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Does Bill Pullman Know Lines From His Most Famous Movies?
Variety
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5/8/2024
Legendary actor, Bill Pullman, guesses lines from his biggest projects such as 'Independence Day', 'While You Were Sleeping', 'Casper' and 'Spaceballs'.
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00:00
This is
00:02
Tough guy talk didn't we already do an Independence Day? What movie was this? Hi cutie
00:16
Let's nuke the bastards. It's not Spaceballs, but it's Independence Day
00:23
Let's nuke the bastards
00:26
I was worried
00:28
That I wasn't presidential material because when they said we want you to be the president
00:33
I thought is this a comedy?
00:35
But then I realized I said, you know that the thing about the president is you don't have to walk around
00:41
Announcing to people you're the president
00:44
But if any conversation is going on in the room, they should triangulate to me
00:50
so, you know, it was like a fundamental thing that I've just felt like if they recognize that I could be the president I
00:58
Oh
01:03
Hi, is it really yeah, hiya cutie
01:08
What movie was this? Hiya cutie?
01:12
Was this League of their own? Oh my gosh
01:17
Wow
01:20
I
01:25
Don't remember saying it but I it seemed like something I would have said it's 40s and
01:30
Coming home from the war
01:32
Gina Davis there big kiss
01:37
Remember hearing that there were some women's athletics that was happening during the war because there were you know
01:44
the men were all gone and
01:46
That they had a good time, you know getting
01:50
On the field, but then I learned more once we started and we were in some really
01:56
Classic old baseball stadiums, you know, not even stadiums ballparks, you know and
02:01
Indiana it was great to see the uniforms and everything
02:05
But I didn't imagine the movie would have as much resonance as it does, you know, it really seems like it
02:11
No period picture all that it's kind of endured through the decades
02:20
Possession is nine tenths of the law
02:28
It's not the guilty
02:31
Broke down palace Oh
02:34
Casper Wow, you're haunting it possession is nine tenths of the law. No
02:41
Really the sword fight with the ghosts the three uncles is up a huge staircase
02:47
I just had a toilet plunger that I was battling him with but it was in the early days of you know
02:54
CGI in those days if you you know, I would have to do all this elaborate
03:00
Choreography with nothing there, but all taking it taking those
03:05
Stop points off of
03:07
Aspects of the room and if I didn't do it, right if I moved it through something where a ghost was supposed to be
03:13
It was a hundred thousand dollars
03:15
This is what Spielberg said, you know, be very careful bill because you could bankrupt us
03:27
It was a lot different than hugging hugging is very different hugging that involves arms and hands and
03:34
Leaning
03:35
This whole body's moving in like this
03:38
This is while you're sleeping
03:40
He has a lot different than hugging hugging is very different hugging that involves arms and hands
03:47
Leaning his whole body's moving in like this
03:50
She was great spirit clearly gonna have a bit good career ahead of her
03:56
She had done the the bus movie and speed and she had
04:01
Very disciplined. I think it was
04:05
Really clear that we you know, we had more fun than we thought we were gonna have wet the end of the shoot
04:12
we were out, you know near a cornfield in Indiana, Illinois, maybe and
04:19
It was Illinois and that last take cut in John Turtle house said no
04:25
He came in and grabbed Sandy's hand in my hand. He's run run
04:30
Suddenly we were running
04:33
Way out into this stubble cornfield until we got very far from the set right in the middle of it
04:40
and he said, okay, I
04:42
Just want to tell you this has been one of the greatest experiences of my life. I love you, too
04:48
We've done something together. Let's just remember this moment. I
04:53
Remember Sandy's laughs and just laugh
04:56
Was she just loved the surprise of it and the joy of it and the acknowledgement that we were really fond of each other
05:07
That's fucking crazy man, this is lost highway
05:15
That's fucking crazy man
05:19
All I get to say fucking I have to go beat myself I
05:24
Think it's also very David, you know, David Lynch
05:28
That's crazy, man
05:30
You know, but it was to
05:32
Robert, you know, he was this strange
05:37
being entity with a white face big ears and
05:42
smile and he says, you know, I'm in your home right now and
05:48
No, I don't think you are. He said yeah, call me
05:54
Then I call and who's on the other line he's on the other line that's fucking crazy
06:09
Nice funeral in case you were wondering I don't want to see this movie, but I'm not remembering it. It's a good line
06:23
Oh
06:26
Man that's right
06:30
Still good line
06:32
You had a nice funeral in case you were wondering
06:35
We had pretty good
06:38
relationship with Anton Fuqua the director who I have great admiration for I just think he's a
06:46
Storytelling and action scenes and everything. I can see why Denzel like doing movies with him
06:50
Had a good thing and we had a scene that Denzel
06:54
Didn't like he had a big long bunch of like a monologue and I'm basically they're listening
07:02
you know, but he was just you know, not not feeling like it then Antoine Fuqua said
07:10
We're gonna keep the camera rolling now, we're gonna call cut and
07:14
And
07:15
Bill yeah, this is privately
07:17
He said this time when you get done with that dialogue then just starts asking Denzel questions. Just keep asking him
07:25
He might not say much, but he might not want to tell you but keep going
07:31
And all sudden we had this whole covered the whole ground that was in a monologue
07:36
And he made it just almost instantly into a scene with Denzel
07:41
Being able to not say things and realizing that's a better scene than him saying everything
07:49
if there's no body, there's no crime a
07:54
Lot of these lines could been from TV
07:58
Center but this is not is it
08:05
Could this be a
08:08
A father who's desperate to protect his son
08:13
It could be Murdoch murders
08:16
If there's no body, there's no crime
08:21
You know, there's a lot about
08:24
Denial that really, you know, it's great to function on so you don't really ever think of yourself as a murderer
08:30
so the the idea of how
08:34
Driven you can be
08:37
When you're looking to save your own skin that can be pretty intoxicating, you know
08:42
Both to yourself and for people around it, you know, you realize it's that there is a murderer that
08:49
He's seductive in some ways. That's how he could be so
08:53
successfully
08:55
Keeping the truth from so many people
08:58
Okay
09:00
My wife read them she really enjoyed them she said and
09:05
Then but then you can never believe a woman
09:10
Sounds like somebody just might get himself in a little trouble saying that
09:21
This isn't Malice Oh
09:27
My wife read them she really enjoyed him she said
09:31
But then you can never believe a woman there's some good lines in there
09:36
That's he never it's very relieving revealing of the character
09:41
But there is another line in there that was kind of high-octane
09:46
Mike Figgis type line. I'm on the job site and I said come to a party
09:51
Okay, you're gonna have it the house. You're welcome to come and then we sit and having a drink and and then I say
09:58
You can come and go as you please just don't come in my wife, which I think is one
10:05
That's a Mike Figgis line
10:09
On behalf of the planet Earth
10:12
Happy 4th of July. This is Independence Day
10:16
Didn't we already do an Independence Day? Oh
10:18
Oh
10:26
There had been so much talk of a sequel I think there's you know, I
10:31
Was losing track about what was story and what was going to happen and everything
10:35
So I kind of stopped, you know, just waiting for it to get real and everything
10:40
I always thought they had a good premise, but Roland said I'll never do it until I really have certain scripts
10:48
So big story and a lot of characters in it, you know, there it was it was a very interesting
10:55
Interesting experience to be somewhat so vulnerable such a privilege to do things again
11:03
At last we meet for the first time for the last time
11:09
this is
11:11
tough guy talk in a very
11:14
adventurous movie called space balls
11:17
At last we meet for the first time for the last time I remember more than I do about movies I've shot more
11:26
recently even because that was my second second movie and
11:30
First was I lead big sets on the MGM lot. It was the last movie
11:37
That was an MGM movie to be shot on the MGM lot before it was sold, you know
11:42
It was in the days of when the makeup guy was a guy with a blazer and a tie, you know
11:49
It was just a whole era. I learned a lot from it. So I do remember lots of different things about it
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