La Vida Promesa - Cap 8
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TVTranscript
00:00:30I look for you, I call you madly, to tell you that I love you, my passionate one.
00:00:50Amapola, dolcissima amapola, la luce dei miei giorni splendente,
00:01:08fai fiorire la passione con il suono della mia canzone.
00:01:39Hey, be careful, don't let her see that she's pregnant.
00:01:47Sorry, did I hurt you?
00:01:51Hey, countryman, do you want to change money? American dollars, eh?
00:01:54Maybe, maybe, thanks.
00:01:56One lira is worth a cent, do you understand?
00:01:59If you have 300 liras, I'll give you 3 dollars.
00:02:02No, a dollar is worth 25 liras.
00:02:05What do you mean 25 liras?
00:02:07What are you saying, Largo?
00:02:08I'm cheating on him.
00:02:10Hey, get out of here.
00:02:12Hey, don't you dare touch this boy.
00:02:15Go back to your disgusting country, starving to death.
00:02:19Italians, yes!
00:02:21One dollar is worth 25 liras, right?
00:02:23Yes, that's right.
00:02:24And can you change us?
00:02:25No, I don't have money, but I know a good person who can.
00:02:30If you want, I'll also look for a house for you, although in exchange for a small percentage.
00:02:35A commission.
00:02:36Have we come this far to find the same thing?
00:02:39The world is a handkerchief. Come on, let's go.
00:02:41Come on, let's follow the boy.
00:02:50Love.
00:02:52It's nothing, it's just that for a moment ...
00:02:54What's going on?
00:02:56I'm just tired.
00:02:57It's normal, come.
00:02:58Come, come this way, we'll look for someone who can help us.
00:03:05We're almost there.
00:03:09Squeeze a little more.
00:03:11You too.
00:03:12Quiet, quiet.
00:03:13We're ready. Are they all there?
00:03:15I'm afraid not. Antonio is missing.
00:03:18As always.
00:03:20I'm here, I'm here.
00:03:21Have you seen?
00:03:22Ah, finally. Come on.
00:03:24Sorry, sorry.
00:03:28Come together.
00:03:29You're always late.
00:03:32Quiet, smile.
00:03:36Come on, smile.
00:03:39Carmela, smile.
00:03:41For the photographer at least.
00:03:44I smile.
00:03:46Ah, finally.
00:03:56What more handsome children do I have?
00:04:05I miss you, Marie.
00:04:08And you, Duri.
00:04:10How much I miss you, Duri.
00:04:12Now they go by the name of Rizzo.
00:04:36They're under that name in the immigration register as well.
00:04:40Rizzo.
00:04:43Maureen!
00:04:44Yes?
00:04:45We found them.
00:04:47That's great.
00:04:49Carmela Rizzo, 475 Monroe Street.
00:04:52Her son, Mikele, works at the Red Hook factory.
00:04:56Her son, Alfredo, Alfredino, goes to the Cabrinian Sisters School.
00:05:00Perfect.
00:05:02I need you to do me the favor of giving this note...
00:05:05Okay.
00:05:07...to someone who speaks my language.
00:05:10Thank you, Maureen.
00:05:11I'll do it right away.
00:05:13Great.
00:05:37Not here, madam. Use the back door.
00:05:40I don't understand. Don't speak...
00:05:42You must use the back entrance around.
00:05:44Don't touch me.
00:05:46How dare you?
00:05:47I'm a friend of Mr. Ferri. Look here. He's Italian.
00:05:51Mr. Ferri, oh!
00:05:52Yes?
00:05:53Welcome to the World War Hotel, Miss Carmela.
00:05:56Thank you.
00:05:57Welcome.
00:05:59Good morning.
00:06:00Who is this lady?
00:06:01No idea.
00:06:07Sorry, I'll call you back.
00:06:15Hello?
00:06:17Hello?
00:06:19Hello?
00:06:21Hello?
00:06:23Hello?
00:06:25Hello?
00:06:26Hello?
00:06:31I'm a friend of Mr. Ferri.
00:06:34Sure. Mr. Ferri is waiting for you. Please come in.
00:06:38Thank you.
00:06:39Please.
00:06:42Miss Carmela, at last.
00:06:44What a pleasure, Mr. Ferri.
00:06:46Come in, come in, please. Thank you, Maureen.
00:06:51Wow, it's very well installed here.
00:06:56And you, have you been able to settle in well?
00:06:59I don't complain.
00:07:04Of course, it has good views.
00:07:06You can see everything from here.
00:07:08The beautiful and the ugly.
00:07:10As he told me that day on the boat.
00:07:12That also happens in Monroe Street.
00:07:17So, do you live in a hotel and work here?
00:07:21Miss Carmela, my house is a trunk, a telegraph, a telephone.
00:07:25I must always be ready to change and leave.
00:07:28That has taught me life.
00:07:31But I see that you are still wearing wrinkled shirts.
00:07:34Yes.
00:07:38Please, sit down.
00:07:40Thank you.
00:07:43It has taken me a long time to find her, I knew it.
00:07:46But you did it.
00:07:47Yes, but it has not been easy because she has changed her last name.
00:07:50Now her last name is Rizzo Inisquiabón.
00:07:53It sounds like a noble last name.
00:07:56What a man, my husband, the one with the peanuts.
00:08:03And your children, are they well?
00:08:05Yes, yes, they are very well.
00:08:07I have heard that Alfredo studies and is very applied.
00:08:10Yes.
00:08:12I didn't thank you for what you did for me.
00:08:15In the immigration office, for Rocco.
00:08:21Mr. Ferri, should I ask the driver to wait for you for your appointment with Mr. Brady?
00:08:25Ah, he has an appointment.
00:08:29He is busy, he is busy.
00:08:31Do you speak English?
00:08:33Yes, yes, I'm coming.
00:08:38I'm sorry.
00:08:40No, don't worry, work is work.
00:08:42Ah, by the way, I have heard that they are looking for staff at the Walford Laundry.
00:08:47Well, if you are looking for work, it is a possibility.
00:08:51Are you serious?
00:08:52Yes.
00:08:53Ah, that's great.
00:08:55At least someone will take care that you don't have wrinkled shirts.
00:08:59Well, thank you.
00:09:02Now I'm leaving.
00:09:04I'll go with you.
00:09:12Goodbye.
00:09:13Bye bye.
00:09:17Thank you.
00:09:48No work, no pay.
00:09:52I can't stand it.
00:09:58Mr. Ferri.
00:10:07A job like this for five dollars a week.
00:10:09How was I going to say no?
00:10:11We don't lack food.
00:10:13I bring money home.
00:10:14Miquele works and so does Antonio.
00:10:16All together you earn five dollars a week.
00:10:22I want the best for my children.
00:10:24And what's the problem? I'll take care of it.
00:10:26We're done.
00:10:28We're done with what?
00:10:30Do you think I'm not capable?
00:10:32Do you think that? Do you think I'm a poor idiot?
00:10:35When I arrived, I had twenty pounds in my pocket.
00:10:37And with the peanuts, I bought the cellar.
00:10:40Then you lost it.
00:10:41I lost it.
00:10:42And what have you done to help me get it back?
00:10:44Nothing, only your children.
00:10:45Always your children.
00:10:47I don't exist for you.
00:10:48They only exist.
00:10:49And where are your children now?
00:10:51In the house of Italy, dancing.
00:10:53Everyone except the one up there playing the flute.
00:10:56Your children.
00:10:58Look at me.
00:10:59But listen to me.
00:11:01I'm here.
00:11:03Very well, I'll look at you.
00:11:04I'll look at you.
00:11:05Tell me.
00:11:06Tell me.
00:11:07For your love, I have accepted everything.
00:11:08Until they accused me of having a snitch here.
00:11:10Antonio.
00:11:11Who sent Salvo to the reformatory.
00:11:13He did the right thing.
00:11:14You don't even touch my children.
00:11:16Is that clear?
00:11:17And you can't tell me those things either.
00:11:19If I don't tell you, who do I tell?
00:11:21Besides, it's the truth.
00:11:24It's the truth.
00:11:26Pratos.
00:11:31Do you know something?
00:11:32I'm not going to leave that job.
00:11:34I'm not going to leave it.
00:11:36Period.
00:11:41Period.
00:12:00Rocco.
00:12:01Put that leg in.
00:12:02Come on.
00:12:04Do me a favor.
00:12:05Come inside.
00:12:06It's dangerous.
00:12:07Put that leg in.
00:12:08Please.
00:12:10Come on.
00:12:16Do you like pigeons?
00:12:19They were my wife's passion.
00:12:22She named them.
00:12:23The big black one is Neron.
00:12:25Because she's bad.
00:12:26Another Rodolfo Valentino.
00:12:29Like the actor.
00:12:31Rosa is her usual partner.
00:12:33Always.
00:12:37Do you know that when they choose a partner,
00:12:39they are faithful all their lives?
00:12:42Until death.
00:12:52Esquiabón.
00:12:54What's wrong with you, Esquiabón?
00:13:00What's wrong with me?
00:13:04Well...
00:13:13It's very long and very difficult.
00:13:16It's very long and very difficult.
00:13:21Play.
00:13:33Play.
00:13:55Hey, did you see that?
00:13:56Yes.
00:14:04That's my brother.
00:14:06Well, he's a great dancer.
00:14:11Chiro told me about you.
00:14:12And about me.
00:14:14He told me that you're in the union.
00:14:17You know, my father also defended the workers.
00:14:22So he was a good Christian.
00:14:25We're organizing a strike at the Red Hood Foundation,
00:14:28where you work.
00:14:30It will be the first real protest against the bosses.
00:14:32The biggest of all.
00:14:34There's the job.
00:14:35We'll be there, right?
00:14:36I told you that Miquel was a good guy.
00:14:38Good.
00:14:39Because the more people, the stronger we will be.
00:14:45What's wrong?
00:14:46Are you still thinking about Miquel?
00:14:47What do you care?
00:14:49Then tell me.
00:14:50Tell me what you think of me.
00:14:52Go away, your mouth still smells like milk.
00:14:54You're a brat.
00:14:55What do you mean, a brat?
00:14:57There are good things down here.
00:14:59How dare you?
00:15:02One, two, three.
00:15:08Look how many girls are coming.
00:15:13Joan.
00:15:14Hi.
00:15:15How are you?
00:15:16Fine, and you?
00:15:17Fine, fine.
00:15:18Hi.
00:15:19Carlo and Miquel.
00:15:21Hi.
00:15:22This is Beth, this is Sofia and this is Pat.
00:15:25Nice to meet you.
00:15:26Nice to meet you.
00:15:28Chiro, you know we have a thing for Italian boys.
00:15:32Do you understand, Miquel?
00:15:33These Americans love Italians.
00:15:36Do you understand?
00:15:38What, are we all going to dance?
00:15:41Hey, you speak our language very well.
00:15:43I study melodramas.
00:15:44Your lyrical operas are beautiful.
00:15:47Verdi, Puccini.
00:15:49Who are those?
00:15:52Miquel, are you taking me out to dance?
00:15:54Or are you going to spend the night looking at me?
00:15:58How do you say?
00:15:59Naked.
00:16:00Naked.
00:16:02Go away.
00:16:04Girl dance.
00:16:06How do you say?
00:16:07Let's dance.
00:16:08Miquel, how do you say?
00:16:10Miqueluzo, let's go.
00:16:21Very good.
00:16:22Let's see what you have down there.
00:16:30Peanuts.
00:16:31Cacahuetes tostados.
00:16:34Roasted peanuts.
00:16:35Fresh roasted peanuts.
00:16:38Peanuts.
00:16:39Twenty cents, please.
00:16:44Thank you.
00:16:46Sir?
00:16:51Sir, my chains.
00:16:59Good morning, Mr. Ferry.
00:17:01How's it going?
00:17:02And the work?
00:17:03Good, good.
00:17:04Are your shirts ready?
00:17:18I just found out that there is a strike at the foundation.
00:17:22A strike at the foundation?
00:17:24I don't want to scare you, Carmela.
00:17:26But apparently the police intend to charge against the strikers.
00:17:31My God.
00:17:32It would be better if Miquel didn't participate.
00:17:34He promised me that he wouldn't be fooled by politics like his father.
00:17:38He promised me.
00:17:40I have to warn him.
00:17:41But what do I do with the work?
00:17:43That Chinese is a hyena and she won't give me permission.
00:17:46Don't worry, Carmela.
00:17:48I'll talk to your boss.
00:17:49Let's go together.
00:18:01Let's go!
00:18:15Come on, everybody!
00:18:16All together!
00:18:17Come on!
00:18:18Come on!
00:18:19Come on!
00:18:20Strike!
00:18:21Strike!
00:18:22Strike!
00:18:23Strike!
00:18:24Strike!
00:18:25Hey!
00:18:26What are you doing?
00:18:27Let go of all that, man!
00:18:28Chiro, what are you doing?
00:18:29Get out of the way, Miquel!
00:18:30Chiro!
00:18:31They're provoking us.
00:18:32If we fall, it's over.
00:18:33What do you mean provoking?
00:18:34Carlos, they won't take long to load.
00:18:35Don't you see?
00:18:36We are a lot.
00:18:37It's not good for them either.
00:18:38Who, Carlos?
00:18:39Let's load ourselves before they load.
00:18:41Come on!
00:18:42Go get them!
00:18:49What are you doing, mother?
00:18:51Are you crazy or what?
00:18:52Miquel!
00:18:53Mom, go away!
00:18:54Get in there!
00:18:55Come on, come on!
00:18:56Get in there!
00:18:57Come on!
00:18:59You have to go to work.
00:19:00You have to go in there.
00:19:01But we have the right to strike.
00:19:03But what right?
00:19:04What right?
00:19:05The poor don't have any rights.
00:19:06It's difficult, ma'am.
00:19:07And if they're telling you they do, it's because they're lying to you.
00:19:11Get in there!
00:19:12Mrs. Carmela, calm down.
00:19:13Those are beasts.
00:19:14Mom, you have to go!
00:19:15This is not a place for women.
00:19:17Go away!
00:19:18Come on!
00:19:19Mom!
00:19:20Mom, go away!
00:19:21They're going to load!
00:19:22Go!
00:19:23Mom, go away!
00:19:24What are you doing?
00:19:25What are you doing?
00:19:26Come on!
00:19:28Come on, Miquel!
00:19:29Come with me!
00:19:30Are you forcing me to go in?
00:19:31You're in danger here, Mom!
00:19:45Chiro!
00:19:46Chiro, no!
00:19:47Chiro!
00:19:49Chiro!
00:19:50No, Miquel!
00:19:51Chiro!
00:19:52No, leave him!
00:19:53Leave him!
00:20:00Chiro!
00:20:01No, Chiro!
00:20:02No!
00:20:06Chiro!
00:20:07Miquel!
00:20:08What did you force me to do, Mom?
00:20:14I was wrong.
00:20:15My mother was wrong too.
00:20:18She did it to protect me.
00:20:21Now I'm here.
00:20:25And maybe you can't even hear me.
00:20:28Do you remember what you told me?
00:20:31That we had to fight together.
00:20:35But I'm alone.
00:20:39Carlos has been detained.
00:20:41And you...
00:20:47I swear I can't forgive myself.
00:20:51Forgive me, please.
00:21:01Miquel, we have to go now.
00:21:04No.
00:21:06Is the police here?
00:21:07I won't go this time.
00:21:08Of course you will.
00:21:09Let's go.
00:21:11It's useless to pretend to be a hero.
00:21:13Please.
00:21:15Come on, let's go.
00:21:18Goodbye, friend.
00:21:20Let's go.
00:21:31Doctor!
00:21:46Dr. Wright, we are here for Chiro Malenti.
00:21:49It's too late.
00:21:50I'm sorry.
00:21:54Please, call the other nurse.
00:21:56Yes, Doctor.
00:22:19I'm sorry.
00:22:36Miquel.
00:22:38Where are you going at this hour?
00:22:40With all that on your mind?
00:22:43I'm leaving.
00:22:44You're leaving?
00:22:46Where? When are you coming back?
00:22:48I don't know.
00:22:50Since when do you leave your family?
00:22:52Since when do you leave like this?
00:22:55I haven't given you any worries, Mom.
00:22:57I've never asked you for anything.
00:22:59I've always thought about you and the family.
00:23:01About you and the family.
00:23:05But you can't treat me like a man when you feel good
00:23:07and like a kid when you feel bad.
00:23:10Miquel, forgive me.
00:23:12Forgive me, Miquel.
00:23:14I was wrong.
00:23:15I was wrong.
00:23:16Things happen.
00:23:17Things happen.
00:23:18Chiro is dead, Mom.
00:23:20Those are things that happen.
00:23:23He's dead?
00:23:25He's dead, poor thing.
00:23:27I'm sorry, Miquel.
00:23:29I'm sorry.
00:23:31But don't you see that if I hadn't been wrong,
00:23:33you could be in his place now?
00:23:35Maybe it would be better.
00:23:44Thank you.
00:23:46Now it's easier.
00:23:48Forgive me, son.
00:23:49Forgive me.
00:23:50Forgive me.
00:23:56Miquel.
00:24:15Whoa.
00:24:45Whoa.
00:24:46Whoa.
00:25:13I'll let us give him.
00:25:15Let's do a test.
00:25:17If everything goes well,
00:25:18maybe the business will be yours again.
00:25:20But it has to go well.
00:25:23Don't worry about anything.
00:25:25Everything will go very well.
00:25:29Here.
00:25:30There you go.
00:25:33Thank you.
00:25:34Go, go.
00:25:37Goodbye, Antonio.
00:25:46Chivato.
00:25:48You're an imbecile.
00:25:49What the hell are you doing?
00:25:51I've already cleaned everything.
00:25:53I'm sorry, I'm sorry.
00:25:54I've already cleaned everything.
00:25:56Sit down, Salvo.
00:25:57Come on.
00:25:58It's okay.
00:25:59It comes from family.
00:26:00They're all cowards.
00:26:02And chivatos.
00:26:03When did you get out?
00:26:04This morning.
00:26:05Well, you know you got out thanks to me.
00:26:07I paid for the bail at the reformatory.
00:26:10If you were in debt with me before,
00:26:12now you are more.
00:26:14Very well.
00:26:15Thank you, Mr. Matranga.
00:26:16You're useless.
00:26:17Bring him another glass, Salvo.
00:26:18We're going to toast.
00:26:19Hurry up.
00:26:20And don't break anything.
00:26:28Goodbye, Rocco.
00:26:31Goodbye.
00:26:33Goodbye, Mom.
00:26:35Behave yourself at school.
00:26:37Yes.
00:26:44Good morning, Mom.
00:26:46Hello, Antonio.
00:26:47Hey, is it true that Salvo has already left the reformatory?
00:26:52Oh, yes.
00:26:54What a Christmas gift.
00:27:01Antonio, there are three dollars missing here.
00:27:03Are you telling me?
00:27:06I'm telling the one who bought a shirt and a new jacket this week.
00:27:10Of course.
00:27:11Because whenever something happens here,
00:27:13who is to blame?
00:27:14Antonio's criminal.
00:27:16Because you always give me reasons.
00:27:18But why?
00:27:19What have I done?
00:27:20I work, don't I?
00:27:21I make money, just like Mikele.
00:27:23But he is your favorite, even if he has left home.
00:27:25But what are you saying?
00:27:27This time, you shouldn't look at me.
00:27:29Just me.
00:27:30And who should I look at?
00:27:31Tell me.
00:27:32We'd better leave it.
00:27:33Who should I look at?
00:27:36To Esquiabón.
00:27:38To Esquiabón?
00:27:44And what does he have to do with it?
00:27:47Do you know that he has sold the cart?
00:27:49The cart?
00:27:51I think he wants to get the business back.
00:27:54He's been talking to Matranga in the winery for a long time.
00:27:57About the Black Hand.
00:27:58What's that about the Black Hand?
00:27:59I'm also interested.
00:28:00It's not about women, Mom.
00:28:02Antonio!
00:28:03Antonio, where are you going?
00:28:05When we talk about something serious, you always leave.
00:28:07Can you explain to me what the Black Hand is?
00:28:09Is it like a mafia?
00:28:11Have we crossed the ocean to meet again in the same situation?
00:28:15Can you explain it to me?
00:28:17Mom, forget it.
00:28:18Antonio!
00:28:19You have to listen to me when I talk to you.
00:28:21It's too long, Mom.
00:28:24It's too long and too difficult.
00:28:29It's too long and too difficult.
00:28:34Pastorcillo.
00:28:38Oveja.
00:28:42I'm sorry!
00:28:43What are you doing?
00:28:44You're always here.
00:28:48This is my place.
00:28:49Where would a fool like me be if they insult and slap everyone?
00:28:54Come on, hit me too.
00:28:56Come on, shut up.
00:28:57Even if they want to slap you.
00:29:03What's wrong with you now?
00:29:06Again, Matranga?
00:29:09No, no.
00:29:11My mother.
00:29:12What happened?
00:29:13Mikele is handsome and strong.
00:29:15Alfredo, smart.
00:29:17Rocco, a bastard.
00:29:19And me?
00:29:20I'm a thief, a liar and a snitch.
00:29:23So many things.
00:29:25I don't like good guys.
00:29:28You know?
00:29:30And why do you like Mikele?
00:29:32I liked Mikele.
00:29:34But he prefers the Americans.
00:29:38Come here.
00:29:39Come.
00:29:44I think I'm going to make you a gift, boy.
00:29:48A gift?
00:29:49Yes, it's almost Christmas.
00:29:51Do you feel like it?
00:29:53Maybe.
00:29:55Let's go.
00:30:10Thank you.
00:30:19Where's Antonio?
00:30:21He went out.
00:30:25And Rocco?
00:30:27He's on the roof with the pigeons.
00:30:31Very good.
00:30:34And Alfredo?
00:30:36At school, like every morning.
00:30:43And what is the pot of money doing here?
00:30:48I'm watching him.
00:30:50Someone in this family has very long hands.
00:30:53Really?
00:30:55Do you know something, Esquiavo?
00:30:56No.
00:30:57No, I don't.
00:31:01Esquiavo, let's be clear.
00:31:03I know it was you.
00:31:05So tell me why you sold the cart and then pretend to go to work.
00:31:09Did you think I was stupid?
00:31:11What happened?
00:31:14Happened?
00:31:15Happened?
00:31:16Nothing happened.
00:31:18I just want to get the business back.
00:31:21The peanuts were provisional until God gave way.
00:31:25And how?
00:31:27Business.
00:31:29With whom?
00:31:31You can rest assured.
00:31:33I don't know what that is.
00:31:35I want to know who you're doing business with.
00:31:38I've already made money.
00:31:40I've made money, look.
00:31:42And I put it in the pot.
00:31:44No, no, thank you.
00:31:45Save it for the winery.
00:31:47Who do you do business with?
00:31:48With the black hand?
00:31:51The black hand.
00:31:52The black hand doesn't exist.
00:31:54It's a children's story.
00:31:55The black hand is coming.
00:31:57No, no.
00:31:58No, you trust me.
00:32:00In two months, we'll get the winery back.
00:32:03Mateo's word, Esquiavón.
00:32:06I'll fix everything tonight.
00:32:07Tonight I'm busy.
00:32:09I am busy.
00:32:12You're busy.
00:32:18The eggs are very good.
00:32:21Thank you.
00:32:49I'm sorry, Mr. Ferri.
00:32:50Miss Rizzo is waiting for you in your office.
00:32:53In my office?
00:32:54Yes.
00:32:55Okay, thanks.
00:33:04Mr. Ferri, can you explain to me
00:33:06what is that black hand that everyone is talking about?
00:33:08Something that is better to stay away from.
00:33:11Kidnappings, extortions, homicides, smuggling.
00:33:16It's a scourge.
00:33:18There is an article in La Voz d'Italia today.
00:33:22See you this afternoon, Mr. Ferri.
00:33:25See you soon, ma'am.
00:33:26Goodbye.
00:33:29See you later, Maureen.
00:33:33Look.
00:33:35Michele Guarino.
00:33:38The king of New York distilleries.
00:33:41People like him dirty the reputation of the Italians.
00:33:45I'm afraid that black hand has already entered my house.
00:33:49That's why I've come to bother you.
00:33:52Because if someone steals, he's in his house.
00:33:55He has serious problems.
00:33:57Who are you referring to?
00:33:59My husband, Esquiavo.
00:34:01He says he's doing business.
00:34:03But he doesn't look good.
00:34:06And since you have so many friends,
00:34:09like that policeman who managed to find us.
00:34:11I don't know if you could ask him to find out what that bastard is up to.
00:34:17Don't worry, Carmela. I'll take care of it.
00:34:20Thank you. He's a good friend.
00:34:30Carmela.
00:34:33Why don't you stay and eat with me?
00:34:36When you called me, I was at the restaurant and...
00:34:38For a moment, I got excited thinking you'd eat with me.
00:34:43No, I can't.
00:34:45I have to go back home with my children.
00:34:48Besides, my clothes aren't the right ones.
00:34:51You're beautiful, Carmela.
00:34:53Clothes are just an appearance.
00:34:55But appearance doesn't matter.
00:34:58I'm fine where I am.
00:35:00Downstairs, where the Lord put me.
00:35:03Otherwise, it would be a mess.
00:35:05Otherwise, it would be a mess.
00:35:08But thank you.
00:35:11Maybe tonight?
00:35:14My appearance will still be a problem.
00:35:21See you later, Carmela.
00:35:31Appearance.
00:35:35Appearance.
00:35:38Appearance.
00:35:41Appearance.
00:35:44Appearance.
00:35:47Appearance.
00:35:50Appearance.
00:35:53Appearance.
00:35:56Miss Rizzo?
00:35:58Yes. Rizzo Esquiabón?
00:36:00Yes. This is for you, from Mr. Ferry.
00:36:03For me?
00:36:05What's this?
00:36:07He waits for you at 8 p.m. at the Walford Hotel.
00:36:11I don't understand.
00:36:13Tonight, 8 p.m.
00:36:15Ah, tonight.
00:36:17Yes.
00:36:19And what do I do with Esquiabón?
00:36:21Ah, Esquiabón is working tonight.
00:36:23He's busy. Okay.
00:36:25I'm sorry, I don't understand.
00:36:27It doesn't matter.
00:36:29Tell Mr. Ferry it's okay.
00:36:31Okay. Thank you. Bye.
00:36:33Bye.
00:36:35Is he drunk?
00:36:38Come on, hurry up!
00:36:40Pepe, come on, it's for today. Come on!
00:36:42Let's see, take the state one to New Jersey.
00:36:44Come on, careful, careful.
00:36:46If there's any checkpoint...
00:36:48You've already told me, I'm not stopping because I'll go slowly.
00:36:50Esquiabón, be careful, you have very valuable merchandise.
00:36:53And above all, it's forbidden. Have you told Matranga?
00:36:57Let me introduce you to Don Guarino.
00:36:59The one in charge of all this is...
00:37:01is the boss.
00:37:03It's an honor.
00:37:05Thank you for your trust, Don Guarino.
00:37:07Don't worry, now we're doing business together, right?
00:37:10That's right.
00:37:12Come on, come on, come on, Mateo, move it, come on.
00:37:14Get to work, Mateo, get to work.
00:37:19He's a big mouth.
00:37:21A big mouth.
00:37:23And we send him straight to the police.
00:37:25This time, bad luck won't stop me.
00:37:30Everyone will see that the money is made, Esquiabón.
00:37:35And I'll get the business back.
00:37:37Everyone will see it.
00:37:39Guys, hurry up, they've loaded another truck.
00:37:41Come on.
00:37:43Salvo, move it, come on.
00:37:45Come on, come on, come on, come on, come on.
00:37:48Come on, come on, come on, come on.
00:37:50Come on, come on, come on, come on.
00:37:51Salvo, move it, come on.
00:37:53Come on, come on, come on, come on, come on.
00:37:55Up, up, come on, come on.
00:37:57Come on, come on, hurry up.
00:37:59Come on, come on, hurry up, hurry up.
00:38:01This is the plan, huh?
00:38:03Esquiabón goes south and you go north.
00:38:05In the right direction.
00:38:07Move it, come on, come on.
00:38:21Move it, come on.
00:38:51Move it, come on.
00:38:53Move it, come on.
00:38:55Move it, come on.
00:38:57Move it, come on.
00:38:59Move it, come on.
00:39:01Move it, come on.
00:39:03Move it, come on.
00:39:05Move it, come on.
00:39:07Move it, come on.
00:39:09Move it, come on.
00:39:11Move it, come on.
00:39:13Move it, come on.
00:39:15Move it, come on.
00:39:17Move it, come on.
00:39:19Move it, come on.
00:39:21Move it, come on.
00:39:23Move it, come on.
00:39:25Move it, come on.
00:39:27Move it, come on.
00:39:29Move it, come on.
00:39:31Move it, come on.
00:39:33Move it, come on.
00:39:35Move it, come on.
00:39:37Move it, come on.
00:39:39Move it, come on.
00:39:41Move it, come on.
00:39:43Move it, come on.
00:39:45Move it, come on.
00:39:47Move it, come on.
00:39:49Move it, come on.
00:39:51Move it, come on.
00:39:53Move it, come on.
00:39:55Move it, come on.
00:39:57Move it, come on.
00:39:59Move it, come on.
00:40:01Move it, come on.
00:40:03Move it, come on.
00:40:05Move it, come on.
00:40:07Move it, come on.
00:40:09Move it, come on.
00:40:11Move it, come on.
00:40:13Move it, come on.
00:40:15Move it, come on.
00:40:17Move it, come on.
00:40:19Move it, come on.
00:40:21Move it, come on.
00:40:23Move it, come on.
00:40:25Move it, come on.
00:40:27Move it, come on.
00:40:29Move it, come on.
00:40:31Move it, come on.
00:40:33Move it, come on.
00:40:35Move it, come on.
00:40:37Move it, come on.
00:40:39Move it, come on.
00:40:41Move it, come on.
00:40:43Move it, come on.
00:40:45Move it, come on.
00:40:47Move it, come on.
00:40:49Move it, come on.
00:40:51This crate must be full of gin.
00:41:00Mateo...
00:41:01Oh, Christ...
00:41:02Mateo...
00:41:04Captain O'Connor, what is it?
00:41:08I know this guy.
00:41:10I knew this man.
00:41:11He was called Mateo Schiavone.
00:41:13He was a good man.
00:41:16These fucking crates are empty.
00:41:18They really got us this time, didn't they?
00:41:22Have you seen them, Mateo?
00:41:24They've fooled us all.
00:41:51Giovanni?
00:41:52Doña Carmen.
00:41:58Your husband...
00:42:05Wait a minute.
00:42:07I must change.
00:42:22Mr. Ferris, it's late.
00:42:24I'm leaving.
00:42:25Could you cancel the restaurant first?
00:42:29Oh.
00:42:30You're not even going to dinner?
00:42:32No, not even me.
00:42:37Thank you.
00:42:39Goodbye.
00:42:41Goodbye.
00:42:42Goodbye.
00:42:43Goodbye.
00:42:44Goodbye.
00:42:45Goodbye.
00:42:46Goodbye.
00:42:47Goodbye.
00:42:48Goodbye.
00:42:49Goodbye.
00:42:50Goodbye.
00:43:0829.
00:43:1029.50.
00:43:17No.
00:43:18I don't even have money for the funeral.
00:43:24And this?
00:43:27How much is it?
00:43:28More than $20, Mom.
00:43:30I was saving it for school.
00:43:32But...
00:43:33You need it more for poor Schiavone.
00:43:38Holy Virgin.
00:43:39How can a child, who I had to buy glasses from,
00:43:43gather so much money?
00:43:46No, Mom.
00:43:47It's not what you think.
00:43:48It's all legal.
00:43:49I've earned it.
00:43:50How?
00:43:51At the pier, when the Italians arrive.
00:43:53I exchange currency.
00:43:54You trick those people, who are like us?
00:43:56Aren't you ashamed?
00:43:57But what have I taught you?
00:44:00Antonio almost finished high school,
00:44:02and you've become a swindler.
00:44:04No, Mom.
00:44:05I'm not a swindler.
00:44:06In fact, I help poor immigrants.
00:44:08Mr. Ferris taught me.
00:44:09He started like that, too.
00:44:10Mr. Ferris?
00:44:12Then he started badly, too.
00:44:14But he ended well.
00:44:15I don't want this money,
00:44:16soaked in sweat and tears of all those poor people.
00:44:19I prefer to sell my eyes,
00:44:21which with you only serve me to cry.
00:44:25I'm going to sell it all to the house of Empeños.
00:44:27I'm leaving.
00:44:28Mom,
00:44:29why don't you go to the Jewish neighborhood?
00:44:32And what do you know?
00:44:33In the Jewish neighborhood, they do good business.
00:44:36Look at Monicaco.
00:44:38Save the money for college.
00:44:44I'm leaving.
00:44:56Sorry, palm shop?
00:44:58In the corner, there.
00:45:01Thank you.
00:45:12Good morning.
00:45:15Good morning.
00:45:18I don't speak English.
00:45:21Don't worry, ma'am.
00:45:22You can speak in your language.
00:45:25Thank goodness.
00:45:26I'm from Naples.
00:45:27My grandfather was from Naples.
00:45:31I wanted to know how much this would cost me.
00:45:44It's gold of eight carats.
00:45:47And it's not good?
00:45:48Let's say it's not top quality.
00:45:51But let's weigh it.
00:45:54Can it be opened?
00:45:56There are two photographs inside it.
00:45:58If it stays, I'd like to keep them.
00:46:01I'm fond of them.
00:46:11Is there a problem?
00:46:14No.
00:46:23Come here a moment, ma'am.
00:46:29Come in, come in.
00:46:31Are you worrying me?
00:46:32No.
00:46:33Come, sit down.
00:46:36Do I sit here?
00:46:37Sit here.
00:46:41I'll be right back.
00:46:44Don't tell me it was stolen.
00:46:47Lately, only misfortunes happen to me.
00:46:58Don't be scared now.
00:47:01Don't worry.
00:47:03I'm calm, but I'm worried.
00:47:05No.
00:47:06Mom.
00:47:09Mom.
00:47:11Mom, it's me, Mom.
00:47:13Maria.
00:47:14Are you Maria?
00:47:16My daughter.
00:47:18My daughter.
00:47:22Maria.
00:47:23Maria.
00:47:24It's me, Mom.
00:47:26How beautiful you are.
00:47:29Maria.
00:47:31Maria.
00:47:33Maria.
00:47:34How beautiful you are.
00:47:36I've been looking for you.
00:47:39I knew you were alive.
00:47:41I knew it, I felt it in here.
00:47:43I told everyone.
00:47:44I told them, Maria is alive, Maria is alive.
00:47:47Because Maria is alive.
00:47:48I knew Maria was alive.
00:47:51My daughter.
00:47:57And this little one is our son, Salvatore.
00:48:01Salvatore.
00:48:06Salvatore.
00:48:10You called him like your father.
00:48:15Now I have to sit down.
00:48:18He is my husband, Moses.
00:48:19It's a pleasure.
00:48:20Likewise.
00:48:23I told you we would find him, didn't I?
00:48:25I told you.
00:48:27The truth is that he found us there.
00:48:28The truth is that she found us.
00:48:30Salvatore.
00:48:34My daughter.
00:48:37It's Grandma, huh?
00:48:45She gave this to me when we arrived.
00:48:50Mrs. Carmes, I'm sorry to have to question you right after the funeral of the poor Esquiagón.
00:48:55But we have to investigate.
00:48:56Don't worry, I understand.
00:48:59But I can tell you little.
00:49:03Because I didn't pay much attention to poor Esquiagón.
00:49:08He was a good person, yes.
00:49:11And I did wrong.
00:49:13Because he helped us a lot.
00:49:16And don't you think I could help you now?
00:49:18And how?
00:49:19We have to find out who set you up.
00:49:23He told me he was doing things to get the business back.
00:49:28And that he had sold the cart.
00:49:31Surely he would be doing someone a favor.
00:49:34But I don't know who.
00:49:36I only hear rumors.
00:49:38Matranga.
00:49:40The Black Hand.
00:49:41And what do you know about that?
00:49:42Only that he has also been killed.
00:49:46We could have stayed where we were.
00:49:50What's the difference between these bastards and the murderer of my poor Turi?
00:49:54The difference is that here we do our best to punish the murderers.
00:49:58I'm going to go against Matranga, his accomplices.
00:50:02And Guarino, the king of the distilleries.
00:50:05Mr. Ferry told me about that Guarino.
00:50:08I'm sure there's a connection between the two of them.
00:50:12Trust me, Mrs. Carmen.
00:50:14We're on the right track.
00:50:16This time they have no escape.
00:50:20Let's hope so.
00:50:24Let's go.
00:50:38Angela!
00:50:40Angelina!
00:50:51Angela!
00:50:52Ah, hello.
00:50:55What?
00:50:56Are you peeing on me?
00:50:58Come in, you're free now.
00:51:00I've also given him a little present.
00:51:03Anto, what did you think?
00:51:05That you were my boyfriend?
00:51:07I'm going with whoever I want.
00:51:10I don't care either!
00:51:12I don't give a shit!
00:51:15Do you see this?
00:51:18Give it to me.
00:51:19Give it to me.
00:51:21This was for you!
00:51:23You're so stupid.
00:51:27Anto.
00:51:29We have to talk.
00:51:31Today at Esquiabón's funeral, what did Ardigo want from your mother?
00:51:34I have no idea.
00:51:37Esquiabón was set up.
00:51:40And the police are doing their job.
00:51:42Come here.
00:51:44If you find out anything, tell me.
00:51:47You're such a good boy.
00:51:49Yes, yes.
00:52:01It's good.
00:52:02Yes, my dear.
00:52:03I love this music.
00:52:05It's beautiful.
00:52:12Josephine, have you seen the Gaiteros?
00:52:16Over there.
00:52:18How nice.
00:52:19When is dad coming?
00:52:21He's coming now.
00:52:23Then we'll go to Grandma's house for dinner.
00:52:29I can't believe it.
00:52:31If it weren't for the death of poor Esquiabón,
00:52:33I would never have been able to find my Maria.
00:52:36And look at this.
00:52:38Look what she brought me.
00:52:40The alliances.
00:52:42One is mine and the other is your father's.
00:52:44And Mrs. Carmela, we've been looking for you.
00:52:47We haven't stopped, but how did you change your last name?
00:52:50No, no, that was a mistake from the immigration office.
00:52:53Grandma is beautiful.
00:52:55She's beautiful.
00:52:57Do you like Rocco's flute?
00:52:59Rocco will teach you all the songs.
00:53:01Grandma.
00:53:03I am Grandma Carmela.
00:53:05How do you say grandma in English?
00:53:07Grandmother.
00:53:08What?
00:53:09Grandmother.
00:53:11Too long.
00:53:12Too difficult.
00:53:14I've learned a new religion.
00:53:16And you, Mom, will learn English.
00:53:25Is it true that you celebrate Christmas twice because you're a Jew now?
00:53:29Hanukkah is not like Christmas, Alfred.
00:53:32But it's celebrated on the 24th.
00:53:34We've celebrated Hanukkah at lunchtime,
00:53:37and now we're here.
00:53:39But where's Antonio?
00:53:40Antonio, where are you?
00:53:42We're about to sit down at the table.
00:53:44He went out to get a cake.
00:53:46He's always late.
00:53:48Come on, don't be like that.
00:53:50You'll see. We'll see when he comes back.
00:53:52Mom, are we expecting someone else?
00:53:54No.
00:53:56But weren't Conchita and the policeman coming?
00:53:58No, they're having dinner with their in-laws.
00:54:00Maybe it's a gift, Mom.
00:54:02A Christmas gift.
00:54:04Could be.
00:54:08What a surprise.
00:54:10I hope I'm not bothering you.
00:54:12You never bother me.
00:54:14It's a pleasure to have you here. Come in.
00:54:16Thank you.
00:54:18I brought you a panettone. Do you know what it is?
00:54:21No.
00:54:23It's a sweet that's eaten at Christmas in my homeland,
00:54:25in the north of Italy. Here.
00:54:27Thank you.
00:54:29Alfredo, here.
00:54:31I'll put the coat away.
00:54:33Thank you.
00:54:35You know, I've found my daughter Maria.
00:54:37Yes, Alfredo told me.
00:54:40He invited me.
00:54:42Thank you, Alfredo.
00:54:44I'm very happy.
00:54:46It's clear that sometimes miracles happen.
00:54:50Yes, if you believe in them.
00:54:54I'm very happy that you've come together.
00:54:57You have a beautiful family, Carmela.
00:54:59Family is important.
00:55:01Especially if you find the right person
00:55:04to be able to form it.
00:55:07But please come in.
00:55:09Come in, Mr. Ferri.
00:55:11Thank you.
00:55:30Giovanni Ardigo!
00:55:34Antonio!
00:55:52Antonio, if you talk to your mother and you're dead,
00:55:54do you understand? Shut up!
00:55:58Antonio!
00:56:00Antonio! It's Antonio!
00:56:01You stay with the girl. I'll be right back.
00:56:08Carmela, wait. Don't leave me.
00:56:11Mom!
00:56:13Wait, come with me.
00:56:20No!
00:56:22Giovanni!
00:56:25No!
00:56:27Why?
00:56:32Antonio, my son.
00:56:34My son.
00:56:36You haven't seen anything.
00:56:38No, Mom.
00:56:40You haven't seen who shot?
00:56:42No, I came later.
00:56:44I haven't seen anything, Mom.
00:56:46You have to believe me.
00:56:48Carmela, there's nothing to see here.
00:56:50Let's go home.
00:56:52Let's go home.
00:56:54They killed my husband.
00:56:56They killed him.
00:56:58Poor Ardigo.
00:56:59They killed him.
00:57:17I almost forgot how beautiful our land is.
00:57:21He likes it, huh?
00:57:23And you want to go to New York?
00:57:25Are you sure you want to give up this paradise?
00:57:29For a bigger paradise?
00:57:31Yes, cousin.
00:57:36But in America,
00:57:38I'm going to rule.
00:57:40I want you to know.
00:57:42I'll keep everything.
00:57:44How beautiful you are.
00:57:46You have to be mine.
00:57:48Only mine, Carmela.
00:57:50No! Help!
00:57:55That depends only on you.
00:57:56Yes, and how willing you are to play, cousin.
00:57:59Because there,
00:58:01the stakes are high, Vince.
00:58:03Very high.
00:58:07Your boss is here.
00:58:09Yes, but for a short time.
00:58:20Sooner or later, all this will be mine.
00:58:24Baron, at your service.
00:58:26At your service, Baron.
00:58:56To be continued...
00:59:26To be continued...
00:59:56To be continued...
01:00:26To be continued...
01:00:56To be continued...
01:01:26To be continued...