Judge Dread - My Ding-A-Ling (Chuck Berry / Dave Bartholomew Cover)
- il y a 8 ans
FromThe Best Of Judge Dread \r
Label: Klik -- KLP 9008\r
Format: Vinyl, LP, Compilation\r
Country: UK\r
Released: 1976\r
\r
Tracklist\r
A1 Big Six\r
Written-By -- Alex Hughes, Ernest Ranglin\r
A2 Big Seven\r
Written-By -- Bunny Lee, Ted Lemon, Alex Hughes\r
A3 Big Eight\r
Written-By -- Ted Lemon, Alex Hughes\r
A4 Big Nine\r
Written-By -- Ted Lemon, Alex Hughes\r
A5 My Ding-A-Ling\r
Written-By -- Chuck Berry\r
A6 Dr. Kitch\r
Written By -- I. Roberts Written-By -- Chris Blackwell\r
B1 Dreads Almanac\r
Written-By -- Ted Lemon, Alex Hughes\r
B2 Oh She Is A Big Girl\r
Written-By -- Ted Lemon, Alex Hughes\r
B3 Phoenix City \r
B4 Molly\r
Written-By -- Clancy Eccles\r
B5 Big One\r
Written-By -- Ted Lemon, Alex Hughes\r
\r
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My Ding-a-Ling was the title of a novelty song recorded by Chuck Berry, and his only U.S. number-one single on the pop charts. Later that year the song, in a longer unedited form, was on the album The London Chuck Berry Sessions.\r
The Average White Band members guitarist Onnie McIntyre and drummer Robbie McIntosh played on the single.\r
\r
My Ding-a-Ling was originally recorded by Dave Bartholomew in 1952 for King Records.\r
When Bartholomew moved to Imperial Records, he re-recorded the song under the new title, Little Girl Sing Ding-a-Ling.\r
In 1954, The Bees on Imperial released a version entitled Toy Bell.\r
Berry recorded a version called My Tambourine in 1968, but the version which topped the charts was recorded live during the Lanchester Arts Festival at the Locarno ballroom in Coventry, England, on 3 February 1972, where Berry -- backed by The Roy Young Band -- topped a bill that also included Slade and Billy Preston.\r
Boston radio station WMEX disc jockey Jim Connors was credited with a gold record for discovering the song and pushing it to #1 over the airwaves and amongst his peers in the United States.\r
\r
Content\r
\r
The song tells of how the singer received a toy consisting of silver bells hanging on a string from his grandmother, who calls them his ding-a-ling.\r
According to the song, he plays with it in school, and holds on to it in dangerous situations like falling after climbing the garden wall, and swimming across a creek infested with snapping turtles.\r
The lyrics consistently exercise the double entendre with ding-a-ling standing in for the penis.\r
During the live version, Berry calls on the audience to join in the chorus, and in the final verse, he admonishes those of you who will not sing that they must be playing with [their] own ding-a-ling.\r
\r
Controversy\r
\r
The lyrics with their sly tone and innuendo (and the enthusiasm of Berry and the audience) caused many radio stations to refuse to play it, and British morality campaigner Mary Whitehouse tried unsuccessfully to get the song banned. Moreover, pop critics generally dislike the song (especially the fact that it was Berrys sole #1 single in his career) and say that it is unworthy for someone who was so important in early rock n roll (Alan Freeman once introduced the song by saying oh Chuck baby, how could you!?!). Nevertheless, Berry still likes it and on the recording calls it our Alma Mater.\r
\r
This controversy was lampooned in The Simpsons episode Lisas Pony, in which a Springfield Elementary School student attempted to sing the song during the schools talent show. He barely finished the first line of the refrain before an irate Principal Skinner rushed him off the stage.\r
\r
The censorship has continued decades later.\r
In one case, for a re-run of American Top 40, some stations, such as WOGL in Philadelphia, replaced the song with an optional extra when it aired a rerun of a November 18, 1972 broadcast of AT40 (where it ranked at #14) on December 6, 2008.\r
Among other stations, most Clear Channel-owned radio stations to whom the AT40 70s rebroadcasts were contracted did not air the rebroadcast that same weekend, although it was because they were playing Christmas music and not because of the controversy.\r
Even back in 1972, some stations would refuse to play the song on AT40, even when it reached number one.\r
\r
Berrys resulting live album was named The London Chuck Berry Sessions, even though London is more than 100 miles away from where the live tracks were recorded. London is probably the location where the studio tracks on the album were recorded.
Label: Klik -- KLP 9008\r
Format: Vinyl, LP, Compilation\r
Country: UK\r
Released: 1976\r
\r
Tracklist\r
A1 Big Six\r
Written-By -- Alex Hughes, Ernest Ranglin\r
A2 Big Seven\r
Written-By -- Bunny Lee, Ted Lemon, Alex Hughes\r
A3 Big Eight\r
Written-By -- Ted Lemon, Alex Hughes\r
A4 Big Nine\r
Written-By -- Ted Lemon, Alex Hughes\r
A5 My Ding-A-Ling\r
Written-By -- Chuck Berry\r
A6 Dr. Kitch\r
Written By -- I. Roberts Written-By -- Chris Blackwell\r
B1 Dreads Almanac\r
Written-By -- Ted Lemon, Alex Hughes\r
B2 Oh She Is A Big Girl\r
Written-By -- Ted Lemon, Alex Hughes\r
B3 Phoenix City \r
B4 Molly\r
Written-By -- Clancy Eccles\r
B5 Big One\r
Written-By -- Ted Lemon, Alex Hughes\r
\r
------------------------\r
\r
My Ding-a-Ling was the title of a novelty song recorded by Chuck Berry, and his only U.S. number-one single on the pop charts. Later that year the song, in a longer unedited form, was on the album The London Chuck Berry Sessions.\r
The Average White Band members guitarist Onnie McIntyre and drummer Robbie McIntosh played on the single.\r
\r
My Ding-a-Ling was originally recorded by Dave Bartholomew in 1952 for King Records.\r
When Bartholomew moved to Imperial Records, he re-recorded the song under the new title, Little Girl Sing Ding-a-Ling.\r
In 1954, The Bees on Imperial released a version entitled Toy Bell.\r
Berry recorded a version called My Tambourine in 1968, but the version which topped the charts was recorded live during the Lanchester Arts Festival at the Locarno ballroom in Coventry, England, on 3 February 1972, where Berry -- backed by The Roy Young Band -- topped a bill that also included Slade and Billy Preston.\r
Boston radio station WMEX disc jockey Jim Connors was credited with a gold record for discovering the song and pushing it to #1 over the airwaves and amongst his peers in the United States.\r
\r
Content\r
\r
The song tells of how the singer received a toy consisting of silver bells hanging on a string from his grandmother, who calls them his ding-a-ling.\r
According to the song, he plays with it in school, and holds on to it in dangerous situations like falling after climbing the garden wall, and swimming across a creek infested with snapping turtles.\r
The lyrics consistently exercise the double entendre with ding-a-ling standing in for the penis.\r
During the live version, Berry calls on the audience to join in the chorus, and in the final verse, he admonishes those of you who will not sing that they must be playing with [their] own ding-a-ling.\r
\r
Controversy\r
\r
The lyrics with their sly tone and innuendo (and the enthusiasm of Berry and the audience) caused many radio stations to refuse to play it, and British morality campaigner Mary Whitehouse tried unsuccessfully to get the song banned. Moreover, pop critics generally dislike the song (especially the fact that it was Berrys sole #1 single in his career) and say that it is unworthy for someone who was so important in early rock n roll (Alan Freeman once introduced the song by saying oh Chuck baby, how could you!?!). Nevertheless, Berry still likes it and on the recording calls it our Alma Mater.\r
\r
This controversy was lampooned in The Simpsons episode Lisas Pony, in which a Springfield Elementary School student attempted to sing the song during the schools talent show. He barely finished the first line of the refrain before an irate Principal Skinner rushed him off the stage.\r
\r
The censorship has continued decades later.\r
In one case, for a re-run of American Top 40, some stations, such as WOGL in Philadelphia, replaced the song with an optional extra when it aired a rerun of a November 18, 1972 broadcast of AT40 (where it ranked at #14) on December 6, 2008.\r
Among other stations, most Clear Channel-owned radio stations to whom the AT40 70s rebroadcasts were contracted did not air the rebroadcast that same weekend, although it was because they were playing Christmas music and not because of the controversy.\r
Even back in 1972, some stations would refuse to play the song on AT40, even when it reached number one.\r
\r
Berrys resulting live album was named The London Chuck Berry Sessions, even though London is more than 100 miles away from where the live tracks were recorded. London is probably the location where the studio tracks on the album were recorded.