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Touring the ‘RuPaul’s Drag Race’ Set with Nymphia Wind
Architectural Digest
Follow
8/22/2024
Today, join AD for a gagworthy tour of the ‘RuPaul’s Drag Race’ set with Season 16 winner Nymphia Wind. From the creative space of the Werk Room to the showstopping main stage, take a behind-the-scenes look at where the ‘Drag Race’ magic happens.
Category
🛠️
Lifestyle
Transcript
Display full video transcript
00:00
Hello, AD. It's me, Nymphia Nguyen,
00:02
your current reigning champion of Season 16 of RuPaul's Drag Race.
00:06
I'm going to be your godmother for today,
00:08
and we're going to take you on a tour on the set of RuPaul's Drag Race.
00:12
And here, in this maxi challenge,
00:15
you're going to have some behind-the-scenes scoop
00:17
on where magic happens and where icons are born.
00:20
Insert glitter on the hands.
00:22
I am standing in the alleyway,
00:31
and here is where the queens line up before they walk into the workroom.
00:36
And I remember standing here before my first time walking in,
00:39
and all I could think to myself was, you know,
00:41
just enjoy the moment.
00:43
As I walked through the banana peel first and walked out,
00:47
did my little iconic shuffle, slipped on the banana peel,
00:51
and fell while all the other queens thought I actually fell.
00:55
And here I was, created a iconic entrance, if I say so myself.
01:01
Bananas!
01:03
This workroom has created so many drag icons,
01:06
and it has created so many memorable and iconic moments for queer people.
01:10
Everyone gets their own little closet area to hang up all their life's work, their clothes.
01:15
So these golden doors beside me,
01:17
this is the Rue door, where Rue walks in and says,
01:21
good morning, it's time for a new challenge.
01:24
And also to note, ladies and gentlemen,
01:27
this was the first time when you walk into the workroom that you would meet Rue.
01:31
It's such a gag moment.
01:39
Because you always see Mama Rue on TV for so long,
01:42
and to actually see the doors open in real life,
01:45
and her walking down those stairs in her beautiful suit,
01:49
is such a moment to remember.
01:51
Also in these workrooms, on the walls, you could see Mama Rue everywhere,
01:54
because she is here to remind us how we must strive to be like Mama Rue.
02:05
I miss this so much.
02:06
Welcome, Squirrel Friends.
02:08
For the first time in Drag Race Herstory,
02:11
our incredible cast and crew will be giving you a gag-worthy behind-the-scenes tour.
02:18
But please, be careful not to slip on the charisma,
02:23
uniqueness, nerve, and talent.
02:25
Because baby, it's everywhere.
02:27
Amen.
02:30
And Mama Rue didn't tell everybody,
02:32
but she secretly told me,
02:34
Nymphia Wind.
02:35
No, she would say, Banana Queen.
02:38
No, actually, correction, Banana Girl.
02:41
Today's Maxi Challenge for you is to give a tour with AD,
02:45
and don't f*** it up.
02:51
This workroom is very synthetic, very over-the-top, almost surreal.
02:57
You know, there are not a lot of spaces in the real world that are this big,
03:00
with this many stage lights.
03:01
I think it's really charming that they let them come in one by one,
03:05
because it is a little bit overwhelming just to be in this space
03:08
that they have fantasized about being for such a long time.
03:11
I remember walking in and seeing the whole space of the workroom.
03:16
I said to myself,
03:17
this workroom is actually massive.
03:19
Because, you know, on camera, you only see a side.
03:23
There are spaces for you to walk around, prance, and just be yourself.
03:27
And here, we are at the mirror, where you paint your face.
03:31
This is where the girls kiki.
03:33
This is where relationships are built.
03:35
And these are the moments where vulnerability can really happen.
03:38
I never got that much time with my dad after we made up,
03:42
and he saw what drag could be.
03:48
Can we all give you a hug?
03:54
A huge portion of the show is actually shot in a camera hide
03:58
that is behind two-way mirrors.
03:59
So when the queens are doing their makeup,
04:01
we're actually looking at them directly in the face,
04:04
because our mirrors can see them, but they can't see us.
04:07
It's always historic that the eliminated queen of that episode
04:10
writes on the mirror.
04:11
And I, fortunately enough, didn't have to do it
04:14
because I was never eliminated.
04:15
But now I get to have the full experience of Drag Race,
04:18
because now A.D. has me writing on the mirror
04:21
because they tried to sashay me away.
04:25
But, you know, here goes my message.
04:28
A.D.
04:31
This is actually harder than I thought.
04:34
So I ran out of lipsticks, but what it says on the mirror is,
04:37
A.D., you are bananas.
04:40
Love you.
04:47
The inspirations for the show come from all sorts of places.
04:51
Like, we might need to design a tacky mansion,
04:54
or we might need to design a park.
04:58
But a lot of times, we're always trying to figure out
05:00
how to make it draggier.
05:02
And that's probably a word that we use daily.
05:04
It could be a basketball, and somebody is like,
05:07
can you make it draggy?
05:08
And so I think the whole team has become accustomed
05:12
to preparing themselves to make all of the props draggier.
05:16
And that's probably something that doesn't exist on any other show.
05:19
In Bruno's Golden Hopper are 11 balls with your names on them.
05:25
Let's go.
05:26
We're an art department.
05:27
We do a lot of custom fabrication,
05:29
and we augment a lot of store-bought things.
05:31
So we have an entire massive assortment of glitter and sparkly things.
05:36
And there is no limit to what we can add glitter and sequins to.
05:41
And most of the props that come through the space
05:43
end up getting glitter at some point.
05:45
We use a lot of hot colors.
05:47
We use a lot of bright colors.
05:48
We use a ton of sequins.
05:50
And I don't think that's ever going to change.
05:52
I think it's important that when the audience is flipping through the channels,
05:57
that it's instantly recognizable.
05:58
This show is actually really zany and pretty random.
06:02
We have a massive assortment of strange props.
06:05
We have all sorts of unconventional things
06:09
that you would not think that you would need on a drag show.
06:12
But with drag, anything goes.
06:14
I don't know why we have so many traffic cones.
06:16
And of course, dress forms, musical instruments, furniture, and more.
06:20
Production design on Drag Race is really unique.
06:22
I think in a lot of ways, our show resembles a sketch comedy show.
06:27
And a lot of times, if something could be funnier,
06:30
or it could be more witty, there are a lot of changes on the fly.
06:34
We would have maybe about a week for any sort of big build.
06:38
But once in a while, if Mama Rue really wants to see something happen,
06:42
we're going to have to take a hard turn,
06:43
and we're just going to have to make it happen.
06:44
The general prep time for a bigger episode is anywhere from a day to a week.
06:58
Welcome, everyone.
07:00
We are here at the Untucked Lounge, where everything comes untucked.
07:06
Where all the drama happens, where everyone lets loose,
07:09
take their shoes off, let their tights out.
07:12
And we're here just chilling, lounging, kiki-ing, drinking,
07:17
and most importantly, remembering the lip-sync song.
07:23
You know those moments in Untucked Lounge
07:25
when you just see the people lounging, and kiki-ing, drinking, and having a chat.
07:29
And then behind, you can see two queens or three on their little headphones.
07:38
It's just, you know, practicing.
07:39
Because, you know, no one wants to go home.
07:41
I have to spill the beans.
07:42
After season 16, this new set has grown in size.
07:47
The Untucked Lounge has become way bigger, way more spacious.
07:52
Our Untucked Lounge is pretty much entirely full of Easter eggs.
07:57
We decorate it solely with scenery and props from previous episodes.
08:03
We have this shiny mop, because who doesn't like gay sh**?
08:06
And the shade button is still here, but very unpressable.
08:12
In the spirit of Untucked, we're gonna f**k sh** up.
08:15
Let's go.
08:22
Before you walk onto the main stage, you're gonna look into the mirror and say to yourself,
08:28
you got this, b**ch, because you are what that b**ch.
08:31
The energy behind the main stage is always, to me, very serious.
08:35
And a moment to reflect and calm your nerves and to take deep breaths.
08:39
And you know what?
08:40
Just have fun, because you have nothing left to lose.
08:43
And then you would walk out, and you would be like,
08:45
I'm so excited, I'm so excited, I'm so excited, I'm so excited, I'm so excited, I'm so excited.
08:50
And then you would walk out, hit the main stage,
08:57
and the rest is history!
09:06
This particular year, we moved to a new stage.
09:08
There was literally no flooring, no walls.
09:12
And so we took a template from previous years,
09:15
just to figure out what the optimal camera angles are, and those didn't change.
09:19
When I was thinking about what this set should look like,
09:22
I was really inspired by the beautiful building on Hollywood Boulevard that's in Art Deco style.
09:29
And I just thought that it would be really incredible to nod to that style,
09:32
especially because we're in Los Angeles.
09:34
A lot of Art Deco buildings have a bit of a crown on the facade,
09:39
and I thought since, you know, this is very much a show about pageantry and beauty,
09:44
as much as it is about, you know, humor and talent,
09:47
I kind of wanted to create a set that had a little bit of a crown
09:51
and was a modern take on an Art Deco building.
09:55
We decided to incorporate a floor that lights up in a T-shape.
10:00
That way, when you have your queen on the right and you have your queen on the left,
10:04
they're able to go head to head.
10:06
But when we're trying to de-emphasize the T-shape,
10:08
we can turn the lights off and then the stage can be a little bit more of a blank palette.
10:13
This is where icons are born.
10:15
This is where it all goes down.
10:17
Sweat, tears, dreams shattering, dreams being built.
10:21
Everything happens on the main stage.
10:23
And, you know, let's be honest, drag is already over the top enough as it is.
10:27
And so I think the goal is always to make sure that the queen really shines.
10:32
We want to make sure our scenery is taking a back seat
10:34
because there's just so much to appreciate in drag
10:37
and everybody's really just paying attention to the queens.
10:39
So I think the goal is for the scenery not to be distracting.
10:47
What you also don't see on the film set is outside of this judging panel,
10:52
there are also people on the production team viewing you.
10:56
So in a sense, there is actually an audience.
10:59
One of the things we have to accommodate is we have to be able to make sure
11:03
that a camera person can get everywhere they need to go at any time,
11:08
which is very hard to predict.
11:10
You know, these queens might do something hysterical
11:12
and they might death drop onto the floor.
11:14
And so we just need to make sure that, you know, the floor is completely clear,
11:18
that the stage has a lot of vantage points.
11:20
In this set, there's probably around seven to ten cameras that are filming us.
11:25
You got Rue's camera, and then there are like around three to four cameras
11:30
straight facing us all, capturing our faces as we get critiqued
11:34
or complimented or get sashayed away.
11:36
Then we have another camera on a crane that flies around
11:39
capturing all the magical moments of us queens standing on stage.
11:44
But before we go on to the main stage,
11:47
we also have to walk from the workroom to the main stage.
11:50
And that, sisters, is around a block and a half walk in this geish.
11:57
But Drag Race is very kind and they have prepared golf carts.
12:01
But sometimes I just like to walk because I just want to
12:04
accidentally stumble upon something that I'm not meant to see.
12:07
One thing on set, whenever there's a queen walking,
12:09
the production team, the PAs, will scream,
12:13
Queens walking!
12:15
Queens walking!
12:21
I am sitting on the bane of my existence.
12:24
This is the judging panel and I am in shock mode right now
12:28
because I am seeing this whole set in a different lens.
12:32
The lens of a judge.
12:34
I feel very powerful.
12:36
I am sorry, my dear, but you are up for elimination.
12:43
Oh, I need to do the roo laugh.
12:48
Wow, that was a lip sync.
12:52
Give it up for the lighting crew and all the production team.
12:56
All right, AD, I have heard enough, but it is my decision to make.
13:01
And unfortunately, it is time for you to sashay away.
13:08
Goodbye.
13:10
You will be missed.
13:14
And remember, if you can't love yourself,
13:16
how in the hell are you going to love yourself if you can't love yourself?
13:19
And if you can't love yourself,
13:20
how in the hell are you going to love yourself if you can't love yourself?
13:23
If you can't love yourself, how in the hell are you going to love somebody else?
13:26
Can I get an amen up in here?
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