending.
48:38You and I have to speak clearly.
49:01Good evening.
49:06You did well to retire so soon.
49:10Ayala and Lorenzo's veins have not taken a minute to jump to Pelayo's neck.
49:15He deserves it.
49:18And how about this afternoon with Manuel?
49:21He has already told us that the theater was a tragedy, although he did not intend to be.
49:26If he has already told you, why are you asking me?
49:31Cruz, I know you're angry with me, but at least tell me why.
49:38Whatever it is, I'm sorry.
49:40All I want is for us to be fine.
49:43You don't need to have courage to come to me now with that.
49:47My apologies are sincere. Tell me what I have failed you and I will do everything I can to fix it.
49:51There are things that once broken can no longer be reassembled.
49:56Well, then I will fulfill my penance, but at least tell me what my fault is.
50:00What for? If you know it perfectly.
50:02If I knew it, I wouldn't insist, Cruz.
50:04Don't make me tell you out loud.
50:06That's what I'm asking you.
50:07I'm not going to go through that humiliation.
50:11I won't leave until you tell me.
50:12I know what happened to Maria Antonia.
50:14You were unfaithful to me with my best friend and in my own house.
50:19Is that what you wanted to hear?
50:26Since you stepped foot in the palace, the life of the Lujan has only become more complicated.
50:30And what else does the life of the Lujan give you?
50:32It's nothing more than a guest.
50:34For a very long time, by the way.
50:37I'm not saying anything.
50:39But you have to have little dignity to show up here after what happened.
50:42Well, that's enough.
50:43He's going to accept the job of First Lacayo.
50:46So he's leaving.
50:47Yes, but our wedding will continue.
50:49And our time will come.
50:52Because it will come, right?
50:53I'm going to try, really.
50:54It's not enough to try.
50:55I also need to work.
50:57There's plenty of work.
50:58You should have insisted more.
50:59Talk to whoever you have to talk to and convince them.
51:01Let's not go back to that.
51:03I thought it was over.
51:04Yes, and for my part it is not.
51:05But here there are those who seem not to want to forget it.
51:08It's just that you're back with the cause of everything.
51:11He understands that we need time.
51:13I met Marcelo shortly after arriving at the palace of the Duchess and two weeks later we were already dating.
51:18You had to like it, huh?
51:19To date in such a short time.
51:21Yes, they soon forget some, right?
51:25And then it's Petra, the one who messes with Teresa.
51:27Come on, leave me alone.
51:29I don't mess with anyone, huh?
51:31I only eat what I see.
51:35The earring I lost at the snack, mother.
51:38I knew it was yours.
51:39But where did you find it?
51:41At the exit of the Duchess's house.
51:43Inside I had looked at her earrings because they seemed beautiful to me.
51:47Vera, listen to me.
51:48It's very bad for me not to be able to help you with all this, really.
51:51I know you help me.
51:54The simple fact of talking to you already calms me down.
51:58You can only do it the times you need it.
52:00Well, I hope there aren't many.
52:03That if my mother continues to appear around here, in the end they will discover who I really am.
52:08I'm Curro.
52:10Nice to meet you.
52:12Curro, from Francisco.
52:15Curro, from Francisco.
52:17Yes, Francisco de la Mata.
52:19At your service.
52:20Okay.
52:21Julia!
52:22What's wrong?
52:23Julia!
52:24Let's sit her down.