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La Promesa Ep 411 Completo:
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La Promesa Ep 411
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00:00So at first your idea was to stay longer in America?
00:07That's right, but when we received the news of the sudden death of the Duchess's mother, we had to return.
00:14What a shame.
00:17It is a law of life that children bury their parents.
00:21And not the other way around.
00:24It is a reason for greater strength to return, of course.
00:27Yes, of course. Although, unfortunately, the Duchess did not make it in time for the funeral of her late mother.
00:32Normal. America is at the other end of the world.
00:36And yet she had to take care of all the management of the inheritance that I bear for her.
00:45By the way, Mrs. Arcos.
00:48Congratulations on your promotion.
00:51You have finally managed to be the key master of the promise, as I so longed for.
00:56Yes.
01:01It's the lady's doorbell.
01:04I'm going.
01:12Be careful, Mrs. Arcos.
01:14I'm sorry, Santa. I was distracted.
01:17You look distraught. Is something wrong?
01:20No, nothing.
01:24Who is it?
01:27Do you remember Teresa? The one who was going to be my future daughter-in-law?
01:35And the man?
01:37Marcelo.
01:39Her current husband.
01:51What do you mean they offered you a job as a lackey in another palace?
01:55Maria, you already know that I am happy with the promise.
01:58And that my intention has never been to leave.
02:00You're scaring me.
02:02I promise I haven't moved a finger.
02:04But the Mayor of the County of Matesán has sent me a letter offering me the position of first lackey.
02:09First lackey?
02:11Yes, it would be a unique opportunity because, well, I would charge twice what I am charging here.
02:17So are you seriously thinking of leaving?
02:20No, no, I'm not thinking of anything.
02:23In fact, I wanted to talk to you first to see what you think.
02:28And well, and when did they tell you? Since when do you know?
02:34Well, a while ago, but my answer was taking too long.
02:38Ah.
02:40Why didn't you tell me before?
02:43No.
02:45Why didn't you tell me before?
02:48Because I didn't dare.
02:50And if you dared to launch the wedding plans, knowing that you were going to leave?
02:56Is this a way of telling me that you don't want to marry me, Salvador?
02:59No. No, Maria. Of course not.
03:02Of course I want to. In fact, I love you.
03:05I love you and I will love you even if you are a servant, a lackey or a marquis.
03:09So what were you waiting for, huh? To tell me about the job offer?
03:12Well, I don't know. I guess I was waiting for us to get married.
03:18Because once we're married, it would be easier to make a decision.
03:21Or we wouldn't even have to make any decision.
03:23What do you mean?
03:25Well, after the wedding, you would like to keep the promise.
03:27And I would have no choice but to stay with you.
03:31So you're afraid to make the decision and you make me responsible, right?
03:35It's not that, Maria. But I insist that once we're married, there would be nothing ...
03:39Even if it's the last time, Salvador. That you use me as an excuse.
03:45You're right. Sorry.
03:51Anyway, that's it. The dilemma is over.
03:55I have decided. I want to stay with you, wherever you are.
03:58No, Salvador. I'm not telling you that.
04:01You asked me for my opinion and I think that ...
04:04That job offer is unique.
04:07But I don't think it's a good idea to charge twice as much.
04:13So what do I do?
04:15Well, I can't answer that, Salvador.
04:18You have to think about that calmly and with a cool head.
04:22And take a few days to answer the count of Matesán.
04:25This is not decided in two days.
04:31Good afternoon.
04:33Good afternoon.
04:36Well, I'm leaving. I have a lot of homework to do.
04:48Don't tell me you've argued.
04:56Well, Vera. I'll be back at another time, when there is no such rush.
05:00Yes, because you have left almost all the service without saying goodbye.
05:03I'm sure I'll stay as long as I want, but we're in a bit of a hurry.
05:07And I also wanted to convey my condolences to all of you
05:11for the death of Mrs. Pía.
05:14María Fernández told me about it in one of her letters.
05:17It was a very hard blow.
05:19I know that kind of blows perfectly well.
05:22They leave you breathless and desperate to live.
05:25But there is no choice but to raise your head and move forward.
05:29And that's what we try to do little by little.
05:33But their loss is irreplaceable.
05:36Well, luckily this gets better being in the family.
05:41That, of course. And you know that here we support each other.
05:45All this becomes easier being close to the people who love you.
05:49Well, tell the family that I threaten to return.
05:53I'm sure they want you to meet that threat soon.
05:57Thank you, Vera.
06:03See you later.
06:12Let's see, the cashier looks pale.
06:15Well, as if she were melanized.
06:18The fact is that it cannot be denied that this job offer is a candy for Salvador.
06:22I see. And that he deserves to be promoted to the position of first cashier.
06:27And the fourths, Ana, the fourths, who are going to pay him double.
06:31And that's not a bad thing to start a new life.
06:34Well, in that case, no.
06:37What happens is that not everything is going to be good.
06:40That if you accept that job offer, well, we're going to have to separate.
06:45Well, but they also offered you one like that and you rejected it.
06:49Well, it wasn't like that. It wasn't like that.
06:52Maria, you had the opportunity to be the personal maid of the Duchess of Abrontes.
06:57And you decided to give the position to Teresa.
07:00But because Teresa was having a bad time and she needed to breathe fresh air.
07:05And I know, and I understand, but for you ...
07:07Well, Hanna, that's in the past. And it's in the past.
07:11That's it.
07:12Maria, you can't tell me that's in the past.
07:14Because it was a very good opportunity for you.
07:16And you rejected it for staying here with Salvador.
07:18Well, now it will be the same.
07:21We will take advantage of the time we have free to see each other.
07:24Let's see, the same is not the same, Maria.
07:26But you, in the end, you would stay here with the position and ...
07:29And Salvador would go to improve his job position.
07:34Hanna, it's that I like being in La Promesa.
07:38And I like being with everything.
07:40And with you.
07:44Well, then I won't be the one who complains about you staying.
07:48And Salvador wants to stay.
07:52He doesn't want to leave.
07:54You don't know either.
07:56I don't know.
07:58Well, that's the first thing you have to know, Maria.
08:03Anyway, I'm going to go up to Miss Martina.
08:06She told me she wants to have a drink before going to the snack.
08:10From the Duchess of Cerezuelos.
08:13So ...
08:24Come on.
08:30He is a very dangerous man, sir.
08:33I don't think it's a good idea to meet with him, right?
08:36You know what the saying goes,
08:38whoever looks for danger will perish in it.
08:40Yeah.
08:42Besides, just as that man is worn out,
08:44I don't think he will respect his authority.
08:46That man is obsessed with Mrs. Adarre.
08:49Neither nothing nor anyone is going to make him look good.
08:54Okay, we rule out the idea of meeting with him.
08:57He doesn't know the weight I take off.
08:59But sir, there seems to be something we have to do with Mrs. Pia.
09:02We can't leave Ramona's cabin forever.
09:04Of course not, but it's better not to rush.
09:07There is no need to make false moves.
09:09I know.
09:11The hurry is not a good advisor.
09:13And neither are fear and panic good advisors.
09:17You have to weigh everything very well before taking the next step.
09:21In addition, Mrs. Adarre has not been in that cabin for so long.
09:25The situation is not as desperate as when she was in the cave.
09:29Yes, you are right about that, it is not so hostile.
09:32And it is spacious and more comfortable, but ...
09:34she can't even go outside.
09:36There is an imprudence.
09:38Of course.
09:39For the moment, and to avoid further confusion,
09:41we will do what we have discussed.
09:44We will try to keep Mrs. Adarre
09:46accompanied as long as possible.
09:49Solitude can be very cruel.
09:51Yes, as important as food,
09:53it is to keep a high spirit.
09:55I think it's fine, I think we both agree on that.
09:58First of all, we must prevent Mrs. Adarre from fainting
10:01and making the foolishness of leaving the cabin.
10:05Honestly, I highly doubt you will.
10:07If there is anyone feared by that man, it is Mrs. Pia.
10:10And she is fully aware that both her safety and that of her son
10:13depend on the fact that that man does not find her.
10:15Well, we will keep the plan that we had in mind.
10:17I have thought that Ms. Expósito and Ms. Fernández
10:20visit her as often as possible.
10:23And in the event of any news, please ...
10:25Don't worry, we will keep you informed immediately.
10:33Well.
10:35Thank you very much, Curro, because without your mediation,
10:38I don't know if Martín would have agreed to go to the lunch
10:41of the Duchess of Cerezunos.
10:43I am the first surprised that Martín has listened to me.
10:46Don't be silly, because you have a lot of influence over my daughter.
10:49She always listens to you.
10:51Yes, but I assure you that much less than I would like.
10:54Well, my daughter has the character she has.
10:56She is independent and stubborn, so we can't ask her to go to Salón Mó.
11:00And that is part of her charm, right?
11:02Yes. I think it will be very good for her to go to that lunch
11:05and socialize with girls her age and her social class.
11:08Yes, I think so too.
11:09Once the initial laziness is overcome,
11:11I am sure she will have a lot of fun at that event.
11:14She deserved a little fun.
11:16I know she has had a very bad time with all this.
11:20The car is ready to take Miss Martina.
11:23Let her wait. She is not ready yet.
11:25It's not true that my daughter is taking a long time.
11:27I think I'm going to go get her.
11:28No, there is no need. I'm already here.
11:30Please, dear.
11:32You are beautiful.
11:35Those earrings enhance the beauty of your eyes much more.
11:39Yes, the truth is that you have left me speechless.
11:42I hope that's a good sign.
11:45Yes, it's just that I don't know what else to add to what your mother said.
11:49But beautiful is short.
11:53I subscribe to all comments.
11:55You are breathtaking.
11:59Well, I'll go with you.
12:02And I hope you have a great time at that event.
12:05With the best predisposition.
12:09You don't sound credible.
12:12Have you noticed the tongue?
12:14Those words have been imposed.
12:16The truth is, if you don't feel well,
12:18you will play to be a very loving father.
12:43Has Teresa really returned?
12:45And she didn't come to see us?
12:47She was in a hurry.
12:49The other day we were talking about her.
12:51We hadn't heard from her for a long time.
12:53But I did it in the Americas.
12:55Apparently, the mother of the Duchess of Abrantes died
12:57and they had to rush back to Spain.
12:59The park?
13:00As unfortunate as always.
13:02And how was Vera?
13:04How did you see Teresa?
13:05Just as beautiful and resolute.
13:07Or even more.
13:08But don't worry because you will be able to see her yourselves.
13:11But I have to go back soon.
13:13I hope so, because I'm dying to see her.
13:15Yes, I also want to give her a good kiss.
13:18Well, you will see her.
13:19You will see her.
13:20Well, she and her companion.
13:26Her companion?
13:28She didn't come alone?
13:31Well, she came with her husband.
13:34Marcelo, I think he said his name was.
13:37Is Teresa married now?
13:40How do I hear you, Mrs. Candela?
13:42In fact, that's why she stopped working at the house of the Duchess of Abrantes.
13:46Because she was married and she couldn't continue working in that palace anymore.
13:49Well, what an absurd rule.
13:51Candela, every palace has its rules.
13:53That's true.
13:54Because here we also have every rule.
13:58Vera, and ...
14:00How is that Marcelo?
14:03How is that Marcelo?
14:06Has he put on? Is he well dressed?
14:09Well, I didn't have time to look at him much, but ...
14:12I don't know. The man barely opened his mouth.
14:14But I can assure you something, and that is that he is shy.
14:17That's for sure.
14:18He told me to be discreet, huh? And not a mouth like that.
14:21Look who's talking.
14:22The one who doesn't even shut up under the water.
14:25If I do it for you, why don't you get bored?
14:28That later, if I shut up, there will be less mischief, huh?
14:31That's also true.
14:33So this Marcelo met Teresa at the Duchess's house.
14:37But was he another member of the service?
14:39No.
14:40He was a waiter in a nearby inn.
14:42And they met shortly after Teresa arrived at that house.
14:46I think he was in charge of taking the drinkers to that palace.
14:49And little by little, he started to show affection.
14:52That's it.
14:53In fact, they were already in a relationship before Teresa left for the United States.
14:57And on the way back, they got married.
14:59It is known that he misses her on that trip.
15:02That is known, yes.
15:04So it's love of the good.
15:08The truth is that Teresa deserves to be happy.
15:10Well, yes, huh? The girl has suffered enough.
15:13Feliciano's death put her life on the line.
15:18This only means that Teresa has managed to make her life again.
15:22Yes, but ... I don't know, so fast.
15:26I suppose that Marimandrajo is not going to be happy
15:30that Teresa has barely saved her mourning for her son.
15:34You'll see when he finds out.
15:35The sea of Troy.
15:36No, no, yes.
15:37Mrs. Arcos has already found out.
15:39And?
15:41She didn't scream in heaven?
15:43She didn't scream anywhere because she stayed rigid like a statue.
15:47She hasn't reacted yet.
15:48Yes, it will be that.
15:50She called Mrs. Marquesa and left to attend to her.
15:53I'm going to talk to Marimandrajo.
15:55He still has a lot to say about this issue.
15:59Maybe he feels it as a betrayal to his son Feliciano.
16:02And is it that Teresa does not have the right
16:04to make her life again and try to be happy?
16:10You're right, Candela.
16:12Life is very short, Simona.
16:24Well, I hope Martina has a great time at that dinner.
16:29Are you sure?
16:31In part, I feel responsible.
16:33I was the one who convinced her.
16:36And Martina hadn't left this palace in a long time.
16:40By her own will, I mean.
16:42Why don't you worry a little?
16:44I'm sure she hasn't forgotten to have fun.
16:48Yes.
16:49She never forgets that.
16:52She never forgets that, right?
16:54Well, no.
17:02Why are you laughing so much?
17:04Because you smiled first.
17:05Yeah, but not in such an enigmatic way.
17:09What is this about?
17:11Well, nothing.
17:12I'm amazed to see how you care about the young lady.
17:17Well, the normal thing, right?
17:19The normal thing.
17:20Do you think it's normal the way you were looking at her?
17:23That your eyes give you away so easily?
17:25Let's see, Hanna, what do you mean by all this?
17:28Well, I want to tell you that I think you're still in love with her.
17:32Or not?
17:36Well, yes. Yes, I'm still in love.
17:39Good.
17:40And I thought that love was buried and more than buried.
17:43And I thought so too, but now I see that it isn't.
17:45No, no, no.
17:46It's amazing to see how love resists death.
17:49If when you try to cut a plant, there's an outbreak that makes it reborn.
17:53No, no. Don't get poetic here, no.
17:56Well, Curro, then what?
17:58What are you going to do with all this?
18:00Well, assume my feelings.
18:03What else can I do?
18:05Are you going to share them with her?
18:07Well, I already told her something when we escaped from the asylum.
18:12Curro, this isn't about indirect or half-baked.
18:14It's about speaking clearly.
18:15I know.
18:17But you haven't done it, have you?
18:19Well, we haven't had time to go deeper, but everything will work out.
18:24To make a path, first you have to take the first step.
18:27I know, Hanna.
18:28But we have to go slowly.
18:30Martín has suffered a lot and first he has to heal his wounds.
18:35I don't want to pressure her or talk to her about love.
18:40I see.
18:42If it's enough for you.
18:45Yes.
18:47I think so, for now.
18:50I'd rather settle for that than lose everything.
18:53I love you.
19:14I have spoken to my sisters and they are excited about our next wedding.
19:18Not so much that the eldest, Angel Ines, will be the one to accompany you to the altar.
19:21And for me it will be an honor and a pride.
19:24And you, Margarita, do you already have a godfather?
19:27Well, I would love to have one of my children, but living so far away, I don't know if it will be possible.
19:31Yes, the truth is that Canada is not exactly around the corner.
19:34Well, there is still a lot of time for them to get organized.
19:37I trust they will be able to come.
19:39I hope so.
19:41I'm sure they will be delighted to travel half the world just to see your happy face.
19:46And have you already thought what dress you are going to wear, sister-in-law?
19:50Well, I haven't decided anything, really.
19:52I hope you choose one in cream tones, not white.
19:57And why is that?
19:59Well, white traditionally symbolizes purity.
20:06Well, what is clear is that it will be a simple dress.
20:08A simple dress for a simple wedding.
20:11That's what Catalina said.
20:13That's what Catalina said.
20:15By the way, she still hasn't given any news.
20:21In any case, the truth is that you make a lovely couple.
20:27There is nothing more to see than the samples of love that you dedicate to each other.
20:31For me, you are a reference of love.
20:34Well, don't exaggerate, Cruz.
20:37I mean it.
20:38Are you serious?
20:40The respect and confidence you profess are admirable.
20:43I hope they last for the rest of your lives.
20:46Although I do not deny that it is a very complicated company.
20:49I would say almost impossible.
20:55Fill me the glass, please.
20:58Yes, me too.
21:00But you have to insist.
21:02You have to fight for an eternal love.
21:04An eternal love.
21:05Despite the fact that all of us here know that eternity is actually a chimera.
21:14Anyway, I insist that ...
21:16I'm worried.
21:17Without knowing Catalina's whereabouts.
21:19Surely at this point she has already become the food of the whole region.
21:24And why is she going to be the mother?
21:27She is with Count de Añil.
21:29Yes, we all know that.
21:31And don't you think it's a juicy gossip enough for them to gossip about it?
21:35No.
21:37But that's because I think not everyone is as reliable as you think.
21:41Manuel, please don't be naïve.
21:43Those harpies enjoy taking out our dirty rags and making us fall from a donkey.
21:50But hey, it seems that I am the only one who cares about Catalina.
21:54Mother had many issues to deal with Pelayo.
21:57And they will surely be in it.
21:58I hope so.
22:00I hope something hasn't happened to her and she's not with Count de Añil.
22:08Where do you want to go?
22:10Nowhere.
22:11I just look at all the possibilities and I worry.
22:16What if she is badly injured?
22:17Thrown into a ditch on a road.
22:19Would you mind not making such macabre considerations?
22:22Very well.
22:23If none of you care about Catalina, I do less.
22:25I do less.
22:27More wine.
22:36But how does Don Manuel want to talk to Gregorio's criminal?
22:39Yes, I thought that with the authority you give him as the future marquis of Lujan,
22:43that man would want to listen to you.
22:45Well, he's not going to do it because that man is obsessed with Doña Pía
22:48and all he wants is to hurt her.
22:50But calm down, calm down.
22:52I've already told you.
22:54Well, bad is bad.
22:57Don't worry, Miss Expósito.
22:59Don Manuel is not going to expose himself to danger.
23:04Well, then what's going to happen to Doña Pía?
23:06Is she going to stay in that cabin forever?
23:08At the moment, yes, indefinitely.
23:10I know it's not a good idea, but until we find a solution that suits us better.
23:15Well, when you find yourself in a dead end,
23:17what you have to do is ramble with everything in front of you.
23:19I know you don't have to back out, but hey.
23:21Things have to be done with common sense and without haste.
23:25Yes, but we can't stay hunting flies for much longer.
23:29Doña Pía is having a hard time.
23:31We moved the cave to the cabin, but it was an improvement.
23:35And that was an improvement, but that doesn't mean that little by little,
23:38Doña Pía can lose her mind.
23:40And honestly, I wouldn't be surprised either.
23:42That being locked up and unable to go out, and on top of that, thinking about her son all day ...
23:47And then, with the lack of life that man has,
23:49if he is careless, he can take her ahead.
23:51Well, you don't have to repeat it to me.
23:53I know that Mrs. Adarri's spirit breaks every day.
23:57That is why, in order to maintain her morale,
24:00her visits have been increased.
24:02Of course, it's just that the pain accompanies her, it's better.
24:04Well, at least we can entertain her and cheer her up.
24:07That's why I'm unique.
24:09I prepare myself for a succession of jokes and incidents,
24:12and until I can't smile, I don't stop.
24:14Well, Pía can go preparing a few jokes,
24:17because tomorrow, at 1 o'clock, you will go to the cabin.
24:20But ...
24:21No, don't worry, I'll take care of justifying your absence to Mrs. Alcorza.
24:26Well, don't speak ill of me.
24:28Yes, but make sure no one follows you.
24:31Absolutely no one.
24:33Be careful, Mr. Baeza.
24:34Every precaution is little.
24:36We know how that man mocked the surveillance,
24:39and he entered the palace and even took Mrs. Adarri with him.
24:42That man is a ghost.
24:44Be careful.
24:45And just in case, I'll take a big stone,
24:47and if a suspect approaches, I'll bury him in the basement.
24:49Well, you don't have to rush.
24:51Well, that's why I'm going to take the stone.
24:53And I'll only use it in self-defense.
25:00Father, bread is a first-rate good.
25:02You can't allow them to raise the price in such an exorbitant way.
25:05War has shot the cost of flour.
25:08Even so, I think the government should do something.
25:12And you know what?
25:13I think it's good that the Minister of Government
25:15has acted on behalf of President Dato.
25:18It seems that, in the end,
25:19they have reached an agreement with the merchants to regulate the price.
25:22Well, very good.
25:24But of course, some thieves have tried to take advantage
25:26and deceive their customers by reducing the weight of the bread.
25:30Honestly, I don't know what they call pickpocketing,
25:31which is literally stealing.
25:33Yeah.
25:36Luckily, in La Promesa we don't have to worry about those matters.
25:39Like we make our own bread.
25:41Yes.
25:45Father, are you okay?
25:48You seem absent-minded.
25:50Yes, yes, I'm fine.
25:52Just a little tired, nothing more.
25:54Sure.
25:59I wouldn't like to get involved in your marital affairs,
26:04but can I ask you if things are going well with my mother?
26:08If I'm honest with you, I don't know.
26:12You're right, she's a bit of a troublemaker.
26:16I've noticed some of her flaws.
26:19Your mother is not very subtle.
26:21No.
26:23And we've all suffered her sarcasm at some point.
26:29And could I ask you what was the reason for the argument this time?
26:33Well, actually, we haven't argued about anything.
26:36And then?
26:37She's been mad at me.
26:39And she hasn't even told me the reason.
26:41And have you asked her?
26:42Sure, many times.
26:44But nothing.
26:46And I don't know what to do, son.
26:51You know,
26:53I think I'm the cause of her anger.
26:58I don't understand.
27:01We were going to a jewellery conference together and I hit her.
27:05And she felt bad?
27:06Yes.
27:07She was furious, but she was right.
27:09I promised to go with her and I couldn't keep my promise.
27:12But you've apologized.
27:13Yes, I have.
27:15But I doubt that I've managed to appease her.
27:18And something tells me she's paying for her frustration with you.
27:23I don't know.
27:25I'm not sure.
27:28Well, I'll try to mediate.
27:30It won't work.
27:33Let me at least try.
27:34No.
27:35I'll talk to her.
27:36And even if I have to, I'll try not to kick her out because she's mad at you.
27:40Well, thank you for the goodwill.
27:43But I'm going to retire.
27:47Do it, father.
27:48Rest and try to put this matter aside.
27:50At least for a few hours.
27:51I hope so.
27:54Because, as I told you, I'm exhausted.
27:58Good night.
27:59Good night.
28:04Good night.
28:22I'm busy.
28:24Come back later, whoever you are.
28:29Can't you hear me?
28:31This is not the time.
28:35Come on.
28:46If she's locked up here, it's because something's happening to her.
28:49I'm perfectly fine.
28:53I'm getting to know you.
28:55You don't have to pretend with me.
28:59Since I met you this afternoon, I know something's wrong with you.
29:02It's because of Teresa's arrival, isn't it?
29:06Seeing Feliciano's fiancée,
29:10you've moved her inside.
29:26I know she asked me not to mention her son.
29:28Well, I see what you're doing to me.
29:31Because I can understand how you feel, Mrs. Arcos.
29:35Her son's death blocked her life from beginning.
29:39And yet, to see that
29:41other people's lives continue as if nothing had happened...
29:46When Teresa told me that the man who accompanied her was her husband,
29:50I was shocked.
29:53That woman swore eternal love to my son.
29:56That woman swore eternal love to my son.
29:59And he loved her madly.
30:02They had plans for the future.
30:04They wanted to spend their lives together until the end of their days.
30:09But her son's life
30:11ended too soon.
30:15How?
30:17How could she forget him?
30:19How could she marry another man like that?
30:22In such a short time, as if nothing had happened?
30:26And it turns out that I have nothing against that boy.
30:31But seeing him together...
30:38It makes me live all the pain.
30:40And seeing him take my son's place breaks my soul.
30:45It has torn me from the inside.
30:53It's normal.
30:56It's not your fault. You're his mother.
30:59And he has every right in the world to feel that way.
31:04Thank you, Santos.
31:11You know you can talk to me when you need it.
31:18It's nice to hear you.
31:20It's nice to hear you.
31:24I feel so alone in this palace.
31:28I know, Mrs. Arcos.
31:31I know.
31:51María.
31:53My God, my feet hurt so much.
31:55I have no strength left.
31:57What do you want? A snack or a dance?
31:59Well, I thought we were going to be sitting and drinking tea.
32:02And in the end, the Duchess of Cerezuelos wanted to have us walking around the garden
32:05because she said it was a good time.
32:07Well, that's fine. It's been a breath of fresh air.
32:10Yes.
32:12Sweetie, you're already here?
32:14Yes.
32:16Well, have there been many young people at the snack?
32:18Quite a few.
32:20And have you made friends?
32:22And your grandmother's earrings?
32:24In the bag that bothered me a bit and I've kept them.
32:27Ah, good.
32:29Well, I want to know everything.
32:31Let's see, what did they give you for snack?
32:33Well, everything.
32:35And everything was delicious, really.
32:37The only thing is that they served it to us in the garden, so I chose the shoes wrong.
32:40Well, elegance and comfort don't always go hand in hand.
32:43So, did you have a good time?
32:45A lot.
32:46You don't know how happy I am, daughter.
32:48But the vast majority were new young people.
32:51And all of them seemed very nice to me.
32:55Well, they would belong to large families in Spain, I'm sure.
32:58Do you remember any last name?
33:01Well, no.
33:03But judging by the dresses they wore, I can assure you that they belonged to high-class families.
33:08Well, like you, daughter.
33:12Thank you for encouraging me to go.
33:14I admit that I wasn't very excited, but I felt great.
33:18Well, you were a bit of leisure and fun.
33:21Well, yes.
33:23And more than I thought.
33:25In fact, even the Duchess of Cerezuelos seemed lovely to me.
33:28Well, that does surprise me.
33:30Because that woman is one of the most delicate, let's say.
33:32Yes, but I think she was in her element here.
33:35As a hostess.
33:37I love to hear that you enjoyed yourself, daughter.
33:42And now the only thing is that my feet hurt a lot, really.
33:46Well, then you have to soak them with salt water.
33:48I'm going to do that.
33:50In fact, I'm going to do it now.
33:52And so I'll keep telling you tomorrow.
33:54Yes, because I don't want to miss any detail.
33:56María, can you accompany Martín to his room?
33:58And relieve him of that pain in his feet.
34:01Take care, ma'am. I'll take care of it.
34:05Do you want me to ask Hanna if she knows of any miraculous remedy for her feet?
34:08No, no, no.
34:10Hide that she's looking at my mother, but something horrible has happened.
34:14I'll tell you now.
34:38This knife is broken.
34:40We have to warn the sharpener.
34:42Lately, all knives have been booted.
34:44Since he took over the business, the son of the old sharpener.
34:47The boy doesn't know how to leave the edge like the father.
34:50They cut a hair in the air.
34:52This is not even used to intimidate.
35:00Come on.
35:02I had a letter here.
35:04I don't know where it is.
35:05Here it is.
35:07And here's a letter for you.
35:10For me?
35:24It's a picture of my virtues and Adolfito.
35:29They are handsome.
35:31Yes, they are handsome. They couldn't have come out any other way.
35:33He must have left virtues before he left.
35:36It's a detail.
35:39Now I say that apart from the photograph, he must have left some letters, right?
35:44Yes.
35:46Read the woman who is anxious.
35:48Well, some more than others.
35:50But yes, I am also very curious.
35:53Mother.
35:55I leave you a photograph with Adolfito.
35:58So he doesn't forget us.
36:00How are you going to forget them?
36:01What a big nonsense now.
36:03That it would be good for you to take them out of the basket a little bit, huh?
36:07This is the best thing that has happened to me in life.
36:09Well, come on, go ahead.
36:12I hope these letters are the first of many.
36:17I promise I will write to you at least once a month.
36:21I want you to be aware of everything that happens to us.
36:26How good.
36:28You are my mother.
36:31And even if we are far away, no distance will ever separate us again.
36:44It's beautiful, isn't it?
36:47A lot.
36:49It is very beautiful.
36:51There is also a paper here.
36:58A drawing of the boy.
37:00What did you hear, kid?
37:02How well he has painted you.
37:04Look, look.
37:06It's a very expressive drawing.
37:08This boy is an artist.
37:11I know you miss them, huh?
37:13But don't be sad.
37:15No, it's sad.
37:17But it's sad well.
37:19Because I know that everything has been solved in the best possible way.
37:23Well, if that kind of sadness ...
37:26You cry.
37:28As soon as it comes to you.
37:30Well, I don't feel like crying anymore.
37:39My goodness, what a delicious bun.
37:42And freshly baked.
37:44I took it from the first batch this morning without anyone noticing.
37:47And it smells like promise.
37:50And it tastes like promise.
37:51Of course, if it is like promise, it is not eaten anywhere.
37:55I'm letting you go back, María.
37:57I wish I could go there right now.
38:00Even if I had to scrub the stairs day and night.
38:03But you didn't like it when María sent you to do the homework.
38:07Well, here I also have to sweep and scrub.
38:09Although she didn't send me, of course.
38:12It is also true that then I thought that my life could not get any worse.
38:16And look how wrong I was.
38:18Well, Mrs. Pia, you have done better.
38:20This cabin has nothing to do with the filthy cave where you were.
38:24Yes, but it is of the wolf, of course.
38:26I was here for a while.
38:28When they didn't let me go back to La Promesa because of the theft of the happy captain's watch.
38:33And the truth is that I had a lot of good.
38:35Not a parasite, but I managed.
38:37And in the end, Ramona lived here as a young woman.
38:40Yeah, María. The difference is that both you and she could go out to get some fresh air and I couldn't.
38:45Yeah, you're right.
38:47We weren't locked up like you.
38:51Look, yesterday when we made the transfer here, I could see the sky a little bit and breathe.
38:58And I realized what I longed for.
39:01Pleasures as basic as those.
39:03Basic and fundamental, Mrs. Pia.
39:07You know what?
39:09Well, I can't stop thinking about the words that Hanna told me at the time.
39:13It's time, Hanna.
39:15I'm afraid of losing the trial, María.
39:18Don't think about that.
39:19Yeah, because I can't help it.
39:21Because my head forgets to play with me and calls me to the past.
39:24Don't be strong and hold on.
39:27Besides, this is the best place you can be.
39:30The safest place.
39:32Better overwhelmed than at the mercy of Gregorio's criminal.
39:36Yes.
39:38Let's see, this cabin is far from everything and I hardly hear any noise.
39:40Not from animals or people, to be honest.
39:43In any case, Mrs. Pia, don't trust him.
39:46Gregorio's manatee is a bad bug and it slides like a rat in the most impossible places.
39:51I'm already warned, María.
39:55I hope he doesn't come here.
39:59Well, let's talk about something else other than that man, please.
40:03Yes, yes.
40:05He doesn't deserve us to waste saliva on him.
40:07And tell me, are there any news about the promise?
40:10Well ...
40:12Salvador has been offered a job at Primer Lacayo in the palace of ...
40:17the count of Matesán.
40:19But you were not going to get married, María.
40:22Well, I wouldn't know what to tell Mrs. Pia because he is thinking about accepting the job.
40:27And the truth is that ...
40:29because that position suits us very well.
40:32That money suits us very well for the future.
40:34I see.
40:36But I wouldn't know what to tell him because ...
40:39he doesn't know what he's doing yet.
40:50You know ...
40:52I also love the smell of these flowers.
40:54Well, the truth is that it could be much more intense if someone watered them.
40:57Can't you see they're asking for water? Screams.
41:00I'm really tired of being surrounded by useless and incompetent people.
41:03Calm down, mother.
41:06This matter doesn't deserve to be so lightened up.
41:10It's not just about that, Manuel.
41:14I apologize on behalf of my squad.
41:16Believe me, I was the first interested in going to that conference.
41:19Yes, you were so interested that you forgot.
41:21An unforgivable oblivion.
41:23That I have tried to sublimate, I assure you.
41:25I have searched everywhere and that professor forgot to give that dissertation again.
41:29But it has been impossible.
41:30Sometimes trains go by once.
41:33Either they catch up or they get lost.
41:35Then I reiterate my apologies.
41:37You haven't even bothered to come up with an excuse for your oblivion.
41:42Would you have preferred that I had deceived him?
41:46No, not really.
41:48Then forgive me once and for all.
41:54If I'm honest with you, I don't care about that conference.
41:56I don't care about it at all.
41:58What made me so excited was spending some time with you, alone.
42:02And I thought you felt the same way.
42:12What is this?
42:14There are two tickets to go to the theatre this afternoon.
42:17It's either a hotel or William Shakespeare.
42:19But it's a company from Madrid.
42:21It's touring through Andalusia and...
42:23I've seen this play millions of times.
42:24Not this version.
42:26They have modernized the texts.
42:28This time, Othello is a current man who serves in a European court.
42:35Come on, mother.
42:37The theatre is the least of it.
42:39I also feel like spending time with you.
42:42All right.
42:44I accept the invitation.
42:48Shall we go for a walk?
42:54Let's go.
43:10Are you from Carril?
43:19Can I help you?
43:20Perhaps you've mistaken.
43:22This is the service area.
43:24You'd better go through the main door, ma'am.
43:26Yes, I know.
43:28I don't want to bother the Marquess.
43:30I'm sure she'll be delighted to receive you, ma'am.
43:32Do you want me to tell her?
43:34No, I'd rather she didn't tell me
43:36because it's not welcome to show up in a palace unannounced.
43:39In fact, I'd like you to keep it a secret.
43:42All right.
43:44Tell me, how else can I help you?
43:46Well, I was walking near the promenade
43:48when I thought of those excellent pastries
43:51that you put on Margarita's snack the other day.
43:54And I thought I could come and ask for the recipe
43:58so that you could make them in my kitchen.
44:00Yes, well, I know it sounds eccentric,
44:03but I've been craving pastries.
44:06But you didn't have to come all the way here.
44:08If you had made a request with a note,
44:11I personally would have sent it to you by mail
44:15or with a messenger if you were in a hurry.
44:16Yes, but since I was nearby,
44:19I thought I'd stop by.
44:21That's how I've seen trouble.
44:23You don't bother me.
44:25I'm here to take care of you.
44:27Oh, look!
44:29That's the girl who took care of me during the snack.
44:32I'm sure she can help me.
44:34Miss González.
44:36Come, please.
44:47Can you take care of the Duchess of Carril?
44:52Yes, please.
44:54I'd like to know the recipe for the pastries
44:57that you put on Margarita's snack the other day.
45:00Can you give it to me?
45:02Me?
45:04Do you know the recipe or do the cooks ask you?
45:06Yes, yes, of course.
45:08Of course, I can help you.
45:10Yes? Do you know all the ingredients
45:12and the cooking steps?
45:14Of course.
45:16Can you please write them down on a piece of paper for the Duchess?
45:19If you want, you can use my office.
45:21You'll be more at ease and not in front of everyone.
45:25Thank you very much for helping me with such a capricious request.
45:29You're welcome. Do you need anything else?
45:38Hello, Mercedes.
45:40What are you doing here, mother?
45:47What if she's badly wounded?
45:49She was thrown into a ditch on a road.
45:57Sir, Miss Caterina has just arrived.
46:02Daughter.
46:04Thank God.
46:06Father.
46:09Are you okay?
46:11Of course.
46:13Why would I be sick?
46:14It's just that I hadn't heard from you for so long
46:17that I was imagining the worst.
46:19Was it hard for you to send me a note saying you were okay?
46:22You're right, father. I'm sorry.
46:25I've been inconsiderate.
46:27I admit I had my head elsewhere.
46:29But how could you leave like that?
46:31Why are you going to see Pelayo?
46:33I'm sorry, father.
46:35But I had unfinished business with him.
46:37And I needed to see him.
46:40In fact, I need to keep seeing him.
46:44I confess I didn't come alone.
46:57What are you doing here?
47:00How dare you set foot in my house?
47:02Leave right now!
47:14I'm sorry, father.