The Beast - Film Complet en Français
The Beast Film Complet en Français
Category
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Short filmTranscript
00:00:00You
00:00:30I
00:00:48Have on simple
00:00:51I
00:00:54Got
00:00:56Okay, but I see someone don't know what I can sell
00:01:01To voila there are more that's a salon booty. Yeah
00:01:06Let's call you is just la sur la gauche
00:01:09Sur ta droite tu as la fenêtre de la cuisine
00:01:15Sur la table que ici tu as le couteau
00:01:20Et tu vois la marque en scotch vraiment sur ta droite
00:01:24ça c'est là où va apparaître l'ombre de la bête
00:01:28à un moment tu regardes par là et tu la vois ok ok
00:01:36Dégage un peu tes cheveux
00:01:41Voilà comme ça parfait effet de pas de trois pas vers moi
00:01:49Voilà comme ça
00:01:52Ça va moi ça va je suis prête on va y aller et c'est quand tu veux
00:02:19I
00:02:49I
00:03:19I
00:03:40Pauline you know if I marry it in lots along a calcuminous
00:03:49You
00:04:20To know about the Georges
00:04:22See you didn't listen on the lottery could say yes, I'm in it
00:04:25Dima
00:04:27Okay, don't listen. I'm sure she'll show you a little bit. She'll make you a week ago. I'll wait till they show
00:04:41Who's amuse it
00:04:43Boku j'ai perdu mon mari que chance profitez-en j'en profite trop
00:04:51Je crois que j'ai vu partir par là il a dû aller voir l'atelier
00:04:54l'atelier n'avait pas rencontré anton non anton
00:04:58Gabriel on lui a prêté une pièce au fond de la maison pour qu'il puisse travailler ce soir il montre des choses
00:05:03allez-y c'est puissant et aussi sombre que l'époque est lumineuse
00:05:07curieux contraste
00:05:10Dans ce cas je vous laisse
00:05:13Par là oui
00:05:15Après le salon du fond à droite je peux vous emmener si vous voulez
00:05:21Merci mais je peux me débrouiller
00:05:24Vous n'oubliez pas un verre avant
00:05:28J'ai un verre
00:05:30Et un gant qui cache quelque chose
00:05:33Je m'incline
00:05:35J'espère que ça vous plaira
00:05:37J'en suis sûre
00:05:39Merci
00:05:43Musique
00:06:13Musique
00:06:31Vous en pensez quoi c'est violent psychiatrique assez beau je trouve
00:06:40Il pourrait vous peindre
00:06:44J'aimais de la vie je tiens mon âme
00:06:51Vous souvenez n'est ce pas
00:06:55De quoi
00:06:57Que nous ne sommes déjà rencontrés
00:07:00ah oui avant il y a des années
00:07:06Il y a trois ans un dîner organisé après une représentation de madame butterfly
00:07:14Vous étiez avec votre oncle et votre tante vous portiez une robe d'embarassé français avec un chignon
00:07:24C'était à Naples pas à Rome c'était il y a six ans
00:07:30J'étais avec ma mère et mon frère
00:07:33En fait vous ne vous souvenez absolument pas de moi
00:07:37Peut-être que je suis un peu vague sur les détails
00:07:40mais en revanche je me souviens très bien de vous
00:07:44Tant que ça oui et pourquoi
00:07:50Parce que vous m'avez dit quelque chose que je n'ai jamais oublié et qui depuis me fait souvent penser à vous
00:08:00Quelque chose que vous m'avez dit sur le chemin de retour
00:08:04Vous avez oublié
00:08:07Nous parlions en français
00:08:12Je crois qu'on mélangeait les langues
00:08:17Je ne sais pas si j'ai fait bien d'essayer de vous le rappeler alors
00:08:22Mais si allez-y
00:08:24It can be very dangerous to bring someone back to who they were a few years before
00:08:30However if you've distanced yourself from it then it's all for the best
00:08:33So did it happen
00:08:37It would be impossible to forget
00:08:41And that's why I'm asking you if the thing you told me actually happened
00:08:48I think I know what you're referring to but I forgot ever sharing such a confidence
00:09:02And I'm the only one who knows yes, you are I've never repeated it to anyone it's better this way
00:09:13I'm sorry to bother you in your conversation, but I can't resist you're Gabrielle Moinier, aren't you?
00:09:21So I just wanted to tell you how much I admire you
00:09:25You're a wonderful musician
00:09:27A pianist with a rare sensitivity
00:09:29And
00:09:32Thank you
00:09:34it touches me infinitely
00:09:37Since I dare to speak to you and I dare to tell you I would like to dress you one day
00:09:40Dress me?
00:09:41Yes, I'm Paul Poiret
00:09:47In this case I willingly accept
00:09:50I'm very flattered
00:09:52Not as much as me
00:09:54I won't bother you any longer
00:09:59Thank you
00:10:07Do you still have the same feeling then
00:10:13What did I say exactly you talked about something you felt when you were very young
00:10:23Something deep inside of you
00:10:26A feeling of doom
00:10:28That a strange rare and terrible thing would before you sooner or later
00:10:33You were convinced that it would eventually strike and obliterate you and I think that was the actual word you used obliterate
00:10:45What else did I tell you
00:10:48Actually, you said you didn't want to get involved in a relationship because you were convinced something terrible before you
00:10:55and Annihilate you
00:10:57You and those close to you
00:11:00It's true
00:11:03But in any case to answer your question nothing happened and you got married nevertheless
00:11:10How do you know I can see under your glove the shape of a wedding ring
00:11:16Of course and your husband where is he I
00:11:21I don't know
00:11:30Yes, I took the risk but I was young and romantic
00:11:39And now all this seems so distant
00:11:44And
00:11:46Then you told me something would suddenly appear
00:11:50Like a hidden beast
00:11:52Destroy everything both in you and around you
00:11:58And what did you say
00:12:01Nothing
00:12:04It did frighten me a bit I remember
00:12:08But maybe I was just too young
00:12:11Gabriel
00:12:13Beauty how are you?
00:12:16Good
00:12:18Have you seen the paintings in the studio? Yes
00:12:23Georges is there? In one of the salons I guess
00:12:30Okay, well I'm going to say hi to him then. Have a good visit
00:12:41You
00:12:50It's not always easy being married, I'm sorry, I'll let you enjoy your evening
00:12:58Please stay with me
00:13:05Did you think I was crazy
00:13:08No, I think I understood
00:13:14You mean that my obsession
00:13:16could correlate with a certain
00:13:19reality a
00:13:22certain reality
00:13:24Yes, surely
00:13:29Today I could have offered to keep watch for this beast by your side
00:13:33But if you are no longer afraid it's pointless
00:13:36Do you really mean it?
00:13:39Absolutely
00:13:42I can pretend to be afraid
00:13:46If you'd like to keep watch by my side
00:13:51After all I'm the one you shared this confidence with even if you do not recall it
00:13:56You entrusted me with something in a way
00:14:00Even if it was a long time ago
00:14:03What about you
00:14:05Aren't you afraid anymore? Of course I am, but I'm ready to take that risk
00:14:12And I'm a little less young now
00:14:16I'm very touched
00:14:18You
00:14:31How are you my darling? Where have you been? I was looking for you
00:14:36I'm here
00:14:38Are you ok?
00:14:40Yes
00:14:48I'm fine
00:14:56If you had to describe your skills, your training and your personal project, what would you say?
00:15:03I don't know, I'm fast, intuitive
00:15:06I never really had any training because
00:15:10I moved to the United States when I was 9
00:15:12Why?
00:15:14I don't remember very well, I was very young, my parents said that the climate had become unbearable
00:15:20They were afraid
00:15:23And then when we arrived in the United States, the civil war broke out
00:15:28And so we left. Yes, in Chengdu, for 9 years. You didn't go to school there? No
00:15:36But I still learned a lot by myself
00:15:39I learn rather easily
00:15:44And your personal project?
00:15:46Work
00:15:48If possible
00:15:52Somewhere where I could feel useful
00:15:54Useful?
00:15:56Yes, useful
00:15:58Something else than what I'm doing now
00:16:14Excuse me, do you work here?
00:16:20No, I'm sorry
00:16:22You're like me
00:16:24I don't know how you are
00:16:28A little lost
00:16:32In the building or in life?
00:16:34In the building, that's for sure
00:16:36I come for a job, I don't know where it is
00:16:38I don't know
00:16:41I come for a job, I don't know where it is
00:16:43I don't know
00:16:47It's just behind, on the right
00:16:49That went well
00:16:51We'll see
00:16:53I have to go to work
00:16:57Good luck
00:16:59Thank you
00:17:114.12am
00:17:254.12am
00:17:41If you had to give me a good reason
00:17:43to help you find another job
00:17:45I'm intelligent
00:17:47I know how to do a lot of things
00:17:49You know, today, intelligence
00:17:51is not what's missing
00:17:53The intelligence you're talking about
00:17:55lacks a bit of humanity
00:17:57The intelligence I'm talking about
00:17:59saved it, humanity
00:18:01I'm talking about humanity in the human sense
00:18:03of human presence
00:18:05Artificial intelligence
00:18:07has become responsible and equitable
00:18:09So in the end, humanity
00:18:11is a huge progress
00:18:13Honestly, I find it hard to talk about progress
00:18:15with 67% unemployment
00:18:17and 20% mechanical work
00:18:19We're called the useless people
00:18:21I don't know if you realize the contempt
00:18:25I'm just asking for a job
00:18:27at the level of my abilities
00:18:29Do you hear your anger?
00:18:31You have way too much affection
00:18:33for certain jobs
00:18:35In the state, you can only do a job
00:18:38You can't interfere with the result
00:18:40like the one you have today
00:18:42Because you have to choose between work and affection?
00:18:44For certain jobs, yes
00:18:46Especially those that engage a responsibility
00:18:48and a reflection
00:18:50And it's visibly those that interest you
00:18:52Today, there are no more biased decisions
00:18:54taken by someone who is opposed or depressed
00:18:58Look at the calm
00:19:00Yes, well, I don't know if it's a good thing
00:19:04Do you want to relive the same thing as in 2025?
00:19:06The same tragedies?
00:19:08No, of course not
00:19:10Don't be paranoid
00:19:12or worse, sentimental
00:19:14All this is very recent
00:19:16hence your mistrust
00:19:18but the worker will adapt
00:19:20as he has always done
00:19:22We have already offered you to go back
00:19:24to your previous lives
00:19:26to clean your DNA
00:19:28and you will refuse
00:19:30I'm just a little afraid of the consequences
00:19:32In what sense?
00:19:35Of not being able to feel
00:19:37That's a rumor
00:19:39Of course we can still feel
00:19:41but we feel more serenely
00:19:43That's all
00:20:05No, but you know, stop being afraid, darling
00:20:07You will always be able to kiss
00:20:09And by the way, I remind you
00:20:11that I kiss more than you
00:20:13Well, it's a little different
00:20:15but it's not necessarily less good
00:20:17It's something else
00:20:19And it has been scientifically proven
00:20:21that it works
00:20:23You can trust your instinct
00:20:25You can trust your instinct
00:20:27You can trust your instinct
00:20:29You can trust your instinct
00:20:31You can trust your instinct
00:20:33It's been proven it works
00:20:35You can trust science
00:20:37Science has proven absolutely nothing
00:20:39and we absolutely don't know
00:20:41how artificial intelligence works
00:20:43Anyway
00:20:45I'm sure
00:20:47that it can not be objective
00:20:49Yes, we just discover
00:20:51what Buddhism has always known
00:20:53that's all
00:20:55You cross all that has hurt you
00:20:57for centuries
00:20:59and you get rid of it
00:21:01I remember.
00:21:02Oh, yes.
00:21:03And I can tell you, it works.
00:21:06Anyway, I don't want to become a Buddhist or a robot.
00:21:11No, but I didn't become a robot.
00:21:13It's just that my emotions don't make me suffer anymore.
00:21:16You have nothing to lose and everything to gain.
00:21:19Yes.
00:21:21Precisely, I have to lose.
00:21:23Well, what?
00:21:24What do you have to lose, for example?
00:21:27To never know a strong feeling.
00:21:34Big novels are fantasy, darling.
00:21:39Anyway, I don't regret a second.
00:21:44Fall.
00:21:45Let go.
00:21:48And above all, you'll have to do a more interesting job than checking the temperature of the data plates.
00:21:54So, if we offer it to you, it means that somewhere, you're worth it.
00:21:57Like me.
00:21:59By purifying your DNA, you clean the old traumas that you have inherited for centuries,
00:22:05and that have contaminated your unconscious.
00:22:07It's like a hormone regulation, but at a much higher level.
00:22:11Do you understand?
00:22:12Yes, I think so.
00:22:14As I told you, we can help you.
00:22:17We can help you get rid of your affections.
00:22:21All of them.
00:22:23All of them?
00:22:28All of them?
00:22:32It's just that I have a very deep feeling that something terrible is going to happen.
00:22:38A kind of catastrophe.
00:22:42And that I should face it.
00:22:44Be there.
00:22:47Even if it terrifies me.
00:22:49You see affections, that's it.
00:22:51It's this fear, for example.
00:22:53Nothing serious can happen anymore, don't worry.
00:22:56All catastrophes are behind.
00:22:59And what do I have to do to adapt?
00:23:01You close your eyes.
00:23:02You reopen them.
00:23:03That's all.
00:23:05Do it.
00:23:06Do what?
00:23:08Close your eyes.
00:23:09Close your eyes.
00:23:20Open them again.
00:23:23It's going to be like this.
00:23:24Nothing more.
00:23:39No.
00:23:43No.
00:24:09No.
00:24:22Don't move.
00:24:24Don't move.
00:24:38You're going to have a prick in your ear.
00:24:40It's absolutely not painful.
00:24:43I'm a little scared.
00:24:45It's going to be fine.
00:24:49You're going to close your eyes and that's it.
00:24:51Nothing more.
00:24:54Close your eyes.
00:25:06Close your eyes.
00:25:20Do you think I'm getting old?
00:25:21No.
00:25:22Obviously a little.
00:25:24How old were you?
00:25:26An elegant way to ask me how old I am today.
00:25:29Not at all.
00:25:30Not at all.
00:25:31Excuse me.
00:25:34It doesn't concern me, but...
00:25:36Dolls.
00:25:38Is that an idea of yours?
00:25:41Because I was a little girl as a child?
00:25:44No.
00:25:45I'm only interested in music.
00:25:51But how did your husband get involved in doll making?
00:25:59By chance.
00:26:01He was studying law.
00:26:03One morning he woke up and he told me...
00:26:06I had this dream.
00:26:08I want to make dolls.
00:26:10I saw them.
00:26:12Here.
00:26:14And so...
00:26:16You married him.
00:26:18And so now we have this factory.
00:26:22When did you marry?
00:26:25Right after the Conservatoire.
00:26:28I didn't want to stay home.
00:26:30I wanted to make music.
00:26:31Go out.
00:26:33Enjoy the world.
00:26:35Oddly enough, getting married gave me freedom.
00:26:38Is that why you didn't have a child?
00:26:41How do you know I don't have a child?
00:26:43I enquired.
00:26:46Indeed.
00:26:48For now, I don't have one, but...
00:26:51I want one.
00:26:52And I will have one.
00:26:54I don't doubt it.
00:27:00What about you?
00:27:03I don't think there are more violins than there are lanterns right now.
00:27:09Don't answer my question.
00:27:12Me?
00:27:13Let's say I'm a great loner.
00:27:18I'm hungry.
00:27:20I want crepes.
00:27:48And jam.
00:27:49Jam and chocolate crepes.
00:28:17I promise.
00:28:22Did I sound scared, Naples?
00:28:26No.
00:28:28Everything you said, you said calmly.
00:28:33I have a somewhat stupid question.
00:28:36But how do you create a doll's face?
00:28:39How do you choose its expressions?
00:28:41Its features?
00:28:43It's not a stupid question.
00:28:47In fact, we use bases that remain the same,
00:28:51and others that evolve.
00:28:53But are there several expressions?
00:28:56A happy doll.
00:28:57A terrified doll.
00:28:59A sad doll.
00:29:01There is only one.
00:29:03It's fairly neutral.
00:29:05Not too emotional.
00:29:07So, that it will please everyone.
00:29:12And what does this neutral doll look like?
00:29:17A bit like that.
00:29:42I can show you around someday, if you want.
00:29:45I love this place.
00:29:47That would be wonderful.
00:30:08Maybe that's what's so exciting.
00:30:11Frankly, some things are not possible anymore.
00:30:14Such as?
00:30:15As it so happens, the illusion of feeling.
00:30:18The illusion of sentimental self-satisfaction in music.
00:30:23But sentiment is the beginning of emotion.
00:30:26Not necessarily.
00:30:27Emotion can come from somewhere else.
00:30:30Supposing that it were interesting to make music without sentiment,
00:30:34which remains to be seen.
00:30:36What would it be like?
00:30:38Very cold compositions?
00:30:41Not necessarily.
00:30:42It would procure the listener an experience.
00:30:45Not of the classical.
00:30:47Primitive.
00:30:49Something that hasn't been experienced for a long time.
00:30:55May I?
00:30:58See your hand?
00:31:12I've always wondered if pianists' hands are different.
00:31:15Or if it's just their sensitivity.
00:31:20They're very beautiful.
00:31:22Thank you.
00:31:26I have to go home.
00:31:28It's late.
00:31:42Good night.
00:32:12Good night.
00:32:43What were you playing earlier?
00:32:47A piece by Schoenberg.
00:32:51Are you good at it?
00:32:53I don't know.
00:32:55I don't feel like I understand everything yet.
00:32:59We don't always have to understand everything, do we?
00:33:02I guess not.
00:33:04We're good without electricity, actually.
00:33:07I've never seen the living room like this.
00:33:09It's beautiful.
00:33:11It's beautiful.
00:33:20We should go on a trip.
00:33:22We haven't been alone for a long time.
00:33:24Don't you want to?
00:33:26Doesn't it scare you?
00:33:28What?
00:33:30To be alone with me.
00:33:33I like being scared.
00:33:35I feel alive.
00:33:38Gabrielle.
00:33:40We need to talk.
00:33:42Do you want me to lock the doors?
00:33:45No, I'll do it.
00:33:47I still have some work to do.
00:34:10No!
00:34:36Everything's fine.
00:34:38Everything's fine.
00:34:39He's out.
00:34:41I'm here.
00:34:43It's nothing, it's a pigeon.
00:34:45He came in, he came out.
00:34:52I love you.
00:34:55Me too.
00:35:04I keep on thinking about your foreboding, you know?
00:35:07Yes.
00:35:09Maybe the disaster's already happened.
00:35:12What do you mean?
00:35:14You married a boring man.
00:35:16He's not.
00:35:18Not at all.
00:35:20And I really love him.
00:35:23You might just be afraid of being alone.
00:35:26I love solitude.
00:35:28I often even need it.
00:35:31So that's not it, then?
00:35:33No.
00:35:36In this case,
00:35:37I have a proposition.
00:35:39But you might find it absurd.
00:35:44Couldn't be more absurd than what's happening right now.
00:35:48What do you have in mind?
00:35:50If you have a premonition,
00:35:53that is to say a premonitory intuition,
00:35:56I can maybe
00:35:58accompany you to see a clairvoyant.
00:36:02Do you know one?
00:36:04If I didn't, I wouldn't offer it.
00:36:05If I didn't, I wouldn't offer it.
00:36:11I'm not sure.
00:36:14Isn't it dangerous knowing the future?
00:36:17I don't think so.
00:36:20It also depends on how you interpret it.
00:36:22And what you do with it.
00:36:27I don't know whether to rush into things.
00:36:30All this has been going on for years.
00:36:32It's not exactly what I call rushing.
00:36:36True.
00:36:39So?
00:36:43So?
00:36:45You wouldn't have to take it seriously.
00:36:57So?
00:37:02So, okay.
00:37:06Okay.
00:37:31We left before the end.
00:37:33Aren't you upset?
00:37:35Not at all.
00:37:37I was slowly getting bored.
00:37:40Tonight we couldn't feel the drum of loss in her.
00:37:45The performer who played Butterfly
00:37:47was more moving in Naples.
00:37:50Is that how you see it?
00:37:52An endless drama of loss?
00:37:56It's all she's confronted with.
00:37:58The loss of her father,
00:38:00of her family,
00:38:02of her own identity,
00:38:03of her love.
00:38:06And it eventually drives her to suicide.
00:38:10Let's shield ourselves from all this.
00:38:33No, that's not why I'm here.
00:38:34Good.
00:38:38It's the first time I've done this.
00:38:41How does it go exactly?
00:38:43It goes rather well, in general.
00:38:49I ask you questions and you answer me, right?
00:38:52You know I do hypnosis.
00:38:55No, I didn't know.
00:38:59And how much does it cost?
00:39:01It's already paid.
00:39:03Why are you here, exactly?
00:39:06It's hard to explain.
00:39:10I've had an anxiety for a long time.
00:39:14A premonition.
00:39:17For years,
00:39:19a premonition
00:39:21that something will happen,
00:39:23but that doesn't happen at the same time.
00:39:26And I wanted to know.
00:39:28A love story?
00:39:30No.
00:39:31You looked sure of yourself.
00:39:33Yes.
00:39:36I married a man I love and who loves me.
00:39:39Tell me about him.
00:39:42He helped me a lot when I was younger.
00:39:46Precisely when this anxiety was suffocating me.
00:39:49Besides, I know he's always worried about me.
00:39:52Even if this fear has gone away.
00:39:56We get along very well.
00:39:57No.
00:40:00It's about something else.
00:40:03Don't influence me.
00:40:07But I just wanted to know.
00:40:10Is there a risk?
00:40:12Of course.
00:40:13There's always a risk.
00:40:15But a risk is beautiful,
00:40:17it's strong,
00:40:18it's alive.
00:40:19Close your eyes.
00:40:27Close your eyes.
00:40:30And listen to me.
00:40:33There's a natural disaster,
00:40:35but it's not the one everyone's talking about.
00:40:39There's a beast,
00:40:41a beast ready to fly.
00:40:44There's also a pigeon,
00:40:46but it's not this beast.
00:40:48The pigeon
00:40:50is a representation of the Holy Spirit.
00:40:53It's a messenger.
00:40:55It's a good sign.
00:40:57Except if it enters your home.
00:41:04There,
00:41:05it means that someone is going to die.
00:41:08Maybe you,
00:41:10maybe a relative.
00:41:28There's a man,
00:41:30but he can only make love
00:41:32in his dreams.
00:41:34There's a difficult choice to make,
00:41:37a feeling of impossibility to make,
00:41:40without the possibility
00:41:42to destroy everything.
00:41:45Like a bird,
00:41:47a bird with wings,
00:41:49a bird with wings,
00:41:51a bird with wings,
00:41:53a bird with wings,
00:41:55a bird with wings,
00:41:57an inner pain
00:41:59that wrings you out
00:42:01and slowly burns you.
00:42:03But the most destructive
00:42:05is this non-choice.
00:42:15On a table,
00:42:17a knife you take,
00:42:20a man in the room next door.
00:42:24A disaster.
00:42:27But it's not the one you think of.
00:42:30It's because you hesitate
00:42:32that there's going to be a disaster.
00:42:35You shouldn't.
00:42:38You have to leave.
00:42:41It's far too dangerous.
00:42:46He can only make love
00:42:48in his dreams.
00:42:51At three,
00:42:53you can slowly open your eyes.
00:42:57One,
00:42:59two,
00:43:01three.
00:43:27I went to see the factory this morning,
00:43:30and the electricity is miraculously not cut off.
00:43:32These walls
00:43:34are very wet,
00:43:36but there is no infiltration.
00:43:38However, this wall
00:43:40has a crack.
00:43:42The water from the street
00:43:44could flow into the workshop.
00:43:49And if the water rises again?
00:43:51For now, it should be fine.
00:43:53But when the crane has lowered,
00:43:54the damaged part of the wall
00:43:56will have to be repaired.
00:44:07Except if he comes into your home.
00:44:11A man in the room next door.
00:44:15What I would like is to get this floor back here,
00:44:18which is on the street.
00:44:20I think that with a minimum of work,
00:44:24we could open a shop
00:44:26and sell ourselves.
00:44:55My love,
00:44:57I know that you have tried everything to accompany me
00:44:59in a path that would be personal to me,
00:45:01towards trust,
00:45:03towards the impossible,
00:45:05at a time when I was unable to do anything,
00:45:07as long as I was paralyzed.
00:45:09And these years have been the happiest of my life.
00:45:13But I have an inner pain
00:45:15that robs me and burns me slowly.
00:45:19That of feeling a part of me
00:45:21that is beginning to move away from us,
00:45:23the difficulty of retaining it
00:45:25and of reuniting with you,
00:45:27the intuition of the immense loss,
00:45:29impossible to imagine,
00:45:31and my resistance to this tear.
00:45:34I tried to hold on,
00:45:36all these months that seemed pale to you.
00:45:38I tried to be there,
00:45:40to believe in us.
00:45:42But we failed to escape this panic,
00:45:44this evil.
00:45:46And everything began to send us back there,
00:45:48day and night.
00:45:52What has become the most unbearable
00:45:54is to see us unhappy
00:45:56while we have been so loved,
00:45:58carried,
00:46:00since the first day
00:46:02and all these years.
00:46:04I also feel like walking
00:46:06in an unreal world.
00:46:08I could never tell you
00:46:10that you are no longer part of my life
00:46:12because in each intimate plot,
00:46:14my substance is all that we have been together.
00:46:18Say goodbye, but too difficult.
00:46:19I hope you will pass me this weakness
00:46:21because all these words are already hurting so much.
00:46:49Hello, I am the doll Kelly.
00:46:51I am part of the protocol.
00:46:53I am here to make sure that everything goes well
00:46:56and to accompany you.
00:46:58I am like a nurse.
00:47:02Oh fuck.
00:47:05Can I tutor you?
00:47:10Come on,
00:47:12I'll bring you back.
00:47:19Come on.
00:47:35I understand that there are things you want to keep for yourself
00:47:37and I'm not asking you to tell me everything.
00:47:40It's a very special experience to go through all this.
00:47:43I just want to know how you feel.
00:47:47I feel good.
00:47:49You don't seem to. What's wrong?
00:47:52Nothing.
00:47:54Tell me.
00:47:56It's just that I don't want to become like you.
00:47:59What do you mean, like me?
00:48:01Like you.
00:48:03You don't even want to die.
00:48:07Sorry, I'm sorry.
00:48:09That's not what I meant.
00:48:11It's just that I'm bored.
00:48:14I have a lot of possibilities, you know.
00:48:16Take advantage of me.
00:48:17I can tell stories.
00:48:21I can also play word games.
00:48:26Do you want to play something?
00:48:28Not really, no.
00:48:30Do you want to make love with me?
00:48:32You're a little scary, you know.
00:48:35What do you want to do then?
00:48:40Dance.
00:48:41Okay.
00:48:44Let's dance.
00:48:47Let's see.
00:49:17Hey!
00:49:18Hey!
00:49:46Hey!
00:49:48You look cool.
00:49:50Thank you.
00:49:51Do you want a cigarette?
00:49:53No, thank you.
00:49:54You can smoke here.
00:49:56Oh, okay.
00:49:58All the music is from 1972. I love it.
00:50:02And why 1972?
00:50:05I don't know, but it's crazy.
00:50:09Enjoy.
00:50:19What is this place?
00:50:21There aren't many names.
00:50:23Here, you can do a lot of things you can't do anywhere else.
00:50:26It's like a SASS.
00:50:29What do you want to do?
00:50:32I want to pee.
00:50:48I feel purification.
00:50:50Yes.
00:50:52What are you doing here?
00:51:02I'm with a friend.
00:51:05So did it happen?
00:51:08No.
00:51:10I'm with a friend.
00:51:12I'm with a friend.
00:51:14So did it happen?
00:51:16No.
00:51:18Did you decide to try the experiment?
00:51:24I didn't go.
00:51:26Why?
00:51:29I don't know.
00:51:30An intuition.
00:51:32I don't think they call it purification.
00:51:35I don't feel impure, actually.
00:51:38Me neither.
00:51:39I'm starting to doubt.
00:51:42Yesterday I was sure of my decision, and today it's the opposite.
00:51:45I think I can't stand my anxiety anymore.
00:51:51Anxiety brings you back to life.
00:51:53Maybe.
00:51:55But I would have thought the same.
00:51:58Achievement is in the lack of passion.
00:52:02Do you know Madame Butterfly?
00:52:04The opera.
00:52:05Not really.
00:52:07Look at my hand.
00:52:10Take it, please.
00:52:15Take it.
00:52:19You have beautiful hands.
00:52:30What are you going to do?
00:52:38Maybe we can stay a few more days.
00:52:42Maybe.
00:52:46I've never seen people dancing like that.
00:52:49Me neither.
00:52:51That's why I often come here.
00:52:54I'll come back then.
00:53:12Who were you talking to?
00:53:14Who were you talking to?
00:53:17One day I left my husband for this man.
00:53:23Wow.
00:53:26You did the right thing.
00:53:30I don't know.
00:53:44Do you always feel that something terrible is going to happen?
00:53:49No, not really.
00:53:51I don't think so.
00:53:53Not really?
00:53:55No, I don't.
00:53:57I'm going to show you a picture.
00:53:59You're going to tell me what it reminds you of.
00:54:01What is it?
00:54:13I don't know.
00:54:34You can open your eyes again.
00:54:36The picture is no longer there.
00:54:38It's a difficult test, but it shows you're in it.
00:54:41Stop.
00:54:43There's still something holding you back.
00:54:45It happens sometimes.
00:54:47You're going to have a new session in two days.
00:54:50Don't worry.
00:55:01How long did it take?
00:55:03Apparently, ten minutes.
00:55:05Do you remember everything?
00:55:07Yes, it's quite disturbing.
00:55:09And at the same time, it's difficult to know the degree of reality of things.
00:55:14Believe me, it's very real.
00:55:17It's scary.
00:55:19I don't know if you've started again.
00:55:21What are you really doubting? Ask yourself the question honestly.
00:55:27I'm divided between the desire to continue in the past and the fear of ruining the present.
00:55:34It's continuing in the past that will allow you not to ruin the present.
00:55:38In any case, the fear of losing the person you love is something so atrocious
00:55:42that even when you're in love and it's going well, you're still in the fear of losing the future.
00:55:46So why not live it?
00:55:48You're much better. You get rid of the pain.
00:55:51Probably.
00:55:54In any case, I don't want to end up here.
00:55:57I'm going to turn into a closet.
00:55:59You're better than that, yes.
00:56:02Tell me, Sophie.
00:56:05Do you think we'll meet one day?
00:56:08I don't know.
00:56:10But I love you, darling.
00:56:12Me too.
00:56:38I love you too.
00:57:09Would you like some tea, madam?
00:57:11No, thank you, Bertrand.
00:57:39I'm late.
00:57:42Not at all.
00:57:45We can go, Bertrand.
00:57:47Hello, sir.
00:57:49This way.
00:57:51We're in the middle of a manufacturing transition.
00:57:53We're going to go from the classic porcelain doll to a new celluloid doll.
00:57:57You'll be able to see a little of both.
00:57:59We make about thirty dolls a day for a production of 7,000 a year.
00:58:03There are twelve employees here at the company and three who work in the factory.
00:58:06On the celluloid, everything is done according to a new method of blowing in the mold.
00:58:10We introduce a liquefier, then we remove the mold, and it becomes a plate like this.
00:58:15Fascinating.
00:58:18Once they have removed all the members of the plates,
00:58:21we gently sand so that it is soft.
00:58:24We call that shaving.
00:58:30It's true that the skin is very soft.
00:58:33It smells like vanilla.
00:58:39But we also continue the classic porcelain doll.
00:58:42The transition will take place gradually over a few years.
00:58:49No, don't smoke, please.
00:58:51The celluloid is very flammable.
00:58:54Excuse me.
00:58:56I'm sorry.
00:58:58The celluloid is very flammable.
00:59:01Excuse me.
00:59:04It's a bit of a problem with this material, but at the same time we manage to make the dolls much more realistic.
00:59:18Here we give them a little color.
00:59:24Then we finalize the heads of the dolls.
00:59:28They used your eyes as a model.
00:59:31Maybe.
00:59:33They used your eyes as a model.
00:59:36Maybe.
01:00:02Maybe.
01:00:15This is where we do the stitching.
01:00:21The bodies are made of sandpaper.
01:00:23And we assemble all the members to have a complete doll.
01:00:33On the other side, there is the doll clinic.
01:00:36The clinic?
01:00:38Yes, we repair broken dolls.
01:00:41Thank you, Bertrand.
01:01:02Thank you.
01:01:33I show you the exhibition room.
01:01:36Volontiers.
01:02:02Thank you.
01:02:32Thank you.
01:03:02Thank you.
01:03:17What scares you at this point?
01:03:21You can help me now.
01:03:24I don't know.
01:03:26It's hard to put words on a feeling.
01:03:29You can trust me.
01:03:32I've tried.
01:03:35I've spent my life thinking only about horrible things.
01:03:39That I can't tell.
01:03:41Because they are too horrible?
01:03:44Yes.
01:03:59We can't hear a thing anymore.
01:04:03It's 7.30.
01:04:06Everybody's gone.
01:04:15What is stronger?
01:04:17Your fear?
01:04:19Or your love for me?
01:04:22Because you think I love you.
01:04:23Because you think I love you.
01:04:31Show me your hand again.
01:04:53Show me your hand again.
01:05:23Show me your hand again.
01:05:54I'm sorry.
01:05:56I can't.
01:06:00You can't or you don't want to?
01:06:05Both.
01:06:13I'm sorry.
01:06:15I can't.
01:06:18You can't or you don't want to?
01:06:24Don't move.
01:06:48Is there another exit?
01:06:50Yes, maybe.
01:06:51I think there is a kind of gathering downstairs.
01:06:53This way.
01:06:54Come.
01:06:55Where is it?
01:06:58Here.
01:07:07It's not long.
01:07:08Ten, fifteen meters.
01:07:12That's the only way out.
01:07:13We have to swim underwater.
01:07:15Let me take this off.
01:07:16You won't be able to swim with all this weight.
01:07:30I'll go alone first.
01:07:32If I see that it's not possible,
01:07:34I'll come back.
01:07:36We still have a long way to go.
01:07:38I'll go alone first.
01:07:39If I see that it's not possible,
01:07:40I'll come back.
01:07:42We still have a long way to go.
01:07:44We still have a few more minutes
01:07:45before the fire gets to here.
01:08:07In two minutes,
01:08:08if you don't see me,
01:08:09start swimming.
01:08:10Yes.
01:08:12Duck now.
01:08:13No.
01:08:15No.
01:08:19It will be all right.
01:08:21It will be all right.
01:08:22It's only 15 yards.
01:08:24I'll be right back if there's a problem.
01:08:26Yes.
01:08:28I'll be right back.
01:08:43I'll be right back.
01:09:13I'll be right back.
01:09:43I'll be right back.
01:09:44I'll be right back.
01:10:13I'll be right back.
01:10:43I'll be right back.
01:11:13Goodbye
01:11:24Saying goodbye is too hard.
01:11:27I hope you'll let go of this weakness,
01:11:29because all those words are already hurting so much.
01:11:34We're not made the same way,
01:11:36and it's very nice
01:11:37because we hear each other so well.
01:11:39You need to go through an absolute love.
01:11:41I need to pursue a form of sweet dream, while telling myself that our bond will never be cut off, and that something will one day be reinvented.
01:11:53Otherwise I fall.
01:12:11I need to pursue a form of sweet dream, while telling myself that our bond will never be cut off, and that something will one day be reinvented.
01:12:41I need to pursue a form of sweet dream, while telling myself that our bond will never be cut off, and that something will one day be reinvented.
01:13:11I need to pursue a form of sweet dream, while telling myself that our bond will never be cut off, and that something will one day be reinvented.
01:13:41I need to pursue a form of sweet dream, while telling myself that our bond will never be cut off, and that something will one day be reinvented.
01:14:01Hey, Louis Lewanski here.
01:14:04I'm just downtown right now.
01:14:06It's truly a beautiful day.
01:14:09But, as I've always said, a beautiful environment can be the darkest hell if you have to experience it all alone.
01:14:17And sadly, I've been alone for a very long time.
01:14:23I've been attending college in Santa Barbara for about two years now, and in those two years I have experienced nothing but loneliness and misery.
01:14:32And my problem is girls.
01:14:37There are so many beautiful girls here, but none of them give me a chance.
01:14:41I don't know why.
01:14:43I don't know why you girls are so repulsed by me.
01:14:47It doesn't make sense.
01:14:49I do everything I can to appear attractive to you.
01:14:52I dress nice.
01:14:53I'm sophisticated.
01:14:55I'm magnificent.
01:14:57I have a nice car.
01:14:59Well, nicer than 90% of the people at my college.
01:15:02I'm polite.
01:15:04I'm the ultimate gentleman.
01:15:06And yet, you girls, you never give me a chance.
01:15:10I don't know why.
01:15:13I put a lot of effort into dressing nice.
01:15:16These sunglasses here were $300.
01:15:19Giorgio Armani.
01:15:21Here, I'll put them on.
01:15:22See?
01:15:27Look how fabulous I look.
01:15:31I'm 30 years old and I've never had a girlfriend.
01:15:35I'm still a virgin.
01:15:37I have never had the pleasure of having sex with a girl, sleeping with a girl, kissing a girl.
01:15:43I've never even held a girl's hand.
01:15:45Hell, I don't even have a girl's number in my cell phone.
01:15:48And that's just such an injustice because I'm so magnificent.
01:15:54I deserve girls.
01:16:00Hey, Louis Lewanski here.
01:16:04Today it's May 7th, 2014.
01:16:08I'm just admiring the view from my father's neighborhood right now.
01:16:13Boy, what a lovely day it is.
01:16:16Not a cloud in the sky.
01:16:20I can hear some kids playing down there.
01:16:24You know, it reminds me of the days of my childhood.
01:16:28Those were the best times of my life.
01:16:31I wish I could just be a kid again and I could just live my life without realizing how cruel the world really is.
01:16:39You know, when you're a kid, you don't have to worry about being attractive or how many girls like you.
01:16:46And then, when you hit puberty, your life either becomes heaven on earth or living hell.
01:16:54My life became a living hell.
01:16:57No girls liked me.
01:17:00And I hate them all for it.
01:17:03Anita Fulci.
01:17:05Dakota Mill.
01:17:08Kristen Meyer.
01:17:11Gabrielle Meunier.
01:17:15Maya Smith.
01:17:19Phoebe Brown.
01:17:24Penelope Jones.
01:17:27Beautiful.
01:17:28All right, ladies, let's walk.
01:17:33Gorgeous.
01:17:36Beautiful.
01:17:37Slow down.
01:17:39Graceful.
01:17:42Gorgeous.
01:17:43All right.
01:17:44Stop.
01:17:48Thank you.
01:17:52I'm not 20 anymore.
01:17:54Shit.
01:17:55You need the name of a surgeon?
01:17:56No, thanks.
01:17:58I want to be an actress, not a model.
01:18:00Well, then you're definitely going to need a surgeon.
01:18:04Call Aphrodite Aesthetic Clinic and ask for Dr. Weil.
01:18:08You can say I sent you.
01:18:10They did my cheekbones.
01:18:12Nice.
01:18:14Dakota.
01:18:16Dakota Mill.
01:18:18Gabrielle Meunier.
01:18:19Hi.
01:18:20Hi.
01:18:22She asked me if I would do domestic ads.
01:18:25What did you say?
01:18:26I don't know.
01:18:28What are they?
01:18:30Soap, detergent, yogurt, phones.
01:18:36Cool.
01:18:41Don't change your lips.
01:18:43They're sexy.
01:18:45Thank you.
01:18:48Hey, Louis Lewanski here.
01:18:51I'm just sitting in my car right now, enjoying the view of the beach.
01:18:56And my view has been ruined by this sight right here.
01:19:01In front of me, walking along the sand, is a young couple.
01:19:07I presume about my age.
01:19:10I was enjoying such a nice view until they came and sat down and started kissing.
01:19:17Why can't I experience something like that right there?
01:19:20Look at them.
01:19:22Holding hands.
01:19:24It's torture for me to watch that, but I have to do this.
01:19:29I have to film this.
01:19:31I have to show the world why life isn't fair.
01:19:35I have to show everyone why I hate the world.
01:19:38Because no girl would do this with me.
01:19:47I'm a fucking babysitter.
01:19:53Speaking of domestic.
01:19:55I'm house-sitting all summer.
01:19:57It's just as bad.
01:19:59I wonder what's worse, watching a house or watching midgets.
01:20:04How much do you make?
01:20:06I don't know.
01:20:08I don't know.
01:20:10I wonder what's worse, watching a house or watching midgets.
01:20:15How much do you make?
01:20:16Ten bucks an hour.
01:20:18How about you?
01:20:20A thousand a month.
01:20:22Plus a room.
01:20:23What's better pay?
01:20:25Ten an hour or a thousand a month?
01:20:29I don't know.
01:20:40I don't know.
01:20:58Look at that.
01:21:00I can pluck my knee hair with my teeth.
01:21:02Hey, cool.
01:21:06Do you have a boyfriend?
01:21:07No.
01:21:08I don't want to die young.
01:21:10You?
01:21:12No.
01:21:14There's a club on Hollywood Boulevard called The Fractal.
01:21:19They play great music.
01:21:21We could go at midnight.
01:21:22Awesome.
01:21:24I got to go to work.
01:21:25Okay.
01:21:29Could you hold on to these for me until tonight?
01:21:32What is it?
01:21:342C-B?
01:21:35Never heard of it.
01:21:38It's sick.
01:21:39You take one and you see colors like you're in a video game.
01:21:42It's awesome.
01:21:44But I'm scared the mom will take them because she goes through my pockets.
01:21:47Really?
01:21:48Mm-hmm.
01:21:49When I get there, I raise my arms and she pats me down.
01:21:53Like at the airport.
01:21:55She's nuts.
01:21:56There's a fucking metal detector when you walk in.
01:21:59No way.
01:22:00Can you believe it?
01:22:01She thinks there's terrorists everywhere.
01:22:04That's pretty intense.
01:22:08I'll see you at Fractal?
01:22:10Yeah.
01:22:11Night.
01:22:34Fuck.
01:23:04Fuck.
01:23:35Fuck.
01:23:55For all the lovers of the night.
01:23:57For the lovers of love.
01:23:59You belong to me by Queen Patsy.
01:24:02It's Saturday.
01:24:03It's 2.27 a.m.
01:24:04The night is young.
01:24:06The night is deep.
01:24:33See the market place.
01:24:51Hey, you.
01:24:54Hey, you.
01:25:02Welcome to Aphrodite Medical Aesthetic.
01:25:05Enjoy the visit of our site.
01:25:07And feel free to contact us by phone or mail for some more precision.
01:25:12Or even better, for an appointment.
01:25:15Have a nice day.
01:25:23Have a nice day.
01:25:35Welcome to Aphrodite Medical Aesthetic.
01:25:38Enjoy the visit of our site.
01:25:40And feel free to contact us by phone or mail for some more precision.
01:25:45Or even better, for an appointment.
01:25:48If you are calling regarding a rhinoplasty, press 1.
01:25:52If you are calling regarding liposuction, press 2.
01:25:57If you are calling regarding a blepharoplasty, press 3.
01:26:06If you are calling regarding a facelift or breast surgery, press 4.
01:26:12If you are calling regarding a brachioplasty, press 5.
01:26:18If you are calling regarding a labioplasty or other genital surgery, press 6.
01:26:24If you are calling regarding a rhinoplasty...
01:26:48If you are calling regarding a rhinoplasty, press 7.
01:26:52If you are calling regarding a rhinoplasty, press 8.
01:26:56If you are calling regarding a rhinoplasty, press 9.
01:27:00If you are calling regarding a rhinoplasty, press 10.
01:27:04If you are calling regarding a rhinoplasty, press 11.
01:27:08If you are calling regarding a rhinoplasty, press 12.
01:27:12If you are calling regarding a rhinoplasty, press 13.
01:27:16If you are calling regarding a rhinoplasty, press 14.
01:27:23If you are calling regarding a rhinoplasty, press 5.
01:27:32If you are calling regarding a rhinoplasty, press 15.
01:27:37I hate the pussy, but I never trust it
01:27:38Situations shaking, eating off the muscle
01:27:40Yeah, I eat
01:28:07Hi, can I sit with you?
01:28:19What for?
01:28:21I don't know, to have a drink?
01:28:23I don't feel like being alone
01:28:25Who's that bitch?
01:28:27I don't know
01:28:29Girl, can't you see this is kind of like a private thing?
01:28:33Get lost
01:28:37Yeah, if you wanna sit with us, you gotta own it
01:28:41And looking at you, I don't think you do
01:28:45Get lost, bitch
01:28:49It's Saturday, it's 2.27am
01:28:51The night is young, the night is deep
01:29:07It's Saturday, it's 2.27am
01:29:09It's Saturday
01:29:37Watch the sunrise on a copy knife
01:29:47Does it remember me, darling, all the while?
01:29:55You belong to me
01:30:01See the marketplace and old Algiers
01:30:07Send me photographs and souvenirs
01:30:13Just remember when a dream appears
01:30:21You belong to me
01:30:27I'll be so alone without you
01:30:39Maybe you belong to me
01:30:57Maybe you belong to me
01:31:07Maybe you belong to me
01:31:17It's 2pm here
01:31:19It's hell, you can't do anything at 2pm
01:31:21You can't even sleep
01:31:23What time is it?
01:31:25It's 5am
01:31:27What the fuck
01:31:29What are you doing?
01:31:31I don't know
01:31:33I'm looking for a job
01:31:35What about tonight?
01:31:37Nothing special
01:31:39I must be the only model in L.A. who doesn't fuck on Saturday night
01:31:41I feel like I'm 150
01:31:43You're a model now?
01:31:45I don't know what I am
01:31:47And I don't know what I'm doing here
01:31:51What's this music?
01:31:53Darling, I'll leave you alone
01:31:55Are you ok?
01:31:57Yes, I'm ok
01:31:59I love you
01:32:01I love you too
01:32:23Good, I think
01:32:25This is the first time I've done this
01:32:27How does it go?
01:32:29It always goes well, you'll see
01:32:31I ask questions and you answer
01:32:33Not necessarily
01:32:35Let's see how it goes
01:32:37And it works?
01:32:39You know, because I'm a model
01:32:41I don't have a job
01:32:43I don't have a job
01:32:45I don't have a job
01:32:47I don't have a job
01:32:49I don't have a job
01:32:51You know, Gabrielle
01:32:53In the future, a lot of things
01:32:55that no one believes today
01:32:57will be proven
01:32:59They will have become rational
01:33:01The invisible that we can see
01:33:03Past lives, future lives
01:33:05What today is
01:33:07only believed by a few mystics
01:33:09soon will be
01:33:11scientifically proven
01:33:13So, yes, it works
01:33:15How do you know that?
01:33:17I saw it
01:33:19And how much does it cost?
01:33:21How do I pay?
01:33:23Don't worry about that
01:33:25It's automatically deducted
01:33:27from your monthly plan
01:33:33You have a nice house
01:33:35It's not mine
01:33:37I'm just looking after it
01:33:39It's still nice
01:33:41Are you alone there?
01:33:43Yes
01:33:45Aren't you scared?
01:33:47No, everything's locked
01:33:51How did you find me?
01:33:53It was a bit random
01:33:55I don't think so
01:33:59You're looking for a job
01:34:01You may have the necessary
01:34:03qualifications, maybe
01:34:07What do you mean?
01:34:09Maybe
01:34:11But you'll need to get an operation first
01:34:13Surgery?
01:34:15I'm not sure
01:34:17But I see that you'd like a child
01:34:19Not at all
01:34:23But you're getting away from a man
01:34:25at the same time
01:34:27I have no idea what you're talking about
01:34:31Yes, this is normal
01:34:33You're in a tremendous state of confusion
01:34:35And you want to know
01:34:37if you will find a job
01:34:39You're in a tremendous state of confusion
01:34:41And you want to know
01:34:43if you will find the man you love again
01:34:45What man?
01:34:47There's no man
01:34:49Isn't that why you contacted me?
01:34:51You've been looking a long time
01:34:55No
01:34:57I wanted to know
01:34:59if I made the right decision
01:35:01moving out here
01:35:03and if I have a chance
01:35:05You're far too self-centered
01:35:07You're far too self-centered
01:35:09You're going through a deep
01:35:11narcissistic crisis
01:35:13It's very destructive
01:35:15and also very commonplace
01:35:17It's ordinary
01:35:19It's the great evil
01:35:21of our times
01:35:23But you must pull out of it
01:35:29What?
01:35:31You're a good person
01:35:33You're a good person
01:35:35I can see that
01:35:37Why do you say that?
01:35:39Because I'm scared for you
01:35:41From what I can see
01:35:43I'm scared for you
01:35:45He only makes love in his dreams
01:35:47not in real life
01:35:49What the fuck are you talking about?
01:35:59Is someone there?
01:36:03Yes
01:36:27Yes
01:36:29It's Mr. Denver
01:36:31No
01:36:37Yes
01:36:395 a.m.
01:36:47Yeah, everything's fine
01:36:49I was reading
01:36:57No
01:36:59Nothing at all
01:37:03But I'll keep an eye out
01:37:05Thanks
01:37:295 a.m.
01:37:595 a.m.
01:38:015 a.m.
01:38:035 a.m.
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01:39:015 a.m.
01:39:035 a.m.
01:39:055 a.m.
01:39:075 a.m.
01:39:095 a.m.
01:39:115 a.m.
01:39:135 a.m.
01:39:155 a.m.
01:39:175 a.m.
01:39:195 a.m.
01:39:215 a.m.
01:39:235 a.m.
01:39:255 a.m.
01:39:37Did anyone die?
01:39:39I don't know.
01:39:43Excuse me.
01:39:54It seems like it's really over.
01:39:56Right?
01:39:58Yeah, I think so.
01:40:00Were you hurt?
01:40:02No.
01:40:06Which house is yours?
01:40:09I'm staying in that house.
01:40:11It's not my house, but it's where I live.
01:40:15You live in the neighborhood?
01:40:18Not far.
01:40:21Um...
01:40:22Gabriel.
01:40:25Louis Lewanski.
01:40:29Would you walk me home?
01:40:34No, I can't.
01:40:38Really, I can't.
01:40:42Why not?
01:40:44Because...
01:40:46I can't.
01:40:50I'm afraid I'd do something stupid.
01:40:53I don't want to be alone.
01:40:55Not after all this.
01:40:58Please.
01:40:59No.
01:41:01Please.
01:41:02No.
01:41:06Goodbye, then.
01:41:11Yes, goodbye.
01:41:14Bad actress in the cinema.
01:41:16And be such a great one in real life, huh?
01:41:19Welcome back to our show.
01:41:21We're glad you could make it.
01:41:23And we hope you enjoyed today's show.
01:41:25We have some great singers on for us today.
01:41:27Some people who come from all around.
01:41:30Okay?
01:41:31Some from very far away, even.
01:41:33And they have come to perform for you.
01:41:35And I hope you enjoy it, all right?
01:41:37Thanks for being here.
01:41:39And enjoy the show.
01:41:43Thank you.
01:41:45You came.
01:42:16No, thank you.
01:42:19I don't drink alcohol.
01:42:32I'm sorry about what I said earlier.
01:42:35I was afraid.
01:42:38What were you afraid of?
01:42:42I don't really know.
01:42:46Actually, I've spent my whole life thinking about the most horrible things,
01:42:50so after a while, you get scared.
01:42:55What kind of things?
01:43:05It's difficult to explain.
01:43:08Because they're too horrible?
01:43:12Yeah.
01:43:17Try.
01:43:21You can trust me, you know?
01:43:26I won't judge you.
01:43:35Take this earthquake, for example.
01:43:38I find it super normal.
01:43:43I almost want it to last.
01:43:47I understand.
01:43:50You understand?
01:43:52Yes, I understand.
01:43:55But see, you still managed to come inside.
01:44:01Don't be afraid.
01:44:04Come closer.
01:44:14You've already done the hardest thing.
01:44:18You came inside.
01:44:23Come here.
01:44:34Don't be scared.
01:44:40There must be beautiful things in this chaos.
01:44:46Don't be scared.
01:45:03Don't be scared.
01:45:33Home.
01:45:36Home.
01:45:43You're here.
01:45:58Who the fuck are you?
01:46:00What?
01:46:01Who are you?
01:46:03Who am I? Are you shitting me?
01:46:07I'm sorry.
01:46:11I'm a bit out of it these days.
01:46:13What's going on?
01:46:15I don't know.
01:46:18Are you okay? You good?
01:46:20Yeah.
01:46:22Everything's fine.
01:46:25I'm sorry.
01:46:28Okay, I'm gonna go now, okay?
01:46:31Yeah.
01:46:57I'm sorry.
01:46:59I'm sorry.
01:47:01I'm sorry.
01:47:27Hi.
01:47:28It's Louie.
01:47:30It's Katsuki.
01:47:32I've been alone in my car all night.
01:47:35Most people were asleep together in a bed or making love.
01:47:40But I don't care now.
01:47:44There was an earthquake a while ago.
01:47:46And it was awesome.
01:47:49I wish it had lasted all night.
01:47:51It was awesome.
01:47:56Now, I'm parked in front of a house.
01:48:00I look at a girl inside at home.
01:48:03A super beautiful girl.
01:48:06We spoke to each other earlier.
01:48:09She wanted me to come to her house.
01:48:11Supposedly to reassure her.
01:48:13But she's just like the others.
01:48:15She would never have wanted to fuck me.
01:48:18She would have turned me on to show me afterwards that I disgust her.
01:48:25Earlier I was afraid of what I had to do because...
01:48:28I felt sorry.
01:48:31I don't know why, but something about her moved me and I didn't do anything.
01:48:37This is absurd.
01:48:39I haven't been able to move any of them.
01:48:42I cannot be moved.
01:48:45I cannot be moved or feel sorry.
01:48:47She would not have felt sorry for me.
01:48:50Besides, I don't want anyone to feel sorry for me.
01:48:54I deserve these girls.
01:48:58I faltered, but it will not happen again.
01:49:02I said, today is the day of retribution.
01:49:29Yes?
01:49:31Mr. Denver?
01:49:33Yes?
01:49:34Apparently there was a minor earthquake.
01:49:36Nothing was damaged in the house?
01:49:38No, no, nothing major.
01:49:40A few things fell.
01:49:42The blue vase broke.
01:49:44Okay, well, that's not a big deal.
01:49:47Oh, and also the Chinese vase.
01:49:50The one on the table.
01:49:53Fuck, it's a Ming.
01:49:54It's a Ming vase.
01:49:56My God.
01:49:58I'm really sorry.
01:50:01Well, so, anyways, the neighbors just called and said that someone just left the house.
01:50:06Is that true?
01:50:08Oh yes, a friend came.
01:50:13What?
01:50:15I said, everything's okay.
01:50:17Yeah.
01:50:18Yeah, everything's fine.
01:50:20I...
01:50:22There's absolutely nothing to worry about.
01:50:25Okay.
01:50:28Okay.
01:50:58Evergreen
01:51:01For all the years
01:51:07But when it's evergreen
01:51:14Evergreen
01:51:18It will last
01:51:20Through the summer
01:51:22And winter too
01:51:26When love is dead
01:51:36Kelly?
01:51:38Kelly is absent today.
01:51:39She's taking some tests.
01:51:44Is it serious?
01:51:46It's not serious.
01:51:47Don't worry.
01:51:48It's okay.
01:51:54Honey, it's normal to go through difficult times.
01:51:57I don't understand anything anymore.
01:51:58There was the TV on, and there was this song.
01:52:02And I started to cry while listening to it.
01:52:05I don't know why, but I cried so much.
01:52:07But it shows how much what you're doing is necessary.
01:52:10Where are you?
01:52:12At home, my cat is sick.
01:52:13Oh, I'm sorry.
01:52:16Is it serious?
01:52:17He has a fever and trouble breathing.
01:52:22But I'm going to cure him.
01:52:24I know you love him so much, your little cat.
01:52:29I have one last session tomorrow.
01:52:31They say it still hasn't worked and that I have to start again.
01:52:37And you, where are you?
01:52:48Kelly?
01:52:50Kelly?
01:52:51Kelly?
01:52:52Kelly?
01:52:53Kelly?
01:52:54Kelly?
01:52:55Kelly?
01:52:56Kelly?
01:52:57Kelly?
01:52:58Kelly?
01:52:59Kelly?
01:53:00Kelly?
01:53:01Kelly?
01:53:02Kelly?
01:53:03Kelly?
01:53:04Kelly?
01:53:05Kelly?
01:53:06Kelly?
01:53:07Kelly?
01:53:08Kelly?
01:53:09Kelly?
01:53:10Kelly?
01:53:11Kelly?
01:53:12Kelly?
01:53:13Kelly?
01:53:14Kelly?
01:53:15Kelly?
01:53:17Kelly?
01:53:39Good evening.
01:53:41Are you looking for someone?
01:53:42Yes, I'm looking for someone named Louis.
01:53:44He comes here often.
01:53:46He comes here often.
01:53:49Do you know where I can find him?
01:53:52It's not the kind of thing we say, even here.
01:53:55Please, it's important.
01:54:03I'll have a vodka, please.
01:54:05Thank you.
01:54:36Can I sit with you?
01:54:38Why?
01:54:40I don't know, to talk.
01:54:42I don't want to be alone.
01:54:44Who's this whore?
01:54:46I don't know.
01:54:48Girl, we're between us.
01:54:50Get out.
01:54:52Yeah, if you sit with us, you have to admit it.
01:54:55You don't look like you're admitting it.
01:54:58Get out, bitch.
01:55:00Anyway, we have everything we need.
01:55:03Anyway, we screwed everything up.
01:55:07We had everything.
01:55:09We screwed everything up.
01:55:11Nothing can happen to us anymore.
01:55:13The disaster has already happened.
01:55:15We're screwed.
01:55:20I'm ready.
01:55:34Fuck.
01:55:48So, my boyfriend, he absolutely wanted to, you know what I mean, fuck, right?
01:55:55And, like, I didn't want to, I just wanted to sleep.
01:55:58But, like, Brett, he's not working right now, so, like, all he wants to do is fuck.
01:56:03And I'm just like, you know, you're not the one who's waking up early in the morning, I am.
01:56:08So, you know, after a while, I'm just like, okay, let's just do it, right?
01:56:12And then I could sleep.
01:56:14So, I got on my back and closed my eyes so it went faster.
01:56:18But then, like, all of a sudden, I started to feel like this is shaking.
01:56:24You're here.
01:56:26And I'm like, holy shit, I'm having a fucking orgasm right now.
01:56:29Fantastic, right?
01:56:31But then, like, Brett, he starts to shout, the big one, the big one.
01:56:34And I'm like, I don't get it, like, what the fuck, the big one?
01:56:38Yeah, I'm about to cum like never before, but.
01:56:41And then I get it.
01:56:43The big one.
01:56:44San Andreas.
01:56:45The earthquake.
01:56:48So, I, like, totally start to freak out.
01:56:51He didn't get much sleep last night, either.
01:56:55Cindy.
01:56:56You're Cindy, right?
01:56:57No.
01:56:58Shit.
01:56:59So, who are you, then?
01:57:02Uh, Gabriel.
01:57:04Monier.
01:57:05Gabriel.
01:57:07You're here for the road safety shoot, right?
01:57:09Yeah, I think so.
01:57:10Okay.
01:57:11Good.
01:57:12Good, then.
01:57:13Then you're here.
01:57:14Let's do this.
01:57:15Listen, this is really simple, okay?
01:57:18You're walking with your son on the sidewalk, okay?
01:57:21We'll add him in post.
01:57:22You're holding his hand.
01:57:24You get a text.
01:57:25So, you let go of his hand, and he crosses the street.
01:57:28So, you notice, and you run after him.
01:57:31But then you drop your phone in the middle of the street.
01:57:33So, for a millisecond, you're torn between grabbing your phone or your son.
01:57:38Fatal millisecond.
01:57:40Because, boom, you get run over by a car.
01:57:43And the slogan is, too bad, you had an unlimited calling plan.
01:57:49Hey, um, can you get scared by something that's not actually here?
01:57:53Can you?
01:57:55Yes, yes.
01:57:56I think so.
01:57:57Okay.
01:57:58I can try.
01:58:00Cool.
01:58:01Cool.
01:58:02Um, let's do this.
01:58:03Um, Dave.
01:58:04Come on.
01:58:06Come on, guys.
01:58:07Here we go.
01:58:19Here.
01:58:20Thank you.
01:58:21And if it breaks, I have others, okay?
01:58:25Thank you.
01:58:30Perfect.
01:58:31And just, yes.
01:58:34Quiet all around, please.
01:58:37Roll camera.
01:58:38And action.
01:58:41You're walking with a kid.
01:58:43Cue message.
01:58:44Action.
01:58:45You're walking with a kid.
01:58:47Cue message.
01:58:48Cue kid takes off.
01:58:51And go.
01:58:54You're dead.
01:58:55Don't move.
01:58:56You are dead.
01:58:59You are dead.
01:59:02You are dead.
01:59:05You are dead.
01:59:08You are dead.
01:59:11You are dead.
01:59:14You are dead.
01:59:17You are dead.
01:59:20You are dead.
01:59:23You are dead.
01:59:26You are dead.
01:59:29You are dead.
01:59:32You are dead.
01:59:35You are dead.
01:59:38You are dead.
01:59:41You are dead.
01:59:44You are dead.
01:59:47You are dead.
01:59:50You are dead.
01:59:53You are dead.
02:00:16I'm so sorry.
02:00:18But you don't remember that guy?
02:00:21He's standing right there.
02:00:51Sigh.
02:01:22Sigh.
02:01:23Sigh.
02:01:24Sigh.
02:01:25Sigh.
02:01:26Sigh.
02:01:27Sigh.
02:01:28Sigh.
02:01:29Sigh.
02:01:30Sigh.
02:01:31Sigh.
02:01:32Sigh.
02:01:33Sigh.
02:01:34Sigh.
02:01:35Sigh.
02:01:36Sigh.
02:01:37Sigh.
02:01:38Sigh.
02:01:39Sigh.
02:01:40Sigh.
02:01:41Sigh.
02:01:42Sigh.
02:01:43Sigh.
02:01:44Sigh.
02:01:45Sigh.
02:01:46Sigh.
02:01:47Sigh.
02:01:48Sigh.
02:01:49Sigh.
02:01:50Sigh.
02:01:51Sigh.
02:01:52Sigh.
02:01:53Sigh.
02:01:54Sigh.
02:01:55Sigh.
02:01:56Sigh.
02:01:57Sigh.
02:01:58Sigh.
02:01:59Sigh.
02:02:00Sigh.
02:02:01Sigh.
02:02:02Sigh.
02:02:03Sigh.
02:02:04Sigh.
02:02:05Sigh.
02:02:06Sigh.
02:02:07Sigh.
02:02:08Sigh.
02:02:09Sigh.
02:02:10Sigh.
02:02:11Sigh.
02:02:12Sigh.
02:02:13Sigh.
02:02:14Sigh.
02:02:15Sigh.
02:02:16Sigh.
02:02:17Sigh.
02:02:18Sigh.
02:02:19Sigh.
02:02:20Sigh.
02:02:21My girl, my girl, a baby on her knees, yes, a baby on her knees, baby on her knees, baby
02:02:39on her knees.
02:02:40Your estimated wait time is six minutes.
02:02:41Someday I will be President of the United States and therefore of the world.
02:02:42Trust me.
02:02:43Important security message.
02:02:44Your computer has been locked out.
02:02:45Your estimated wait time is nine minutes.
02:02:46Your IP address was used without your knowledge or consent to this and websites that contains
02:02:50identity theft virus.
02:02:51To unlock the computer please call support.
02:02:52Please do not try to shut down the user.
02:02:53According to the US Department of Human Rights, today Boston identity theft.
02:02:54If you want to be safe, go to the website of the victim.
02:02:55The website of the victim, the victim.
02:02:56Do not leave in the cold within the back of a column.
02:02:57The wallet of the victim, the wallet of the victim.
02:02:58The wallet.
02:02:59The wallet.
02:03:00The wallet.
02:03:01The wallet.
02:03:02The wallet.
02:03:03Wallet.
02:03:04The wallet.
02:03:05The wallet.
02:03:06The wallet.
02:03:07The wallet.
02:03:08The wallet of the victim.
02:03:09Thank you. Today we lost an identity theft. The computer locked is aimed to stop illegal activity. Please call our support immediately.
02:03:39Hello? Anyone there?
02:04:09Your estimated wait time is four minutes.
02:04:20Hello?
02:04:22EPS security center calling. Your alarm just went off.
02:04:25Yeah, yeah, I know.
02:04:27Your password?
02:04:29Uh, I think it's fine. It's just, it went off by itself.
02:04:34Your password?
02:04:36Yeah, sorry. Um...
02:04:42Two seconds.
02:04:44Important security message. Your computer is locked up.
02:04:47White jazz.
02:04:49Perfect. Um, everything alright, miss?
02:04:52Yeah, yeah, I think so. Everything's fine.
02:04:55If someone is in the house and you can't talk, just say, I was about to go to sleep.
02:05:01Yeah.
02:05:04It's fine, really.
02:05:06Good evening.
02:05:07Your IP address was used without your knowledge or consent to visit websites that contains identity theft virus.
02:05:12To unlock the computer, please call support immediately.
02:05:16Please do not attempt to shut down or restart your computer.
02:05:20The computer lock is aimed to stop illegal activity.
02:05:23Your estimated wait time is three minutes.
02:05:26Hello?
02:05:43Well, this is my last video.
02:05:47It all has come to this.
02:05:50I can't go back now.
02:05:53Today is the day of retribution.
02:05:56The day in which I will have my revenge against humanity.
02:06:00And I will slaughter all those blonde girls I desired so much, who have all rejected me.
02:06:10I'm thirty years old and I'm a virgin.
02:06:14I've never kissed a girl.
02:06:16And that has been torturous.
02:06:20I only have sex in my dreams.
02:06:23Not in real life.
02:06:25I only have sex when I'm asleep.
02:06:28I don't have sex when I'm alive.
02:06:30I only have sex when I'm dead.
02:06:32Now, I'm going to have real life sex with dead girls.
02:06:36If I cannot have you girls, I will destroy you.
02:06:40You have deprived me of a happy life.
02:06:42And in return, I will deprive you of life.
02:06:46It's only fair.
02:06:48You are animals.
02:06:50And I will slaughter you like animals.
02:06:53I hate all of you so much.
02:06:56Humanity is a disgusting species.
02:07:02Torturous.
02:07:04I only have sex in my dreams.
02:07:07Not in real life.
02:07:09I only have sex when I'm asleep.
02:07:19What do you want?
02:07:28Gabriel!
02:07:30Where are you?
02:07:34What does that mean? He only makes love to me.
02:07:37I don't love you.
02:07:39I love you.
02:07:41I love you.
02:07:43I love you.
02:07:45I love you.
02:07:47What does that mean? He only makes love in his dreams.
02:07:49What you said yesterday.
02:07:51You said he only makes love in his dreams.
02:07:53What did you see?
02:07:55Why did you say that?
02:07:58Tell me.
02:08:00Please. I'm sorry.
02:08:02I hung up yesterday.
02:08:04Please.
02:08:08Those things aren't personal.
02:08:11That's why I'm calling you.
02:08:13I need your help.
02:08:15Please. Tell me.
02:08:18I need to know.
02:08:20I'd rather talk to you. Just you.
02:08:24I'm here. Go ahead.
02:08:28I'd rather speak to you when you're alone.
02:08:32I don't understand.
02:08:35I don't want the person behind you to hear.
02:08:45I'm sorry.
02:09:15I'm sorry.
02:09:45I'm sorry.
02:10:15I'm sorry.
02:10:45I'm sorry.
02:11:15I'm sorry.
02:11:17I'm sorry.
02:11:19I'm sorry.
02:11:21I'm sorry.
02:11:23I'm sorry.
02:11:25I'm sorry.
02:11:27I'm sorry.
02:11:29I'm sorry.
02:11:31I'm sorry.
02:11:33I'm sorry.
02:11:35I'm sorry.
02:11:37I'm sorry.
02:11:39I'm sorry.
02:11:41I'm sorry.
02:11:43I'm sorry.
02:11:49I can't go back. I'm sorry.
02:12:09I can't go back. I'm sorry.
02:12:12Of course you can.
02:12:14No, it's too late.
02:12:18The fear you're talking about is just this one right now.
02:12:22There is no other.
02:12:25I'm not afraid anymore.
02:12:27It's over.
02:12:31I'm going to open the door, okay?
02:12:35I wouldn't do that.
02:12:37Why?
02:12:40Don't open the door.
02:12:44If you ask me not to open,
02:12:46it's because deep, deep inside,
02:12:48you mean no harm.
02:12:50Stop being scared.
02:12:53Trust me.
02:12:55No.
02:12:58Trust me, okay?
02:13:01I'm going to open the door.
02:13:05Prove it.
02:13:07What you say.
02:13:09Prove it.
02:13:13I know it. That's all.
02:13:18Trust me.
02:13:20I'm going to open the door.
02:13:37I'm going to open the door.
02:14:08Trust me.
02:14:25Come here. Trust me.
02:14:28I'm going to open...
02:14:38I'm going to open...
02:14:46I'm going to open now.
02:15:07I'm going to open now.
02:15:14Come here, my love.
02:15:37I'm going to open now.
02:15:51You shouldn't collapse in front of this image,
02:15:54even if it's that of your own death,
02:15:56of your decay,
02:15:58of the end.
02:16:08I'm sorry.
02:16:13I'm the one who's sorry.
02:16:15It doesn't work on you.
02:16:17It doesn't work at all.
02:16:19We only have 0.7% failure
02:16:21and you're unfortunately part of it.
02:16:23I'm really sorry.
02:16:28Are you sad?
02:16:30No.
02:16:32On the contrary.
02:16:34Then it's okay.
02:16:38I had a dream with you last night.
02:16:43It's the first time I've had one.
02:16:46You were in this club
02:16:48where we went together.
02:16:50But this time, the atmosphere was completely different.
02:16:53There was no one except you and a man.
02:16:57You were dancing on the floor, one against the other.
02:17:00And then...
02:17:02there was a song.
02:17:04A song.
02:17:07It was about a love that would always be persistent through the years.
02:17:15A love that was always green.
02:17:19But what happened next?
02:17:23I don't remember.
02:17:25I only remember you.
02:17:27So happy.
02:17:29So sexy.
02:17:35I want you.
02:17:58You're a doll, Kelly.
02:18:02I have something to ask you.
02:18:05I know you're not allowed,
02:18:07but you have to help me find someone's contact.
02:18:10Please.
02:18:15Would that make you really happy?
02:18:18Yes.
02:18:20Yes.
02:18:30Louis, it's Gabrielle.
02:18:32We said we'd give each other a few days, and we did.
02:18:35Every time we were face to face with each other,
02:18:37we were completely unarmed.
02:18:40We were lost because we were moved.
02:18:43Without really knowing why.
02:18:46Now I know why.
02:18:48We have to meet.
02:18:50As soon as possible.
02:18:52Try to find me tonight at the club where we last met.
02:18:58Tonight, if you can.
02:19:00I'll wait for you.
02:19:03I beg you, come.
02:19:09I...
02:19:13See you tonight.
02:19:19What's stronger,
02:19:21your fear
02:19:23or your love for me?
02:19:26Because you think I love you.
02:19:34Show me your hand again.
02:19:48I love you.
02:20:18It will be...
02:20:20that I still love you.
02:20:24It will be...
02:20:26that we've been together for so long.
02:20:31But I can't do without you
02:20:35and leave you away from me.
02:20:38I'll never hear your voice again.
02:20:43It will be...
02:20:45He's back.
02:20:47Where?
02:20:49He's this way.
02:20:52You're burning up, aren't you?
02:21:17You're burning up, aren't you?
02:21:21It will be...
02:21:23that I can't forget you.
02:21:27It will be...
02:21:30because I want to remember.
02:21:34But I want to stay with you.
02:21:40It's weird.
02:21:42There's absolutely no one today.
02:21:44Yes, it's weird.
02:21:47It's not bad that there's no one.
02:21:49I agree.
02:21:54After we saw each other the last time,
02:21:56I listened to Madame Butterfly in full.
02:21:58It's true that it's beautiful.
02:22:03I'm happy to see you.
02:22:06Me too.
02:22:09You wanted to tell me something.
02:22:11Yes.
02:22:13But it's hard to say.
02:22:16I don't know where to start.
02:22:18In that case, you have to start at the end.
02:22:32Do you want to dance with me?
02:22:46Yes.
02:23:16And when it's you
02:23:20When love is evergreen
02:23:27Evergreen
02:23:31Like my love
02:23:36We made me wait.
02:23:39We listened to so many songs together.
02:23:44And when?
02:23:46When he came out,
02:23:48I saw all the images during the purification.
02:23:54What did you do?
02:23:56I got a job at the Ministry of Justice.
02:23:59I just started.
02:24:01It's quite exciting.
02:24:03You should apply.
02:24:05It would be good if we were together, don't you think?
02:24:08We would meet often like this.
02:24:11I love you.
02:24:13Me too.
02:24:15I'm happy to see you.
02:24:43No!
02:25:13I love you.
02:25:43I love you.