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sportsHD1
  • 6/30/2024

Category

🐳
Animals
Transcript
00:00I'm going to bed.
00:02Yes, I'm going to bed too.
00:04And this one too.
00:05This one yes, because Vandora loves red.
00:07Ah, but this one with red and red, perfect.
00:09Yes.
00:12Hey, who told you to turn off the light?
00:14Concentrate.
00:15I'm paying you.
00:16Yes, sorry.
00:17The light distracts me.
00:19But it doesn't matter, everything is fine.
00:21Yes.
00:22And now I'm going to fix the album.
00:23But what is this?
00:25Julio!
00:26You took it?
00:27Yes, nobody told me I was going to be here.
00:29Hello, Vandora.
00:30What happened? How?
00:31Why is she here?
00:32Ready to pose.
00:33Not even singing, much less with my son present.
00:36Oh, but this is guaranteed privacy.
00:41Look at all the pictures we have, look at all this.
00:43We have too many beautiful things.
00:44And if we had money, we would have models too.
00:47But hey, since we don't have money, we are the models.
00:49Elio!
00:50Let's see, Mabel, have you looked at yourself in the mirror?
00:52I mean, you are a model.
00:55Oh, Pando, you are beautiful, you are also a model.
00:59Everything.
01:00This is ideal, that people know that we can be models.
01:04No, I give up.
01:05I'm not going to be in the same place as my old lady in a ball or shitting.
01:09Oh, but José Tomás, if we are not going to be in a ball, do you see us in a ball?
01:12Well, yes.
01:16In addition to Julio, he is going to take spectacular, spectacular pictures.
01:19That's it, take off your clothes, put on your glasses.
01:22Look, look, look.
01:23I'm going to use my wallet.
01:25I'm going to use my wallet.
01:27Try it on too.
01:29José Tomás, erase that stupid smile and go to work.
01:33Yes, I'm going to take a shower.
01:34Go ahead.
01:35I'm going to take a shower.
01:36You have to go to the elevator.
01:39The lamb is still.
01:41What happens is that in this building no one knows how to make connections,
01:45except in Wilson.
01:46Wilson up, Wilson down.
01:48I'm stuck in everything.
01:49I have to fix everything.
01:58Good afternoon, Wilson.
02:02Hello, how are you, Mr. Briones, my security minister?
02:06Yes, yes.
02:07Who brings you here?
02:08Well, that's why I came to Wilson to talk to you about a matter as a member of the
02:12Board of Supervisors of the building.
02:14Oh, yes, yes.
02:15Just tell me, please.
02:16Here we are.
02:17What happens?
02:18What happens is that very serious things are happening, Wilson.
02:21What things?
02:22Oh, don't tell me anything.
02:25Don't tell me anything.
02:27The plague of pigeons and what do you tell me about the plague of parrots?
02:30No, no, no, no, no, no, Wilson.
02:32It has nothing to do with the pigeons or the parrots.
02:36I have serious reasons to think that in this building there is a network of prostitution.
02:45Don't tell me.
02:47Yes, sir.
02:48I have been gathering intelligence for weeks and I have realized and corroborated
02:52that there are several departments that operate as prostitutes.
02:56All commanded from the 24th floor.
02:59From the 24th floor, right?
03:02And you know that we are in trouble there because I am in charge of security.
03:07So if something bad was happening here, I would have already found out.
03:09So don't come to me with fallacies.
03:11You are also going to be sued, Wilson.
03:14Me?
03:15Of what?
03:16Yes.
03:17Of involuntary accomplice, help and proxemitism.
03:20Proxeleta.
03:22Oh no.
03:23Oh no, neighbor.
03:24So I'm not going to put up with it.
03:27How dare you say that I am a proxeleta?
03:29How am I going to be a proxeleta?
03:31If I love and respect all women.
03:33I was born and raised by a woman.
03:35My mother, may she rest in peace.
03:37She taught me to respect.
03:39Well, go tell the judge that, Wilson.
03:45Get out of here if you don't want to end up in jail.
03:48Wilson, I wouldn't recommend that.
03:50No, no, no.
03:51It's a very, very, very bad idea.
03:54Police Investigations.
03:56Sexual Crime Brigade.
04:00You can do two things, Wilson.
04:02Or you talk and collaborate.
04:04Or you go to jail with all your harem.
04:06For proxeleta.
04:21Oh, Arturo.
04:23And with a tutorial I manage to meditate.
04:25This is very difficult.
04:27Have you ever done it?
04:29Meditate? Yes, many times.
04:31Look, a piece of advice.
04:33The secret is to let the thoughts pass.
04:36Because the thoughts are going to be present.
04:38But you can't get hooked on every thought.
04:40You have to let them pass like a river.
04:42Well, I could give you some advice.
04:44But I have a question, rather than an advice.
04:46Shouldn't you be in the office?
04:48Yes, but I can't focus on work.
04:50I have my head in the air.
04:52That's why I was trying to meditate.
04:54Yes, but you don't have to fight against reality.
04:56Reality imposes itself.
04:58And reality has a weight that falls on our shoulders.
05:01And the truth is that if I can give you some advice.
05:04It's that you have to be irresponsible.
05:06A little bit.
05:07You have to let go.
05:08Let go.
05:09Do you understand?
05:10Let go.
05:11I'm always looking under the water.
05:13Do you notice me a lot?
05:14Absolutely.
05:15Absolutely.
05:16But that's not your problem.
05:18It's not in the head.
05:19Your problem is in the heart.
05:21This is Mrs. Mabel.
05:24And this is Cousin Laura.
05:27Her responsibility with the children.
05:29You take it very seriously.
05:30You are a great father.
05:31And now this new person who appeared.
05:32Soledad.
05:33No, no.
05:34But she's something else.
05:35That's different.
05:37Yes, but.
05:39A new relationship should calm the storm a bit.
05:42And I don't see that happening.
05:44On the contrary.
05:45I see you more worried.
05:47I mean, I know you.
05:48Because Gasparito, if you were doing well.
05:50You would be jumping off a cliff.
05:52Going to work happy.
05:54And look how it is.
05:55Oh, Arturo.
05:56Yes.
05:57You are so sensitive.
05:58You are always right.
05:59You are so sensitive.
06:00You are always right.
06:01You are so sensitive.
06:02You are always right.
06:03You are so sensitive.
06:04You are so sensitive.
06:05You are so sensitive.