A Bad Omen? (Episode 15) | Love You Stranger - video Dailymotion

GMA Public Affairs

Ben (Khalil Ramos) is spooked when he sees the 'lilom' while filming a scene for his movie. Could this be a warning or a sign of something more? Meanwhile, as the film production progresses, LJ (Gabbi Garcia) becomes increasingly determined to uncover the truth about what really happened to her mother.

Transcript

00:00Ben! There's a ghost in front of the room!

00:04Are you okay? Why did you get left behind?

00:06I followed the ghost.

00:12It's just a simple brownout.

00:14Are you sure?

00:15The staff said that you were the ones who got lost.

00:22So where is Chu?

00:23No one is listening to me!

00:25I'm the one who's listening!

00:26I saw this inside the house, in a room that is not used.

00:31I think there's gasoline inside.

00:33Do you have the footage of the brownout on the set?

00:36Leak it!

00:37Real life scare happens in the biggest horror suspense movie of the year.

00:44I need to know if you can carry the torch.

00:46I'm counting on you.

00:48How important is our family name to you?

00:51Very important.

00:52Protect your family name.

00:56Promise?

00:57Promise.

00:59See you, Tisay.

01:00Why did you leave your friend?

01:02I was scared. Something happened to her mother.

01:05Maybe that's why I'm still here.

01:08Because the story is not over yet.

01:22A few days later.

01:24A few days later.

01:50I don't want to go home.

01:54Is this a dream?

02:05LJ?

02:06Auntie, are you crying?

02:09Auntie?

02:11Is it Mama?

02:13What about Mama?

02:15Your Mama is okay.

02:17This is what I'm following in the drama.

02:20Is it the girl?

02:21My chicken is in the friend zone.

02:23Chicken?

02:25Why doesn't the good boy want it?

02:28Wait, wait.

02:29What's going on? I don't understand.

02:32Nothing. We're just okay.

02:35Your boyfriend always comes back so that your Mama has something to cook.

02:42Uncle Joe is the good boy.

02:45Oh, you said it.

02:47That's why you, LJ, when you have a boyfriend, choose the good boy too.

02:54Oh, LJ.

02:57How are you?

02:59How's your chest?

03:00Did you find out anything about your chest?

03:03Oh, Auntie.

03:05It's just the first day of the surgery.

03:08We haven't even started yet and there's already something broken.

03:12I feel like there's something we don't like here, Auntie.

03:15LJ, I know you went there to find out what happened to your Mama.

03:20But please, be careful.

03:23Yes, Auntie, I'm being careful.

03:26That's why,

03:29that's why I'm not telling the people here that Mama and I used to live here.

03:34I know you're taking care of your Mama.

03:37But LJ, be careful there.

03:40And if you need help, just let me know, okay?

03:44Please.

03:51Hey, guys.

03:52Be careful, okay?

03:53Put it inside.

03:54Be careful with the things.

03:56Make sure it's complete.

03:58Rudy.

04:13Good morning, Consejala.

04:16Did you tell the Mayor already?

04:18Did you tell Mayor Harry about the incident that happened here last night?

04:22The brownout?

04:24Ah, you must be Ms. Patty.

04:28Ah.

04:29Mayor Bienvenido Chavez.

04:33M-Mayor?

04:35Ah, hi, Mayor.

04:38Oh, thank you for dropping by.

04:41Ah, I think I saw you somewhere.

04:44I'm sorry if I suddenly asked you to come here.

04:46The reason I came here is because I received a message from the former Mayor.

04:52The one who's hiding now because of a lot of cases.

04:56That's why I'm in charge here.

04:59Ah.

05:00You know, this house has been here for a long time.

05:03Since the Spanish,

05:05Japanese,

05:07and American times.

05:09It's a good thing you didn't get burned.

05:11Ah, no, no, no.

05:13I'm just kidding.

05:14You know, Delapaz has already donated this to the town of Santa Castella.

05:19Ah, yes, Mayor.

05:22Tristan Delapaz helped me.

05:25Director,

05:27we're going to use this location to say goodbye to Mayor Harry.

05:31Not Harry,

05:33Mayor Bienvenido Chavez.

05:36Sorry.

05:38Anyway,

05:40you already have a permit.

05:41That's why I came here.

05:43I just want to know if there's a problem.

05:46You know,

05:48Ms. Patty, we're just taking care of this town.

05:51And we don't want anything to happen to the town of Santa Castella.

05:58Right?

05:59Ah,

06:01yes.

06:02We will make sure that everything will be okay.

06:06As a matter of fact,

06:07we will make Santa Castella famous.

06:10Mayor.

06:11Oh, don't worry.

06:14By the way, Mayor,

06:16I'm here to keep an eye on them.

06:20It's not a big deal.

06:23In fact,

06:25Santa Castella is trending right now.

06:28It's okay if it's trending,

06:30for the right reason.

06:32Ms. Patty.

06:33Yes, sir.

06:34You know,

06:35you can hire me for your movie.

06:41So,

06:43I'll leave now.

06:45Wait.

06:48Ms. Patty,

06:49I don't believe in bad luck.

06:51But,

06:53I have a suggestion.

06:54Yes.

06:56Please,

06:57don't,

06:58don't get mad

07:01at Lilo.

07:04Whoa.

07:17Good morning, Director.

07:18Hi, good morning.

07:19Good morning, Director.

07:20Good morning, thank you.

07:21Thank you, thank you.

07:22Morning, Director.

07:23Hey, good morning.

07:24Hi, good morning, Director.

07:25I'll get your bag, you can bring it there.

07:27Thank you, good morning.

07:28Diego, Colleen.

07:29Hi, Director.

07:30Good morning, how are you guys?

07:31Good morning.

07:35Good morning, Director.

07:38Morning.

07:39Morning.

07:41How are you?

07:49It's gonna be a busy day.

07:52Yes.

07:54Good luck, Director.

07:56Yeah.

07:57Good luck.

07:58Good luck to all of us.

07:59Good luck to all of us.

08:03Okay.

08:12Colleen,

08:13are you ready for our first scene?

08:15Director, I'm sorry.

08:16I'm nervous.

08:17What kind of attack do you want here?

08:19Director, Colleen couldn't sleep.

08:21She's thinking about the scene.

08:23Is it our first take, Director?

08:24The attack that made me dizzy?

08:29Okay, Colleen, look.

08:30I know it's your first day,

08:32and this scene is heavy.

08:35In this scene,

08:36Lilo will attack you right away.

08:39And you know,

08:41you know that he plans to imprison you here.

08:44Till who knows,

08:46one week, one month,

08:48maybe forever.

08:51I know, okay?

08:53I know that you feel unprepared

08:55in scenes like this.

08:57So use that.

08:59That's exactly what I want.

09:01Yeah?

09:02You feel uncertain.

09:03You feel scared.

09:05Colleen,

09:06don't be afraid of your emotions.

09:08Embrace them.

09:10Okay?

09:11In this scene,

09:12I want to see your real and raw emotions.

09:14Yeah?

09:15Okay.

09:17Love,

09:18you can do this, okay?

09:20You can do this, okay?

09:21Okay, Director.

09:22I'm ready.

09:23Okay, game.

09:25Get ready.

09:26Alright, good luck.

09:27Thanks, Director.

09:30Come on.

09:40Director,

09:41do you want to change anything?

09:44No, it's okay.

09:46Looks exactly like your sketches.

09:49Okay, Director.

09:50Good luck with the scene.

09:55Wait, LJ.

09:57I want to tell you something.

10:01Go ahead.

10:02Tell me.

10:06Directly to

10:08Colleen's character.

10:11Can we

10:13not make her

10:15helpless?

10:17I think her character is too helpless.

10:21What do you mean?

10:22Her character

10:23told Lilo

10:25that

10:26she won't lose.

10:28But

10:29that's all she did.

10:31It's like

10:32she just waited

10:33and relied on

10:34Diego's character

10:36to save her.

10:39They still have a lot of scenes.

10:41They will help each other

10:42to escape from home, right?

10:46You're right, Director.

10:49But

10:50in real life

10:52women

10:55really fight.

10:58Sometimes, they lose

11:01but they fight.

11:04That's all, Director.

11:06Good luck.

11:13Director,

11:14can we go now?

11:16Let's take a look.

11:17Let's go.

11:19Let's take a look.

11:22Let's take a look, Director.

11:47I

11:48see

11:49you

12:00I

12:01see

12:02you

12:08I

12:10I

12:11still love you.

12:14Hey.

12:16Yes, I'm fine.

12:20Uh, Liza?

12:23Hi.

12:24Uh, favor.

12:25Please tell the PA downstairs that I'm calling RDJ.

12:29I need to talk to him.

12:32RDJ?

12:34Is RDJ there?

12:35Please tell him that I need to talk to him.

12:45If you're asking me, it's better if you release a statement about your situation.

12:50And who will take over if something happens to you.

12:54You know, attorney, you don't have to rush that.

12:58My son and I, we are the majority shareholder of the company.

13:03As for our plans for the company, attorney, I'm going back to Santa Castella.

13:08I have a case to sue for my dad.

13:11Understood. If you need anything, just call me.

13:15Okay.

13:18Um, excuse me, Mr. Lalo Paz, it's time for your therapy session.

13:23Why did he come here?

13:27Were you playing chess?

13:32It was just hours ago.

13:34You were supposed to be resting.

13:36And aren't you supposed to be somewhere else?

13:39Yes.

13:42You didn't tell me that you left the place where Ben was buried in our ancestral house.

13:49It technically belongs to Santa Castella now.

13:52But you obviously made it easy for Ben.

13:54It's the oldest house in Santa Castella.

13:58There's no better location for their film.

14:00I had plans for that place.

14:02I wanted to renovate it into a heritage house to cement our legacy in Santa Castella.

14:07A museum to showcase all of our achievements on its walls.

14:12Go back to Santa Castella.

14:16Protect the names of those who came before you.

14:22Protect?

14:24What do you mean, dad?

14:27I want you to oversee the renovation personally.

14:32This project is very important to me.

14:35Can I count on you?

14:37I won't let you down, dad.

14:41That's good.

14:45Because only one person can do this for me.

15:01That should be the head of the scene, right?

15:03Yeah, yeah.

15:05Okay, got it, RDJ.

15:10Good morning, Sir RDJ.

15:11He already called me.

15:13Hi, Colleen. Yes, we have instructions for you.

15:15Okay.

15:16Okay, our scene will start with you at the window.

15:20That window is locked.

15:22There's no way out.

15:23But you'll find a way to seal this paper.

15:28This piece of paper is your way to communicate with the outside world.

15:32That is your scene objective.

15:34That's what Jazz is trying to do before Lilo arrives.

15:39And then the scene intensifies, okay?

15:42But Director, isn't that just an extension?

15:45LJ pointed out that if we don't take care of your character,

15:49it will look like a damsel in distress.

15:52And I agree.

15:59Is that okay with you, RDJ?

16:00Yeah, for me, it's better if we show that your character has the ability to save herself and later on, those she loves.

16:11Okay, I'm in.

16:12Yeah? Okay, let's do this.

16:15Director, sorry.

16:17RDJ, isn't Lilo Anino?

16:21Who's Anino?

16:25Director, are we ready to take time check?

16:31Yeah, okay.

16:32Let's go?

16:33Let's do this. Let's go.

16:34Are you ready?

16:35Yeah.

16:36Okay, so.

16:38Let's go.

16:39Okay, we're ready.

16:42RDJ, I'm here.

16:44So you can get closer to the monitor.

16:46I'm just here. Far from the shot.

16:49It's up to you, sir.

16:52Okay, let's take. Cam set.

16:53Cam set.

16:55And roll.

16:56Cam roll.

16:57Rolling.

16:58Audio roll.

16:59Rolling.

17:00Three, two, one, and.

17:01Action.

17:18Hey.

17:29Hey.

17:38Hey, O.

17:39Let's insert a shot of the paper.

17:41It will fall on the house.

17:43Then it will fall on the sidewalk, okay?

17:59Okay.

18:29Jesus Christ.

19:00Cut.

19:01Cut.

19:02Cut!

19:12Cut!

19:27Direk, why did you cut?

19:33Liza, let's take a break for 15 minutes.

19:36Let's take a break for 15 minutes.

19:43Direk Ben, what's the problem?

19:49Nothing, I just need some fresh air. Excuse me.

20:04Why, Direk?

20:07Okay, let's relax. Let me touch you first.

20:10Later, later.

20:12Love, are you okay?

20:14No, did I do something wrong? Why did I do that?

20:18No, it's okay. You're good.

20:20Let me touch you, Direk.

20:21Maybe it's just a technical difficulty.

20:24You're good, you're good.

20:26Do you want some water?

20:28Yes.

20:29Just a moment.

20:30Water?

20:33Okay, love.

20:47Cut!

20:51Tristan?

20:53Tristan?

20:55Tristan?

21:00Tristan?

21:03Tristan?

21:20Tristan?

21:23Tristan?

21:28Tristan?

21:35Tristan?

21:39Tristan?

21:49Tristan?

22:09Sorry.

22:10Sorry, sorry. Maybe you're more nervous.

22:13No, thank you.

22:19What did you see?

22:22Huh? What do you mean?

22:27Earlier, in the scene, I think I saw something on the monitor.

22:38LJ, do you believe a place can be haunted?

22:49The props are beautiful, right? Is it too realistic?

22:53The art department is good.

23:02Why?

23:04Do you believe in ghosts?

23:22Direk, sorry. Let's go back to work.

23:25Fatty will take care of it.

23:28Okay, sure.

23:30Okay, let's do this. Let's go.

23:48Come with me.

23:49I can't.

23:52I won't leave. I won't leave you.

23:59Wait for me. I'll come back to you.

24:05Cut.

24:06Good.

24:07Is it good?

24:08Good take, good take.

24:10Close sequence.

24:11Wow.

24:12Alright.

24:13That's it.

24:14Alright, that's a wrap everyone. Thank you for today.

24:17Good job guys, good job. Thank you, thank you.

24:20Direk, you're so brilliant.

24:24If we're like this for the next two days,

24:26we'll be able to get back what we got because of Brown Out, right?

24:31Anything for our film, Ms. Fatty.

24:32I love it, I love it.

24:35Congrats, Direk.

24:37Thank you for your support earlier. I needed that.

24:43You're welcome, Direk.

24:49So?

24:52So...

24:55What?

25:23Baby, are you still sleeping?

25:25Is it that late for the shoot?

25:37Direk, I think our heads are hot right now.

25:41We can't get the look.

25:43It's hard if LJ isn't here.

25:45If our production designer isn't here in the set.

25:49Direk, it's hard if LJ isn't here.

25:52Exactly.

25:56Can I ask you something?

25:58Why are you worried about your mom?

26:01And where's your dad?

26:07There's an art deputy who slipped and needs to pack up for the shoot?

26:11I don't think so.

26:13I just want our fans to know the truth.

26:16That we're in danger because we're doing this project.

26:20I don't want to be the next victim of Lilong Diego.

26:23I don't want to be the next victim of Lilong Diego.

A Bad Omen? (Episode 15) | Love You Stranger

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