La Promesa - Capitulo 410
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Short filmTranscript
00:00What do you mean you're not leaving?
00:02That there won't be such a farewell because we'll always keep in touch.
00:06But in any case, I can't stay here forever.
00:09You've made it very clear.
00:11You haven't told Cruz anything about what we talked about, have you?
00:13It hurts me if you think I've been able to tell her something like that.
00:16Although it's not necessary for me to tell Cruz anything.
00:19What do you mean?
00:20That your friend is smart enough to realize what's going on around her.
00:24And that's why I'm here.
00:26That your friend is smart enough to realize what's going on around her.
00:30I don't want to deal with you or any of your people.
00:33I don't want to have anything to do with the Lujans.
00:35We Lujans are all the same, but ...
00:37Don't talk to me like that now, Catalina.
00:38It's the truth.
00:39The truth is that you dragged my last name through the mud.
00:42And as a result of that, all the doors were closed for me.
00:45How are you with Santos after the invitations?
00:48Fine.
00:49I asked him to leave me alone and at the moment he's doing it, so ...
00:53You shouldn't trust him.
00:55Seeing this guy's tricks, he'll reveal everything any day.
00:58And what do you think? That I don't know?
01:00But he already cheated on me once and he won't do it again.
01:02If you want, I'm willing to show you the office.
01:08You can't even imagine how well I could leave you if you follow my advice.
01:11Someday you could become the mayor of a big house like this.
01:15And you could have a dignified and satisfactory life.
01:19I never thought I would say this, but ...
01:22Because of the relationship that Mrs. Arcos had with your son,
01:25I think her influence can be good for that boy.
01:28But how is it going to be good, for God's sake?
01:30That woman is a bad person.
01:31She's a bad partner.
01:32She's a bad boss.
01:33That's how it is in general.
01:34But not with your son.
01:36Why can't we get together like this, no more,
01:39without the need for papers or a priest?
01:42And that we were wild?
01:44Look, I understand that after so many attempts you get lazy,
01:47but these things have to be done well, as God commands.
01:50And you will see that when we get involved,
01:52the illusion will return just as it left.
01:55I want you to come back to the promise with me.
01:57Because our breakup has not been overcome.
02:01And I think that only if we are together I will be able to clarify my feelings.
02:05Why do you come with that funeral face, little one?
02:07Because we have given up.
02:09Because there is no turning back, we cannot help your son.
02:12My poor virtues.
02:14You don't get anything right, Mrs. Josefa.
02:21What are you doing here?
02:25Where is my son?
02:28Martina is against the wedding, from the bottom of her heart.
02:31And that makes me not be able to trust her.
02:33If it were your life that was at stake,
02:35you wouldn't see it as crystal clear as I do.
02:37The only thing I see crystal clear here is that you are a cheater.
02:40Say whatever you want about me.
02:42I prefer that you insult me in life than that you say nice words at my funeral.
02:45How nice our wedding will be.
02:47I hope so.
02:48Yours is more beautiful than mine.
02:49Come on, why?
02:50Because Manuel does have money.
02:52Manuel has money now.
02:54But you will see when his mother finds out that she is going to marry that whore, as she calls me.
02:58Our love will be able to do anything, my love.
03:01Soon we will stop imagining and we will see reality.
03:10Don't take this step, Ayala. You are about to recuperate.
03:13I have thought about it more than enough.
03:15Let's go.
03:18Let's go.
03:26Let's go. The nuns are waiting.
03:28You don't have to pull so hard on me.
03:30Ayala!
03:31I won't let you take her anywhere.
03:32Step aside right now.
03:34You will have to step aside.
03:36This is getting interesting.
03:37You are not taking my niece from here.
03:39Yes, I will. Right now.
03:41Don't you realize that you are going to ruin the life of an innocent girl?
03:43Innocent?
03:44She tried to kill me for the love of God.
03:46Going to a convent is the least I can do to pay for what she has done.
03:49If I haven't done anything, I'm fed up with this.
03:51If you want to ask the Civil Guard, let's go.
03:53If not, step aside.
03:54No, no, no.
03:56Let's not make things worse. Everything is fine.
03:58That's it.
03:59You've heard her.
04:00Step aside.
04:01No.
04:02Enough.
04:03No what, Margarita?
04:05If you take my daughter, I swear I will never marry you.
04:09Never.
04:16Never.
04:46Never.
04:48Never.
05:16Never.
05:17Never.
05:18Never.
05:19Never.
05:20Never.
05:21Never.
05:22Never.
05:23Never.
05:24Never.
05:25Never.
05:26Never.
05:27Never.
05:28Never.
05:29Never.
05:30Never.
05:31Never.
05:32Never.
05:33Never.
05:34Never.
05:35Never.
05:36Never.
05:37Never.
05:38Never.
05:39Never.
05:40Never.
05:41Never.
05:42Never.
05:43Never.
05:44Never.
05:45Never.
05:46Never.
05:47Never.
05:48Never.
06:03Alright.
06:07What?
06:08Martina won't have to go to the convent.
06:11That means I can stay here?
06:16Yes.
06:18Yes, that's what I said.
06:21Nobody expected this.
06:24How do we know she won't change her mind?
06:26She won't.
06:27Mother, thank you.
06:28I'm sure she won't.
06:32I'm sorry. I don't want to seem inconsiderate, but the nuns are still waiting outside.
06:37Tell them they can go.
06:39Miss Martina won't go to any convent.
06:42To make up for the inconvenience, give a generous donation from the Count of Ayala.
06:47I'll ask him, sir.
06:48No, we'll give the obolus first.
06:50The Count will pay later.
06:52Thank you, both of you.
06:54Curro, it's your turn to hug her.
06:58I'm the Marquis.
07:09And Adolfito? Where is he? Has he brought him?
07:13Calm down, the boy is fine.
07:15He has no right to take me away from my son. Where is he? I want to see him. I need to see him.
07:19Daughter, don't harass the poor woman and let her explain herself.
07:29I promise it wasn't my intention to escape with the boy, but my husband and I had no choice.
07:35They couldn't even let us know?
07:38Things got out of hand.
07:40Nothing can be so urgent.
07:45They kicked us out of our house.
07:48We had not paid the rent for four months and the owner fired us.
07:54We didn't know they had money problems.
07:58Things haven't been very good lately.
08:00And we have tried to put up with Adolfito's well-being, but we can't anymore.
08:05I had understood that your husband worked in a carpentry.
08:09He had to close some time ago.
08:12And without a newspaper to enter the house, and also with one more mouth to feed.
08:17But we never imagined that we would be left on the street.
08:20We thought that the owner would take care of our situation and live more with a child inside.
08:25We thought that the owner would take care of our situation and live more with a child inside.
08:31There is no more Christian charity.
08:34Now I understand why they asked me for those rooms.
08:39We are already older and the only solution we see is to return to our town.
08:46There we have the house where my parents lived.
08:49It needs fixing, but my husband is very kind.
08:51It certainly looks like a good way out.
08:54And we also have a garden right next door.
08:58We don't need much more to survive.
09:01In fact, and food. The rest is essential.
09:07The bad thing is that with all the pain in our hearts, we can't take care of our grandson.
09:14We can't take care of our grandson.
09:24So, my son?
09:32We all have the right to make mistakes and to rectify them.
09:39And you have done both things.
09:42You are going to be a good mother.
09:45The right thing is for you to get your son back.
09:49We were not very considerate with our demands.
09:55But, get him back? When? Now?
09:59That is precisely why I have come here, to give him to you.
10:03And Adolfito is here?
10:05He has stayed with my husband, with some friends from Lujan who have welcomed us with them.
10:10But it can't be.
10:13No, at this moment we can't keep the promise.
10:18We can't abuse the hospitality of our friends, who have a small house and two children.
10:24Yes, but understand that this has taken us by surprise.
10:28But this is what you wanted, right? To be with Adolfito.
10:32Yes, yes.
10:35Give us a few days, Mrs. Josefa.
10:37Give us a few days, Mrs. Josefa.
10:40To find a solution, just a few days.
10:45But don't demonize us, please.
10:48We run away to find a solution to this matter.
11:07A lemonade?
11:09You have read my mind.
11:11It was not difficult. With the heat you make, it is normal that you are thirsty.
11:18I have also asked the cook to prepare us some dinner.
11:22I guess then that you are not coming with me to the promise.
11:26Yes, I am going to the promise.
11:29I am going to the promise.
11:32I am going to the promise.
11:34It's just that you are not coming with me to the promise.
11:37You have always had good intuition.
11:41So that's a no.
11:44I know you don't like to eat much, so I asked him to make something simple and frugal.
11:49You haven't answered my question.
11:52And I think I have been quite direct.
11:55As always.
11:57And I like that, that you don't mess around.
12:00And I like that they pay me with the same currency.
12:05All right, then no.
12:08I don't want to go back to the promise.
12:15And can I know why?
12:18Of course you can.
12:20After how everything ended, I don't want to put up with your father's reproachful looks,
12:24the sarcastic answers of the Marquis, and of course,
12:27the comments full of cynicism from the captain of the Mata.
12:30Do you think my reasons are good?
12:34Of weight, yes.
12:38It's also hard for me to have to put up with my mother, Astraya, full of Lorenzo.
12:44Yes.
12:46She has kept the business that you and I started, hand in hand.
12:50So it was hard for us to lift it.
12:54We made a good team, yes.
12:56Yes.
13:02I'm sorry, but I don't want to go back to that place.
13:05I understand.
13:09But I would like to know what you feel for me.
13:18I wish I knew.
13:21Well, you're the only one who can know.
13:27I don't know if it weighs more what I feel for you, Catalina,
13:31or all the pain and resentment that I have accumulated in these months.
13:35Resentment towards me?
13:37I have lost everything because of those injurious publications.
13:40You know that I was not to blame.
13:42But I blamed you for everything.
13:44That's why I didn't give credit when I saw you at the door of my house.
13:52I think we should have had something stronger than a lemonade.
13:54This conversation is being too painful.
13:59It hurts, yes.
14:01But it was necessary.
14:06I appreciate that you wanted to talk to me.
14:11For me it was important to clarify things.
14:15For me too.
14:18And I'm glad.
14:20It's true that you have removed everything inside me, but ...
14:25I admit that I am also happy that you have come.
14:38Well, and now that you know that I am not going back to the promise,
14:41do you want to stay here with me?
14:42Well, and now that you know that I am not going back to the promise,
14:45do you want to stay here with me?
14:50That was not the idea.
14:54I have a free room.
14:56And it is quite far from mine, for your comfort.
15:00Don't worry, your Bluetooth is safe.
15:13The visit of my mother-in-law has taken my time.
15:16And I also forgot that Lope is in town doing some shopping.
15:20Don't worry, mother, we'll have dinner between three.
15:23Of course.
15:25I didn't know that woman would be so needy.
15:28Neither did I.
15:29I took him in the most absolute secret.
15:32She may be poor, but she has dignity.
15:35And very respectable.
15:37She is a very good person.
15:39And very respectable.
15:42Anyway, it is good news that you can have children without having to pay that fortune.
15:48Yes, in part it is a relief.
15:51We take a weight off our shoulders, but we take another one.
15:55I don't know if it's even worse.
15:57Now I can't take care of Adolfito.
16:00I can't bring him the promise,
16:02nor do I have a job that allows me to support him with his upbringing.
16:06It's all too hasty.
16:09The plan we had for him to work with Don Fermín was perfect.
16:14I regret more and more every day that I stole that money.
16:17Don't load the ink where it's been turned, Virtudes.
16:20Besides, the priest has left.
16:23That's true.
16:24Anyway, you couldn't have worked in that house
16:26because the new priest doesn't love anyone.
16:29End of story.
16:31And what do I do?
16:33If I leave the promise, I lose my job.
16:35And if I stay, I can't take care of my son.
16:39On top of that, the money we had from the collection,
16:42we put it all in the jam.
16:44And we don't have time to recover the investment.
16:46It's a dilemma.
16:48The worst of all is that we have no margin.
16:51My in-laws want to leave as soon as possible.
16:54And without the boy.
16:55Of course.
17:07What am I going to do with Adolfito?
17:09There will be some remedy, Virtudes.
17:11Everything has a solution, except death.
17:15But...
17:16Look, for now,
17:17you and I are going to talk to the mayors, Simona.
17:21That's the promise.
17:23One's problems are everyone's problems.
17:25So something will happen to him.
17:27No.
17:28What do you mean?
17:30We're not going to talk to the mayors alone.
17:32This is too big to do it behind Mrs. Petra's back.
17:37We have to go face to face.
17:38Otherwise, it's going to be worse.
17:40Well, since we have to talk to her...
17:43Yeah, yeah, yeah.
17:44We'll have to think about how to do it.
17:50Come on, daughter.
17:51Always with the nice guy.
18:06I can't believe I'm going to be able to sleep in my bed,
18:08and not in a cell in a convent.
18:12I think your mattress is softer.
18:14Yes, luckily I can enjoy worldly comforts
18:16and I don't have to offer sacrifices to God.
18:19Well, daughter, anyway,
18:20it's not so bad to be a little pious sometimes.
18:22Yes, but not every day, every hour.
18:25We have already shown that I have no vocation.
18:28I just got here.
18:29I was taking a walk with Maria Antonia.
18:32This nightmare is finally over, aunt.
18:35Yes.
18:36Ignacio has reconsidered his decision
18:38and has decided that Martina can keep the promise.
18:40That's exactly what they told me.
18:41That's why I came straight away.
18:43I can't believe I'm going to be free.
18:45The convents, the prisons, the sanatoriums are over.
18:48Honey, there's nothing like being at home.
18:50Well, especially if that house is the promise.
18:53Besides, I was convinced that Ignacio would end up backing out.
18:56Well, I didn't have them all with me, huh?
18:59Obviously, I was terrified
19:00and I didn't expect that change of attitude.
19:02But welcome, right?
19:05Ignacio has put everything on the scale
19:07and he has ended up winning our relationship.
19:10Do you really trust the love he professes to you?
19:13Well, be that as it may, Cruz,
19:15it has been enough for him to underestimate
19:17the idea of inviting Martina to that convent.
19:20And for me, for now, that's more than enough.
19:22I don't know if I'm so benevolent, really.
19:26But anyway,
19:27the important thing is that we have our daughter back home.
19:32I'm sure those nuns were furious.
19:34Well, now that they thought they had caught
19:36a pretty and young novice ...
19:38Well, they haven't gone empty-handed either, have they?
19:40They have caught a good donor.
19:42Oh, really?
19:43Because Uncle Alonso has decided to give them an ovulation
19:45to make up for the inconvenience.
19:48How generous, my husband.
19:50Well, I see that you three are very comfortable together,
19:52so I'm going to take the opportunity to look for Ignacio,
19:54I don't want this to happen to me.
19:56Well, but don't let him go around many more times.
19:58I don't want him to scare us again.
20:05I hope your mother realizes that he is the only one responsible
20:08for you almost ending up in a convent,
20:10or what is worse, in jail.
20:12Aunt, you know that I am unable to try to poison anyone,
20:15but someone had to put the bottle of poison in my room.
20:19You don't have to try to convince me, Martina.
20:22We all believe you.
20:24Well, all of us who are your real family,
20:26not those who have hidden interests.
20:29Yeah, but ...
20:31If someone who tried to poison Ayala decides to act again,
20:35and if he tries to end you or me ...
20:47Well, how happy that the Count of Ayala has changed his mind.
20:51Yes, it has been a surprise for everyone.
20:54But what really matters is that Miss Martina
20:56will not have to enter that convent
20:58and will be able to stay with us.
21:00That is good news, yes.
21:03I'm glad the Count has reconsidered,
21:05because that girl didn't deserve that fate.
21:08No, I don't agree with you.
21:10Besides, it would have been a hard blow for her mother.
21:13I think that's why the Count has done it,
21:15to avoid harming the woman he loves.
21:19Well, maybe, but that last-minute change,
21:23so sudden, won't be free for him, the Count.
21:28What do you mean, Mrs. Alcos?
21:30Well, at some point he will have to take care of the generous donation
21:34that has been given to the nuns to compensate them for their inconveniences.
21:38And although the Marquis gave the money ahead,
21:41sooner or later we will have to claim it from the Count of Ayala.
21:45Well, being a collector is certainly not a pleasure.
21:49And why don't you take care of it, Mrs. Alcos?
21:52Me?
21:53After all, you were a trustee for a while for Mr. Count.
21:58I was in charge.
22:00No one better than you to deal with such a delicate matter.
22:03Anyone would say that you are taking care of the dead, Mr. Guaida.
22:07Responsibility is not free, Mrs. Alcos.
22:11All right.
22:13I'll make sure to claim his debt.
22:17And that he pays for all the bad moments he has caused us.
22:24To be continued...
22:37How is Martina?
22:39More calm?
22:40Above all, she is more relieved.
22:42I still can't believe she's still here, on the promise.
22:45That's why I was looking for you, I wanted to thank you.
22:49What you have done means a lot to me.
22:52If Martina had entered that convent, I think I would never have forgiven you, Ignacio.
22:58You made it clear enough.
23:01That's why I stopped.
23:03Well, I thought I had no choice.
23:05Because neither my pleas, nor Curro's, nor Alonso's, seemed to make a mark on you.
23:11Well, you see that in the end, yes.
23:15When I saw in your eyes that I could really lose you,
23:18I knew it was a price too high.
23:21And besides, I couldn't punish your daughter all her life for a mistake.
23:27You have to be indulgent with the sins of youth.
23:30We all commit them, don't we?
23:35Yes.
23:37Yes, the truth is that this situation has outdone me.
23:44I hope Martina has learned her lesson.
23:47Don't doubt it, Ignacio.
23:49My daughter has a very strong character, but she must learn.
23:54I hope she changes her attitude.
23:56It will be the best for everyone. For her, the first.
23:59Well, I'm sure it will.
24:01I realize that my daughter has suffered a lot when she saw this.
24:04And that she was about to see her future ruined.
24:08So I think it's a lesson she'll never forget.
24:13I don't think we'll ever forget it.
24:17Ignacio, I'm going to change for dinner. See you at the dining room?
24:21Yes, yes. The sooner we get back to normal, the better.
24:26Very well.
24:39I don't understand that man. He changes his mind like a shirt.
24:42Well, as long as it's a better change.
24:44The important thing is that Miss Martina will not have to enter that convent.
24:48And she's going to stay with us on the promise.
24:50That today.
24:51The same thing tomorrow, when she has changed her mind and another foolishness occurs to her.
24:55And Mrs. Simona has already said it, that man is a sailboat.
24:57The same thing today, the wind comes from the front and tomorrow from the side.
25:01No. This time he has committed himself to leaving things like this
25:04and not to make any more claims against Miss Martina.
25:07I hope you are right, Mrs. Alcos.
25:10I am.
25:11Well, at least the nuns have not gone empty-handed.
25:14That leads to a good tip.
25:16Yes, a tip that the count will have to pay in its entirety.
25:21And I imagine that we will not be talking about porrela.
25:24I would like to know if it was out of curiosity or out of grace.
25:28Out of curiosity or out of gossip.
25:30In any case, I don't know why Mr. Pellicer took care of that.
25:34Well, you'll have to ask him the exact amount to claim it from Count Dayala.
25:40In any case, I don't think I will compensate the nuns a donation for losing a vocation.
25:44Much less a Miss Alcurnia like Miss Martina.
25:47Well, the fact is that the sisters never go empty-handed.
25:50That's true, because they have God on their side.
25:53And the mazdalena and the garrapiñas that they sell at the price of gold.
25:56And they are worse than those made by Mrs. Simona.
25:58Everything has been said.
25:59Well, it's a matter of comparison.
26:01Well, it's not a matter of comparison and neither of gossip.
26:04I suppose they will have work to do.
26:07Yes, because the dinner service will start soon and we have to prepare absolutely everything.
26:12Let's go to work.
26:37Let's go.
26:56I just met Miss Martina.
26:58She is splendid because the last twist of events was not expected.
27:04This time the good guys have won.
27:06And I just hope that from now on there is some peace in this holy house.
27:10I swear to you, my life turned upside down waiting for calm and ...
27:15I found the same.
27:18You know this is the promise.
27:23And since it is the promise, why don't we go to my studio and spend the night together?
27:30Manuel ...
27:33You know I have a desire to be with you, but ...
27:36But what?
27:38Everyone is sleeping, no one will discover us.
27:40It's not true. There are people on duty who are still standing.
27:46We will be stealthy.
27:51Really, don't insist, please.
27:54Are you afraid that if I insist, you will say yes?
27:58Well, of course.
28:02Mr. Baeza?
28:04Sir, here is the newspaper I was looking for this afternoon.
28:10I was ... I wanted to take a look at the news from the front.
28:16Well, sir, if you don't need anything else, I'm leaving.
28:19Thank you, Hanna.
28:26Mr. Baeza, can you tell me where you found it? I've been looking for it all afternoon.
28:29The captain of the Mata had it in his dormitory.
28:35It seems that they have destroyed a viaduct of vital importance.
28:38In the same region in which we were destined, Curro and I.
28:41Yes, something seemed to me to be above, yes.
28:45I hope there weren't many casualties.
28:47No, I don't think there were any victims, but you did it yourself.
28:50Yes, that's right.
28:53You know, I can't get my head out of my head, all the colleagues we left there.
28:57Yes, sure, but you also have to think that you are lucky to have been able to return home.
29:05I do.
29:06And I assure you that both my cousin and I are very aware that we have been reborn.
29:10Life has given you a second chance and you must take advantage of it.
29:14Exactly.
29:16And if there is something positive about this war, it is that now I want to live more than ever.
29:20And there is no obstacle in front of me.
29:23But you must not confuse enthusiasm with imprudence, sir.
29:28It is important not to go beyond the place that belongs to us.
29:33It is a humble advice that I give you, sir.
29:37And I thank you.
29:40Excuse me.
29:53A month later
30:16Come in.
30:19Mrs. Arcos, can I talk to you?
30:22What do you want?
30:32He hasn't noticed anything.
30:35Who hasn't noticed anything?
30:37I'm talking about my father.
30:39I gave him the jacket that I stained by mistake and he hasn't warned about the arrangement.
30:45Well, if Mr. Pellicer, with how sharp he is, hasn't noticed anything strange,
30:50I assure you that Mr. Pellicer is so pure.
30:53Thanks to you, my imprudence will have no consequences.
30:56Well, I'm glad that the matter has not transcended.
31:03He doesn't know how much it means to me to have someone of his professionalism on my side.
31:11Since the promise came, I've had the feeling that everyone has put me aside.
31:17Except you.
31:19Well, that's because I do know how to recognize the potential.
31:24And you have it, Santos.
31:27And you have been able to recognize it despite my mistake.
31:30If I hadn't covered myself, I would have had a very serious problem.
31:34Thank you again.
31:36Enough, Santos.
31:38Praises weaken, so don't give me more disgrace.
31:41I only did what I had to do.
31:44Because I believe in you.
31:46And ...
31:48I will not disappoint you.
31:51You just have to follow my advice, as I told you.
31:54And you'll be fine, you'll see.
31:56I promise I'll learn fast.
31:58I have the best teacher.
32:00Oh, I've already told you enough praises, Santos.
32:02Sorry, Mrs. Petra.
32:04It's just that, even in modesty, you are a reference.
32:08Well, since I see you so ... so eager to progress,
32:13there is something I would like to ask you.
32:16Whatever.
32:19If it is true that you have the firm purpose of starting a new stage in your life,
32:24I want you to promise me ...
32:26that you will control your jealousy attacks.
32:31My jealousy?
32:33Yes. Yes, your jealousy.
32:35It makes me promise that you will not continue harassing neither Vera nor Lope.
32:38And I understand that the breakup with that girl still hurts you.
32:44It is true that that wound is still open.
32:47Well, put some salt on it.
32:49To make it heal quickly.
32:51But I don't want any more fights, or more outbursts of tone.
32:54And I don't want Santos Peleón and Malencarado either.
32:57But the efficient Calle, which has a bright future ahead.
33:03Will that new Santos have?
33:06I really fear your word.
33:08He has it.
33:10He will be fine.
33:12I've been fine since you guided me.
33:15Well, that's better.
33:17You trust me.
33:19You know I don't.
33:20I love you.
33:37The truth is that there are times when I think that Mrs. Petra has a game up her sleeve.
33:41I don't know where she is.
33:44I was going to pay Mrs. Pia a visit.
33:48And she caught me red-handed.
33:50Has she given you a lot of homework?
33:52What is not written.
33:54That if she has given me some shirts.
33:56That if she has built a room for me to cool down.
33:58That if a broken sheet of Mrs. Cruz comes up.
34:00No, no. I see that hand in hand you will not be.
34:08You already know that Petra suspects us, right?
34:13Yes.
34:15And that's why she doesn't stop sending and sending homework.
34:18Of course, wherever I go, I have her there looking at me as if she were my shadow.
34:23Yes, I think we have her out of sight.
34:26And that's why she doesn't stop sending us homework.
34:28But come on.
34:30The complete truth is impossible for her to know, right?
34:33No, no. She doesn't have to know the truth.
34:35But I think she is collecting information and in the end she ends up setting up her own puzzle.
34:40Yes, that's for sure.
34:42But come on, she will be very far from knowing something that I have in danger.
34:46I see.
34:48Well, that's how it has to be, Maria.
34:50Because as Mrs. Petra, she was in contact with Gregorio.
34:53Shut up, shut up.
34:55I still remember when I saw him in the middle of the night, as a hidden ghost.
35:01And poor Mrs. Pia, stuck in that filthy cave.
35:04With barely any space, no light.
35:09Poor thing is consuming herself.
35:11Like a handful of snow.
35:12I see.
35:14And we both know that that cave is horrible.
35:17And we've only been there a few days.
35:20Well, speak for yourself, Hanna.
35:22Because I was locked up for an eternity.
35:24I see, I see. You understand me, Maria. I'm sorry.
35:27But yes.
35:29When Mrs. Pia is still there, she will end up losing the trial.
35:34Of course, there is something there, but it's not good.
35:37Well, no, Hanna. It's bad.
35:40It's really bad.
35:43Well, we have to do something so she doesn't lose it. We will definitely do it.
35:52Mr. Baeza is not talking to the Marquis.
35:55And I don't know what to expect.
35:59Come on.
36:00Come on.
36:11The bad habit doesn't go unnoticed by your niece.
36:15Ayala kept it to herself until the last moment.
36:18And how do you know?
36:20You were out with me.
36:22The captain told me everything.
36:25Don't trust everything Lorenzo tells you.
36:28What is clear is that it had to be a distressing moment for her.
36:32There were two monks waiting at the door to take her to the convent.
36:36I just hope that with the donation we gave them,
36:39they are calmer.
36:41And don't go spreading curses out there.
36:44Women are religious.
36:46You never know.
36:48So,
36:50a limousine in time and everything solved.
36:52Besides, I understand that Ayala is going to take care of all that.
36:56So, better than better.
37:00The truth is that I was hoping that last night at dinner, the count would manage to resolve the issue, but ...
37:04nothing.
37:05Thank God.
37:06You don't know how to thank his silence.
37:08Finally, a little peace.
37:11Although it is clear that poor Martina is still so shocked that she didn't even go down to dinner.
37:17I find it hard to believe that the count has forgotten everything in a moment.
37:20I'm sure the issue is still rumbling inside.
37:23Well, let him be alone.
37:27You don't know anything?
37:29Have you had a chance to talk to him alone?
37:32No, the truth is that no.
37:34Alonso has handled all this.
37:36He has taken care of everything.
37:38And very well, by the way.
37:40He has handled everything carefully and without losing authority.
37:44Until the last minute I was trying to convince Ayala to reconsider her position.
37:48And Lorenzo has told you that too.
37:51Margarita has corroborated it.
37:54But I don't need it either.
37:56I know Alonso very well and he is a man of firm principles.
38:00Stubborn, but always polite.
38:07Alonso, your husband, had an affair with Maria Antonia.
38:10He kissed her.
38:12That's why he wants to kick her out.
38:13That's why. That's why he wants to kick her out.
38:17And ...
38:19Tell me, are you already packing your things?
38:24As you said, have you already thought about when you are going to abandon the promise?
38:28Yes.
38:30You're in a hurry for me to leave, aren't you?
38:33Don't say that, Maria Antonia.
38:35But a few days ago you told me that you had to prepare everything with the maids, right?
38:39And you know you came because things weren't right.
38:41So now, with this happy ending of Martina's,
38:45well, it seems that everything will return to its course.
38:50That's what it seems.
38:54That's what it seems.
39:05Well, where do we start?
39:08From the beginning.
39:09From the beginning.
39:11And what is the beginning?
39:13Well, for the first thing.
39:15Very good. This is how we can be all day.
39:18It's about organizing the wedding.
39:22We've talked about it so many times and I've imagined it so many times that I don't know anymore.
39:27And it's hard to believe that it's going to come true.
39:30A lot of talk, but little on paper.
39:33If we had put ourselves as God commands, we would already be married and well married.
39:36I'm not talking about how to get married. We are specialists in talking about how to get married.
39:40But come on, we don't even get married and we don't even know how to get married.
39:43I've got lost.
39:45Me too.
39:47I admit that the wedding thing imposes a little on me.
39:49Well, but it's not that bad, is it?
39:51I'm talking about the truth.
39:53Oh yeah? But the truth of the good.
39:56The truth of the good.
39:58The truth of the good.
40:06No, no. Get serious, you too.
40:08Serious like a funeral.
40:10Where do we start?
40:12Again with this, Salvador? This is an endless loop.
40:16Well, I say that the first thing would be to talk to the Marquis.
40:20Yes, I guess.
40:22Because you don't see that we don't own ourselves and for everything we have to ask permission.
40:27True, like that time when we couldn't get married because the lords had to get married before.
40:31Because of that absurd tradition that ... I don't know.
40:33I don't know.
40:35And look how the story of Don Pelayo and Miss Catalina ended in the end.
40:38Well, but don't get mad at that.
40:40And let's be practical.
40:42Who talks to Don Rómulo?
40:44If you want, I'll talk to him.
40:46But with Doña Petra ...
40:48Well, if you want, I'll take care of that.
40:50And you talk to the parish priest.
40:52Very well.
40:54But he's no longer in Fermín, right?
40:56No. Now there's a new priest.
40:58They say he's very peculiar.
41:00Well, look, I'm also peculiar.
41:01I'm going to get along with him.
41:03You're going to do it.
41:05Let's see if you're going to get in trouble for talking too much.
41:07María, please, I'm not a priest, but I'm not a ... a fool either.
41:11When I explain myself, I explain myself like an open book.
41:14I know that.
41:16You have a little bit of gold.
41:19And just for that, I'm going to give you another kiss.
41:32Good morning.
41:34Good morning.
41:41How is your day going?
41:43Fine.
41:50And you?
41:52Fine.
41:54And you?
41:56Fine.
41:58And you?
42:00Fine.
42:03No, Vera, wait.
42:06I'm sorry.
42:08Don't touch me again.
42:15No one will know that you are the daughter of the duchess of Carrí.
42:19At least not from my lips.
42:21You've told me that so many times.
42:24What do you want?
42:26Nothing.
42:27Just don't be afraid of me.
42:29You don't have to dodge me when we cross the corridors
42:33or avoid my gaze when we're all together.
42:36Or like now, Vera, that I'm not a monster.
42:41I've learned that I can't force anyone to be with someone they don't love.
42:47And it's clear that you don't love me.
42:50And ...
42:52I'm not good at anything either, revealing your secret.
42:55You have the right to live in peace.
42:59I'm not going to lie to you, Santos. I don't trust your words.
43:03I don't expect you to.
43:05Then leave me alone already. It's not that complicated.
43:08At least I'm trying to make things easier.
43:11Is that clear?
43:24Yes.
43:46Lorenzo.
43:48Would you like a cup of tea?
43:50Before I wanted to change my clothes, I came for a long walk.
43:54You came to hydrate yourself with a good cup to the point.
43:57I need to talk to you, please.
44:01Okay.
44:07You haven't managed to convince me, but you've managed to intrigue me.
44:12What are you going to surprise me with today?
44:15With what happened yesterday.
44:17What do you mean?
44:19Come on. If you think a little, I'm sure you'll figure it out yourself.
44:23My sister-in-law again?
44:24Cruz again, yes.
44:26She reminded me again that it's time for me to leave La Promesa.
44:29And it's too much insistence in a very short time.
44:35Why are you so funny?
44:36Because I don't find her the least funny, frankly.
44:39That woman is desperate.
44:41She doesn't know what to do to kick you out of the palace. She just needs to kick you in the ass.
44:44Don't be rude, please.
44:45I'm sorry.
44:47Again?
44:48I couldn't help it. I'm sorry.
44:50Well, you should have a little more patience.
44:53I already warned you about my sister-in-law's undiplomatic ways when she wants to get something.
45:00It's just that she hasn't been rude.
45:03She's been stubborn.
45:04Too stubborn.
45:06I see.
45:08And she keeps turning to Alonso.
45:10What about Alonso?
45:12Don't play dumb with me. You know it perfectly well.
45:15The ordinary and inappropriate approach he had with you.
45:19Yes, exactly.
45:22You yourself told me that Cruz is too smart to see everything that happens around her on her own.
45:28But it gives me the feeling that more than suspicions, what you have are certainties.
45:32And that certainty has only been given to one person.
45:35Alonso.
45:36You!
45:37Accusing me again.
45:39It hurts so much distrust.
45:40Don't play dumb with me.
45:41I don't do anything.
45:43And you know it.
45:45It's just that it's all too strange.
45:46I don't get it.
45:48After everything we've been through together,
45:51he's throwing me as if I were a plague.
45:53Don't take it that way.
45:56It's not your fault.
45:58It was Alonso who made that approach.
46:01He's to blame for everything.
46:03But Cruz pays with you because, unfortunately, and as I suppose you know,
46:07life isn't fair.
46:10No, it isn't.
46:12But we can make it fun.
46:13Well, right now I don't see anything fun.
46:16Well, I'd love to show you.
46:22It hurts to see you so down.
46:26I have to get out of here as soon as possible.
46:29That doesn't sound fun at all.
46:33It's been too long.
46:43It's been a long time since we received a letter from Teresa, right?
46:47Yes.
46:48That's true.
46:49How is she doing in America?
46:52Let's see if something's happened to her and that's why she's not writing.
46:54She's in agony.
46:56You're happy with a loss.
46:58You like to get into the worst, Simona.
47:01I've never been better.
47:03You're never prepared for the worst.
47:06I've never been better.
47:08I've never been better.
47:10I've never been better.
47:11You're never prepared for the worst.
47:14I don't think we know anything about Teresa because of the war.
47:17But Teresa is very far from the front, fortunately.
47:20Yes, but the trans-oceanic mail is being affected.
47:23There are fewer ships going from one continent to another.
47:25That's what Salvador said.
47:27The Germans had only sunk the ships with the submarines.
47:30Mother of beautiful love.
47:32Well, it's a shame.
47:34Teresa's letters were the most entertaining.
47:36I liked to know about her trips around America.
47:38You have to see the difference in life out there.
47:41You have to see everything.
47:43Besides, most of us won't have the opportunity to travel so far.
47:47Visiting some places in Spain would make me happy.
47:51I'd love to go to Burgos, Santander, Castellón de la Plana, for example.
47:57The truth is that Teresa's letters made us travel far without leaving here.
48:03I just hope they solve the problem with the mail.
48:06I just sent a letter to Teresa telling her the news.
48:09I don't want her to miss my wedding.
48:11Have you already started with the preparations?
48:13Yes, more or less.
48:15Salvador has to go and talk to the priest.
48:17The new one? The peculiar one?
48:19Yes, no matter how strange he is, I have to celebrate weddings.
48:23I guess so. A priest who doesn't get married is neither a priest nor anything.
48:34How curious.
48:35How curious.
48:37Every time I enter a room, there's a silence of mass.
48:42That's exactly what we were talking about, Mrs. Petra.
48:45About the mass of my wedding.
48:47In case you want to join the conversation.
48:50Well, I hope you use the suit that I helped you make.
48:54I spent a lot of time on it.
48:56That's a very good idea.
48:58So I can get a new dress if I have a beautiful one.
49:01I hope the wedding can be celebrated.
49:02Now that there is no longer the impediment of the marriage of Miss Catalina with Mr. Peraño.
49:08Anyway, I have to officially ask the Marquis for permission.
49:13And since you are here, Mrs. Petra, I take the opportunity to ask for your mediation.
49:19I will talk to Mr. Baeza to make the management.
49:22But I already tell you that it is not a priority.
49:25And it will take a while.
49:27Thank you very much.
49:29And have you already thought about what kind of flowers you are going to wear?
49:33Do you want to wear a mantle or a simple veil?
49:36I have a hairbrush from Carey, stored in a box.
49:39Can I serve you?
49:40And I could make you some gloves.
49:42They always give a touch of distinction.
49:44You look beautiful.
49:45But what kind of flowers are you going to wear, Maria? You haven't answered me.
49:48She hasn't answered you because she's been silent.
49:50She, who is the most interested in the wedding, doesn't say a word.
49:54Are you okay, Maria?
49:59Yes.
50:01There are so many things.
50:03Why can't I help but get excited?
50:14How beautiful.
50:15As if we could contemplate this wonder every day, we never stop looking at it.
50:20Sometimes we forget the most important things.
50:23The last time I stopped to see the sunset was with you.
50:26Do you remember?
50:27How can I forget it?
50:30It's okay here.
50:31Away from people.
50:33From the noise.
50:35You can stay as long as you want, you know that.
50:40I'm not sure this is my place.
50:47The decision is in your hands, Catalina.
50:50You decide if you prefer to stay or go back to the promise.
50:55I see.
50:57I'm sorry.
51:02My idea was to take you with me and not the other way around.
51:06That you would welcome me in your case.
51:10I'm sorry, but that's how things are.
51:12I'm sorry.
51:25Catalina.
51:28You asked me how I feel about you.
51:31And I answered you.
51:34In a very ambiguous way.
51:35As if it were by chance.
51:37Yes, but it's the truth.
51:39And I still don't know what you feel for me.
51:42Because all that you need to clarify your feelings
51:47is also quite ambiguous.
51:55Look, I don't want to pressure you, okay?
51:59Besides, I already know the answer. Are you going to leave?
52:09Look, I don't want to think anymore.
52:13I've been locked up in a hangar for months.
52:16Away from everything and everyone.
52:18Without doing anything but think, I'm fed up.
52:22I want to propose something to you.
52:39I love you.
52:52Manuel.
52:55I brought you a snack so you can get some strength.
52:57I love you.
53:07Well, if I tell you the truth, I'm not very hungry.
53:10And I'm full of energy, but you do bring it to me.
53:13Well, actually, I just wanted to bring you the snack to see you.
53:18It was an excuse for Mrs. Petra not to tell me anything.
53:24In that case, I want to eat at all hours.
53:27Okay.
53:31What are you doing?
53:34I want to hug you and I need space to do it.
53:38Manuel.
53:41Manuel.
53:43Wait, please.
53:46I'm not in the mood to talk.
53:50I'm still worried about Mrs. Pia and I can't get it out of my head.
53:54But I thought that matter was already under control.
53:57Didn't María Fernández go to see her recently?
54:00Yes, but ...
54:03Didn't she stay calm? Didn't she say everything was fine?
54:07At first, yes.
54:09But the thing is that when María left, Mrs. Pia was very distressed.
54:13And it can be seen that the confinement is affecting her mood, so ...
54:18I think I have to get her out of there as soon as possible.
54:24Well, we'll do it.
54:26Don't worry.
54:28Yeah, Manuel, but I can't think of how.
54:31I can't think of how to get her out of that cave without Gregorio finding out everything.
54:36What if we ask for help from Don Fermín?
54:38The parish.
54:40Hanna, I know it's a pilgrim idea, but he's a good man and he can help us.
54:45Manuel, if I don't tell you it's not a good idea, it's just that Don Fermín is no longer there.
54:50Did he fail?
54:51No, they moved him to another town.
54:54And the thing is that the priest who is there now doesn't know almost anyone from Lujan, so I don't think he can help us.
54:59I see.
55:02I don't know what, Manuel, but we have to do something.
55:05Mrs. Pia can't be in that cave much longer, do you understand?
55:09Well, we'll have to keep thinking.
55:11But that's what I've been doing for weeks, Manuel.
55:14And I promise you I don't see the way out.
55:17There will be some.
55:19Well, the only thing that has occurred to me is that maybe to end this torture I should face the problem.
55:27That is, face Gregorio.
55:31Hanna, I'm not following you.
55:34Well, I've been thinking that maybe I should talk to him myself.
55:39And maybe I can make him come to his senses.
55:42No, no. That man is dangerous and he can attack you.
55:47Manuel, I know.
55:49But I can't think of anything else.
55:52Not that.
55:54Besides, if he was a bad beast before going to jail, imagine now.
55:57No.
55:59And it's not that easy to deal with him either. That man is missing.
56:02That's not true either.
56:04He's lurking in the shadows, waiting for his moment.
56:08And what do you want me to do, Manuel?
56:09Stay with my arms crossed watching Mrs. Pia consume herself?
56:12Listen to me.
56:17Why don't you take me to see Mrs. Pia before doing something that has nothing to do with it?
56:23To the cave?
56:25Yes.
56:33Does he know anything about Mrs. Pia?
56:35He wanted to go to his grave and take some flowers and he became very insistent so I ...
56:39You had to tell him everything.
56:42Well, yes.
56:44I'm going to see how Mr. Baeza finds out. He's going to make a mess of San Quintín.
56:48Víctor, you have to calm down.
56:50Don Rómulo is a very understanding man.
56:52Yes, and I'm not worried about Don Rómulo.
56:54Or not so much.
56:55And you scare me, Mrs. Petra.
56:57I really can't believe we're even shuffling the possibility.
57:01Well, if I understand it a lot, this is not a charity house.
57:05Cruz, I agree to show our gratitude to Maria Antonia.
57:08Not only does she have a great heart, she is also patient, she is intelligent, she is sweet, she is ... beautiful.
57:18I don't understand why you are so hostile to Maria Antonia.
57:21I'm not hostile to Maria Antonia.
57:22Do you think I'm an idiot?
57:23Stop bringing Cizaña into my house or there will be two people who leave the promise.
57:27Don't threaten me.
57:29Have you thought about what we're going to do?
57:30Well, there's not much to think about.
57:31We knock on all the doors and the ones that open we ask for work.
57:35And we go to questions everywhere.
57:36In the boutique, for the seamstress, in the tavern, even in the blacksmith's shop and in Menester.
57:41I have Margarita totally at my mercy.
57:43But that can vary the moment I tell Margarita.
57:46Why did you change your mind at the last minute and decided not to take Martina with those nuns to the convent?
57:51Because Margarita asked me to.
57:53That's what you've made everyone believe, but I know you backed out the moment you saw me show up.
58:00Salvador Alma de Cantaro, you had to talk to the priest about our wedding.
58:04Yes, but the saint has gone to heaven.
58:05The saint to heaven and the sin that does not step on the church.
58:08I'm very sorry, Maria.
58:11We're talking about the life of Mrs. Darre.
58:14I think we have to get her out of there.
58:15What we have to do is take her to a place that has some sunlight.
58:18That she can extinguish day and night.
58:20She knows that's not possible because it's very dangerous.
58:23Well, then I can't think of what else to do.
58:29I've got to go to jail.