Cellar Sessions: Bill and The Belles - Old Lonesome Blues August 31st, 2018 City Winery New York
- 5 years ago
Bill And the Belles sit down for a One On One Session at City Winery New York on August 31st, 2018. Watch the full session here: https://youtu.be/42Iqrg1gJ_Y For more info visit: https://billandthebelles.com Audio & Video by: Ehud Lazin
Setlist:
Where The Shy Little Violets Grow
Wedding Bell Chimes
Combination Rag
Finger Pointin' Mama
Old Lonesome Blues
With their enchanting debut album, Dreamsongs, Etc., Bill and the Belles have captured the freewheeling, lighthearted approach to music that has endeared them to listeners of every generation. With a spirited sound that falls somewhere between old-time country and vaudeville, the group puts its own spin on a golden era of music, specifically the 1920s, 1930s, and 1940s.
“We like old music and some of us are consumed by it,” says lead singer and guitarist Kris Truelsen with a knowing laugh. “But we don't have a desire to copy it. We want to sound like ourselves and tell our story.”
As a result, a majority of the material on DreamSongs, Etc., is original, from the upbeat number, “Wedding Bell Chimes,” through the yearning ode to youth, “Back to My Childhood Days.” While Truelsen’s distinctive tenor anchors the project, the Tennessee-based band’s trio harmonies gleam against a backdrop of banjo, fiddle, accordion, ukulele, and clarinet.
“The title seemed appropriate in that a lot of the songs are about dreaming for something better, better days, better lovers, better whatever it may be,” Truelsen says. “Not to mention many of the songs we chose to sing are about the sentimental dreamer.”
The band takes its name from Bill and Belle Reed, performers from the 1920s who recorded the songs “Old Lady and the Devil” and “You Shall Be Free” in Johnson City, Tennessee. Truelsen says, “That was the first time I heard ‘Old Lady and the Devil,’ and since then it’s become clear to me why it’s stood the test of time. Simple, plaintive, stripped-down but incredibly expressive, tough as nails and funny as hell. I first heard that side on the Harry Smith Anthology of American Folk Music, a collection that continues to inspire. Our band’s name is a way to honor their music, the music of this place, and this region in general that we’ve come to call home. “
Prior to forming Bill and the Belles, Truelsen sang in a honky-tonk band with Kalia Yeagle, an Alaska-grown fiddler and singer. Feeling stifled by straight-ahead traditional country, they started working up a few songs with friend and banjo player Grace Van’t Hof. As he recalls, “We quickly discovered our mutual love for rich vocal harmonies and simple catchy melodies. We picked out a few songs we'd been throwing around in various settings that were from the early commercial recording era and it clicked.”
With the addition of bass player Karl Zerfas, Bill and the Belles stepped into the role of house band upon the launch of a live radio show, Farm and Fun Time, presented by Radio Bristol. Truelsen launched that community radio station, housed within the Birthplace of Country Music Museum in Bristol, Tennessee, in 2015. Along with sharing the stage with the nation’s top roots artists (Marty Stuart and the Fabulous Superlatives and Earls of Leicester), the band writes and performs the snappy, comical jingles for the show’s monthly sponsors.
“Singing and playing music in front of audiences is great but when you add in the platform of live radio it’s even better,” Truelsen believes. “Especially when the audience is a community of folks who come day in and day out to support you. What a feeling, and boy, the stakes seem higher with live radio – like it’s bigger than just us playing music. It keeps us on our toes and makes us want to deliver not only good music but a good show.”
It’s that same combination of expert musicianship and spontaneity that makes DreamSongs, Etc. sound so alive. Working with engineer Joseph Dejarnette, the band recorded the project in just two days of sessions inside a beautiful old farmhouse in the rolling hills of Southeast Virginia.
The trio recorded around one microphone while rounding out the sound with Evan Kinney on accordion and Aaron Olwell on clarinet. Home-cooked meals and picturesque surroundings made the experience even more rewarding. “The small cities like Johnson City and Bristol tucked in between the mountains are inspiring to me,” Truelsen says. “I find the tension of urban and countryside to be a beautiful thing.”
Setlist:
Where The Shy Little Violets Grow
Wedding Bell Chimes
Combination Rag
Finger Pointin' Mama
Old Lonesome Blues
With their enchanting debut album, Dreamsongs, Etc., Bill and the Belles have captured the freewheeling, lighthearted approach to music that has endeared them to listeners of every generation. With a spirited sound that falls somewhere between old-time country and vaudeville, the group puts its own spin on a golden era of music, specifically the 1920s, 1930s, and 1940s.
“We like old music and some of us are consumed by it,” says lead singer and guitarist Kris Truelsen with a knowing laugh. “But we don't have a desire to copy it. We want to sound like ourselves and tell our story.”
As a result, a majority of the material on DreamSongs, Etc., is original, from the upbeat number, “Wedding Bell Chimes,” through the yearning ode to youth, “Back to My Childhood Days.” While Truelsen’s distinctive tenor anchors the project, the Tennessee-based band’s trio harmonies gleam against a backdrop of banjo, fiddle, accordion, ukulele, and clarinet.
“The title seemed appropriate in that a lot of the songs are about dreaming for something better, better days, better lovers, better whatever it may be,” Truelsen says. “Not to mention many of the songs we chose to sing are about the sentimental dreamer.”
The band takes its name from Bill and Belle Reed, performers from the 1920s who recorded the songs “Old Lady and the Devil” and “You Shall Be Free” in Johnson City, Tennessee. Truelsen says, “That was the first time I heard ‘Old Lady and the Devil,’ and since then it’s become clear to me why it’s stood the test of time. Simple, plaintive, stripped-down but incredibly expressive, tough as nails and funny as hell. I first heard that side on the Harry Smith Anthology of American Folk Music, a collection that continues to inspire. Our band’s name is a way to honor their music, the music of this place, and this region in general that we’ve come to call home. “
Prior to forming Bill and the Belles, Truelsen sang in a honky-tonk band with Kalia Yeagle, an Alaska-grown fiddler and singer. Feeling stifled by straight-ahead traditional country, they started working up a few songs with friend and banjo player Grace Van’t Hof. As he recalls, “We quickly discovered our mutual love for rich vocal harmonies and simple catchy melodies. We picked out a few songs we'd been throwing around in various settings that were from the early commercial recording era and it clicked.”
With the addition of bass player Karl Zerfas, Bill and the Belles stepped into the role of house band upon the launch of a live radio show, Farm and Fun Time, presented by Radio Bristol. Truelsen launched that community radio station, housed within the Birthplace of Country Music Museum in Bristol, Tennessee, in 2015. Along with sharing the stage with the nation’s top roots artists (Marty Stuart and the Fabulous Superlatives and Earls of Leicester), the band writes and performs the snappy, comical jingles for the show’s monthly sponsors.
“Singing and playing music in front of audiences is great but when you add in the platform of live radio it’s even better,” Truelsen believes. “Especially when the audience is a community of folks who come day in and day out to support you. What a feeling, and boy, the stakes seem higher with live radio – like it’s bigger than just us playing music. It keeps us on our toes and makes us want to deliver not only good music but a good show.”
It’s that same combination of expert musicianship and spontaneity that makes DreamSongs, Etc. sound so alive. Working with engineer Joseph Dejarnette, the band recorded the project in just two days of sessions inside a beautiful old farmhouse in the rolling hills of Southeast Virginia.
The trio recorded around one microphone while rounding out the sound with Evan Kinney on accordion and Aaron Olwell on clarinet. Home-cooked meals and picturesque surroundings made the experience even more rewarding. “The small cities like Johnson City and Bristol tucked in between the mountains are inspiring to me,” Truelsen says. “I find the tension of urban and countryside to be a beautiful thing.”