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Everybody's Talking About Jamie star Ivano Turco shows off his Sheffield accent and shares what he brings to Jamie New
The Star, Sheffield
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17/04/2024
Everybody's Talking About Jamie star Ivano Turco shows off his Sheffield accent and shares what he brings to Jamie New
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00:00
JME is very different because it's the first time that I've actually got to play a gay character
00:06
whereas all the other ones before like a Rasta man and a prince and stuff like that it's never
00:14
it's never it could never really equate to like being something like JME. I'll drop it now. A lot
00:20
of people just think it's like a general northern or like a Yorkshire accent is where a lot of
00:24
people fall into the pockets but they were very on it about policing us that you know we need to
00:29
represent accordingly which is only fair. It is a not to sound like I'm regurgitating this information
00:37
but it's a coming-of-age story I think that's a very appropriate you know term for it about a
00:45
16 year old boy who is on the precipice of the next chapter of his life and we follow JME as he's
00:56
just trying to navigate you know the his wants of wanting to be a drag queen. I was liking it to like
01:02
a Wizard of Oz kind of thing like you know they all teach him you know how to have the courage and
01:10
how to have the brains and the heart to be able to follow his you know his dream and his passion
01:16
but I wouldn't give any more than that away. We hit the road in September and then we've just
01:22
been playing I think we're nearly we've played over 200 shows now so we're on the last leg of
01:28
our tour which is tiring but it's good and it's nice to have Sheffield at this point of it because
01:33
it's just like another you know kick to like finish high and strong now that we're like finally here
01:39
in the hometown it just it feels like liberating in a kind of way because like the script is so
01:44
specific to Sheffield audiences as well so you know playing some of the jokes and they don't
01:49
really quite land the same way. Parsons Cross, that is a everyone loves that one but every time
01:57
we've played that in the tour so far like it's just been crickets like it's just been silent
02:02
because everyone's just like you know what is that but here like everyone's just like
02:06
that's so funny. It started when I was I was actually doing Angela Webber's Cinderella
02:15
in town that was my first job kind of outside of college and towards the end of the run you know I
02:21
just met with the producers and creators of the show because they you know they were like oh we've
02:28
had our eye on you for a very long time so like they came to me with this offer like a year in
02:33
advance before we were ever going to hit the road so it was quite a long time coming for me in that
02:38
sense but it feels liberating for me because it's the first time I've actually been able to play a
02:42
queer story as well and you know I'm really all about pushing fronts for queer black people in
02:48
our industry especially. It is the closest closest to me I guess in a sense. How so? What are those
02:58
similarities? Well well first of all because he's gay and you know that's to be able to live that
03:05
kind of truth on stage it is so priceless in itself. When I first like found out about this
03:14
show I was still in college but you know I'll be frank and say I just thought oh it's you know
03:20
another role for a queer white person to be able to go and you know show up and show out on the
03:28
stage so I was a bit like that that could be fun but you know and I put it to the side and then
03:34
when I see how like you know the how diverse the casting became I then got really excited because
03:40
I was like okay now I want to come and inject what I can do. The good thing about it being done
03:48
before by so many other people is that you know you you see the ground that has been covered
03:56
and then I kind of look at it to be like okay where do I want to take it now that it hasn't
04:00
been taken before so I studied a lot about like how the other Jamie's presented and what theirs
04:10
stood for because every Jamie I think specifically the actors I think we all represent very different
04:17
sectors of the queer community like we're all not the same at all so I wanted to represent like
04:25
myself and my sector in a sense of that you know I didn't want Jamie to be this over the top
04:34
flamboyant like entity like of just energy that was on the stage that kind of lived away from
04:42
the actual reality of the world I really wanted to ground him
04:46
in the world make him seem like he is just as normal as everybody else
04:54
um you know for me and it's it's counterproductive I guess at first but I think it
05:01
worked in the long run I wanted to play the show for homophobic people in a sense because
05:09
gay people love the show allies love the show allies um but we can't shy away from the fact
05:19
that there are going to be parents who are just bringing their kids to come and watch the show
05:22
because they just want to watch it there's going to be other people that are coming and they have
05:26
no idea what the show is about so I kind of wanted to also have that audience in mind because
05:32
the importance is changing their minds and changing their hearts going forward because
05:38
we've really got everybody else on side not to pander to the homophobic people but just to let
05:44
them know that like we're really human too do you know I mean we're really really down to earth too
05:50
and it's you can see the humanity in that and that's why I wanted to make him laddie at times
05:57
because then you could be like oh yeah that's funny because yeah like everyone has so many layers
06:04
to them it's not just one note and I definitely didn't want to make him one note that was that
06:09
was my goal I definitely dance it a lot more I love to dance and I was trained as a dancer so
06:16
I really wanted to you know some of the points where the jamies wouldn't be as involved in what
06:23
in the choreography as the ensemble and stuff I've definitely injected into that because I want to
06:27
continue with this narrative of he's just like everybody else I do love musical theatre
06:33
but I do feel like sometimes the vocal can get a little bit mundane
06:40
and I wanted the score to feel like you were listening to a chart album I wanted it to feel
06:48
like bumpy and current and like with the times I wanted it to to touch people in a certain type
06:56
of way as opposed to you know just I was gonna be shady but I'm not gonna be shady but yeah I
07:03
wanted it to sound like it was an R&B album that could have dropped like a year ago if people have
07:08
seen the show previously seen it in years gone by should they come again 100% 100% no question
07:18
and I feel like if you've got to the end of this interview and you still don't feel like that then
07:23
girl I don't know go see Les Mis I guess but like it is it is so different and you know like even
07:31
from the cast that we've had that we built we've all kind of sat in this pocket of reality and I
07:38
feel like it has such a different nuance to the whole thing and you know I'm not the only one like
07:47
in the cast that kind of like is standing 10 toes and this like reality thing like we want to make
07:52
it real because that's so important to me I wanted to be able to have a new demographic of people be
07:58
able to relate to all of these characters you know on stage so I think it is definitely worth
08:06
getting a ticket because you'll be missing out and you don't even know it
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