Charade 1963 - Full Movie
Charade 1963 - Full Movie
Category
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Short filmTranscript
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00:03:50Hola.
00:03:52Don't tell me you didn't know it was loaded.
00:03:56Sylvie!
00:03:58Oh.
00:03:59Can't he do something constructive
00:04:01like start an avalanche or something?
00:04:03Bien joué, mon chéri.
00:04:07When you start to it like this,
00:04:09something is the matter.
00:04:12Sylvie, I'm getting a divorce.
00:04:14What?
00:04:15From Charles?
00:04:17He's the only husband I have.
00:04:19I've tried to make it work, really, I have, but...
00:04:22But what?
00:04:23Oh, I can't explain.
00:04:24It's just that I'm too miserable
00:04:26to go on any longer like this.
00:04:29It is infuriating that your unhappiness
00:04:32does not turn to fat.
00:04:34But I don't understand.
00:04:36Why do you want a divorce?
00:04:38Because I don't love him,
00:04:40and he obviously doesn't love me.
00:04:42That's no reason to get a divorce.
00:04:44With a rich husband and this year's close,
00:04:46you won't find it difficult to make some new friends.
00:04:49Look, I admit I came to Paris
00:04:51to escape American provincial,
00:04:52but that doesn't mean I'm ready for French traditional.
00:04:55I loathe the whole idea of divorce, Sylvie,
00:04:58but if only Charles had been honest with me,
00:05:00that's all I ask of anybody, the simple truth.
00:05:03But with Charles, everything is secrecy and lies.
00:05:08He's hiding something from me, Sylvie,
00:05:11something terrible, and it frightens me.
00:05:14Does he belong to you?
00:05:16Well, it's hers.
00:05:17Where'd you find him, robbing a bank?
00:05:19He was throwing snowballs at Baron Rothschild.
00:05:22Oh, thank you.
00:05:23Do we know each other?
00:05:25Why, do you think we're going to?
00:05:27I don't know, how would I know?
00:05:29Because I already know an awful lot of people,
00:05:31and until one of them dies,
00:05:33I couldn't possibly meet anyone else.
00:05:36Well, if anyone goes on the critical list, let me know.
00:05:39Quitter.
00:05:41You give up awfully easily, don't you?
00:05:44Viens, Jean-Louis, let us make a walk.
00:05:46I've never seen Rothschild before.
00:05:55Clever fellow. Almost missed me.
00:05:58Thank you.
00:06:00You're blocking my view.
00:06:02Oh, which view would you prefer?
00:06:05The one you're blocking.
00:06:07It's my last chance.
00:06:08I'm flying back to Paris this afternoon.
00:06:10What's your name?
00:06:11Peter Joshua.
00:06:12Oh, mine's Regina Lampert.
00:06:14Is there a Mr. Lampert?
00:06:15Yes.
00:06:16Good for you.
00:06:17No, it isn't. I'm getting a divorce.
00:06:18Please, not on my account.
00:06:19Oh, no, you see, I don't really love him.
00:06:21Well, at least you're honest.
00:06:23Is there a Mrs. Joshua?
00:06:25Yes, but we're divorced.
00:06:27Oh, that wasn't a proposal.
00:06:28I'm just curious.
00:06:30Is your husband with you?
00:06:31Oh, no, Charles is never with me.
00:06:33What do people call you?
00:06:34Pete?
00:06:35Mr. Joshua.
00:06:37I've enjoyed talking with you.
00:06:39Now you're angry.
00:06:40No, no, I'm not angry.
00:06:41I just have a lot of packing to do.
00:06:43I'm going back to Paris, too.
00:06:44Well, wasn't it Shakespeare who said
00:06:45when strangers do meet in far-off lands,
00:06:47they should ere long see each other again?
00:06:49Shakespeare never said that.
00:06:51How do you know?
00:06:52It's terrible.
00:06:53You just made it up.
00:06:54Oh, well, it sounds right.
00:06:55You going to call me?
00:06:56Are you in the book?
00:06:57Well, Charles is.
00:06:58Is there only one Charles Lampert?
00:07:02Lord, I hope so.
00:07:17Goodbye, Sylvie, and thanks.
00:07:19When you get your divorce,
00:07:20are you going back to America?
00:07:22Well, don't you want me to stay?
00:07:23Yes, of course,
00:07:24but if you went back and wrote me a letter...
00:07:26You could have the stamps.
00:07:27I'll get you some here, okay?
00:07:29Okay.
00:07:30Goodbye.
00:07:54Honorine?
00:08:00Honorine!
00:08:24Come on.
00:08:49Madame Charles Lampert?
00:08:51Yes?
00:08:52I am Inspector Edouard Grandpierre
00:08:54of the police judiciaire.
00:08:56Would you be so kind as to come with me, please?
00:09:22Well, madame?
00:09:26You're positive?
00:09:30You loved him?
00:09:33I'm very cold.
00:09:47We discovered your husband's body
00:09:49lying next to the tracks
00:09:50of the Paris-Bordeaux railroad line.
00:09:54He was dressed only in his pajamas.
00:09:56Do you know of any reason
00:09:58why he might have wanted to leave France?
00:10:01Leave?
00:10:02No.
00:10:04Your husband possessed a ticket of passage
00:10:06on the Maranguapi.
00:10:08It sailed for Venezuela this morning at 7.
00:10:12I'm very confused.
00:10:14He was American, your husband?
00:10:16Swiss.
00:10:17Ah, Swiss.
00:10:18His profession?
00:10:20He didn't have one.
00:10:21He was a wealthy man?
00:10:23I suppose so, I don't know.
00:10:25About how wealthy would you say?
00:10:27I don't know.
00:10:28Where did he keep his money?
00:10:30I don't know.
00:10:32Beside yourself,
00:10:33who is his nearest relative?
00:10:36I don't know.
00:10:37That's absurd, madame.
00:10:39Totalement absurde.
00:10:41I know.
00:10:42I'm sorry.
00:10:43It is all right?
00:10:45I wish you wouldn't.
00:10:48Les effets de l'empaire.
00:10:50D'accord.
00:10:52On Wednesday last,
00:10:53your husband sold the entire contents
00:10:55of the apartment at public auction.
00:10:57Everything.
00:10:58The gallery paid him
00:11:001,250,000 new francs.
00:11:02In dollars, a quarter of a million.
00:11:04The authorities in Bordeaux
00:11:06searched his compartment on the train.
00:11:08They searched it thoroughly.
00:11:10They did not find 250,000 dollars.
00:11:13These few things
00:11:14are all that was found
00:11:15in the train compartment.
00:11:16There was no other baggage.
00:11:18Your husband must have been
00:11:19in a great hurry.
00:11:21One wallet
00:11:22containing 4,000 francs.
00:11:24One agenda.
00:11:26His last notation
00:11:27was made yesterday, Thursday.
00:11:295 p.m., Jardin des Champs-Elysées.
00:11:32Why there?
00:11:33I don't know.
00:11:35Perhaps he was in a hurry.
00:11:37I don't know.
00:11:38I don't know.
00:11:39I don't know.
00:11:40I don't know.
00:11:41I don't know.
00:11:42Perhaps he met somebody.
00:11:44Obviously.
00:11:46One ticket of passage
00:11:47to South America.
00:11:49One letter,
00:11:51stamped but unsealed,
00:11:52addressed to you.
00:11:54May I see it, please?
00:12:00My dear Regina,
00:12:01I hope you are enjoying
00:12:02your holiday.
00:12:03Mergeve can be so lovely
00:12:04at this time of year.
00:12:05The days pass very slowly
00:12:06and I hope to see you
00:12:07as soon as always, Charles.
00:12:09P.S.
00:12:10Your dentist called yesterday.
00:12:12Your appointment
00:12:13has been changed.
00:12:15Not much, is it?
00:12:16We took the liberty
00:12:17of calling your dentist.
00:12:18We thought perhaps
00:12:19we would learn something.
00:12:21Did you?
00:12:22Yes.
00:12:23Your appointment
00:12:24has been changed.
00:12:33One key
00:12:34to your apartment.
00:12:36One comb.
00:12:38One fountain pen.
00:12:40One toothbrush.
00:12:42One tin of tooth powder.
00:12:44That is all.
00:12:48If you will sign this list,
00:12:49you may take the things
00:12:50with you.
00:12:53Is that all?
00:12:54May I leave now?
00:12:55One more question.
00:12:58Is this
00:12:59your husband's passport?
00:13:02Yes.
00:13:04And this?
00:13:08I don't understand.
00:13:10And this?
00:13:17And this?
00:13:38Oh, I telephoned,
00:13:40but nobody answered.
00:13:43Hello.
00:13:44Hello.
00:13:45I wanted to tell you
00:13:46how sorry I am.
00:13:48Let's see if there's
00:13:49anything I can do.
00:13:50How did you find out?
00:13:52It's in the afternoon papers.
00:13:55I'm very sorry.
00:13:56I'm sorry.
00:13:57I'm sorry.
00:13:58I'm sorry.
00:13:59I'm sorry.
00:14:00I'm sorry.
00:14:01I'm sorry.
00:14:02I'm sorry.
00:14:03I'm sorry.
00:14:04I'm sorry.
00:14:05I'm sorry.
00:14:06I'm sorry.
00:14:07I'm very sorry.
00:14:09Thank you.
00:14:12I pressed the bell,
00:14:13but it isn't ringing, I guess.
00:14:14I know.
00:14:15There's no electricity.
00:14:18Well,
00:14:19where did everything go?
00:14:20Charles sold it all at auction.
00:14:22This is all I have left.
00:14:25I love this room,
00:14:26but Charles never really saw it.
00:14:28Only the things in it.
00:14:31I think I prefer it this way.
00:14:34What are you going to do?
00:14:36Try and get my old job
00:14:37back at Uresco, I suppose.
00:14:39Doing what?
00:14:40I'm a simultaneous translator,
00:14:42like Sylvie.
00:14:43Only she's English into French,
00:14:44and I'm French into English.
00:14:46That's what I was doing
00:14:47before I married Charles.
00:14:50The police probably think
00:14:51I killed him.
00:14:52Instant divorce, you mean?
00:14:54Something like that.
00:14:57It's terrible it ended
00:14:58this way, though.
00:15:00Tossed off a train
00:15:01like a sack of third-class mail.
00:15:03Well, come on,
00:15:04you can't stay here.
00:15:05I don't know where to go.
00:15:07We'll find you a hotel.
00:15:11It's nothing too expensive.
00:15:13I'm not a lady of leisure
00:15:15anymore, you know.
00:15:16Something clean and modest,
00:15:17and near enough to Uresco
00:15:18so that you can take a cab
00:15:19when it rains.
00:15:20Okay?
00:15:21Okay.
00:15:33Not a very large turnout,
00:15:35is it?
00:15:37Didn't Charles have
00:15:38any friends?
00:15:39Don't ask me,
00:15:40I'm only the widow.
00:15:42If Charles had died in bed,
00:15:44we wouldn't even have him.
00:15:50At least he knows
00:15:51how to behave at funerals.
00:15:57I don't know.
00:15:58I don't know.
00:15:59I don't know.
00:16:00I don't know.
00:16:01I don't know.
00:16:07Have you no idea
00:16:08who could have done it?
00:16:10Until two days ago,
00:16:11the only thing I really knew
00:16:12about Charles was his name.
00:16:14Now it seems
00:16:15I didn't even know that.
00:16:31He must have known
00:16:32Charles pretty well.
00:16:33How can you tell?
00:16:35He's allergic to him.
00:16:42Bless you.
00:16:45You know him?
00:16:46Never seen him before.
00:17:01♪
00:17:30Arrivederci, Charlie.
00:17:38Miss Lampert, ma'am.
00:17:42Ah, Miss Lampert, ma'am.
00:17:45Charlie had no call
00:17:46of doing it that way.
00:17:49No siree.
00:17:50Charlie.
00:18:20Ah, what next?
00:18:26Mille pardons, madame.
00:18:29Merci.
00:18:31Pardon.
00:18:32Pardon.
00:18:34Pardon.
00:18:36Pardon.
00:18:38Where is it from?
00:18:39The American Embassy.
00:18:43Pardon.
00:18:45Pardon.
00:18:47Pardon.
00:18:48Pardon.
00:18:49Pardon.
00:19:01I bluffed the old man
00:19:02out of the last pot
00:19:03with a pair of deuces.
00:19:05What's so depressing about that?
00:19:06Well, I mean, if I can do it,
00:19:07what are the Russians
00:19:08doing to him?
00:19:19Hello?
00:19:22Hello?
00:19:24Is there anything wrong,
00:19:25Miss Tompkins?
00:19:27Uh, Miss Tompkins isn't here.
00:19:31Oh, I'm sorry.
00:19:33My secretary must have
00:19:34gone to lunch.
00:19:36Uh, you are, uh...
00:19:37Mrs. Lampert,
00:19:38Mrs. Charles Lampert.
00:19:40Oh, yes.
00:19:41Please,
00:19:42come in, Mrs. Lampert.
00:19:45Excuse me for a moment,
00:19:46Mrs. Lampert.
00:19:47It's a stubborn little devil.
00:19:51Dry-cleaning-wise,
00:19:52things are all fouled up.
00:19:55I had a good man,
00:19:56a really excellent man,
00:19:57in the Rue Ponto.
00:20:00But H.Q. asked us
00:20:01to use the plant here
00:20:02in the building
00:20:03to ease the gold outflow.
00:20:05Mr. Bartholomew,
00:20:06are you quite sure
00:20:07you know who I am?
00:20:08You're Charles Lampert's
00:20:09widow, yes?
00:20:12I'm very sorry.
00:20:13Last time I sent out a tie-only,
00:20:15the spot came back.
00:20:18Well, uh,
00:20:19as they say.
00:20:21Won't you sit down,
00:20:22Mrs. Lampert?
00:20:26I've got something here.
00:20:29I've got liverwurst,
00:20:30liverwurst,
00:20:31chicken and liverwurst.
00:20:33No, thank you.
00:20:35Mrs. Lampert,
00:20:36do you know what C.I.A. is?
00:20:39I don't suppose
00:20:40it's an airline, is it?
00:20:41Central Intelligence Agency,
00:20:43C.I.A.
00:20:45You mean spies
00:20:46and all of that?
00:20:47Only we call them agents.
00:20:49We?
00:20:50You mean you?
00:20:51Someone has to do it,
00:20:52Mrs. Lampert.
00:20:53It's just that I didn't think
00:20:54people like you
00:20:55were supposed to admit...
00:20:56No, I'm not an agent.
00:20:58I'm an administrator,
00:21:00a desk jockey,
00:21:02trying to run a bureau
00:21:03of overworked men
00:21:05with under-allocated
00:21:07funds.
00:21:08Congress seems to think
00:21:09that all a spy needs...
00:21:10Agent.
00:21:13Yes.
00:21:14That all he needs
00:21:15is a code book,
00:21:16a cyanide pill,
00:21:17and he's in business.
00:21:21What's all this got to do
00:21:22with me, Mr. Bartholomew?
00:21:24Your husband was wanted
00:21:25by the United States government.
00:21:30May I have a sandwich, please?
00:21:32Chicken or liverwurst?
00:21:34Chicken.
00:21:35To be more specific,
00:21:36Mrs. Lampert,
00:21:37your husband was wanted
00:21:38by this agency.
00:21:39So that was it.
00:21:40Yes.
00:21:41We, of course,
00:21:42knew him by his real name,
00:21:44Boss.
00:21:45Charles Boss.
00:21:49All right, Mrs. Boss.
00:21:51Now, I'd like you to
00:21:52look at this photograph here
00:21:54for a moment, please.
00:21:56Tell us if you recognize...
00:21:58Oh.
00:22:00By the way,
00:22:01have you seen my husband?
00:22:03By the way,
00:22:04have you seen this one?
00:22:06Scott, Kathy,
00:22:07and Ham, Jr.
00:22:09Very sweet.
00:22:10Aren't they?
00:22:12All right, Mrs. Boss.
00:22:13Please stop calling me that.
00:22:15Lampert's the name
00:22:16on the marriage license.
00:22:17Oh, I'm terribly sorry.
00:22:18Mrs. Lampert,
00:22:19would you look at that photograph
00:22:20and tell me
00:22:21if you recognize anyone, please?
00:22:23Now, just a moment.
00:22:24Have a good look.
00:22:29It's Charles.
00:22:31Very good.
00:22:32He was so young
00:22:33when was this taken?
00:22:341944.
00:22:36Next, please.
00:22:38The man who was
00:22:39at the funeral yesterday.
00:22:40A tall man
00:22:41in a corduroy suit.
00:22:43Does the name Tex Penthollow
00:22:44mean anything to you?
00:22:45No.
00:22:47Would you like some wine?
00:22:48Oh, thank you.
00:22:49Next, please.
00:22:52He was there, too.
00:22:53A little less hair,
00:22:54but it's the same one.
00:22:56Do you know him,
00:22:57Mrs. Lampert?
00:22:58Leopold W. Gideon?
00:22:59No.
00:23:00Last one, please.
00:23:02That's a face
00:23:03you don't forget.
00:23:04He was there, too.
00:23:06Herman Scobie.
00:23:07You've never seen
00:23:08him before, either?
00:23:09No, thank heaven.
00:23:12Mrs. Lampert,
00:23:14I'm very much afraid
00:23:15that you are
00:23:16in a great deal of danger.
00:23:17Why should I
00:23:18be in any danger?
00:23:19You're Charles Vassa's wife.
00:23:22Now that he's dead,
00:23:23you're their only lead.
00:23:25Mr. Bartholomew,
00:23:26if you're trying
00:23:27to frighten me,
00:23:28you're doing
00:23:29a first-rate job.
00:23:30Please do what we ask,
00:23:31Mrs. Lampert.
00:23:32It's your only chance.
00:23:33Gladly,
00:23:34but I don't know
00:23:35what you want.
00:23:36You haven't told me.
00:23:37Oh?
00:23:39I haven't?
00:23:41Well, it's the money,
00:23:42Mrs. Lampert.
00:23:43The money.
00:23:45Of $250,000
00:23:47Charles Vassa received
00:23:48from the auction.
00:23:49Those three men
00:23:50want it, too.
00:23:51They want it very badly.
00:23:52But that's Charles' money,
00:23:53not theirs.
00:23:54Oh, Mrs. Lampert,
00:23:55I'd love to see you
00:23:56try and convince them of that.
00:23:58Oh, boy.
00:23:59But then whose is it?
00:24:00His or theirs?
00:24:03Ours.
00:24:05Oh.
00:24:07Charles Vassa
00:24:08stole $250,000
00:24:09from the United States
00:24:10government.
00:24:11I'm afraid
00:24:12we want it back.
00:24:13But I don't have it.
00:24:16That's impossible,
00:24:17Mrs. Lampert.
00:24:19You're the only one
00:24:20who could have it.
00:24:21Mr. Bartholomew,
00:24:22if I had a quarter
00:24:23of a million dollars,
00:24:24believe me,
00:24:25I'd know it.
00:24:26Nevertheless,
00:24:27Mrs. Lampert,
00:24:28you've got it.
00:24:29You mean it's just
00:24:30lying around somewhere?
00:24:31All that cash?
00:24:32Or a certified check,
00:24:34a safe deposit key,
00:24:36baggage claim.
00:24:37You look for it,
00:24:38Mrs. Lampert.
00:24:39I'm quite sure you'll find it.
00:24:40Look for it.
00:24:41Look just as hard
00:24:42and as fast as you can.
00:24:44You may not have
00:24:45a great deal of time.
00:24:46Those three men
00:24:47know you've got the money
00:24:48just as surely as we do.
00:24:50You won't be safe
00:24:51until the money
00:24:52is in our hands.
00:24:53Is that clear?
00:24:55Now, here's where
00:24:56you ought to call me
00:24:57day or night.
00:24:59It's a direct line
00:25:00to both my office
00:25:02and my apartment.
00:25:03And please don't tell anyone
00:25:04about coming to see us today.
00:25:05It could prove fatal
00:25:06for them as well as yourself.
00:25:08As I said, Mrs. Lampert,
00:25:09I'm afraid you're
00:25:10in a great deal of danger.
00:25:11I regret very much
00:25:12having to say this,
00:25:13but please remember
00:25:15what happened
00:25:16to your husband.
00:25:29Hello.
00:25:31Hello, Peter.
00:25:33Now, didn't you telephone me
00:25:34to meet you on that corner
00:25:35over there?
00:25:37I'm sorry.
00:25:38I heard the children laughing.
00:25:41Do you understand French?
00:25:43Not a word.
00:25:44I'm still having
00:25:45trouble with English.
00:25:47The man and the woman
00:25:48are married.
00:25:50Oh, I can see that.
00:25:51They're batting each other
00:25:52over the head.
00:25:53Who's that with the hat?
00:25:55That's the policeman.
00:25:57He wants to arrest Judy
00:25:58for killing Punch.
00:26:02What's she saying now?
00:26:04That she's innocent.
00:26:06She didn't do it.
00:26:09Oh, she did it all right.
00:26:11I believe her.
00:26:14Well, who was that?
00:26:16I don't know.
00:26:18I don't know.
00:26:20I don't know.
00:26:21Well, who was that?
00:26:23That's Punch, of course.
00:26:25Punch, of course?
00:26:26I thought he was dead.
00:26:28He's only pretending
00:26:29to teach her a lesson.
00:26:32Only he is dead, Peter.
00:26:33I saw him.
00:26:34He's not pretending.
00:26:36Somebody threw him
00:26:37off a train.
00:26:39Charles was mixed up
00:26:40in something terrible.
00:26:42What am I going to do?
00:26:44I wish you'd let me help you.
00:26:46It doesn't sound like
00:26:47the sort of thing a young woman
00:26:48can handle by herself.
00:26:51Well, well, well.
00:26:53How about making me
00:26:54vice president in charge
00:26:55of cheering you up?
00:26:58Starting tonight?
00:27:06Bonsoir, messieurs-dames.
00:27:07Good evening, ladies and gentlemen.
00:27:09Buona sera, signori e signori.
00:27:11Ce soir,
00:27:12comme tous les autres soirs ailleurs,
00:27:14vous savez très bien
00:27:15qu'ici au Black Sheep Club,
00:27:17l'attraction,
00:27:18c'est vous!
00:27:19Alors, approchez-vous,
00:27:21messieurs-dames.
00:27:22Venez-y.
00:27:23Step right up,
00:27:24ladies and gentlemen.
00:27:25What's going on?
00:27:26Fun and games, evidently.
00:27:27We're the floor show.
00:27:28Come on.
00:27:29What, you and me?
00:27:30Everyone.
00:27:33Avanti, avanti,
00:27:34signori e signori.
00:27:35Ecoutez-moi bien, messieurs-dames.
00:27:36Les règles du jeu
00:27:37sont très simples.
00:27:38Alors, écoutez-moi.
00:27:39Alors, il y a deux équipes.
00:27:40There are two teams.
00:27:41Et pour chaque équipe,
00:27:42il y a une orange.
00:27:43For every team,
00:27:44there is one orange.
00:27:46Une orange.
00:27:47Une orange.
00:27:49Une apple du nez.
00:27:50Vous mettez l'orange sur le moteur comme ça.
00:27:52You put the orange on your chin like so.
00:27:53Vous passez cette orange
00:27:54à la personne derrière vous.
00:27:55You pass the orange
00:27:56to the person behind you.
00:27:57Mais sans vous servir les mains.
00:27:59Without the use of your hands.
00:28:01Are you ready?
00:28:02Un, deux, trois.
00:28:17Un, deux, trois.
00:28:47Un, deux, trois.
00:29:17Un, deux, trois.
00:29:43Mrs. Lampert.
00:29:44Who are you?
00:29:45Didn't Charles tell you, Mrs. Lampert?
00:29:47Tell me what?
00:29:48It doesn't belong to you.
00:29:49You do know that, don't you?
00:29:50I don't know anything.
00:29:51Mrs. Lampert.
00:29:53Any morning now,
00:29:54you could wake up dead,
00:29:55Mrs. Lampert.
00:29:57Leave me alone.
00:29:58Dead, Mrs. Lampert.
00:29:59Like last week's news.
00:30:00Like Charles, Mrs. Lampert.
00:30:02Stop it!
00:30:05What's the trouble?
00:30:06You stepped on my foot.
00:30:08Forgive me.
00:30:09Wait here. I won't be long.
00:30:10It was quite unintentional,
00:30:11I'm sure.
00:30:15I'm sorry.
00:30:32Mr. Bartholomew,
00:30:33this is Regina Lampert.
00:30:34Mr. Bartholomew,
00:30:35I just saw one of those men...
00:30:37Mr. Bartholomew,
00:30:38can you hear me?
00:30:41Mr. Bartholomew,
00:30:42this is Regina Lampert.
00:30:43I just...
00:30:45Howdy.
00:30:47What do you want?
00:30:48Now, you must be kidding.
00:30:50No, I'm not.
00:30:52Now, come on now,
00:30:53Mrs. Lampert.
00:30:54You know what it is,
00:30:55and you're going to get it
00:30:56for me, too.
00:30:57Because you know
00:30:58I ain't fooling around here.
00:31:05No, sir. Rebomb.
00:31:09No, dad!
00:31:10Please, stop!
00:31:11Now, don't be a nobody,
00:31:12Mrs. Lampert.
00:31:14It could get a whole lot worse,
00:31:15you know.
00:31:18That belongs to me,
00:31:19Mrs. Lampert.
00:31:21And you're going to get it
00:31:22for me.
00:31:24Or your life ain't going to be
00:31:25worth the paper it's printed on.
00:31:27Do you see what I'm saying
00:31:28to you?
00:31:29Stop!
00:31:30Stop!
00:31:31Please, stop!
00:31:32Now, you go home
00:31:33and take it over real careful.
00:31:34You're insane!
00:31:35You're absolutely insane!
00:31:36What's the matter?
00:31:38What are you doing in here?
00:31:41I'm having a nervous breakdown.
00:31:43Now, hold it.
00:31:44I've waited long enough,
00:31:45what happened back there?
00:31:49If you don't want to tell me,
00:31:50then I'll tell you,
00:31:51okay?
00:31:53You don't want to tell me.
00:31:54You want to tell me,
00:31:55I'll tell you.
00:31:56I want to know.
00:31:57I want to know what happened
00:31:58back there.
00:32:00I want to know
00:32:01what happened to you.
00:32:02What happened to me.
00:32:04Okay, now,
00:32:05I don't need your microwave.
00:32:07I'm going to start making
00:32:08a soup and put some porridge
00:32:09in it.
00:32:10A soup?
00:32:11I'm going to make a soup
00:32:12happened back there? I'm not sure if I'm supposed to tell you or not. What does
00:32:17that mean? He said if I told anybody it could prove fatal for them as well as
00:32:21for me. Who said? That's what I'm not supposed to say. Now stop that nonsense.
00:32:30Stop bullying me. Everybody's bullying me. I'm not bullying you. Yes you were. You said it was
00:32:34nonsense. Being murdered in cold blood is not nonsense. Why don't you try it
00:32:39sometime? Would you mind seeing me to the door? Of course not. It's a good place for
00:32:49making friends. You said this afternoon your husband was mixed up in something.
00:32:56How do you shave in there? What was it? What was what? What your husband was mixed
00:33:03up in. Look I know it's asking you to stretch your imagination but don't you
00:33:08think you could pretend just for a moment that I'm a woman? Now listen I could already be
00:33:11arrested for transporting a minor above the first floor. Here you are. Where? On the
00:33:20street where you live. How about once more around the park? How about getting
00:33:23out of here? Come on child out. Won't you come in for a minute? No I won't. I don't
00:33:32bite you know. Unless it's called for. How would you like a spanking? How'd you
00:33:39like a punch in the nose? Stop treating me like a child. Well then stop behaving
00:33:44like one. Now if you want to tell me what's troubling you fine. If not I'm tired.
00:33:48It's late and I want to go on to bed. Oh. Do you know what's wrong with you? No what?
00:33:58Nothing.
00:34:02Where is it lady? I don't know.
00:34:23I want it. Give it to me. It's mine.
00:34:33Peter! Peter! A man tried to kill me.
00:34:37Peter? Peter?
00:35:07Peter are you all right? Oh Peter are you hurt? I sprained my pride. How are you?
00:35:18Scared. You'll be all right. Where did he go? Out the window I guess. Well lock the
00:35:26door and don't let anyone in except me. And close these windows after me. Be
00:35:30careful. You just took the words right out of my mouth.
00:35:36Alistair! What is it now Pamela? It happened again. Another strange man
00:36:05peered in the window at me but then went away. Bad luck Pamela.
00:36:12That was a dumb move. I'm a man and then some. It only let us know he was going up
00:36:37to a room we could have done something to keep him busy. Sneaking off of there that
00:36:41away by yourself. Man what did you expect him to do? Walk up and shake you
00:36:46by that hand of yours? A dumb move Herman. A dumb move. Yes it was a dumb move Herman.
00:36:52What is the matter with you? You want some more? Never mind that. Did you get
00:36:57the money? How could I with the three Marx brothers breathing down my neck? I
00:37:02thought we had an agreement. Now the girl trust me. If she's got the money I'll
00:37:09find out about it. But you just leave me alone. We took all the chances. The money
00:37:15belongs to us not to him. Now don't be piggy Herman. A third of nothing is
00:37:21nothing. Just think about that. Make up your mind. She's waiting for me. I don't
00:37:28see how another 24 hours could hurt anything. No not after all these years.
00:37:33Then he gets it out of your share. Not mine. Not mine. Either one of you got the
00:37:46room next to her? Yeah I have. Why? Give me the key. Get yourself another room. I
00:37:51want to use it. If you do find that money you ain't gonna forget to tell
00:38:04your buddies about it are you? Don't worry. Oh no I ain't worrying. You see this
00:38:11little fella here? Oh he worries. And he's even meaner than I am.
00:38:19Who is it? It's me Peter.
00:38:49There was no trace of him. Why don't you confide in me and tell me what this is
00:39:08all about? There are three men. He's one of them. They think I have a quarter of a
00:39:14million dollars that belongs to them. Go on. That's all. No it isn't. Where's the
00:39:24money? I don't know. They killed Charles to get it but he must have had it with
00:39:28him on the train. So they think he left it with you? But he didn't. I've looked
00:39:33everywhere and if I don't find it they're gonna kill me. No they won't. I
00:39:39won't let them. Peter help me you're the only one I can trust. I'll help you. I told you I would.
00:39:49Come on. Oh I'm so hungry I could faint and I've got your suit all wet. That's
00:39:57all right it's a drip dry. Wipe your eyes.
00:40:04Promise me you'll never lie to me the way Charles did. Why do people have to
00:40:08tell lies? Usually it's because they want something. They're afraid the truce won't
00:40:13get it for them. You tell lies?
00:40:26Hello? Mrs. Labbard it's me. The man who was in your room a few minutes ago. What
00:40:33do you want? Who is it? It's the man you had the fight with. It's Dial with you. Who? The
00:40:41man I had the fight with lady Dial. That's his name. What's wrong is he still
00:40:48there? Yes that's right. What's he saying? Don't trust him. Don't tell him anything.
00:41:01He's after the money.
00:41:12What was all that about? He he said if I don't give him the money he'll kill me.
00:41:19Oh don't take it seriously. He's just trying to frighten you. I believe what he
00:41:27said. No no it's just a lot of words. Words can hurt. I know. Try to get some sleep you'll
00:41:35feel better. Don't worry I've arranged to take the room next door to you so you'll
00:41:43be all right. If you want anything just bang on the wall. Better lock the door
00:41:49after me. Good night.
00:41:57But I am gone Mr. Bartholomew what I'm trying to say is that is that there's
00:42:26someone else. Someone who wasn't in that photograph you showed me today. He says
00:42:31his name is Peter Joshua but it isn't it's Dial. Are you still there Mr.
00:42:36Bartholomew? Yes yes Miss Lampert. I don't know who this Mr. Dial is but it's
00:42:42just possible we were wrong about who killed your husband. You mean he might
00:42:47have? Mr. Bartholomew I'm catching the next plane out of here. I'm not gonna sit
00:42:53around for somebody to make chopped liver out of me. Now take it easy Miss
00:42:57Lampert take it easy. Where are you now? Can you meet me at the market? At Liao's? Yes opposite
00:43:03San Eustache. I'll meet you there in 15 minutes. All right I'll be there in 15 minutes.
00:43:53Sweet base of taxi. Were you followed? Yes by Dial but I lost him. I'm beginning to think
00:44:20women make the best spies. Agents. He has a gun Mr. Bartholomew. No. But I saw it. No
00:44:28that's not Carson Dial. Carson? There's only one Dial connected with this affair
00:44:33Mrs. Lampert that's Carson Dial. You mean you've known about him all along?
00:44:39It's enough to make you a vegetarian isn't it? It's just lucky that I'm not
00:44:44hanging next to one of those things right now. Why didn't you tell me you
00:44:49knew about Dial? I didn't see any point. Dial's dead. Mr. Bartholomew what is all
00:44:56this about? In 1944 five members of the OSS, the military espionage unit, were
00:45:05ordered behind the German lines for the purpose of delivering two hundred and
00:45:09fifty thousand dollars in gold to the French underground. The five men were of
00:45:16course your husband Charles, the three men who showed up at his funeral
00:45:19yesterday, and Carson Dial. Oh. Instead of delivering the gold they stole it. How?
00:45:27By burying it. Then reporting the Germans had captured it. All they had to do was
00:45:33come back after the war, dig it up, split it five ways. A quarter of a million
00:45:39dollars with no questions asked. May I have a cigarette please? I can't stand those things. It's like drinking coffee
00:45:48through a veil. Everything went smoothly enough until after the gold was buried.
00:45:54Then before they could get out they were ambushed by a German patrol. A machine
00:45:59gun separated Scobie from his right hand and caught Carson Dial full in the
00:46:04stomach. What's wrong with that one? Nothing I guess. What happened then? Have
00:46:14you any idea what these things cost? Please go on Mr. Bartholomew. What
00:46:19happened then? Carson Dial was dead but Scobie was able to travel.
00:46:34Where was I? Carson Dial was dead. Yes, Carson Dial was dead. The others finally got back to the
00:46:46base and waited for the war to end. Only Charles couldn't wait quite as long as
00:46:50the others. He beat them back to the gall, took everything for himself, and
00:46:54disappeared. It's taken Gideon, Tex, and Scobie all this time to catch up with
00:46:58him again. But if they stole all that money why can't you arrest them? We know
00:47:06what happened from the bits and pieces we were able to paste together. We still
00:47:10have no proof. What's this got to do with the CIO? CIA Mrs. Flapper. It's an
00:47:22extension of the wartime OSS. It's our money and we want it back. I'm sorry
00:47:28Mr. Bartholomew but nothing you've said has changed my mind. I'm leaving Paris
00:47:32tonight. Wouldn't advise that Mrs. Flapper. Better consider what happened to your
00:47:38husband when he tried to leave. Those men won't be very far away no matter where
00:47:43you go. In fact I don't even see any point in your changing hotels. Now please
00:47:46help us Mrs. Flapper. Your government is counting on you. I suppose if I'm going
00:47:55to die I might as well do it for my country. That's the spirit. Here's what I
00:47:59want you to do. We're anxious to know who this man is, the one calling himself
00:48:03Dial. I want you to find out. Why me? You're in an ideal position. He trusts you.
00:48:11Besides you yourself said women make the best spies. Agents.
00:48:56Fräulein. Fräulein. What are you doing following me? It's gonna look like a parade.
00:49:01Stop it.
00:49:09How are you? How nice to see you. When did you arrive? It's lovely down to stay. Are you
00:49:14having a good time? So many things to see.
00:49:19Fräulein. Fräulein. If you don't stop following me I'll call the police.
00:49:31Taxi.
00:49:48Dial please. D-Y-L-E. Yes Mr. Dial. I remember. No I'm sorry Mr. Dial. Nothing
00:50:06today. Thank you. Yes? Good morning Mr. Dial. Reggie? It's the only name I've got.
00:50:32How about you? No cat and mouse. You've got me. What do you want to know? Why you
00:50:36lied to me? I had to. I knew you were in on the whole thing. I'm trying to find out
00:50:41who you are. But you know my name. It's Dial. Carson Dial is dead. Yes he is. He was my
00:50:48brother. Your brother? The army thinks he was killed in action by the Germans. I
00:50:55think they did it. Tex, Gideon, Scobie and your husband. Because my brother
00:51:00wouldn't go along with their scheme to steal the gold. I think he threatened to
00:51:04turn them in and they killed him. I'm trying to prove it. They think I'm working
00:51:08with them. But I'm not Reggie. I'm on your side. Just believe that. How can I? You
00:51:14lied to me just the way Charles did. After promising you wouldn't. Oh I want to
00:51:18believe you Peter. I can't call you that anymore can I? Take me a while to get
00:51:23used to your new name. What is it? Hmm? Hello? Hello?
00:51:45If you do anything funny or try to talk to anyone I'll kill you Dial. You'll wreck your
00:51:49raincoat. Take the next car please.
00:51:56Look out. Didn't want you to bump your head. Now get in there.
00:52:27All right turn around.
00:52:41Now sit down.
00:52:43Now what? We wait with our mouth shut.
00:53:06I'm sorry about that.
00:53:13Okay up there.
00:53:31Do I knock or something? No open it. Keep right on going. The view it better be worth it.
00:53:43Very pretty. Now what? I was afraid of that. I'll give you a chance Dial. Which is
00:54:08more than you'd give me. Where's the money? Is that why you dragged me all the way up
00:54:16here to ask me that? She has it. And I say maybe you both have it. One more time Dial.
00:54:25Where is it? Supposing I had it. Which I don't. Do you really think I'd just hand it over
00:54:34to you? Step back. Back where? That's the idea. Now just a minute. Take it easy.
00:55:04I'm sorry.
00:55:34I'm sorry.
00:56:04I'm sorry.
00:56:34Heaven! What? How you doing? How do you think? If you get bored try writing love thy neighbor
00:56:50a hundred times on the side of the building. Monsieur. Next time please. Use the keyhole.
00:57:20Is that you? Yeah. You gonna open up? Sure wait a minute. Don't you know it's impolite to leave
00:57:28someone holding the phone? What happened? Oh I met a man with sharp nails. Scoby? I left him
00:57:41hanging around the American Express. Come in. I've got something that stings like crazy.
00:57:47Now you're the kind of girl that'd have something like that. Sit down. Wait a minute. What is
00:57:54this stuff? Marvelous stuff. It's gonna hurt you much more than it's gonna hurt me. Did
00:58:00you hear something rip? No. Oh that's odd. I only came in for an estimate. Sit still.
00:58:10It's not too bad. You won't be able to lie on your back for a few days. Then you can
00:58:15lie from any position can't you? Oh. Does it hurt? What? Does it hurt? Are you kidding?
00:58:23Have you got a bullet I could bite like they do in the movies? Are you really Carson Diles
00:58:27brother? Now would you like to see my passport? Passport? What kind of a proof is that? Well
00:58:35would you like to see where I was tattooed? Yes. All right we'll drive around that way.
00:58:42Could at least tell me what your first name is these days? Alexander. Okay Alexander. You're
00:58:51done. Good. You're a new man. I'm sorry the old one couldn't tell you the truth. But I
00:58:59had to find out your part in all this. Is there a Mrs. Dile? Yes. But we're divorced. I thought
00:59:09that was Peter Joshua. I'm just as difficult to live with as he was. Alex how can you tell
00:59:16if anyone's lying or not? You can't. There must be some way. There's an old riddle about
00:59:23two tribes of Indians. The white feet always tell the truth and the black feet always lie.
00:59:27So one day you meet an Indian. You say hey Indian. What are you a truthful white foot
00:59:32or lying black foot? He says I'm a truthful white foot. But which is he? Well why couldn't
00:59:40you just look at his feet? Because he's wearing moccasins. Well then he's a truthful white
00:59:45foot of course. Well why not a lying black foot? Which one are you? A truthful white
00:59:52foot. Come in. Sit down. Right you want to look at my feet? Yes. Uh oh. Knock it off.
01:00:05Now come on Reggie listen to me. Oh here it comes the fatherly talk. You forget I'm already
01:00:09a widow. So was Juliet at 15. But I'm not 15. Well that's a trouble you're too old for
01:00:15me. Can't you be serious? Oh you just had an horrible word. What did I say? Serious.
01:00:21When a man gets to be my age that's the last word he ever wants to hear. I don't want to
01:00:25be serious. And I especially don't want you to be. Okay well just sit around all day long
01:00:30being frivolous. How about that? Reggie cut it out. Okay. Well now what are you doing?
01:00:40Cutting it out. Who told you to do that? You did. Oh I'm not through complaining yet.
01:00:46Oh. Now cut it out. Alex I think I love you.
01:00:59Hey the telephone rang. Never mind. Whoever it is won't give up and neither will I.
01:01:06Come on take it. Hello. I'm sorry I was just nibbling on something.
01:01:17Say I'd appreciate it mighty highly if you'd wiggle on over to room 46 and chew the fat
01:01:22for a spell. Could you give me one good reason why I should? Yeah. A little one about six
01:01:29or seven. Keeps calling for Aunt Reggie. Ain't that cute? They've got Jean-Louis. I'll be
01:01:39right there. Hey Tex do something with this kid will you? My whole leg's going to sleep.
01:01:49Are you a real cowboy? Yeah sure am kid. So where's your gun?
01:02:00Will you put that thing away? Jean-Louis. Got him Miss Lampert? No who invited him?
01:02:09Well her mother. She had a happy landing. I must call Sylvie right away. I'm afraid
01:02:15that'll have to wait Mrs. Lampert. It's his mother. She won't be anybody's mother unless
01:02:19you answer some questions. This ain't no game Miss Lampert. I want that money now. Why don't
01:02:24you keep quiet and stop threatening the child? He hasn't got the money and neither has Mrs.
01:02:30Lampert. Then who does? I don't know Herman. Maybe you do. Me. Or you. Or him. Why that's
01:02:41the most ridiculous thing. Listen to this man. Man gone loco. Now hold it. Suppose one
01:02:48of you found Charles here in Paris. Even bumped into him by accident. Followed him when he
01:02:54tried to run out again. Cornered him on the train. Threw him out the window and without
01:02:58bothering to tell the other two took all the money for yourself. If one of us did that
01:03:02he wouldn't hang around here waiting for the other two to figure it out. But he'd have
01:03:06to don't you see? If he left he'd be admitting his guilt. Whoever it is has to wait here
01:03:10pretending to look for the money. Waiting for the rest of us to give up and go home.
01:03:14He's just trying to throw us off. They got it I tell you. Why don't we search their rooms?
01:03:22That's all right with us. What are we wasting time for? Let's go. While we're waiting we'll
01:03:28search yours. Not my room. Well Herman. You have something to hide? Then there are no
01:03:37objections. All right here's my key. I'll take that. My room's open. You two just make
01:03:49yourselves to home here. Now let's get busy. Come on John Dewey. Come on. Oh that's fine.
01:03:58Who gets your vote? Scolby. He's the one who objected. All right. I'll take Texas Rubin.
01:04:03Gideons. You take John Dewey with you and bolt the door from inside. Come on John Dewey
01:04:08we'll have a treasure hunt okay? Come on. Tex? And it's Charlie's stuff. Looks like it.
01:04:20They've gone to call Herman? Who for? If it's not here why bother him? And if it is? Why
01:04:29bother him? Sure there's nothing missing? No everything's here. The police have kindly
01:04:42provided us with a list. Sure ain't nothing here worth no quarter of a million dollars.
01:04:48Not unless we're blind. I keep telling myself we've stolen a great deal of money but up
01:04:54to now I've yet to see a penny of it. You think maybe we're fishing up the wrong stream?
01:05:01Meaning what? Suppose one of us has it. You know like the man says. Now that'd be mighty
01:05:08distasteful. Us being veterans of the same war and all. Well you'll know I tell you if I had
01:05:17it. Oh naturally just like I'd tell you if I had it. Naturally. And that goes for Herman
01:05:23too. Naturally. He's alright Sylvie honestly. Just hurry over as soon as you can. Okay goodbye.
01:05:37Now if you had a treasure where would you hide it? I would bury it in the garden. As
01:05:45well but this man doesn't have a garden. Oh neither do I. You don't? Well if you had to
01:05:51hide it in this room where would you put it? Up there. On top of that cupboard? You know
01:05:58something? You may be right. Oh I hope I don't find any hairy little things living up here.
01:06:09Hey there is something. It's heavy. I found it. I found it. I found it. I found it. If
01:06:15you think you're getting credit for this you're crazy. We won. We won. We won. We won. We
01:06:21won. We won. We won. We found it. We found it. Did you find it? No. What do you mean
01:06:30no? The kid was yelling there. Up there. It's up there. Believe me there's nothing up there.
01:06:38Yeah.
01:06:57Oh. Jumping free haulage of Herman's spare.
01:07:02Where is he? He's over in my room.
01:07:24You better take the boy out in the hall.
01:07:32Oh now who would have done a mean thing like that? I'm not quite sure. Well this ain't my
01:07:44room. Mine neither. Oh the police aren't gonna like this a bit. We could dry him off and
01:07:52take him down the hall to his own room. He really doesn't look too bad. Oh poor old Herman.
01:07:59Seems like him and good luck always was strangers. Well maybe now he'll meet up with his other
01:08:05hands someplace.
01:08:16A man drowned in his bed. Impossible. And in his pajamas. The second one in his pajamas.
01:08:24C'est trop stupide. Stop lying to me. This nose tells me when you are lying. It is never
01:08:31mistaken. Not in 23 years. This nose will make me commissaire of police. Mr. Dial or Mr. Joshua.
01:08:40Which is it? Dial. And yet you registered in Mezhev as Mr. Joshua. Didn't you know it was
01:08:47against the law to register under an assumed name? No I didn't. It's done in America all the time.
01:08:55None of you will be permitted to leave Paris until this matter is cleared up. Only I warn
01:09:01you. I will be watching. We use the guillotine in this country. I have always suspected that
01:09:09the blade coming down causes no more than a slight tickling sensation on the back of
01:09:15the neck. It is only a guess of course. I hope none of you ever finds out for certain.
01:09:29Who do you think did it? Gideon? Possibly. Or Tex? Possibly. You're a fat lot of help.
01:09:38That's right. Can I have one of those? One of what? I think Tex did it. Vanille chocolat
01:09:43s'il vous plait. Why do you think Tex did it? Because I really suspect Gideon and it's
01:09:47always the person you don't suspect. Do women think it's feminine to be so illogical or
01:09:52can't they help it? What's so illogical about that? Well you just said that it's always
01:09:57the one you don't suspect. And you suspect Gideon so therefore it must be Tex. But on
01:10:01the other hand if you suspect Tex it must be the other fellow Gideon. I guess I just
01:10:06can't help it. Hmm? Who? Women. Oh. You know I can't help feeling rather sorry for
01:10:13Scobie. Wouldn't it be nice if we were like that? What like Scobie? No, Gene Kelly. You
01:10:20remember when he danced down here by the river in America and Paris without a care in the
01:10:24world? Hmm. You know this is good. Want some? No thanks. And I guess you don't do it. Maybe
01:10:36later. I'm sorry. Alex, I'm scared. Yes I know. I can't think of any reason why he was
01:10:46killed. Well perhaps someone thought the four shares were too many. What makes you think
01:10:51that this someone is going to be satisfied with three? He wants it all Alex. That means
01:10:56we're in his way too. That's right. We've got to do something. I mean any minute now
01:11:01we could be assassinated. Would you do anything like that? What, assassinate someone? No, swing
01:11:08down from there on a rope to save the woman you love. Like the hunchback of Notre Dame.
01:11:13Huh? Who put that there? Hurry up and change. I'm starving. Let me know what you want to
01:11:25eat so I can pick out a soup that matches. What do you want? It's the house detective.
01:11:42Why don't you have a girl in there? Aren't you a pest? Can I come in? No, I want to
01:11:48take a bath. Oh, wouldn't it be better if you did it in here? What for? Well I wouldn't
01:11:54want to use that tub. And anyway, I don't want to be alone, I'm afraid. Don't worry
01:11:59next door, if anything happens, holler. Reggie? Got you. Did you ever hear the story of the
01:12:14boy who cried wolf? The shower's in there. Oh, come on Reggie, open the door. This is
01:12:21a ludicrous situation. I can think of a dozen men who are just longing to use my shower.
01:12:25Why don't you call one of them? I dare you. Oh, you're a nut. What are you doing? Taking
01:12:36off my shoes. What do you think I'm doing? Did you ever hear of anyone taking a shower
01:12:39without their shoes on? I usually sing a medley of old favorites when I'm in the shower.
01:12:46Oh, any requests? Shut the door. Oh, I'm afraid I don't know that one, miss. Well. Shut the
01:12:54door. Why? Come in and watch. Drip dry. How often do you go through this little ritual?
01:13:16Oh, every day the manufacturer recommends it. I don't believe it. Oh, yes. Wait a minute.
01:13:24There's a label. Look, look at the small print. Wearing this suit during washing held protected
01:13:34Waterproof?
01:13:50Acro-nylon. Fibrous resistant. Plastic. Rustproof. Flyproof. Proof-proof. You're the nut.
01:13:58Yes. Mrs. Lampert, Bartholomew. I spoke to Washington, Mrs. Lampert. Go ahead, Mr. Bartholomew.
01:14:11I'm listening. Well, I told him what you said about this man being Carson Dial's brother.
01:14:16I asked him what they knew about it, and they told me. You're not going to like this, Mrs.
01:14:21Lampert. Carson Dial had no brother. Mrs. Lampert? Are you sure there's no mistake? None
01:14:30whatsoever. Please be careful, Mrs. Lampert. Bye. I left all my drip dry dripping. Is that
01:14:46all right? What's the matter? Something wrong? Oh, you're probably weak from hunger. You've
01:14:53only eaten five times today. I'll get someone to fix up my suit quickly and take you out
01:14:57to dinner. Let's go somewhere crowded. I feel like a lot of people. Hey, you know this thing
01:15:12is still damp? You haven't spoken a word for 20 minutes. I was thinking about Charles and
01:15:23Scobie and who's going to be next. Me? I don't suppose you know who the murderer is, do you?
01:15:29No, not yet. Whoever's left alive at the end will pretty much have sewn up the nomination,
01:15:34don't you think? What are you trying to say, that I might have killed Charles and Scobie?
01:15:39What'd I have to do to satisfy you? Become the next victim? It's a start anyway. Oh, I can't
01:15:46understand you at all. One minute you're chasing me around the shower room and the next minute
01:15:50you're accusing me of murder. Carson Dial had no brother. Oh, I can explain that if you'll
01:16:01just listen. Well, I can't very well leave without a pair of water wings, can I? All right,
01:16:06get set for the story of my life. Fiction or non-fiction? Why don't you shut up? Where?
01:16:12Are you going to listen? Go on. All right. Now, when I was a young man, my father expected
01:16:20me to go into his business. Umbrella frames, that's what he made. Oh, a sensible business,
01:16:26I suppose, but I didn't have the sense in those days to be sensible. I suppose all this
01:16:30is leading somewhere. Well, it led me away from umbrella frames for one thing, but that
01:16:35left me without any honest means of support. What do you mean? Well, in this highly competitive
01:16:42world, when a man has no profession, there isn't much choice. So I began looking for
01:16:46people who had more money than they needed, including some they'd barely miss. You mean
01:16:52you're a thief? Well, that's not exactly the term I'd have chosen, but it sort of captures
01:16:58the spirit of the thing. I don't believe it. I can't really blame you now. But I do believe
01:17:07it. That's what I don't believe. So it's goodbye, Alexander Dial, and welcome home, Peter Joshua.
01:17:14Sorry, the name's Adam Canfield. Adam Canfield? Wonderful. Do you realize you've had three
01:17:22names in the past two days? I don't even know who I'm talking to anymore. Well, man's the
01:17:27same, even if the name isn't. No, he isn't the same. Adam Canfield is a crook, and I
01:17:31want to know why. Well, it's simple. I like what I do. I enjoy my work. There aren't many
01:17:36men in the world who love their work as much as I do. You look around sometimes. Is there
01:17:41a Mrs. Canfield? Yes, but we're divorced. That's right. Now go and eat your dinner.
01:17:49Oh, I could eat a horse. I think that's what you ordered. Don't you dare be civil with
01:17:54me after leading me on like this. How did I lead you on? Oh, that marvelous rejection.
01:18:00You knew I couldn't resist it, and now it turns out all you're interested in is the
01:18:04money. That's right. Oh. Well, what would you like me to say? That a pretty girl with
01:18:09an outrageous manner means more to an old pro like me than a quarter of a million dollars?
01:18:13I don't suppose so. It's a toss-up, I can tell you that. What? Hasn't it occurred to
01:18:21you that I'm having a tough time keeping my hands off you? Oh, you should see your face.
01:18:31What's the matter with it? It's love, Ann. Now what's the trouble? I'm not hungry anymore,
01:18:43Adam! It's all right. Come and look. Hey, you don't look so bad in this light. Why,
01:19:09do you think I brought you here? I thought maybe you wanted me to see the kind of work
01:19:13the competition was turning out. Pretty good, huh? I taught them everything they do. Oh,
01:19:21did they do that kind of thing way back in your day? Sure. How do you think I got here?
01:19:33Not allowed to kiss back, huh? Oh, no. Doctor said it was bad for my thermostat.
01:19:53Well, when you come on, you come on, don't you? Well, come on.
01:20:04Yeah. Hmm? In the lobby? Are you out of your mind or something? It's 3.30 in the morning.
01:20:30You mean it? All right. All right. I'll be right down. Wait a minute.
01:21:00Hey, hey, turn down the lights!
01:21:20Hey, I stopped the thing!
01:21:51Three of them. All in their pyjamas? It's ridiculous. What is it, some new American
01:21:55fad? And now, your friend who lives here, the one from Texas, he's disappeared into
01:22:01thin air. Where is he? I wish I knew. Madam? Tell me, Mr. Dial, where were you at 3.30
01:22:12a.m.? In my room, asleep. And you, Mrs. Lampert? I was, too. In Mr. Dial's room? No, in my
01:22:20room. Obviously, you're telling the truth. For why would you invent such a ridiculous
01:22:27story? And if I were you, I wouldn't stay in my pyjamas. Good night. Well, that wraps
01:22:38it up. Tex has the money. You go to bed. I'll let you know when I've found him. You're
01:22:43going to go looking for him now? Well, if the police find him first, they're not going
01:22:46to turn over that quarter of a million dollars to us. Oh, Adam! You as I tell you, go to
01:22:49bed and bolt your door. Yeah? Now, you listen to me, Dial. Look, I know who's got that money,
01:23:03man. And I want my share. Seems to be growing and growing every day. Well, I ain't disappearing
01:23:08until I get it. Where are you, Tex? Come on, man. Look, my mama didn't raise no stupid
01:23:14children. Look, I'll tell you what. You want to find me, well, you just look over your
01:23:21shoulder, because from now on, I'm going to be right behind you. Open up. I think I was
01:23:42wrong about Tex having the money. Why? I just heard from him he's still hungry. That means
01:23:48killing Gideon didn't get it for him. So he's narrowed it down to us. You've got it. But
01:23:54I've looked everywhere. You know I have. Where's the airline's bag? In the wardrobe? Get it.
01:24:01Lord, you're obstinate. Charles must have had it with him on the train when Tex killed
01:24:07him. Thanks. Everybody in his Aunt Lillian's been through that bag, including me. Okay,
01:24:15we'll do it again. I've been into it at least once a day. Somebody would have seen it. It's
01:24:22there, Reggie. We're looking at it right now. Something on that bed is worth a quarter of
01:24:27a million dollars. But what? I don't know, I don't know. Four passports. Steamship ticket.
01:24:40Anything in there? Nothing. Wallet. Phone. A fountain pen. What about that key? To the
01:24:56apartment. Matches mine exactly. I bet you don't really need those. You need them.
01:25:10Well, it still doesn't make sense. But it isn't worth a quarter of a million dollars, I don't know.
01:25:17Wait a minute. What? The tooth powder. What about it? Could you recognize heroin just by the taste
01:25:24of it? Heroin. Peppermint flavored heroin. Well, I guess that's it. Dead end. Well, go to bed.
01:25:42You've got to get up and go to work in the morning. There's nothing more we can do tonight. I love
01:25:47you, Adam. Yes, you told me. No. Last time I said I love you, Alex. Oh. Oh. Hold it. They're
01:26:12recognizing Great Britain. What a bust. Mr. Chairman, fellow delegates, my distinguished
01:26:17colleague from Italy. Her Majesty's delegation has listened with great patience to the southern
01:26:22European... Oh, are you on? No, it's all right. What's wrong, Adam? Nothing's wrong. I think I
01:26:27found something. I was snooping around Texas room and came across this in the wastebasket.
01:26:30I stuck it together again. Well, that's the receipt Grand Pierre gave me for Charles'
01:26:34things. I don't see how that's going to... No, you're not looking. Last night when we went
01:26:38through the airline's bags, something was missing. An agenda. That's an appointment
01:26:42book, isn't it? It wasn't there. That's right. I remember Grand Pierre looking through it,
01:26:48but there was nothing in it, at least nothing the police thought was very important. Can
01:26:51you remember anything in it at all? He did say something about Charles' last appointment.
01:26:57With whom? Where? I think it only said where. No, come on, Reggie. Think. Think. This may
01:27:03be what we're looking for. Adam, that money doesn't belong to us. If we keep it, we'll
01:27:08be breaking the law. Nonsense. We didn't steal it. There's no law against stealing stolen
01:27:12money. Of course there is. There is? Yes. When did they pass such a silly law? Now think,
01:27:17Reggie. What was in that appointment book? Oh, it was a place or a street corner or something.
01:27:21Watch it. I'm on. Messieurs les délégués, mon distingué collègue de la Grande Bretagne.
01:27:28Le problème qui se présente influence d'une manière vitale la proposition la plus importante
01:27:34de la conférence de l'hémisphère occidental. Of the Western Hemisphere Conference. Of the
01:27:42Western Hemisphere Conference held on March 22nd. No, wait. It was last Thursday, 5 o'clock,
01:27:49the Jardin des Champs-Elysées. That's it, Adam, the garden. Well, it's Thursday today
01:27:54and it's almost 5 o'clock, so come on. Oh, it's all right, gentlemen, carry on. Now what?
01:28:045 o'clock, Thursday, the gardens. Must be something around here. Charles's appointment
01:28:10was last week. Yes, I know, but this is all we've got left. You're not kidding. Ten minutes
01:28:15ago, I had a job. Well, now you've got another job, so stop grumbling and start looking.
01:28:20I'll take that side. You poke around over here.
01:28:50It's hopeless. I don't even know what we're looking for. I don't think Tex does either.
01:29:08Tex, is he here? Look. I'm going to see what he's up to. You stay here. Be careful, Adam,
01:29:19he's already killed three men.
01:29:49We did it!
01:30:19Wait! Wait!
01:30:30All right, where's the letter? The letter, huh? It ain't worth nothing. You know what
01:31:00I mean. The envelope with the stamps on it, I want it. You greenhorn. Why, you thick-skulled
01:31:09harebrained half-witted greenhorn. And they was both too smart for us. What are you talking
01:31:15about? First her husband, now her. She batted all of them big eyes at you and you fell for
01:31:21it like an egg from a tall chicken. You want the envelope? There. You take it, it's all
01:31:30yours. You killed all three of them for nothing. You greenhorn, you block-headed jackass, you
01:31:46knee-cum-poop. Sylvie, what are you doing here? I'm waiting for Jean-Louis. Oh, what's
01:31:56he up to? Oh, he was so excited when he got the stamps you gave him this morning. He said
01:32:00he'd never seen any like them. I'm glad. What's all this? The stamp market. It's there every
01:32:06Thursday afternoon. That's where Jean-Louis trades his stamps. Good Lord, where is he?
01:32:12What's the matter, Sylvie? The stamps. There was a fortune. What? A fortune. Come on.
01:32:26I don't see him anywhere. We'll separate. You look over there. Okay.
01:32:36Jean-Louis.
01:32:39Jean-Louis.
01:32:40Jean-Louis.
01:32:42Jean-Louis.
01:32:52Jean-Louis. Jean-Louis. Reggie. Reggie.
01:33:01Jean-Louis, thank heaven, do you have them? What's this? A man gave me all those for only
01:33:08three. A man? Oh, no, Jean-Louis. Who? Where?
01:33:20Come on.
01:33:25Oh, but he's gone. I don't blame him.
01:33:28Entrez. Monsieur Felix? Oui.
01:33:35I was expecting you. I knew you would come. Look at them, Madame. Have you ever in your
01:33:42entire life seen anything so beautiful? I'm sorry, I don't know anything about stamps.
01:33:47I know them as one knows his own face, though I had never seen them. This one, a Swedish
01:33:53for shilling, called the Gula Firas Killingen, printed in 1854. What is it worth? Well, the
01:34:00money is unimportant. I'm afraid it's very important. Well, in your money, perhaps $85,000.
01:34:08May I sit down? Yes. And the blue one? Oh, it's called the Hawaiian Blue. In 1894, the
01:34:15owner was murdered by a rival collector who was obsessed to own it. And what is its value
01:34:20today? $65,000. And the last one? Oh, the best for last. Le chef d'oeuvre de la collection,
01:34:29the masterpiece, is the most valuable stamp in the world. It's called the Gazette Moldave.
01:34:36It was printed by hand on colored paper and marked with the initials of the printer. Today,
01:34:41it has a value of $100,000. I'm not a thief, madame. I knew there was some mistake. You
01:34:55gave the boy a great many stamps in return. Are they for sale now? Oh, let me see. 350
01:35:00European, 200 Asian, 175 American, 100 African, and 12 Princess Grace commemorative, which
01:35:08comes to 10 francs. And don't forget these. Thank you. I'm sorry. No, for a few minutes
01:35:19they were mine. That is enough. Adam? Adam?
01:35:49Hello? Mr. Bartholomew? Yes?
01:36:17Tex is dead. Smothered. And Adam did it. He killed them all. Are you sure? Yes, I'm sure.
01:36:29Tex wrote the word dial before he died. He's the murderer, I tell you. Now, wait a minute.
01:36:38Just a minute, Mrs. Lampert. You better give that to me again. It was the stamps on the
01:36:42letter Charles had with him on the train. They were there in plain view all the time,
01:36:45but no one bothered to look at the envelope. Now, Mrs. Lampert, listen to me. You're not
01:36:49safe as long as you have these stamps. Now, let's see. Do you know the Cine Garden at
01:36:54the Palais Royale? Yes, the Colonnade? Yes, by the Colonnade. As fast as you can get there.
01:37:00Hurry, Mrs. Lampert. I'm leaving right away. Goodbye. Reggie! The stamps, where are they?
01:37:19Reggie, wait! Why, so you can kill me too? Tex is dead. He wrote dial on the copy. I'm
01:37:23not dial. You do that. Tex didn't know it. You're a murderer. Reggie, I want those stamps.
01:37:29Palais Royale, vite. Je suis occupé. Mais c'est très urgent. Occupé.
01:39:53Reggie! Reggie! Reggie!
01:40:23American Embassy. American Embassy. Mr. Bartholomew's office, please. Would you speak a little louder,
01:40:48please? I can't speak any louder. Mr. Hamilton Bartholomew. I'm sorry, Mr. Bartholomew is
01:40:55left for the day. But someone's trying to kill me. What? Kill me! You've got to get word
01:41:04to him right away. He's in the center garden of the Palais Royale near the Colonnade. Tell
01:41:09him I'm trapped in a phone booth right below him in the metro station and the name's Lampert.
01:41:39Hello? Hello, Mr. Bartholomew? Yes? There was a call for you just now, Mr. Bartholomew.
01:42:04It sounded quite urgent. A Mrs. Lampert. Lampert? I don't know any Mrs. Lampert. She
01:42:10says she's trapped in a metro station and someone's trying to kill her. Trying to kill
01:42:14her? Who does she think I am, the CIA? All right, I guess you better call the French
01:42:20police.
01:42:50Mr. Bartholomew! Mr. Bartholomew! Help me! Betty, stop! That man is a murderer! He's
01:43:20That man is Carson Dial. We all know Carson Dial is dead, Mrs. Lampert. I tell you, he's
01:43:27Carson Dial. Now, you're not going to believe him. Just bring those stamps over here. He's
01:43:31trying to trick you again. Tex recognized him. That's why he wrote Dial. If you take
01:43:36him those stamps, he'll kill you too. Mrs. Lampert, if I'm who he says I am, what's
01:43:41preventing me from killing you right now? Because he'd have to come out to get the
01:43:46stamps, and he knows he'll never make it. Mrs. Lampert, he wants the money for himself.
01:43:50That's all he's ever wanted. He's with the CIA. I saw him at the embassy. I tell you,
01:43:55he's Carson Dial. That's right, Mrs. Lampert. That's right. I'm a dead man. Look at me.
01:44:05Oh, I don't know who anybody is. Reggie, I beg you, just trust me once more. Why should
01:44:13you die? I can't think of a reason in the world why you should. Stop right now, Mrs.
01:44:24Lampert, or I'll kill you. It won't get you the stamps, Dial. You'll still have to come
01:44:28out to get them, and I'm not likely to miss at this range. Maybe not, but it takes a lot
01:44:32of bullets to kill me. They left me there with five of them in my legs and my stomach.
01:44:36Mrs. Lampert, they knew I was still alive, but they left me there. I spent ten months
01:44:40in a German prison camp with nothing to stop the pain. They left me there. Mrs. Lampert,
01:44:44they deserve to die. But I had nothing to do with it. You've got the money now. It belongs
01:44:49to me. Mrs. Lampert, they knew I was still alive, but they left me there. That's why
01:44:54I had to kill them, all four of them. Please believe me, Mrs. Lampert, I'll kill you too.
01:44:59It won't make any difference. It's no use. You're running out of time. I've come too
01:45:06far to turn back. I swear I'll kill you. Make up your mind, Mrs. Lampert, now.
01:45:14I'll do it!
01:45:36I'll do it!
01:46:06I'll do it!
01:46:36I'll do it!
01:47:06I'll do it!
01:47:37All right. I know you're in there, Mrs. Lampert. Come on out.
01:47:59Do you hear me? Come on out!
01:48:06I don't want to kill you, but I will. Come on out!
01:48:36The game is over, Mrs. Lampert.
01:49:06No!
01:49:16You didn't have to chase me so hard. That one's done. Do this one.
01:49:42I'm sorry I thought you were the murderer. But how was I to know he was as big a liar
01:49:47as you are?
01:49:48Is that all the gratitude I get for saving your hide? You're a rebel I'm digging for.
01:49:52The truth now, was it my hide or those stamps?
01:49:56Well, what a terrible thing to say. How could you think that?
01:49:59Then prove it to me. Tell me to go to the embassy first thing in the morning and turn
01:50:04in those stamps. I said, tell me to go to the embassy first thing...
01:50:09I heard you. I heard you. I heard you.
01:50:11Then say it.
01:50:12Now, Reggie, listen to me. There's something I'd like to explain...
01:50:17Never mind. I'll go by myself.
01:50:19Well, what makes you think they're even interested? It's only a quarter of a million dollars.
01:50:22It'll cost more than that for them to fix up their bookkeeping. Now, as a taxpayer...
01:50:26Who's a taxpayer? Crooks don't pay taxes. Excuse me, soldier.
01:50:30Marine, ma'am.
01:50:31Oh, forgive me. Who would I see regarding the return of stolen government money?
01:50:35Well, you might try the treasury department, ma'am. Room 217, second floor, Mr. Crookshank.
01:50:39217. Thank you, Marine.
01:50:49Do you mind if I don't go in with you? The sight of all that money being given away might make me break out.
01:50:57Mr. Crookshank, please. My name is Lamp.
01:51:00Yes.
01:51:02Mr. Crookshank?
01:51:03Mrs. Lampert to see you.
01:51:07Yes, sir.
01:51:08Go right in.
01:51:09Thank you.
01:51:20Of all the mean, rotten, contemptible crooked...
01:51:28Crooked?
01:51:29Crooked. Don't you think you'd be glad to find out I'm not crooked?
01:51:32You can't even be honest about being dishonest. Why didn't you say something?
01:51:37You were not allowed to tell. Now, come on. Give me the stamp.
01:51:42Wait a minute. How did Carson Dyer get an office in this building anyway?
01:51:45Well, when did you meet him? One time a day, I mean.
01:51:48About one?
01:51:49The lunch hour. Probably worked it out in advance.
01:51:52Found an office usually left open and just moved in for the time you were here.
01:51:56Then how do I know this is your office?
01:52:00Mrs. Foster, take a memo to Bartholomew and Security recommending...
01:52:04Bartholomew.
01:52:06Recommending that embassy offices be kept locked during the lunch hour.
01:52:10Starting with his own.
01:52:12I'll give you the stamps. Come on.
01:52:13What's your first name today?
01:52:15Brian.
01:52:16Brian Crookshank. Serves me right if I get stuck with that one.
01:52:19Well, who asks you to get stuck with any of them? Come on.
01:52:21Is there a Mrs. Crookshank?
01:52:23Yes.
01:52:24But we're divorced.
01:52:26No.
01:52:32My mother. She lives in Detroit. You'd like her. She'd like you, too.
01:52:35Come on. Give me those stamps.
01:52:36Not until you prove to me that you're really Brian Crookshank.
01:52:40All right. One day next week. I'll put it on a marriage license. How about that?
01:52:43Quit stalling. I want some identification now.
01:52:45I wouldn't lie on a license.
01:52:46You can't prove it till the beginning. You're still trying to...
01:52:49Marriage license?
01:52:52Did you say marriage license?
01:52:54Now, don't change the subject. Just give me the stamps.
01:52:57Oh, I love you, Adam Alex Peter Brian, whatever your name is.
01:53:02Oh, I love you.
01:53:04I hope we have a lot of boys and we can name them all after you.
01:53:08Well, before we start that, may I have the stamps?