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Esquire Chats With BenCab | Esquire Philippines
Esquire Philippines
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7/12/2024
In this Esquire Philippines exclusive, National Artist for Visual Arts Benedicto Cabrera talks about his new collaborations, the evolution of his practice, and, of course, the power of Sabel.
Category
🦄
Creativity
Transcript
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00:00
The young artists in the Philippines now are doing well as compared to during my time we
00:06
only have what three galleries that includes my gallery which is Indigo Gallery. My name is Ben
00:13
I'm here with Esquire Philippines.
00:28
All I've been doing collaboration with Abitare with particularly the Moi carpet and I'm very
00:37
happy with what they've done. I also do metal works which is also arranged by Abitare and it's
00:45
done in Italy using their metals but I'm always happy to collaborate. It's another approach to
00:54
what I've been doing like painting and these are new medium which I like very much.
01:01
As a Filipino artist I'm very conscious of our culture and that is what I want to project.
01:14
I know there's a lot of influence from abroad and the latest. I started doing let's say
01:21
Filipiniana, my larawan. It turned out to be also
01:26
quite modern and not going back to the old style painting.
01:39
My subject Sabelle is been going on which I've been using and she's a subject matter
01:47
and in the end she became iconic because other artists was influenced by the image. They even did
01:56
a musical on Sabelle because she represents the Filipina. Sabelle was what you call a bag lady.
02:05
When I first saw her just across my window she was wearing this plastic around her and I started
02:12
doing sketches and photography because she represents a lot of things in my art. She can
02:20
be abstract, she can be oriental, she can be... that's the challenge that having one
02:28
subject matter I can explore in a different way.
02:33
My brother of mine is a very good artist. He taught me a lot. We gave exposure. We go out
02:40
together. It's really my first exposure to the arts. Plus seeing him draw and paint it really
02:50
give me encouragement to draw because I realized I can draw.
03:03
Well after my divorce I decided to move to Baguio and it so happened that during that time we have
03:13
people, friends and artists living there. Somehow we got together and create Baguio Arts Guild and
03:21
that became an example of a community full of artists and doing things like installations,
03:29
performance, paintings. That was fun. That was really good to start with. When I decided to
03:40
move to the Philippines I decided to move to Baguio because I like the weather to begin with
03:45
and Baguio is quite rich in terms of culturally the Cordillera which I think is underrated.
03:55
When it comes to tribal art people think of Africa but we have such a rich culture
04:01
in terms of having those bululs and other things.
04:16
I get challenged when somebody like right now a gallery from Singapore and they do sculpture.
04:24
They have a foundry and I was challenged to do sculpture this time. Things like that it just
04:30
happened to me. I don't want to limit myself. I just like to explore new techniques. The only
04:37
thing is I'm really bad with the new technology. The young artists in the Philippines now
04:50
are doing well. As compared to during my time we only had what three galleries. That includes
04:58
my gallery which is Indigo Gallery. You cannot just sell your paintings but now there are so
05:04
many galleries even art brokers and so the young artists have all the chance to exhibit early
05:13
and doing well.
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1:15
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