- 7/19/2024
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00:00to celebrate the return of my son,
00:02but also to say goodbye to my friend Maria Antonia,
00:04as she deserves.
00:05And any specific request for food?
00:07Because we will also have to decide the wines.
00:09If I have called you, it is for you to take care of it,
00:11not for you to ask me everything.
00:12I pay you to work,
00:14not to walk around with a sad face.
00:16Isn't our relationship above all those titles,
00:18all that money?
00:20Vera, we live in very different worlds.
00:22Well, I also think so.
00:23I mean, I'm a bit worried about the future.
00:25I don't know if I can make it.
00:27We live in very different worlds.
00:29Well, I also thought so.
00:31But together, we have created another world.
00:33A world in which there is only you and me,
00:35in which we love each other
00:36and we don't care what people think.
00:38Listen to me, that sounds beautiful,
00:41but it's impossible.
00:42You have always been very clear that it is correct and not,
00:44and this jam thing is not.
00:46Days from sun to sun, bad words.
00:49I think the time has come
00:50for us to break the rules from time to time.
00:52And what I'm doing is giving that girl an opportunity
00:55to get her son back and move on with her life.
00:57She has confirmed that she will leave us.
01:00It has been a pleasure,
01:02but I think the time has come.
01:03It's a shame, friend, but everything comes to an end.
01:08Anyway, don't think you're going to leave just like that.
01:13I'm preparing a music recital to say goodbye to you.
01:16Tell me what you've come to tell us,
01:17that you've finally left the hangar and are going home.
01:20Well, for now, that's not in my plans.
01:23I've come to ask you for a favor.
01:25And I'll give you whatever you need.
01:27Can you prepare me a dinner for tomorrow at the hangar?
01:31Something simple.
01:32I thought bringing her here and having her die was a good idea,
01:36and I'm realizing right now that it wasn't a good idea.
01:39No, it wasn't, Hanna, it wasn't.
01:40My son is safe and far from Gregorio,
01:43and that's the only important thing.
01:45And the plan is fine.
01:48I'd rather die here,
01:51and at Gregorio's hands.
01:52Go immediately to the upper floor,
01:54where the Duchess of Carril is waiting for you.
01:56The Duchess of Carril?
01:58Apparently, a few days ago she lost some gloves
02:00and she says you gave them to her.
02:01They may be in the closet where we keep the guests' clothes.
02:04Very well, then check it and meet with the Duchess as soon as possible.
02:08Yes, I'm on my way right now.
02:10It's in your hands that Catalina returns.
02:12Nonsense, you say.
02:13How am I going to make her come back? Don't you know how stubborn she is?
02:16As long as she apologizes, that's enough.
02:18Don't even talk about it.
02:20If she wants that recital to come,
02:23she knows what she has to do.
02:25You helped Martina escape the sanatorium, right?
02:27Of course. What did I do?
02:29Curro, do you know where Martina is?
02:32Of course I do.
02:36Where is Martina?
02:40They won't think I'm as naive as to reveal her whereabouts now, right?
02:43What are you saying?
02:44It was quite difficult to escape that horrible asylum to which she was sent.
02:48All I did was get her out of hell, in which they mistreated her.
02:52How did they mistreat her? Is that true?
02:55You are certainly exaggerating.
02:57I saw Margarita with my own eyes.
03:00And that's why I made the decision to get her out of there.
03:02A hasty decision that you should have consulted, Curro.
03:06It's fine that you are interested in Martina,
03:08but that you get her out of the sanatorium on your own is risky.
03:11You would have done the same.
03:12It was the most sensible thing.
03:14What's more, Martina is an adult person and can go wherever she pleases.
03:16Martina needs help.
03:19Well, she wasn't receiving it there.
03:20That's for sure.
03:22Now it turns out that you are also an expert in mind games.
03:25Martina was in the sanatorium to avoid a much worse fate.
03:28Yes, she is.
03:29If she didn't end up in jail, it was thanks to Ayala's benevolence.
03:32And I understand that with her mother's consent. Am I wrong?
03:35Absolutely.
03:36But who do you think you are to go against a mother's decision?
03:38I had no choice.
03:40I understood that for the good things, I was not going to get anything.
03:42So I decided to help her for the bad ones.
03:44Enough already.
03:45Tell us where Martina is if you don't want to get yourself in trouble too.
03:48And what are they going to do to me?
03:50Are they going to send me to a sanatorium?
03:52Because of course, that's what they do to those who are against their dictates, right?
03:55Curro, please.
03:56Curro, tell us where Martina is, so we can help her, please.
04:01I'm sorry, aunt, but I can't do it.
04:05Not while there is the danger that they will send Martina back to that sanatorium.
04:09But you have lost the trial.
04:10Be reasonable.
04:11I'm sorry.
04:12But without guarantees that Martina will be fine, I'm not going to tell her where she is.
04:16In the meantime, I promise you that Martina will be in a safe place.
04:20No, I will never allow you to return to hell.
04:22Never.
04:26It is not his confirmation that I need.
04:42I don't know if I can tell you
04:45The things that have happened since I saw you
04:49The lights that have danced through our garden
04:53The new rumors
04:55Between the heart and the walls
04:59In the promise
05:01There will be particles of love in motion
05:05There will be secrets that will never come out
05:09It will be as beautiful as the flight of a plane
05:16In the promise
05:18The farewells are turns on the ground
05:22Even the flowers will dance in their own way
05:26Balancers between fear and passion
05:32We are like a jump to the D3
05:36We are love when you live life to death
05:40A long way to go
05:44In the promise you will be a matter of luck
05:48We are like a jump to the D3
05:52We are love when you live life to death
05:56A long way to go
06:00In the promise you will be a matter of luck
06:06In the promise you will be a matter of luck
06:25Do you know about Karril?
06:26Yes
06:28I came to inform you that I have not been able to find the gloves you lost in this palace
06:32But have you searched well?
06:34Everywhere
06:35I have looked in all the closets where we keep the garments of the guests but ...
06:39I have not tracked them
06:41What a contradiction
06:47Thank you very much, I'm already serving the Duchess
06:54Mother, what are you doing here?
06:56Look at my daughter
06:57Doesn't it seem like much to you?
06:59That I have not stopped thinking about you since I saw you the other day
07:03And that day I didn't ... I didn't react well, I admit it, I was ...
07:08Brusca
07:09But it's that, darling, to see you dressed like this, like a vulgar maid
07:13It's what I am
07:14No
07:16You are the daughter of the Dukes of Karril
07:18But above all you are my daughter
07:21I just can't believe you've been hiding here all this time
07:25That I've been looking for you everywhere, darling
07:27I've moved to Rome with Santiago behind any little clue that could lead me to you
07:32To think that you could have died is the worst thing that has happened to me in life
07:37Well, she can stay calm because I guarantee that they treat me well here
07:41But how can you tell me that?
07:43Mother, what has come?
07:46To ask you to come home, with me
07:49No
07:50Yes
07:51That is ruled out
07:52The best thing will be that they forget about me
07:54But how can I forget about you?
07:56For God's sake, you are my daughter
07:57For that very reason
07:59How can you ask me to go back to that hell?
08:02I will protect you
08:05We can change things, darling
08:07But we have to do it together
08:09Mother, you know that going home is a fear
08:13And that if I go back, Father will kill me
08:15And it's not a way of speaking
08:17But there has to be another alternative
08:19That you don't have to live like this, in servitude
08:21Mother, it's a dignified life
08:23Here I earn my livelihood
08:26Here they treat me well, I even feel loved
08:29Are you serious?
08:31My companions have treated me very well
08:35This is the life I have chosen
08:38And I need you to respect it
08:41And please promise me that you will never go back
08:43No
08:45I can't promise you that, daughter, I can't
08:48I can tell you at least that I will try
08:51Huh?
08:59Take care
09:03I repeat, it is the most appropriate
09:05Besides, I'm not asking anything from the other world
09:07Sure, now the most appropriate thing is that I apologize to Catalina every day, right?
09:10I know it's not a pleasure and it's hard for a world to do it
09:13But I'm asking you, please
09:16Think about it, this way a lot of weight will be removed
09:19And maybe the two of them can start from scratch
09:21Look Manuel, I'm fine where I am
09:24If that wretch wants to continue in her hole
09:26Well, it's better for everyone that she stays far away
09:29Please be pious
09:31Think at least about Catalina
09:33It is clear that she could not move on after what happened
09:36And when did that become my problem?
09:39It is a problem of the whole family
09:41And therefore it is also yours
09:43And it's a shame she didn't realize
09:45Mother
09:47Mother, fix your differences
09:49Fix them before this problem gets worse and it is impossible to go back
09:52Maybe it's too late, Manuel
09:54Or maybe not
09:56If you don't prove it, you'll never know
09:58Mother, it is clear that you are behind the outrage that Catalina suffered at the hands of the press
10:01That's what she says
10:03That's what happened, no matter how much you try to deny it
10:05Well, that's enough
10:07I'm not going to stay here listening to how you insult me
10:09It's the truth
10:11It's not the truth, Manuel, it's your word against mine
10:13It hurts my heart that you take her side
10:15Leaving me for a liar
10:17For the love of God, mother, I'm an adult
10:21Her blackmailing doesn't work with me
10:23And this is not as simple as being on one side or the other
10:27I've heard her versions
10:29And I've informed myself
10:31I've read the articles, I've seen the cartoons
10:33I've asked around and you know what?
10:36Everything leads me in the same direction
10:38What is which?
10:40You know it perfectly
10:48Mother, if something has taught me this war
10:51It is how ephemeral life is
10:53And it would be surprising the number of soldiers
10:55Who regret in their deathbed
10:57To have remnants pending with a relative
11:01It's not worth wasting time this way
11:04Please, rectify
11:07Recognize your mistake
11:10What if I don't?
11:17If you don't
11:19I advise you to be prudent
11:23Because if you keep hurting the family
11:25You may lose me too
11:40Vera?
11:54Vera?
11:56Vera, what's wrong?
11:57Nothing
11:58What do you mean nothing?
12:00But if your expression is as if you had seen a ghost
12:02You could say that
12:04What do you mean?
12:05My mother has broken her promise
12:07The Duchess of Carles?
12:10Why?
12:11In front of the gallery
12:12To recover some stolen gloves she never wore
12:14And why did she come back?
12:15Because she wanted to see me
12:17And convince me to go back home with her
12:19Well, from her point of view it makes sense
12:22Yeah, and what about my point of view?
12:25Yeah, I guess it must have been a bad drink
12:28I'm very sorry
12:30Are you serious?
12:32Of course, why would I lie to you?
12:35Santos, why was it you who sent her the invitation
12:37To come to Mrs. Margarita's dinner?
12:40Me?
12:41I know perfectly well that it was you
12:43Who was in charge of sending the invitations
12:44And that the lady didn't invite my mother
12:46Oh my God, Vera, how can you think that of me?
12:48Because you're the only one who knew
12:50And that's how you put me between the bars
12:52And why would I want to put you?
12:56But let's see, Vera
12:58This excuse of yours, did you think about it
13:00Or is it something else?
13:01Look, Lope, don't get involved in this
13:02Do you trust each other?
13:04No, I don't trust you
13:07You did it to take revenge, didn't you?
13:09Jealous? Me?
13:11For God's sake, Vera
13:14I can't believe you were so naive
13:16To think you could change
13:19After everything you've done to me
13:20I decided to believe in your regret
13:22But I see that I'm still the same
13:24Despicable being as always
13:26Your words hurt me a lot, Vera
13:28And on top of that, you laugh at me?
13:30Very well
13:32Well, I have bad news for you, Santos
13:34You're not going to ruin my life
13:36You're not going to hurt me anymore
13:38So I hope you've been able to enjoy your revenge
13:40As much as you imagined
13:42Oh, and one more thing
13:45You better forget about me once and for all
14:08Do you mind being a little more careful?
14:14Sir, I've been told that you wanted to talk to me
14:16That's right
14:19Do you want to talk now or do you prefer that I look for you until now?
14:21Now is perfect
14:23What I have to tell you won't take me long
14:25You tell me
14:27I'm not going to walk on thin ice
14:29Things are not going well
14:31I'm not going to talk to you
14:33I'm not going to talk to you
14:35I'm not going to talk to you
14:37Things are not going well
14:39With our jam business
14:41I'm very sorry to hear that
14:43Yes, me too
14:45The quality and, above all, the flavor
14:47Of our product has dropped dramatically
14:49And it seems that there are complaints about it
14:51Complaints
14:53And nothing more and nothing less than the glorious Spanish army
14:55Yes, you guessed it, our main buyer
14:57Oh yeah?
14:59And tell me, Lope
15:01What do you think they told me?
15:03That the jams are not to the liking of the troops
15:05Who is taking them?
15:08I have no opinion, sir
15:10Well, our jams don't like them
15:12I tried them myself this morning and they taste like hell
15:14And to top it off, the production has declined
15:16Well, I can't find an explanation
15:18Because the procedures we use are the same, sir
15:20Do you want to deceive me?
15:22I do know what's going on
15:24That someone is not doing their job well
15:26Give me names
15:28What names?
15:30If you tell me who is slacking
15:32Who doesn't deliver the product on time
15:34And, above all, who is responsible
15:36For the jams not tasting well
15:40Speak
15:44Captain and Count Don Lorenzo La Mata, sir
15:48Are you making fun of me?
15:50No, not at all
15:52With all due respect, sir
15:54I'm afraid that the decline in the quality of the jams
15:56Is exclusively your responsibility
15:58I hope you have some kind of basis
16:00To say that
16:02The point is that the delicious taste
16:04Of our jams is a merit
16:06Of the quality of the raw material
16:08But what are you talking about?
16:10That we used to look for a fresher product
16:12And we took great care of its transport
16:14So that the fruit would arrive in good condition
16:16No, that was a waste of money and time
16:18I myself have found much cheaper fruit suppliers
16:20I know, sir, I know
16:22That's what I'm trying to explain
16:24If we buy cheaper fruit
16:26And of worse quality
16:28The taste of the jam will be diminished
16:30And then what are you good for?
16:32Or your colleagues?
16:34Aren't you experts in improving the taste of things?
16:36Of course I am, but we don't do miracles
16:38And as far as production is concerned
16:40I'm sure that women have had to discard a lot of fruit
16:42For being useless
16:44Wait, wait, what?
16:46For not saying that they will be working with less affection, sir
16:48Because their earnings are getting worse
16:50They will be hard-faced
16:52No, they are not, sir
16:54And excuse me, but you have asked me for explanations
16:56And I have tried to give them to you
16:58And you have not believed that you are
17:00To me, look at me
17:02Nobody teaches me how to do business
17:06Except a cook from 3 to 4
17:10I'm very sorry, sir
17:12If we were in the army a long time ago, you would be in the dungeon
17:14But in civil life I can only limit myself to saying goodbye
17:18What do you mean, say goodbye?
17:20What you hear
17:22You are out of the business
17:24And that becomes extensive for your colleagues
17:26I'll take care of the management
17:28I'll take the jams and I'll talk to the
17:30Damn women of the town
17:32And you know what? I'm going to do it better than you
17:34You are deaf, you don't hear
17:36Get out of my sight, come on
17:38Of course I do
17:40You have to understand the seriousness of the situation
17:56And I understand it perfectly, uncle
17:58So much that I have been forced to act
18:00But that is not the solution
18:02You have to tell us where Martina is
18:04Well, no, I'm sorry, but I'm not going to do it
18:06Curro, I beg you, please
18:08I personally am very worried about her
18:10Well, stay calm
18:12Martina is safe
18:14Really, believe me
18:16I don't know if to take you seriously
18:18After everything you're doing
18:20Look, I just want to protect Martina
18:22Well, let me help you do it
18:24Don't carry this alone
18:26I don't know anything about Martina since she escaped
18:28From that sanatorium
18:30And she didn't know the terrible conditions in which she lived, did she?
18:32You're right
18:34Maybe she did everything possible to prevent her from being taken
18:38I'm sorry
18:40I didn't want to blame her for anything
18:42I understand that everyone
18:44Trusts the judgment of Count Dallala
18:46We try to avoid a bigger evil
18:48Yes, that you don't call the police
18:50And that you end up in jail
18:52But in the end Martina ended up in the same or worse place than that
18:54I understand that now you don't trust us
18:56But you have to think about Martina's well-being
18:58And I do
19:00So I ask you not to insist
19:02Because I'm not going to tell her anything
19:04As my father would say
19:06In this phase of negotiations
19:08None of the parties trust the other
19:10I'm not like your father
19:14I know
19:16Fortunately
19:18You've always been on my side
19:20Well, let me keep being
19:22Even if you don't recognize him now
19:24Martina and you could need help
19:26Look, uncle
19:28I thank you
19:30From the bottom of my heart
19:32I know your intentions are good
19:34But
19:36But no
19:38Why?
19:40Because I can't expose Martina to be returned to a place like that
19:42No, without guarantees that this will not happen again
19:44So it won't happen again
19:46You know I can't give you those guarantees
19:48The only one who can give me those guarantees
19:50It's Count Dallala
19:52Nothing will make me change my mind
19:58Well then Martina will not return to the promise
20:00Curro
20:02Is that true?
20:04Do you know where Martina is?
20:06Yes, and just as I was telling your father
20:08I'm not going to say anything about it
20:14Talk to him
20:16Let's see if you can convince him
20:31That man is a sly sovereign
20:35Lope, what's wrong with you?
20:37Who has put you in a bad mood? Petra?
20:39No, it has nothing to do with Mrs. Petra
20:41It has to do with the captain of the mata
20:43The captain?
20:45Yes, he fired me
20:47And Mrs. Candela and you too
20:49He really did that?
20:51Oh my God, he found out about the jams
20:54No Virtudes, it has nothing to do with that
20:56Lope, explain yourself, I don't understand anything
20:58Let's see
21:00The captain of the mata has called me
21:02And he has told me that the Spanish army is complaining
21:04Because the jams don't taste the same
21:06That they don't like them
21:07If the soldiers eat everything
21:09If after a race through the field
21:11Even an alpargata tastes good to you
21:13Well, that's what I think
21:14Well no, he has complained and he has thrown it in my face
21:16That is a sovereign injustice
21:18Those muds soldiers
21:20But what does that man want?
21:22If he buys bad quality fruit and gave me rotten
21:24Are you sure it's not my fault?
21:26Yes, Virtudes, don't worry
21:30But you know what I'm telling you?
21:32It's much better
21:33Because I was fed up with having to work with that unpleasant man
21:37You and everyone
21:39Because Candela and I were also fed up
21:42What a bad fondinga and what a tasteless man
21:46The saying goes
21:47There is no worse blind than the one who does not want to see
21:49If we had already warned him
21:51That the jams were going to lose quality
21:53That's right
21:55And if he doesn't say goodbye
21:56It's going to get worse
21:58Much worse
21:59Especially if you are not in this
22:01Because you, Lope, you are the soul of the jams
22:03No, Mrs. Simona, not those jams
22:06There is hardly anything left of the business that Miss Catalina set up
22:09You are right
22:10In any case, I am relieved not to have to work more for that tyrant
22:13Say yes
22:15I already know the horror he is committing when he completely ruins the business
22:19I just hope he doesn't drag the women of the town along the way
22:24And above all, that he does not blame them for the destruction he has caused
22:30If the captain of the mat has done this for a minute
22:35I don't even want to think what he will do if he finds out that we are preparing other jams
22:39Virtues, that will not happen
22:42And if someone goes away?
22:45It will not happen
22:46They are all on alert and they will not say a single word
22:50Is it clear?
22:52Of course, daughter, everything will be fine
22:54Don't worry
23:00You have Ayala and Margarita very outraged with your ordeal this morning
23:04I can imagine
23:06But it's what I had to do
23:08You haven't even taken care of your poor aunt
23:10It hasn't been easy, Manuel
23:11I assure you
23:12I know she is his daughter and he must be having a hard time
23:15But you have remained firm
23:17Yes
23:18Let's say that Count Ayala has done his part
23:22You should have seen how he raged, out of pure frustration
23:27As far as I understand, your father is not very happy either
23:31No
23:32Do you have the family revolutionized, Curro?
23:34Yes, and I can assure you that he was not my boss
23:37Who would say so?
23:38Manuel
23:40If you had been in that place, you would have seen the patients there
23:44I can assure you that it was not the idyllic place that Count Ayala painted
23:49Was it so depressing?
23:51It was chilling
23:58And how is Martina?
24:00That's the only important thing
24:02Martina is much better, no doubt
24:06And is she in...?
24:10Manuel, don't insist, it's useless
24:14Curro, I don't...
24:17For God's sake, I've helped you save her
24:18I've helped you save her
24:20Even if it's only by hiding your presence in this house
24:24I appreciate it
24:25But I think the safest thing is that only I know where she is
24:32Okay
24:34Okay, it's your decision and I respect it
24:38I'm content not having to continue covering your life
24:43You did a good job
24:44I did a good job
24:46I'm surprised that even the maids who were making my room
24:49didn't realize that I wasn't there
24:51I see
24:53That's because the most cunning ones are out of the palace
24:56You mean Hanna and María Fernández, right?
25:00They are still out of the promise, but no one seems to have more specific information about it
25:05Well, we know that by request expressed by your father, they are assisting Colonel Gabriel López Carrillo
25:12The Duke of San Rafael
25:13Yes, that's what Mr. Baeza told us, but...
25:16I'm surprised that you don't have more information
25:21I guess it's because nothing bad happened to them
25:25Don't you think so?
25:29Yes, I guess so
25:31The next day
25:42I guess Mr. Ruiz was more precise than in the other option
25:46Yes, this time he proposes some foie gras empanadas with caramelized apples and jerez
25:51along with some croquettes of bullfrog
25:53and Pampardou with macerated strawberries
25:56Very sophisticated, all of them
25:58And the other option?
26:00The other option is simpler
26:02A watermelon gazpacho as a starter and a seafood rice as a main course
26:06Very smart too, and lighter than the other option
26:09And what do you prefer?
26:11Well, I haven't made any decision
26:13Wow
26:15That's regarding the food
26:17As for the music, I have two very suitable options for a recital
26:21Well, enlighten me please, Mrs. Arcos
26:24One of them is the string quartet that already attended Mrs. Marquesa's birthday two years ago
26:30A proposal from Mrs. Marquesa herself
26:33And the other one is a choir accompanied by the piano
26:36that would play some fragments of Verdi and Bizet's operas
26:40And what do you think is more suitable?
26:43I haven't made any decision either
26:46Wow
26:48Are you trying to delay this moment due to some circumstances?
26:53No, what nonsense
26:55Mrs. Arcos
26:57Well, you already know that nothing seems to please Mrs. Marquesa regarding the recital
27:04We all know that Mrs. Marquesa is very demanding, but?
27:09I prefer to offer her several options and let her decide
27:13I understand
27:15For my part, there is no problem, let the Marquesa choose
27:19But I warn you that everything may seem wrong to you
27:23Well
27:25Well
27:31Are you sure you want to put that piece there?
27:36Yes, why?
27:38Because it seems a lie, cousin
27:41You have been face to face with one of the most fearsome armies in Europe
27:45And you have learned nothing about strategy
27:50Curro
27:51Curro
27:53Maybe you know more about strategy than I do
27:57But you are still too impulsive
28:01Yes, I hadn't seen that move, yes
28:07I see that you are immersed in your game
28:10Are you having a lot of fun?
28:12The normal
28:15Isn't it?
28:17Yes, here we were, having fun
28:19Well, it turns out that while you have fun, my daughter is God knows where
28:24Aunt Margarita, I already told you where Martina is
28:26Where?
28:27She is in a safe place
28:28Curro, please
28:30Look, you already know what my conditions are to reveal it to you
28:33Curro, I beg you, please stop torturing me with all this
28:37It's just that I don't want to torment you, Aunt Margarita
28:39All I want is the best for Martina
28:40And I don't?
28:42No, but I think we have different ways of thinking what is best for her
28:45What do you mean?
28:46I mean that you send your daughter to a place accused of something she didn't do
28:51Look, Curro, you've been out of here for a long time and you have no idea what happened, no idea
28:56Aunt, please
28:59No, neither of us knows, Manuel
29:01I just want to protect Martina, but you are exposing her even more
29:06Curro, I just want the best for Martina
29:08Please, look, I only say one thing
29:12Either you end this once and for all, or your cousin can end up in jail
29:18Do you understand?
29:20Do you understand?
29:37I'll take note, I'll see what can be done
29:39It's not a capricious request, Mr. Baeza
29:42It's a way to make sure that all the guests are well treated
29:46I've already told you that I'll see if it's feasible
29:48As you know, the Lacayos are my competition and Mr. Pellicer's, I have to consult with him
29:53I don't understand why
29:56Between the two of us, we will ask if his request for the recital is possible
30:01I don't think I have to consult that matter with anyone
30:04I think so
30:06No, and less with that man, who all he does is make mistakes
30:09Mrs. Arcos, are you going to start criticizing your colleagues?
30:12No, Mr. Baeza, I'm not criticizing anyone, I'm being honest
30:16Honesty without empathy doesn't have to be something good
30:20I see, and what do you tell me about the lack of honesty?
30:24Because with empathy or without empathy, Mr. Pellicer is not being precisely honest in the matter of the invitations to the snack
30:30We are still with those
30:32Yes, still
30:33I myself personally informed you that the matter was settled, that I had already spoken with Mrs. Margarita and you continue to ruminate
30:41Don't you think it's your fault?
30:44The fault?
30:45Yes, yes, the fault of having been the cause of all this
30:48Knowing her as I know her, that accidental error may not be such, but a sabotage in every rule
30:56Really?
30:57Yes, and in order to harm a colleague
30:59That's fine, I'm not to blame for all the evils that haunt this palace
31:04Not all, obviously, I'm talking about one in particular
31:09It gives me the feeling that whatever I tell you, you won't believe me
31:14Try it, try to convince me
31:18No, it's not worth it, time will put everything in place and you, Mr. Baeza, will realize the mistake you are making
31:29No
31:34And understand me, I am the first one who wants Martina out of that sanatorium
31:38I would never think of standing there to take her out
31:42Obviously, this is a robbery of the wisdom of youth
31:45No, not all young people are capricious little girls like Curro
31:50And forgive me, my sister, for what I say about your son
31:52He has just returned from the front, something should have matured
31:55Nothing at all, he's still as nonsensical as ever
31:59Come on, he better have stayed in the battlefield
32:01Cruz, please
32:02I'm not saying anything outrageous, Maria Antonia, come on, there's no way to get him in trouble
32:07You speak like that because you are relieved, but Curro is not a bad boy
32:11It is true that if we compare him with your son Manuel
32:14Manuel?
32:16Another one who dances
32:17Why do you say that?
32:18Don't make me talk
32:20Well, if you don't do it with me, who are you going to do it with?
32:23You're right too
32:35He's pissed off that he's apologizing to Catalina
32:38Really?
32:40He thinks that way I will convince her to leave the hangar and live with us again
32:45I'm sure he's ashamed to see how his sister is stuck in that hole
32:48Well, for me, there are only advantages
32:50Advantages?
32:52It is true that Catalina and you have never understood each other
32:55There's no need for us to
32:56But you have to understand that Manuel's only intention is for things to return to normal
33:02On top of that, he accuses me of what happened
33:05Well, you have something to do with it
33:07To be frank
33:09Which side are you on?
33:10Yours
33:11I'm just trying to appease your arrogance, Cruz
33:14Do you think it's normal for him to demand that I apologize to Catalina?
33:17How did he demand it?
33:19Well, he suggested that I could lose him too
33:22Do you think it's my own son blackmailing me?
33:24I don't think it's blackmail
33:27You're definitely on his side
33:28Let's see, no
33:30But I see the need to warn you, Cruz
33:33Manuel speaks from the heart
33:35And I'm afraid that your resentment with Catalina ends up distancing you
33:38You're on his side
33:40Let's see
33:42You can solve it
33:43Just propose it to you
33:45How?
33:46Humiliating me in front of that girl
33:48Make peace with her
33:50You've been facing her for too long
33:52Well, that's a matter of two, not just mine, right?
33:54Of course
33:56And it's true that Catalina is a, let's say, difficult girl
34:01But think that she's the one who left the palace
34:04She's pretending to be the victim
34:05And she's getting it
34:07You have everything to lose, Cruz
34:09Assume it
34:10Because in the eyes of your son Manuel and your own husband
34:13You are the bad one in all this story
34:16But it's up to you to become the good one
34:19That's the smartest thing
34:21You've always been very tempted in this kind of decisions
34:24What's the most beneficial?
34:27And it's not about humiliation
34:29But a strategy play
34:31Listen to me
34:32You have to bury the ax of Guerra Cruz
34:39So Mrs. Petra has not chosen any of the menus that we proposed to her?
34:41I already told you no
34:43That we continue without news
34:44Well, we have to start making a decision, Mrs. Simona
34:46Because it's not the same to buy a watermelon than a bull's tail
34:49Well, we'll have to do it with both
34:50Because Mrs. Petra wanted to consult it with Don Rómulo
34:52Before presenting all the options to Mrs. Marquesa
34:55One by one, the house without a barrier
34:59Well, I'll let you know
35:01Some of the menus I proposed require a lot of time to elaborate
35:04That's how you tell Mrs. Arcos
35:06López, but we are as we are
35:08As you did not want to go up to claim
35:11Cross me with Don Lorenzo?
35:12No, thank you
35:14Ah, Candela
35:16Good afternoon, both of you
35:18What?
35:19Did you miss me?
35:20Well, yes, Candelilla
35:22You arrive at a good time
35:23We had to start making dinner without you
35:26What? Where have you been?
35:28I had gone to town
35:29To make some gifts
35:31And the smiley face?
35:33As far as I know
35:35You were just going to the pharmacy for some eucalyptus pills
35:38Yes
35:39And on the way I met Úrsula
35:41Úrsula
35:43The one from Tancredo
35:44The one who takes care of the priest's garden
35:46Now I understand the delay
35:48How she likes to give the stick to Úrsula
35:50Yes, yes, she does
35:51But this time
35:53I had some information
35:55From Enjundia
35:56Well, I also have something important to tell you
35:58The captain of the...
35:59You can tell me later
36:00This is more juicy
36:01Chiquilla
36:02Maybe what happened to Lopillo is from this tendency
36:04And not a rumor of a comadre
36:05What rumor of a comadre?
36:06What dead child?
36:07I'm not telling you that this is from Enjundia
36:09And maybe he wants to come here
36:11To the Virtudes to raise his son
36:13Virtudes?
36:15What are you talking about, Candela?
36:17Maybe he needs to get together the rooms
36:19To give him Adolfito
36:21And also a job that allows him
36:23To live with his son
36:25Thank you very much for the information
36:26I didn't know
36:27Now comes the good part
36:29Impatient
36:30That Úrsula has also told me
36:33A scoop, Don Fermín
36:36And what's so novel about that?
36:37Because as far as I'm a priest
36:38The only thing he has to do is
36:39Read the Bible and give mass
36:40They transfer him to another parish
36:42Are you sure about that?
36:44And so much that I am
36:45And Don Fermín told it to
36:47To Tancredo
36:48Tancredo to Úrsula
36:49And the poor thing is in tears
36:52It's normal because
36:53Don Fermín has always been a very good pastor
36:55For the whole flock
36:56Yes, yes, the truth is
36:57You know all the scoops of the Gospel
36:59But now they take it away
37:00And I say
37:01That it's not bad
37:02That it's not bad
37:03That it's not bad
37:04That it's not bad
37:05That it's not bad
37:06That it's for those who don't come
37:07Right?
37:09Yes
37:11And what does that have to do with virtues?
37:14You're a little slow, kid
37:16And now when a new priest comes
37:18He will need a person
37:19To do the tasks
37:21And that's where the game comes in
37:23The girl
37:24And don't you think
37:25That this priest and the other
37:26Are going to tell each other all the scoops
37:28And the theft of the chalice?
37:29No, they won't tell him anything
37:32And how are you so sure?
37:33Because my virtues
37:34Told him about the chalice
37:36In secret confession
37:37And if it's secret
37:38It's secret
37:42And I wanted to change you
37:43I was going to tell you
37:44Go upstairs
37:45Come on
37:46I'm going
37:47Air
37:48Air, air
38:03Air
38:21Cruz
38:25I was coming to see
38:26How you were doing
38:28Well, good
38:29I see
38:30Why are you coming all of a sudden
38:31And not interested in me?
38:33Well
38:34We're family, right?
38:35We're supposed to be interested
38:37In each other
38:38How can you live
38:39In this mess?
38:41What's wrong?
38:42Everything
38:44Not to mention the decoration
38:45Which is simply indescribable
38:48But it seems
38:50There are some hygiene considerations
38:52That you don't seem to take into account
38:54This hangar is perfectly clean
38:56Don't you think, dear?
38:58Come on
38:59I'm sure there are mice here
39:00And everything
39:01Well, look
39:02I agree with that
39:04But I'd much rather
39:05There were mice
39:06Than certain people
39:07Piling up around here
39:09Catalina
39:10I'm scared
39:11And I assure you
39:12I'm not here to argue
39:13That's what I don't understand
39:14When did Andrés
39:15Come here then?
39:17You'll see
39:20I wanted to ask you
39:22Especially for the sake
39:23Of our family
39:24To leave this place
39:25And come back to Palacio
39:28Are you asking me
39:29To live under the same roof again?
39:31We don't have to have breakfast together
39:33I just want to
39:35Get back to normal
39:38After everything that's happened?
39:43You mean
39:44That misunderstanding?
39:47I'm very sorry, dear
39:49I assure you
39:50It won't happen again
39:52Wait a minute
39:53Let's go slower
39:55You mean
39:56The press thing?
39:58Yes
40:00And you're apologizing
40:01For that?
40:02I'm explaining to you
40:03That it was just a misunderstanding
40:07It's fine
40:08Some journalists
40:09Came up to me
40:10And asked me questions
40:11And I answered them
40:12As best I could
40:13I see
40:14And I'm sure
40:15You didn't look for them
40:16To tell them
40:18The Lujan family
40:19Had to speak up
40:20About it
40:21And then, you know
40:22How they exaggerate
40:23No, no
40:24I don't know
40:25The press tends
40:27To look for scandal
40:28Because of
40:29The dignity of good people
40:31Do you remember
40:32Everything they said about me?
40:35Those journalists
40:36Exaggerated my words
40:37Catalina, I assure you
40:38That wasn't my intention
40:39And do you know
40:40How much I suffered?
40:41How much I was affected
40:42By all those comments?
40:46I'm not sorry, dear
40:48I'm really sorry
40:49That everything was like this
40:51That's why I want to ask you
40:52To come back home
41:23I'm sorry, son
41:24I didn't want to scare you
41:26Were you spying on me?
41:27No, no, no
41:28I was just trying to understand
41:29What your job is about
41:30I'm sorry
41:31No, no, it's fine
41:33What are you doing here?
41:35Apart from getting to know
41:36Your new studio
41:39You're right
41:40I'm sorry
41:41I should have
41:42Invited you before
41:43Don't worry
41:44I understand
41:45You were settling in
41:46Yes
41:47And you've remodeled it
41:48To your liking
41:49It's a good refuge for you
41:50Yes, it does have
41:51Some refuge
41:53I suppose this is
41:54What you needed
41:55A quiet place
41:56Where you could
41:57Concentrate without distractions
41:59Keep it a secret
42:02Do you know
42:03What we called this place
42:04My brothers and I?
42:07The Forgotten Kingdom
42:09And that?
42:10We were just
42:11A bunch of rascals
42:12The first time
42:13We came up here
42:16We were afraid
42:17Thinking that here
42:18We would find
42:19A monster from the Averno
42:21Or a ghost
42:24And did you find
42:25Something like that?
42:27We barely found
42:28The courage to come in
42:31So what was here?
42:33Well, here
42:34There were old furniture
42:35And useless junk
42:38A treasure
42:39For some kids
42:41Yes
42:43Here we fought
42:44Against imaginary dragons
42:46And rescued
42:47Captive princesses
42:50And only in a few
42:51Square meters
42:53The creativity of a child
42:54Doesn't need much more
42:56I hope mine doesn't
43:00Father, you can come
43:01To this Forgotten Kingdom
43:02Whenever you want
43:03Yes
43:04This can also be
43:05A good refuge for you
43:06I don't know what
43:07I would have to hide
43:09Well, yes
43:10Your mother
43:11Has me a little confused
43:13She keeps talking
43:14About that recital
43:15Father, I wouldn't
43:16Put my hand in the fire
43:17Because that recital
43:18Can't be celebrated
43:20And why is that?
43:21Because I've given
43:22Mother a condition
43:23To come
43:24If she wants her to go
43:25She must make peace
43:26With Catalina first
43:28I've asked for that
43:29In every possible way
43:30And she hasn't done it
43:31In any case
43:33Well, let's give her
43:34One last chance
43:37You're right
43:39Maybe you'll succeed
43:40Where everyone else
43:41Has failed
43:43You haven't failed
43:44Father
43:46I don't know
43:48I have the feeling
43:49That I influence
43:50Your decisions less and less
43:52And not just hers
43:56If you mean Catalina
43:59Think that no one
44:00Has managed to make her
44:01Change her mind
44:02And leave the hangar
44:03Catalina
44:04Curro
44:05She hasn't told me
44:06Where Martina is
44:07And it torments me
44:08Not being able to help her
44:09As for Curro
44:11Father, no one
44:12Has entrusted him
44:13With that information
44:15And I think
44:16It's his decision
44:17And we must respect it
44:19And wait for everything
44:20To go well
44:26I mean it
44:27Your stepmother
44:28Has come to apologize
44:29It's hard for me
44:30To believe it
44:31But yes, she did
44:32In her own way
44:33Of course
44:34I don't even want to imagine
44:35What it's about
44:36Well, to begin with
44:37She came in here
44:38Criticizing the place
44:39Saying there were mice
44:40Well, mice are everywhere
44:42I don't know
44:43Strange way
44:44To remove laziness
44:45I naturally stopped her
44:46And after a long time
44:47I ended up recognizing
44:48Her responsibility
44:49After those posts
44:50And she apologized
44:52In her own way
44:53You have to say it
44:55Well, I guess
44:56For her it's an achievement
44:59That's right
45:00Talking about my stepmother
45:01That's a lot
45:04Well, then
45:05We'll have to celebrate it
45:07I'm still assuming it
45:10Does that mean
45:11Catalina
45:12That you're going
45:13Back to Palacio?
45:14Yes
45:15I guess it doesn't make much sense
45:16For her to keep living here
45:19Yeah, but I don't
45:20I don't see you
45:21Getting excited about the idea
45:23Well, the truth is
45:24I don't
45:25But the truth is
45:26I can't stay locked up
45:27Here forever
45:28Yeah
45:29Cruz has taken a step
45:30And I have to take another
45:34So
45:36Your stepmother
45:37Has been here
45:38And I'm about to
45:39Cross paths with her
45:41And I'm worse
45:42Than her
45:43And I'm worse
45:44Than mice
45:46Of course
45:47You're bigger
45:49And
45:50Well, speaking of sizes
45:52I hope I got your measurements right
45:55My measurements?
45:56That's right
45:58That's why I called you
46:00I want to make you a gift
46:10This is
46:11Entirely yours
46:13And if you don't like it
46:14We can fix it
46:15If necessary
46:16But come on
46:17Romulo helped me with the measurements
46:18I hope
46:19I didn't make too many mistakes
46:21Catalina
46:22I really appreciate it
46:23But it's not
46:24Necessary
46:26Yes, it is
46:28So you won't feel
46:29That you're disguised
46:30As someone else
46:33Cruz
46:34Isn't the only one
46:35Who finds it hard to apologize
46:38And this is your way
46:39Of doing it
46:40I didn't want you
46:41To be offended
46:42When I gave you
46:43Pelayo's suit
46:44But there was no way
46:45To find another one
46:46Before dinner
46:47Catalina, thank you
46:48Really
46:49But
46:50I don't know
46:51When I'll have the chance
46:52To wear it
46:53And I'm not the type
46:54To wear this kind of clothes
46:55Really
46:56I'm sorry to disagree
46:57You'll be able to wear it
46:58Tonight
47:00Since I'm leaving the hangar
47:01What better way
47:02Than to make him
47:03A farewell dinner
47:09Will you come with me?
47:12Yes
47:22The mail
47:23How could I forget?
47:35Mr. Romulo Baeza?
47:39Excuse me, Mr. Baeza
47:40Yes, Mr. Romea
47:42If you don't need
47:43Anything else from me
47:44I'll leave
47:45Yes, go
47:46Go
47:47Wait a moment
47:48Could you help me
47:50By handing out the mail?
47:52What?
47:53At this hour?
47:54Yes
47:55It's been such a busy day
47:56That I forgot
47:57Could you hand it out
47:58To your colleagues?
47:59Please
48:00Yes, yes, no problem
48:02But are you sure
48:03You don't want to do it?
48:04I'd rather you do it
48:05I have pending tasks
48:07Very well
48:08Good night
48:12Good night
48:22Mr. Romulo Baeza
48:30You must pressure him more
48:33We have to get that kid out
48:34Of Curro
48:35Where Martina is hiding
48:36Ignacio, I've tried
48:37Look
48:38But he refuses to tell me anything
48:40He made it very clear
48:41His conditions
48:42Yes
48:43I'm sorry
48:44If I let myself go
48:45It's because I can't stand
48:46Seeing you like this
48:47What?
48:48Well, in your hands
48:49It's avoiding it
48:52You know I can't
48:53Let it go
48:54Like this
48:58Besides
48:59We're getting into
49:00What it's not
49:01We should think
49:02About us
49:03About being happy
49:04About getting married
49:05Ignacio, please
49:06It's not the time
49:07To talk about this
49:08You said
49:09It's never the time
49:10When can we
49:11Start thinking about us?
49:12It turns out
49:13My daughter is missing
49:14And you're the only one
49:15Who can get Curro
49:16To tell us where she is
49:17And now it turns out
49:18That you only think
49:19About the wedding
49:20Margarita
49:21Look
49:22I'm going to bed
49:23Good night
49:35Poor thing
49:38I was starting
49:39To get to know you for real
49:41What were you doing there?
49:43Nothing
49:44Watching you
49:45Unmasked
49:47Don't be silly
49:48No
49:49I'm not
49:51You enjoy
49:52All this, don't you Petra?
49:55A little
49:57Although if I tell you the truth
49:59It's not enough to convince me
50:01Because you've managed
50:02To cause me more pain
50:03Than I can cause you
50:04In all the rest of my life
50:07You had a son Ignacio
50:09But you never cared
50:10No
50:11That's not true
50:12Yes
50:13It is
50:15If you had been a good father
50:16You wouldn't have given up so soon
50:18Why are you talking about that now?
50:20Why?
50:21Like you call it
50:23It's never stopped
50:25Felipiano, my son
50:26Has always been present
50:27Every day
50:28Enough
50:30Tell me Ignacio
50:31How does it feel
50:32To see yourself
50:33So desperate
50:35And so fragile
50:36I've said enough
50:50I have to admit
50:51That the frac is like a glove
50:53And that's the only reason
50:54You should keep it
50:57I'm starting to think
50:58That if I don't
51:01It would be despising you
51:03Because it's also very comfortable
51:05I could wear it
51:06Every day
51:07To go to work
51:10That would be worth seeing
51:14Since you arrived
51:15I wanted to ask you a question
51:19Tell me
51:21Do you wear perfume?
51:24Do you realize?
51:25Yes
51:29It smells really good
51:31I used to wear it
51:32With my father
51:35I think there has come a time
51:36In life
51:37When I should wear it too
51:40Very well
51:42I think it's interesting
51:43That you talk about
51:44Those moments in life
51:46I also think
51:47There are moments
51:48To face changes
51:51And
51:53I don't know
51:54To live
51:55Other adventures
51:57Like wearing
51:58Your father's cologne
52:00Or
52:02That you and I
52:03Can be something more than
52:06Friends
52:12I'm sorry
52:14Did I say something
52:15That bothered you?
52:16No, no, no
52:17It's just that
52:19I didn't expect it
52:20Everything was going so well
52:21And I ruined it
52:23No, no, no
52:24No
52:31What?
52:32What's going on?
52:45I don't know
52:50I feel
52:53I feel something in my chest
52:54In my chest
52:59That I should tell you
53:00But I don't
53:10Of course
53:12What?
53:21I think you kissed me
53:22To not give me explanations
53:24Explanations of what?
53:27Of what's wrong with you
53:30Of what really worries you
53:31Catalina
53:33What do you mean?
53:35Be honest with me
53:37Or even better
53:38Be honest with yourself
53:39I think you haven't overcome it yet
53:42And I don't mean Cruz
53:43But Pelayo
53:46You kissed me
53:47So you don't think about that
53:50Are you still in love with Pelayo, Catalina?
53:53What?
53:57Tell me I'm wrong
53:58And I won't mention his name again
54:02It's just that
54:03I love him
54:05It's just that
54:06I love you
54:16Ma'am, it took me a while
54:17To prepare what you asked me
54:19It's just that
54:20The recital has been suspended
54:24Now ask a maid to fix the bouquet
54:28Don't be nervous
54:29I think it's a good idea
54:30That you go see your son
54:31Like this, no more
54:33I want your father-in-law to see
54:34That you're fine
54:35And that you don't condemn Adela
54:36But what are you saying?
54:37I'm hiding
54:39The story, the what?
54:41Mandela, please
54:42I understand now, mother
54:44They're getting the idea
54:45That you and Adela
54:46Can stay with your son
54:48I hope so
54:49Please, you have to tell me
54:50Where Martina is
54:51We can't go on like this
54:53Cruz, listen to me
54:54I'm very worried
54:55In fact, I'm desperate
54:56We are desperate
54:58The only thing I need
54:59Is that Count Dallara
55:00Guarantees that Martina
55:01Won't return to that asylum
55:03Nor will she call the Civil Guard
55:07Cruz
55:11Sooner or later
55:12The truth will come to light
55:13And then
55:14All her petty evils
55:15Will turn against her
55:17You will be the one
55:18Sooner or later
55:19Who will have to swallow
55:20All those reproaches
55:21And accusations
55:22When I show you
55:23That I had nothing to do
55:24With that matter
55:25Of the uninvited guest
55:26I would like to know
55:27When Catalina will return home
55:29Trust me, it will be soon
55:31I think it would be best
55:32Not to tell her anything
55:33And for her to return
55:34When she feels ready
55:36I'm so angry
55:37That my stomach hurts
55:39Just remembering
55:40That I had to apologize
55:41To that stupid
55:42And capricious girl
55:45And just imagining
55:46Her satisfaction
55:47When she saw me so humiliated
55:48Of course
55:49I found her
55:50On the garden stairs
55:51Mrs. Martínez
55:52I accompanied her here
55:53Because she's not well
55:58What happened, daughter?
56:00Let's go back to the promise
56:03We can't stay here
56:04Forever, Mrs. Pia
56:08For the plan to work
56:09We have to neutralize Gregorio
56:12And only by getting rid of him
56:13You will be free
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