Lud, zbunjen, normalan - 181. epizoda (S7E13)

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Bioskop HD
  • 2 months ago
Lud, zbunjen, normalan - 182. epizoda (S7E14): https://dai.ly/x91juem (Sledeca epizoda)
Lud, zbunjen, normalan - 180. epizoda (S7E12): https://dai.ly/x91ju4k (Prethodna epizoda)
Transcript
00:00I don't know where to put my things when there are so many lights I have to turn on.
00:29Hi, how are you?
00:32Hey, old man. Billionaire.
00:35You know me.
00:36Can I ask you something?
00:38You can, son, but if it's not something difficult, my brain has thinned out.
00:42You see, usually when you listen to music, you listen to these CDs.
00:45Really rare LP records.
00:47Well, yes, it's simpler.
00:49Yes, but that's why my room is full of LP records.
00:51Have you seen how many I have?
00:54But they're useless, dear man.
00:56They collect dust and take up my living space.
00:58I know, son, but I don't know where to put them.
01:00But they're nice.
01:01The basement. Let's take them to the basement.
01:03Are you a normal horse?
01:05I'd move you to the basement before I'd take those records downstairs.
01:10And you're a heavy person, which is true.
01:13Those records mean life to me, man.
01:16Hey, son, let me ask you something.
01:19Tomorrow is my birthday.
01:23Do I already have that many records?
01:25You've seen how time flies.
01:27And you know that I'm quiet when it comes to gifts.
01:30Well, yes.
01:31What should I give her?
01:33Well, she's easy for you. She's gold.
01:35You think so?
01:36Of course I think so.
01:37She's not that flower, that shit.
01:39She's a material type.
01:40You can buy her gold, a platinum bracelet, a chain, a ring,
01:43and she has a ring to fall on.
01:45Fuck, where did I remember that from?
01:47I would never remember that from.
01:49You're right.
01:50I helped you, now you help me.
01:52Listen, man, the records are in the basement.
01:55Are you serious?
01:56You're crazy.
01:57Do you know, man, in the war,
02:00when the grenades fell,
02:02you were lying like this,
02:04the records were standing like this.
02:06I threw myself on those records to protect them.
02:09Those records mean so much to me.
02:11Now run.
02:12Goodbye.
02:13Okay.
02:14But I'll remember this.
02:15Remember and give it back.
02:17I'll give it back to you when?
02:18Just so you know.
02:22Oh, there's more, Maxuzi.
02:25I thought there weren't any drops in the house.
02:28For you, no drops.
02:30You drank a lot.
02:32Come on, pour me one.
02:33What's wrong with you?
02:34No.
02:35No and no.
02:36You started drinking like the worst drunk.
02:39This is the last bottle.
02:40One.
02:41Not even one.
02:42Half.
02:43Not even half.
02:44Goodbye.
02:46Okay.
02:47I'll remember this.
02:49Remember and give it back.
02:51I'll give it back to you when?
02:52Just so you know.
02:56I'll give it back to you when?
02:58When?
02:59I promise you.
03:00And you.
03:01And you.
03:03Oh!
03:06Be, be, be normal.
03:09Be, be, be normal.
03:12Be, be, be normal.
03:15Be, be, be, be normal.
03:18What's wrong?
03:20Oh, you stupid boy.
03:21You smell.
03:22You smell like shit.
03:23You smell like cow.
03:24You're a mental paturak.
03:25You're a mental paturak.
03:26You're a man's dung.
03:27You.
03:28Argh!
03:29Give me a double.
03:31Coffee or soda?
03:32Coffee, of course.
03:33Soda.
03:34Here you go.
03:38I wanted to ask you something.
03:41I have a problem.
03:43Actually, two questions.
03:46And two pieces of advice.
03:49I need them.
03:50Some medical problem?
03:52No, social problem.
03:54Faruk and I...
03:56It's just that we haven't been together for a year.
03:59I wanted to surprise him with a gift.
04:02But I don't know what to do.
04:06Oh, dear.
04:07What is this?
04:08I look like an advisor for gifts.
04:10What do you mean?
04:11I mean...
04:12I want to tell you how his girls knew beforehand
04:15to come to me for advice on what to buy him.
04:18And how did you do it?
04:20I mean, did you succeed?
04:21It's good to give advice.
04:23Just look at me.
04:25Every one of my advice was 100% successful.
04:28Do you remember Tanja?
04:33The red-eyed one?
04:34The magician?
04:35Yes, Tanja.
04:36They were dating for three or four years.
04:38And she came to me one day to ask me what to buy him.
04:41And that morning, the old man told me exactly what to buy him.
04:45I really don't understand those people who keep fish for pets.
04:50You can't milk them.
04:52You can't touch them.
04:54You can't play with them.
04:56All day long, he's just playing with them.
05:00He's crazy.
05:01He's crazy, yes.
05:02It's nice to see him like that.
05:03Go away.
05:04That's strict.
05:06It's like you have a TV on all day long.
05:10You have a picture, but no sound.
05:12That morning, the old man saw in the news
05:16that Dr. Kaletovic has this...
05:20No, he has a collection of LP records.
05:23He was thrilled when he saw that in the news.
05:26He has a great collection of records.
05:28Yes, he does.
05:29But when he saw what kind of collection Dr. Kaletovic has,
05:34those LP records,
05:35what a huge collection he has,
05:37the old man also wanted to have that kind of collection.
05:39And then you told him to buy him records.
05:41Yes, and I told him to buy as old as possible.
05:44And then she went to the hardware store and bought him some...
05:48Radioheads.
05:49Not Tokinheads.
05:50I don't know.
05:51I don't know.
05:52They were some heads.
05:53He fell for it when he saw the birthday present.
05:56I'm so glad you like aquariums.
05:59You know, there are some people who think that aquariums are kitsch.
06:03Kitsch?
06:04What do you mean kitsch?
06:06Only priests and crooks can think that.
06:09For me, aquariums are...
06:11I mean, real, real in.
06:14I know, but...
06:15I don't care about that, you know.
06:18She gave him a record.
06:20Now I'm giving him the same present.
06:22I don't care.
06:23I didn't think you were giving him a record.
06:26It's more like an example.
06:28I have a different plan for you.
06:30Really?
06:31The old man told me what he would like the most in the world
06:34to be given by someone.
06:36Tell me.
06:38Hey, where are you, kid?
06:41Are you packing a present for your dad?
06:46Oh, my dear son-in-law.
06:48Oh, sorry.
06:50For me and Mara, it's an anniversary.
06:54And you know what I bought her?
06:56A golden bracelet.
06:58Awesome.
06:59Look at it.
07:00Hey, you're a real Bosnian.
07:02What's missing from a golden bracelet for a present?
07:06My son-in-law is totally crazy.
07:08It's a typical Bosnian present.
07:11It's sung in a song.
07:13A golden bracelet is a Bosnian present.
07:16Come on, old man.
07:18Don't go to Orgonzola.
07:20All right, but don't bother.
07:22My son-in-law and I will be in Primavera.
07:28It's on the door.
07:30Listen.
07:31I don't want to hear you in the house.
07:36He's a son-in-law.
07:38He's a son-in-law.
07:39Oh, my God.
07:41It's impossible.
07:42Someone would buy that for him.
07:44That's exactly what he said.
07:46I'm telling you, Mara.
07:47If you buy that for him, you'll never know.
07:50All right, I guess you know.
07:52Of course I know.
07:53Here.
07:54We solved a problem for you.
07:56You have two questions for me.
07:58Shoot.
07:59Yes.
08:00I have to solve one more present for Barbara.
08:02What about Barbara?
08:03Old Barbara.
08:04Today is her birthday.
08:05You've lived with her for so many years.
08:07Who would know better than you what to buy for her?
08:10Hey, today is your lucky day, Mara.
08:13I know exactly what you're going to give my sweet Barbara.
08:20I think I would give her that present,
08:23but somehow it's not convenient for me.
08:25She'll think I'm cheating on her.
08:27Oh, come on.
08:30Come on.
08:31Tell me.
08:32What should I buy for her?
08:33Here.
08:34Here's what happened.
08:35A few years ago, we were sitting at that table over there.
08:38We were eating and drinking wine.
08:42This is Barbara's.
08:44This is Mara's.
08:46And it's nothing.
08:48It looks like she's been frozen and defrosted three times.
08:51What are you talking about?
08:52You never ordered food from me.
08:55Twice you...
08:57No, three times you dined here,
08:59and every time you ate mixed meat.
09:01All right, it doesn't matter.
09:03So, we eat, we drink wine,
09:06and when this...
09:07You never ordered wine here.
09:10You should drink beer.
09:12All right, stop it.
09:13Why are you getting mad?
09:14All right, here.
09:15We eat mixed meat,
09:17we drink beer,
09:18and when the waiter comes in,
09:19the one who keeps coming to you...
09:21Good evening, gentlemen.
09:23Are you interested in a short presentation, please?
09:26Just so you know,
09:27he's not a waiter.
09:29He's a merchant traveler.
09:31That's a serious interest.
09:33Do you think I'd let anyone come to my place?
09:36All right.
09:37And that merchant traveler comes to us at night,
09:41and, my God,
09:43he has really high-quality things on offer.
09:46So, we have these tablecloths
09:48with a colorful design.
09:50You can put coffee, wine, juice in them.
09:53No problem.
09:54You can wipe them with a cloth,
09:56and they don't stain anywhere.
09:58We also have this Chinese glass.
10:01Yes, yes.
10:02It's resistant to the bite of a tooth.
10:04If, for example,
10:05you accidentally bite a fork,
10:07there's no problem.
10:09Nothing will happen.
10:10It doesn't bend,
10:11that kind of nonsense.
10:12No, no.
10:13It's like concrete.
10:15Only for teeth.
10:16I can't guarantee that.
10:17Hello.
10:18Excuse me?
10:19Are you normal?
10:20Why?
10:21Do I really look like a person
10:22who can buy this awful stuff?
10:24Well, I didn't show you everything.
10:26I have more wooden spoons,
10:28a sieve...
10:29No, it's fine.
10:30Please, bring the tablecloth,
10:31or I'll call the hostess
10:32to throw you out of here.
10:34Bring the tablecloth.
10:35You see, we're eating.
10:38Why can't these old people
10:39and the garbage they sell us
10:40and undermine us?
10:41Hey, let's have another mix.
10:43Well, as you say, dear Mary,
10:45Barbara was delighted
10:47with his offer.
10:49Delighted?
10:50Delighted.
10:51So, she likes that thing
10:52with the drums and all that?
10:54She's crazy about it.
10:56If it's something rustic,
10:58she doesn't ask how much it costs.
11:00She especially likes the old-fashioned furniture.
11:03If it has a story behind it.
11:06Like an old man,
11:07a chest of drawers,
11:08a closet,
11:09that?
11:10That, that.
11:11She especially likes
11:13the Austro-Hungarian furniture.
11:15Where can I find that?
11:16That's what I'm talking about.
11:17Just when your Schwerzer left...
11:19Oh.
11:20Sorry,
11:21just when your merchant traveler left,
11:23he showed us a piece.
11:25Barbara was stunned.
11:27I won't keep you any longer.
11:29But please,
11:30look at just one more piece
11:32that I have.
11:34This is antiquity.
11:36In the Austro-Hungarian period,
11:38only two of these candles
11:40existed in the world.
11:41One is in the Imperial National Museum in Vienna,
11:44and this is the other one.
11:46Yuck.
11:47Take that shit
11:48and get out of my sight.
11:49Get rid of that candle of yours.
11:51Get out of my sight.
11:53She fell in love right away.
11:55Later, Barbara told me
11:57that she was so sorry
11:59that we didn't buy it.
12:00Why didn't you?
12:01Well,
12:02you were in some fort,
12:03the two of us,
12:04and when we turned around,
12:05your merchant traveler disappeared.
12:07Like he was lost in the ground.
12:09That's not a problem.
12:10He's available to me whenever I want.
12:12I have his number.
12:13Call him.
12:14Call him.
12:15Barbara will go crazy
12:16when she sees that candle.
12:18I mean,
12:19we're not divorced,
12:20but she's the mother of my child,
12:22and I love her
12:24when she's happy.
12:25I'll call him right away.
12:26Call him.
12:27Oh, yeah?
12:28The question is,
12:29did he sell it?
12:30I doubt it.
12:31I hope he didn't.
12:32I hope it's because of Barbara.
12:33She'll be overjoyed
12:34when she sees that candle.
12:37I'll be so mad
12:38if he sold it.
12:40Hello, is that you?
12:42I know I called you,
12:44I'm not crazy,
12:45but it doesn't have to be you.
12:47He's so smart.
12:48Where are you now?
12:49Great,
12:50I'll be there in ten minutes.
12:52Look,
12:53did you have a candle?
12:54Was it an Austro-Hungarian candle?
12:55Yes.
12:56From the Austro-Hungarian period.
12:58Did you sell it?
13:00Great.
13:01Get out of here,
13:02I'm the customer.
13:04What's wrong?
13:05Who is that?
13:07Talk to me.
13:08Now ask me who it is.
13:10Maria Sharapova.
13:12Yes, Maria from San Remo.
13:14Yes, that Maria.
13:16I thought there was someone else.
13:18I'm going,
13:19say hi to Barbara.
13:20I will,
13:21I'm busy.
13:22Come on,
13:23faster,
13:24faster,
13:25with that couch.
13:26Come on,
13:27set up the set here,
13:29turn on the light,
13:31the camera is there.
13:32We're filming scene 34.
13:35Barbara is on the phone,
13:37she's reading the news.
13:39Tajo.
13:40Faster, faster, faster.
13:41Tajo, do you have a set?
13:43Come on,
13:44do you have a set?
13:45Are you drunk?
13:46Yes.
13:47Faster.
13:48Hey,
13:49turn around.
13:50What set?
13:51Come on,
13:52step forward.
13:53We have an intervention,
13:54I'm waiting for you here.
13:55Faruk, Faruk.
13:56Maria,
13:57let me go now.
13:58You see,
13:59I'm in the author's coat.
14:00Faruk,
14:01don't let me take you out of the coat.
14:03Come on.
14:04What is your team doing here?
14:06What do you mean,
14:07we're filming scene 34.
14:09As soon as night falls,
14:11Barbara is on the phone,
14:13talking,
14:14she's reading the news,
14:15so she's at our disposal.
14:16Come on,
14:17don't bother me with your nonsense,
14:18just tell the team
14:19to get their stuff
14:20and get out of here.
14:21What?
14:22Excuse me?
14:23That's right.
14:24Did you see the poster
14:25in front of the door?
14:26What does it say
14:27in bold letters?
14:28What does it say on the poster?
14:35What kind of dance
14:36did you get tonight?
14:38Who ever
14:39plays Evergreen music
14:40at eight?
14:41Faruk,
14:42people are eager to dance,
14:43there's no such thing
14:44anywhere else.
14:45But wife,
14:46we have to film.
14:48You won't film,
14:49film the day after tomorrow.
14:50How can we film
14:51the day after tomorrow
14:52when scene 34
14:53is a night scene?
14:55I'm already worried.
14:56You,
14:57since you've been working
14:58on this script,
14:59it's as if
15:00your brain has cracked.
15:01Come on,
15:02turn around
15:03a little.
15:04Why?
15:05Come on.
15:06Is there a window here?
15:07Why?
15:08There isn't.
15:09There isn't?
15:10So what's the difference?
15:11Day or night?
15:18Apart from that,
15:19how did you even think
15:20of working in the evening?
15:22Have you already forgotten
15:23about Bogat?
15:24A year ago.
15:25Oh, come on.
15:26I was filming
15:27scene 34,
15:28and then
15:29dinner,
15:30wine,
15:31and then
15:32ta-shun-ta-shun-ta-na-na.
15:34You know how I
15:35prepared a special dinner for us?
15:37And wine,
15:38we have a headache.
15:39I mean,
15:40not because of the wine,
15:41but the headache
15:42because the wine is good.
15:43Come on,
15:44have a good rest
15:45for the evening
15:46and come here
15:47at eight.
15:48Look at him.
15:49Why did you dress up
15:50for the evening?
15:51What's that?
15:52It was arranged
15:53on the table.
15:54Come on,
15:55disperse the team.
15:58Listen,
15:59I have an idea.
16:00Tomorrow,
16:01we're filming
16:02scene 34
16:03during the day,
16:04not at night.
16:05We're not waiting
16:06for nightfall.
16:08What did I tell you?
16:09I didn't understand you
16:10the best,
16:11my little carrot.
16:12We'll meet
16:13at eight,
16:14right?
16:15No, no, no,
16:16it's called
16:17fun,
16:18sometimes at eight,
16:19down at Maria's
16:20dance party.
16:21A game?
16:22Yes,
16:23I can't wait.
16:24You know,
16:25you have to be
16:26a great dancer,
16:27what are you waiting for?
16:28I am
16:29a dance master
16:30par excellence.
16:31I knew it,
16:32you're so into it,
16:33you're in the rhythm.
16:34You have to know
16:35that I used to be
16:36the first Sarajevo dancer
16:37in Latin-African dances.
16:40Latin-African?
16:41South American salsa
16:43and African ritual dance.
16:45I was on the move
16:46from hanging to
16:47shaking,
16:48no one called me
16:49out,
16:50only Fred,
16:51Fred Astaire.
16:57You two,
16:58it's a real pain
16:59when I see you
17:00together.
17:03This little one
17:04tickles me so much,
17:05I can't tell you
17:06how much.
17:07It doesn't matter,
17:08it's important
17:09that we see each other
17:10at eight,
17:11as we used to
17:12at eight.
17:13Bye.
17:14My little piggy,
17:15bye.
17:16Oh,
17:17where did I lie down?
17:19What am I going to do now?
17:24What is it, Grandpa,
17:25what are you doing?
17:26Son, dear,
17:27I'm going to faint.
17:29Oh,
17:30did you have problems
17:31with the young couple?
17:33Don't tell me,
17:34what am I going to do,
17:35what am I going to do?
17:38That's what I'm going to do.
17:40But,
17:41where is she?
17:42Aha, there she is.
17:43Here she is,
17:44I'm coming right away.
17:50Where was she?
17:52Where is she?
17:53Here she is.
17:54This is the solution
17:55to my problem.
17:57Where did he hide her
17:58when they were angry?
18:00Doctor, help me,
18:01help me
18:02to solve
18:03this problem
18:04the way you know
18:05and know how to.
18:06I'm sick of you
18:07and what you're doing
18:08with that axe.
18:09Son,
18:10are you a doctor
18:11or not?
18:12I am a doctor,
18:13but I don't understand
18:14what you want from me.
18:15And if a man
18:16breaks his leg,
18:17where does he go
18:18to fix it?
18:19To the orthopedist.
18:20And the orthopedist
18:21is a doctor?
18:22Yes, and?
18:23Well,
18:24quite logically.
18:25Look,
18:26if you doctors
18:27know how to fix
18:28a broken leg,
18:29then you know
18:30how to break it
18:31so that it grows
18:32without complications.
18:33Come on,
18:34break it.
18:35What do you want?
18:36What do you want?
18:37Break my leg,
18:38I'm telling you nicely.
18:39I didn't send you
18:40to college.
18:41Come on,
18:42break it.
18:43Look,
18:44you're not normal.
18:45I don't want to break
18:46your leg.
18:47Please,
18:48break my leg.
18:49Don't let me
18:50break it
18:51so that there
18:52are complications
18:53when it grows.
18:54Look,
18:55give me that axe.
18:56If I break
18:57anything today,
18:58it will be your head.
18:59Sit here
19:01What's the problem?
19:02We have to
19:03break
19:04your leg
19:05nicely,
19:06son.
19:07I have to
19:08avoid dancing.
19:09Dancing?
19:10Dancing
19:11like I used to.
19:12I know,
19:13I saw the poster.
19:14But on the account.
19:15How do you dance?
19:16Like a horse.
19:17And how does Faruk dance?
19:18Well,
19:19I honestly don't know.
19:20I've never seen him dance.
19:21Well,
19:22you've never seen him
19:23because he's never
19:24danced.
19:25He dances like you.
19:26Like a horse.
19:27Okay, and?
19:28Well,
19:29Gen,
19:30Fazlinović
19:31put us
19:32under
19:33that non-dancing Gen.
19:34Gen?
19:35My father
19:36was famous
19:37for breaking
19:38his fingers
19:39on girls' toys.
19:40When he
19:41shows up
19:42on a toy,
19:43they immediately
19:44break the toy.
19:45Okay,
19:46what now?
19:47I mean,
19:48a lot of people
19:49don't know how to dance,
19:50but that's not
19:51the reason
19:52to break
19:53an axe's leg.
19:54You see,
19:55you see
19:56that you don't
19:57know anything
19:58about dance.
19:59I'm a barber,
20:00and the image
20:01of a perfect man
20:02will shatter.
20:03I've been looking at him.
20:04I'm looking at him,
20:05and I don't know
20:06what's so great
20:07about this barber.
20:08But so what.
20:09So what?
20:10What's the bill?
20:11Three hundred marks.
20:12I don't have much.
20:14Did you rip a tooth?
20:15God,
20:16they'll kill me if it's normal.
20:17Come on Mario,
20:18no.
20:19Stop saying no.
20:20Look at him.
20:21Look at that.
20:22A dent.
20:23A dent.
20:24I'm damaging the candle.
20:25He's completely devastated.
20:26But they are,
20:27Yes, but that increases the value, and that crack, as you nicely said,
20:32hides the story, you know, the history.
20:35That's antiquity.
20:37Exactly 300 marks.
20:38300 marks, that's...
20:40God, that's my last one.
20:43Here you go, 50.
20:45Agreed.
20:48Oh, how naive I am.
20:51Well, how do you do it?
20:53Well, I'd give it to you for 20.
20:55Listen, what can I tell you? This isn't a scrap.
20:58This is the only one.
21:00There's another one in the Imperial National Museum in Vienna,
21:04but this is unique.
21:05I'm telling you, 100%.
21:07Listen, I have no reason to lie to you now that I've taken this.
21:11Is that right?
21:12Well then, cheers.
21:14Call me if you need anything.
21:16We'll talk.
21:18What a story.
21:23Barbara!
21:24You're all dressed up.
21:25I could have dressed up, but this is stupid.
21:28Now Maria will fix your mood.
21:34Tataratira!
21:35What's that?
21:36That's how you talked to me lately.
21:38And I know it's your birthday.
21:42Oh, Maria, you really didn't have to.
21:45You really made me happy.
21:48Really.
21:52Huh? What did you say? I'm sick?
21:59First of all, no one will break my leg.
22:02And second, this is the 21st century.
22:05There's a cure for everything.
22:06Well, there is a cure for us who dance around like wooden Mary.
22:10I don't know if you'll believe me, but there is.
22:13What is there?
22:14Well, a cure.
22:15It's called Densi Eglekti.
22:16Densi?
22:17Densi Eglektikon.
22:18See, science has proven that a person's sense of rhythm is in the frontal lobe of the brain.
22:24In the frontal lobe?
22:26It looks like my frontal lobe is totally frozen.
22:30Very likely.
22:31And that's where this Densi Eglektikon guy comes in.
22:34He helps you move that frontal lobe of the brain,
22:37and then the one who danced like Tarab, dances like Shakira.
22:41Oh, my dear, don't joke with me.
22:44These are serious things.
22:46Who's joking?
22:48Look, I have a friend, Dr. Djuricko, a psychiatrist.
22:51I know he has a couple of those pills.
22:53And what now?
22:54Nothing.
22:55I'm going to him to take those pills,
22:57and if you don't dance after them, I'll break your leg.
23:00Is that okay?
23:01Okay.
23:02And you go to your daily routine and find some music.
23:04After that, you have to dance like Shakira.
23:06See you in half an hour.
23:08I hope you'll like it, just to find it.
23:10Here it is.
23:11Here you go, happy birthday.
23:13Happy birthday.
23:14Oh, Mom, you're so wonderful.
23:16You never forget.
23:18Not as much as you.
23:19Is it good?
23:20Oh, my darling.
23:22Wait, what do you mean you're not like me?
23:25You know, Barbara, son, daughter, I love you all,
23:28but the truth is, you're not a very careful person.
23:31That's not true.
23:32How can you say that?
23:34Barbara, two months ago was my birthday.
23:36And what did you give me?
23:38Of course I gave you something.
23:40It's not possible that I didn't give you anything.
23:44I just can't remember.
23:46If you gave me something, I would know.
23:49Oh, now I remember.
23:53I bought you a gift, but I didn't give it to you.
23:57Here it is, in the closet.
23:59You bought it and forgot to give it to me.
24:01Yes, I've been carrying it in the closet for days.
24:04That's why this bag got so tight and cracked.
24:07Here you are.
24:11A candle.
24:13Isn't it beautiful?
24:14When I saw it, I thought it was made for you.
24:17You've been carrying a candle in your bag for two months
24:20and you didn't give it to me.
24:21You can imagine.
24:22I've been having a hard time with my bag lately.
24:25It's getting worse.
24:26And now this crazy woman, child, divorce, job.
24:30Isn't it beautiful?
24:32Beautiful.
24:35Give me a pill.
24:38That's right.
24:39You have to drink it with a lot of water.
24:41And then I'm going to dance.
24:44Remember what I told you.
24:46Forehead, brain, rhythm, mobility, motor skills.
24:49Science has proven it all.
24:50Come on, drink it.
24:51I want to.
24:52Are you ready for music?
24:53Yes, I am.
24:54Just press it.
24:55Let's see.
24:56What do we see?
24:57The pill will start to work in 10 to 15 minutes.
25:00Let's see how you dance now,
25:01and then let's see how you dance when the pill starts to work.
25:04You know, we can compare.
25:05Okay.
25:07Don't laugh.
25:08Why would you laugh?
25:09I dance worse than you.
25:11There's no one in the world who dances worse than me.
25:15Wait.
25:18Here you go.
25:20Three, four.
25:28You see?
25:29Disaster.
25:30It hurts when a man looks at you.
25:32I told you.
25:33We'll wait for the pill to start working,
25:35and then we'll see if there's any progress.
25:37What kind of reality show is this?
25:40Son, dear, give me a pill for this forehead,
25:43brain, rhythm, motor skills, and science has proven it all.
25:49What's this all about?
25:50Wait for the pill to start working,
25:52and then everything will be fine.
25:54Just wait for it to work.
26:01Son, what did you give him?
26:04This is a drug.
26:05Let it be a drug.
26:07I have to.
26:08He's going to beat us up,
26:10pill by pill.
26:12It's okay.
26:13Don't worry, old man.
26:14He'll get used to it.
26:15Grandpa, it's time.
26:16Let's try it.
26:17Now I'll just light it up.
26:20Dear Tito, help me.
26:22Now or never.
26:31Grandpa, you're dancing ten times better now.
26:35It's brilliant, son.
26:38I can do it myself.
26:41What did I tell you?
26:42I can't believe it.
26:44He's really dancing better than before.
26:46Come on, son, dance with me.
26:49Let me do it.
26:51Grandpa, here's one pill.
26:53Drink it 15 minutes before the dance.
26:55Give me two pills.
26:57You can't have two pills.
26:58As the old man says,
26:59it's a drug.
27:00A legal drug.
27:01If this was in my time,
27:04I'd be a thousand percent a drug addict.
27:08Wait, wait.
27:09What's the date today?
27:10The 17th.
27:12So on the 17th,
27:13Izet Fazlinović danced.
27:16What?
27:17Did you say the 17th?
27:19The 17th.
27:211989.
27:23Guys, I totally forgot.
27:26It's Monday today.
27:29Hey, Ruzo,
27:31could you come over to my place?
27:34Let's go to Konekad 8 first.
27:37Oh, there you are.
27:38From the front door.
27:40Come on, Bolan.
27:41Hop on, Ruzo.
27:43It's normal to go to Konekad 8.
27:46Let's meet at 15 to 8
27:48and then we'll go to Konekad 8 together.
27:51Come on, Bolan.
27:52We have something to talk about.
27:55Oh, my God.
27:57Son, he broke your pills.
28:00And you know a lot about chemistry.
28:02Well, Bolan, didn't you see how well he danced?
28:04This isn't funny to me at all.
28:06And who gave him the pills?
28:08Don't worry.
28:09I gave him the most common aspirin.
28:11Wait, how is he going to dance so well with aspirin?
28:14Have you ever heard of the placebo effect?
28:16Oh, that's when you give someone something for free
28:19and he thinks it's better for him.
28:21That's it.
28:22I gave him the most common aspirin
28:24and he thinks I gave him a pill that will make him dance better.
28:27And he's sure of it.
28:28Of course he danced better.
28:29He was right.
28:30What's wrong with you?
28:31It's nothing, Bolan.
28:33It's just that Styx is tight.
28:34I can't breathe.
28:35Hey, come to San Remo tonight
28:38to see my grand finale.
28:40Of course, my dear.
28:42Of course.
28:44We'll go to the show.
28:46You won't forget the dance tonight.
28:49I can't wait.
28:51Why did you want me to come back?
28:53I was going home to get changed.
28:55Moon.
28:57Excuse me?
28:58I mean, not that one.
29:00Our moon.
29:02Today is the month of the day
29:04when we walk again.
29:06Oh, I know.
29:08I know.
29:09I didn't forget.
29:10Where would I forget?
29:12I just thought...
29:14I didn't want to put you in an awkward situation.
29:18I thought you might have forgotten.
29:20What do you mean, forgotten?
29:22Here's a little sign of attention
29:25for our moon,
29:27actually, this moon.
29:30Wow, Lančić.
29:33It's beautiful.
29:36Thank you.
29:38I have 30.
29:4029 carats of gold.
29:42How wonderful.
29:43I bought something for you, too.
29:45I did, I did.
29:46I bought something for you.
29:48I know it's for you.
29:50Here it is.
29:52I bought you this candle.
29:56It's so beautiful.
29:58I thought about it, too.
30:00I was passing by the antique shop,
30:02I saw that candle, and I said,
30:04it's perfect for Izeta and Izeta's house.
30:06It's great.
30:07It has these three.
30:09Lančić, it's beautiful.
30:11Beautiful.
30:12Wait a minute, what is this?
30:14What is it, my dear?
30:16It's engraved with two words, M and Š.
30:18Excuse me?
30:19Two engraved words, M and Š.
30:21Why?
30:31Where's Lančić?
30:33I left him here.
30:35Izeta!
30:37Where is he?
30:38I know it's you.
30:39What?
30:40Where's the Lančić I bought for Marija?
30:43How do you know I have something to do with it?
30:46You don't.
30:47I didn't say I don't.
30:49How do you know I have something to do with it?
30:52So you know where Lančić is.
30:54I'm sorry, son.
30:55It was urgent.
30:56I had to give it to Ruža.
30:58Ruža?
30:59You gave Ruža the Lančić I bought for Marija?
31:03I had to, son.
31:04I didn't have anything to give her for the candle.
31:07Ruža got the candle,
31:09and you gave her the golden Lančić?
31:12I got all of them.
31:14We've been together for a month now.
31:19But Izeta, on that Lančić,
31:22there were engraved initials MŠ.
31:25Marija Šarafova.
31:27I know.
31:28I barely got out.
31:30Here's M and Š engraved.
31:32Why?
31:34My darling.
31:36How have I been treating you lately?
31:39That's right, my darling.
31:43My darling.
31:45My darling.
31:47Thank you.
31:48You're so attentive.
31:50That's wonderful.
31:52I can't believe you're so selfish and rude.
31:57What do I do now?
31:59What?
32:00I have a birthday party with Marija tonight.
32:02What should I give her?
32:03What?
32:04I have an idea.
32:05I know what to give her.
32:07Marija will be delighted.
32:13We're going to dance, Izeta.
32:15I don't know what to expect.
32:17I have to dance for you.
32:19You're my darling.
32:21When it comes to playing,
32:23I always have to find a way to calm down.
32:27The front row is working like crazy,
32:30and my body is inside.
32:32And Nica is like a young shepherd.
32:35We'll just wait a little longer.
32:39Happy birthday, Faruk.
32:43You too, Marija.
32:45You too.
32:46Look what I've prepared for us.
32:48A candle and a table.
32:50You've got everything.
32:52Yes.
32:53Let's go.
32:54Shall we?
33:00There he is.
33:02He's calming me down.
33:06Here you are, ma'am.
33:08Thank you.
33:14I knew it.
33:16I knew you were a great dancer.
33:18I knew it was you.
33:20I love Fazlinović.
33:22He's a great dancer.
33:25I'm sorry, Golubčić.
33:27I could have sued grandpa for a second.
33:29I'll be right back.
33:30Of course.
33:31I'm sorry, ma'am.
33:32It's working great.
33:34The aspirin is working.
33:36Cool.
33:37Grandpa, I gave you the most ordinary aspirin.
33:40Next time I'm looking for gutka and maksuzija,
33:42think it over.
33:45That's a placebo.
33:49Shall we?
33:52Shall we?
33:54You're not going to the basement, are you?
33:58Happy birthday.
34:00Thank you.
34:02I'm so excited.
34:04Are you ready?
34:07Do you want to switch places?
34:10Let's go.
34:13What's wrong?
34:14Let's go on three, four.
34:16Let's go.
34:17Three, four.
34:20Now.
34:28Three, four.
34:31Three, four.
34:33Now.
34:34It's not good.
34:35Don't be mad at me.
34:37I'm sorry.
34:40I'm sorry.
34:42What's going on?
34:44This is the last try.
34:46What's going on?
34:50What's wrong with you?
34:52Are you crazy?
34:54Let's go.
34:59Let's go.
35:00Let's go.
35:01We're finally filming the night scene 34
35:04when Barbara is talking on the phone
35:06and Izet is reading the news.
35:07What night scene?
35:08In the middle of the day?
35:10Izet, you see,
35:12there's a window everywhere.
35:14See?
35:15I can't do that.
35:17Amateurism on set.
35:19Izet, what would you do to my mom?
35:21What would I do?
35:22Her fingernails are blue and bloody.
35:24She's lying there uncovered.
35:26Leave me alone.
35:27Give me a break.
35:29Barbara, I'm sorry to ask you.
35:31Do you know how this broken candle
35:33I gave you for your birthday
35:35came back to me
35:37as a gift for my birthday?
35:39Can you explain that to me?
35:41Enough whispering.
35:43Who's not acting,
35:45get out of the camera.
35:47Let's go.
35:48Scene 34.
35:49Camera.
35:50Sendokan, get out of the set.
35:52Sound.
35:53And...
35:55Action.
35:56It's not true.
35:58I slept with your boyfriend only once.
36:02With his brother and his cousin several times,
36:04but only once with your boyfriend.
36:08Hello, Mom.
36:10I'm not going to settle the score with you.
36:16Oh, Dad.
36:17You're here.
36:19Daughter,
36:20when you want to buy someone a gift,
36:23you have to make sure it's useful.
36:27What is it, Dad?
36:29I know what I'm going to buy you for your birthday.
36:33What?
36:35Penicillin.
36:38Dad, you're so rude.
36:40What can I do?
36:41Last birthday I said I'd buy you a book.
36:44You said,
36:46it's not mine,
36:47I already have one.
36:50Oh, yes.
36:53You're allowed to come here.
37:16THE END