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Pulang Araw: Ang mga kasuotan ng cast | (Online Exclusive)
GMA Network
Follow
7/31/2024
Alamin ang ginawang mabusising paghahanda at paggawa sa detalye ng mga costume ng cast ng 'Pulang Araw' sa online exclusive video na ito.
Subaybayan ang 'Pulang Araw,' Lunes hanggang Biyernes, 8:00 p.m. sa GMA Prime.
Category
😹
Fun
Transcript
Display full video transcript
00:00
I'm Margie Sorio, stylist in the costume department.
00:21
Our first inspiration, aside from the 1930s and 1940s,
00:26
is the land that we inherited as an inspiration to dress up the artists.
00:31
I put my heart and soul into Teresita's clothes.
00:35
For the clothes that they wear, we also convey a message to the audience.
00:41
Not only do we dress them up, but we also have a story to tell
00:45
about each character's clothing.
00:48
For example, Eduardo, why is he wearing denim material?
00:53
Because during the 1890s and 1900s,
00:57
laborers were already using denim materials.
01:00
We just added, for example, his pants have pockets.
01:04
It's dependable, it's like he's holding a person.
01:07
He's the hero of people who are brave and fight.
01:11
What Teresita represents,
01:13
is the brave, reserved, demure Filipino woman.
01:17
That's why she's wearing a color palette of subtle pastels.
01:21
Later on, it became purple because of domestic violence.
01:26
That's what is represented by domestic violence,
01:29
the shades of purple.
01:31
As for Roche, he was born in Japan.
01:34
But because of the conflict between the characters,
01:38
what will he choose, his country or the person he loves?
01:42
I said, how can I show that Japan is still visible there?
01:47
We put lapel pins with Sakura.
01:50
The colors we put are a bit tough,
01:53
the shades are a bit darker.
01:55
We put something inside to make it vulnerable.
01:59
We also put lapel pins and accessories.
02:03
Because he's been here for a long time,
02:05
he has a heart that he gets from his friends,
02:08
from the people who love him, the Filipinos.
02:11
In short, the artists,
02:13
this story of history is in the lives of the artists.
02:17
As for us in the costume team,
02:19
we want the stories that are in the books,
02:23
that we researched,
02:25
to be in the lives of the people who wear the costumes.
02:29
To be in the lives of the people who wear the costumes
02:32
of each artist or character that will appear here in Pulang Araw.
02:37
Hello, I'm John Rararoque.
02:39
I'm the stylist for Pulang Araw.
02:42
As a stylist, it took really some deeper research
02:46
because there are different influences,
02:49
different cultures in the costumes.
02:51
There are more trading systems,
02:54
therefore the influence of Western and Japanese
02:58
can be seen in this show.
03:00
Barbie Forteza as Adelina de la Cruz.
03:03
I started with what works for her body type.
03:06
We got so many references from the youth styles of the 1940s.
03:11
Girlier silhouettes, more dainty fabrics,
03:14
more embroidery with floral motifs,
03:18
and prints.
03:19
Adelina loves prints.
03:20
As a character, she is very bubbly.
03:23
She wants to stand out.
03:24
For Teresita, her styling is more mature and sophisticated.
03:30
She's the older sister, and she's more capable in the story.
03:34
We went all out with her in the accessorizing.
03:37
She usually wears a fascinator, gloves, jewelry,
03:42
and our inspiration for her,
03:45
old Hollywood sirens mostly.
03:47
For Sir Dennis Trillo's character, Yuta,
03:50
he had to research the military uniform of the 1940s.
03:55
For his casual looks,
03:56
we took inspiration from the men of Japan during the 1940s.
04:01
You can see him in suits that are Western,
04:04
but it was our decision to play some hints of the Oriental fashion.
04:10
Instead of trench coat, which is very Western,
04:12
we would place him in kimonos on top of the suits.
04:16
Our approach with his casual looks are much more sharp.
04:19
They're tailored and very intimidating.
04:22
He's far from the Dennis that we usually see.
04:26
For Amalia, Ms. Rochelle Pangilinan,
04:28
we took inspiration from the silhouettes of the 1930s.
04:32
We had to do it without glamour because he is a poor character.
04:38
And for Julianne, who's playing the Queen of Baudeville,
04:42
Ms. Katie de la Cruz,
04:44
we took inspiration from existing photos of her
04:47
inspired by the 1920s.
04:49
It's very Gatsby-ish.
04:50
While doing this show, especially the Baudeville part,
04:53
I feel like I'm doing a theater production
04:56
or I'm doing a concert, basically.
04:59
Because the stage is live,
05:01
so every take has to be that precise.
05:05
The changes have to be that precise for the choreography,
05:08
for what works with the light, and what works with the stage.
05:11
So I'm very grateful that I get to do that this time, this year.
05:15
Hi, I'm Abner, stylist for Pulang Araw,
05:18
and I'm actually working with Angelou de Leon as Carmela.
05:23
And the inspiration for this look for Carmela
05:26
is actually Western-inspired outfits
05:29
to show how rich Carmela is during that day.
05:33
With the Western-inspired,
05:35
the fabrics, the materials that I used for Carmela's outfit,
05:40
like I used velvet, charmeuse, satin, wool.
05:44
I wanted to show the audience
05:46
what the materials looked like during that time.
05:50
The nun, we also researched for that,
05:52
that this actually looks like St. Augustine mothers.
05:56
It's just a simple all-white badre gown.
05:59
Tasho is very, very simple.
06:01
It's like, maybe here we won't see
06:03
other characters wearing T-shirts.
06:05
That's only Tasho.
06:14
♪
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