- 11/6/2015
Superbug Super Agent (1972) "Ein Käfer gibt Vollgas" (original title)
PG | 91 min | Comedy, Family, Adventure | October 1976 (USA)
A blatant knock-off of Disney's The Love Bug, this German adventure is aimed at children and presents the exploits of "Dodo the Beetle" a Volkswagen bug that comes equipped with a supercomputer and a mind of its own.
Director: Rudolf Zehetgruber
Writer: Rudolf Zehetgruber (screenplay)
Stars: Joachim Fuchsberger, Rudolf Zehetgruber, Kathrin Oginski
PG | 91 min | Comedy, Family, Adventure | October 1976 (USA)
A blatant knock-off of Disney's The Love Bug, this German adventure is aimed at children and presents the exploits of "Dodo the Beetle" a Volkswagen bug that comes equipped with a supercomputer and a mind of its own.
Director: Rudolf Zehetgruber
Writer: Rudolf Zehetgruber (screenplay)
Stars: Joachim Fuchsberger, Rudolf Zehetgruber, Kathrin Oginski
Category
🎥
Short filmTranscript
00:00:30Yeah, I'm reading you. What's up?
00:00:36It is 800 hours. Time to log your position.
00:00:39Well, what is our position?
00:00:41We are approaching coast of Portugal.
00:00:44We were supposed to have taken 48 hours to get from the Canaries to Lisbon.
00:00:4847 hours, 42 minutes, 18 seconds.
00:00:52Okay. Next time I'll program you down to a tenth of a second.
00:00:56Make it a hundred.
00:00:58You've got too big a mouth for a computer.
00:01:05900 hours off southern coast, Portugal.
00:01:09You don't say.
00:01:11If we're off the southern coast at 9 o'clock,
00:01:13then we'll dock in Lisbon tonight just in time for dinner.
00:01:16Okay, Dodo, step on it.
00:01:18Beg pardon.
00:01:19All right.
00:02:19Scrub my back, Dodo.
00:02:31Pass the brush.
00:02:33Don't be too rough.
00:02:35There.
00:02:37One check scrubbing. Coming up.
00:02:40You make a good valet.
00:02:46Farther down.
00:02:49Don't get rough now.
00:02:51Hey, now, funny.
00:02:53Stop forcing her out, poor goofball.
00:03:09All right, all right.
00:03:11Can't even finish my breakfast in peace.
00:03:15Well, what is it?
00:03:18Land ahoy.
00:03:21Dodo, look, there's the Algarve.
00:03:24The south of Portugal.
00:03:27That's what I told you.
00:03:30I'm glad to see dry land again.
00:03:38Hold it, sir.
00:03:40But, sir...
00:03:43Very funny, senor.
00:03:47I love being bothered when I play golf.
00:03:49And that goes for my lawyer as well.
00:03:51Well, I'm sorry, but it's important.
00:03:52Very important, sir.
00:03:54Plato was released from prison.
00:03:55He's on his way here now.
00:03:57Does he have the plates with him?
00:03:58All I know is that I've conveyed your offer to him
00:04:01and that he's prepared to sell them.
00:04:02He wants 50,000 real dollars for the phony $5 plate,
00:04:06which is why I took the liberty of bringing the money along.
00:04:09Plato is due at the airport in an hour, senor Marquesa.
00:04:12I'll wait for you at the chateau.
00:04:14Bring senor Plato to me.
00:04:16I'll discuss our business with him in person there.
00:04:18As you wish, senor.
00:04:19And Silva?
00:04:20Senor Marquesa.
00:04:21I'll take custody of the cash.
00:04:23Very well, senor Marquesa.
00:04:43Go on, what's the matter?
00:04:45You afraid of Plato?
00:04:47If I knew who he was, I'd meet the guy myself.
00:04:50But you will soon know who he is.
00:04:52Sure, sure.
00:04:53Thank you, miss.
00:04:54Goodbye.
00:04:55Goodbye.
00:04:56Goodbye.
00:05:13Well, if your client would like the plates,
00:05:15I'll have to go out to our villa in the country
00:05:17because that's where they're hidden.
00:05:19No, you can't have hidden the plates in the villa.
00:05:22How would you know that?
00:05:23I know because you...
00:05:25because you're too intelligent.
00:05:27You'd hide them in a safer place.
00:05:29I have one side of the plates here.
00:05:31The other side's with my friend Chabulski.
00:05:33What?
00:05:34With Chabulski?
00:05:36Yeah.
00:05:37But what if he's out of towels?
00:05:39Then I'll get in touch with a young woman named Dolores
00:05:42who should know where he is.
00:05:44I'm afraid this is most annoying of you.
00:05:46How will I ever explain to my client
00:05:48that you're in no position to do business with us?
00:05:50If he wants to do business with me,
00:05:51the smartest thing is to have the money in a handy place,
00:05:53that's all.
00:05:54Tell me, have you talked about this with anybody?
00:05:58I never mentioned it to a soul.
00:06:00Hmm.
00:06:01We mustn't waste time, though.
00:06:02We have a car waiting for us.
00:06:04You go on, I've got time to spare.
00:06:07Why don't we take him with us?
00:06:09You are mad to have killed Chabulski.
00:06:11He hid half the plates in his villa in Fallasia.
00:06:13In Fallasia?
00:06:14Yes!
00:06:15From now on, we're not going to let him out of our sight.
00:07:06Ow!
00:07:07What are you doing there?
00:07:08I, uh...
00:07:09Do you always look through people's keyholes?
00:07:11Do you always stick people in the, uh, rear end?
00:07:14Just when they're spot.
00:07:15What did you call me?
00:07:16Oh, you think I'm stupid, huh?
00:07:18Well, I'm not.
00:07:20Just what are you after?
00:07:22Senor, have pity.
00:07:24I peddle handiwork for the sisters of the Madera Convent.
00:07:27Did you ever see anything like that?
00:07:30No, I haven't.
00:07:31I've never seen anything like it.
00:07:33Madera Convent.
00:07:35Did you ever see anything so beautiful?
00:07:40It's not even finished.
00:07:41What?
00:07:42Damn it!
00:07:43Those lazy cows!
00:07:44Wait till the Mother Superior finds out what they pulled.
00:07:48Adios, senor.
00:07:52What was he up to?
00:07:53He was all bent over with an idea keyhole.
00:07:56I should have known that.
00:07:58What brings you here?
00:07:59I live here.
00:08:01Huh?
00:08:02That apartment's where one of my best friends lives, Stan Przybylski.
00:08:06Then you must be Plato.
00:08:08Yes, I am.
00:08:11I'm Tamara Przybylski.
00:08:13Stan was my brother.
00:08:15I'll be damned, Tamara.
00:08:19Did you say he was your brother?
00:08:22Let me explain to you at the beach.
00:08:24Will you wait while I get my things?
00:08:26It won't take long.
00:08:32I'll be right back.
00:08:50Did the police discover where you hid the plates you were using?
00:08:54Why? What plates?
00:08:56The copper engravings used for printing counterfeit money with.
00:09:01How do you know about that?
00:09:03Since he died, I've read a lot of interesting things in the papers that my brother left me.
00:09:09Nice spot, huh?
00:09:11That's where it was.
00:09:13What was?
00:09:14I was halfway. I couldn't climb any further and I couldn't come down.
00:09:17I was really terrified.
00:09:19And I came after you.
00:09:20Yes, and we both took a nasty tumble and that made you so angry that you gave me a good spanking.
00:09:26Get stuck again, my child, and you know what'll happen.
00:09:29Don't you call me a child. I'm not a child anymore.
00:09:37Did you get Stan's letter?
00:09:39You came here to get it.
00:09:41It must explain where the plates are hidden.
00:09:43He left it with Dolores.
00:09:45I remember the way he put it.
00:09:47He wrote, if you ask Dolores, she'll probably never tell you.
00:09:51But twist her neck for me, and I'm sure she will.
00:09:56Well, did she give you a very hard time?
00:09:58Yeah.
00:10:00I broke her neck just to get the message out of her.
00:10:03What?
00:10:05Our friend Dolores was the name we gave the Black Queen when we played chess because she always seemed to win.
00:10:10She wouldn't give the message to me until I twisted off her head.
00:10:14Was that an idea of yours?
00:10:16No, it was Stan's.
00:10:19Were you gone for a very long time? In jail?
00:10:23Four years, five months, and 27 days.
00:10:26Wow.
00:10:29And in all that time, you haven't kissed a girl?
00:10:33We didn't have much opportunity for that.
00:10:36You have the opportunity now.
00:10:39What?
00:10:40Go on. You're hardly the first.
00:10:48I'm afraid that wouldn't be very...
00:10:52Why, don't you like me?
00:10:54Sure.
00:10:56I'm almost as old as your father, young lady.
00:10:59What's wrong with that?
00:11:13Tamara, you keep out of this.
00:11:18There he is.
00:11:25No!
00:11:41Senor Plato, welcome home.
00:11:44I hope we're not disturbing you.
00:11:46If you'd be good enough to hand over that letter, we'll be on our way.
00:11:50What letter?
00:11:51I believe you received a letter that explains where the plates were hidden.
00:11:56What happened to Stan Przybulski?
00:11:59The gentleman doesn't know who asks the questions here.
00:12:03Marchese de las Cerradas. Now give me the letter.
00:12:06You come and get it.
00:12:09Go after it, then.
00:12:11Looking for something?
00:12:41Give me that letter, miss. Now you're no match for me.
00:12:44I hate to hurt you, young...
00:13:11I warned you! You can't escape!
00:13:15Stop where you are! Where are you?
00:13:18Help me, please! He's following me!
00:13:21Get in the car.
00:13:27Idiot!
00:13:42What's going on?
00:13:53On your feet!
00:14:05No, that one.
00:14:07Oh, sorry.
00:14:09He thinks I'm stupid, but I'm not.
00:14:18The horn, Dodo.
00:14:21Don't move.
00:14:25Please, gentlemen, relax.
00:14:30Anybody you know?
00:14:32No, I never saw him.
00:14:40Unlock it.
00:14:42Young lady, I warn you, there's a limit to my patience.
00:14:45Give me that letter.
00:14:47This insolent little pup refuses to give it to me.
00:14:50Hadn't you best give it to him?
00:14:52Do what he says.
00:15:00It disappeared. I must have lost it.
00:15:03That's impossible. I saw you put it there with my own eyes.
00:15:06I know it's there.
00:15:08Let me go.
00:15:10I'm going to show you...
00:15:13what you expect from a tin can.
00:15:16Tin can, you'll see.
00:15:24I say, mind your own business. That wasn't funny.
00:15:28The beetle did it, sir.
00:15:30Young man, I am not stupid.
00:15:32Don't blame it on a piece of junk.
00:15:37I don't get it.
00:15:39It's what you call defensive programming.
00:15:41Dumb old jalopy.
00:15:44Huh?
00:15:49Try that again.
00:15:51Hey!
00:16:02It's not funny.
00:16:07Follow?
00:16:09Yeah, chief. Let me at him.
00:16:12The shock treatment, Dodo.
00:16:14Okay, bolt for the revolting.
00:16:37Ah!
00:16:40That's enough nonsense.
00:16:42Sorry, there's nothing I can do.
00:16:44Gonzalez, cut the engine.
00:16:46Another one coming up.
00:16:48Good. I'll take him for a spin.
00:16:51Senior Marchese, the letter you wanted.
00:16:59No, no!
00:17:06Oh!
00:17:12Oh!
00:17:16Marchese.
00:17:21Senior, what do I say?
00:17:23Try and solve it again.
00:17:25Bad head?
00:17:28Sir!
00:17:30That about does it. Dodo, relax.
00:17:33Oh, darn it!
00:17:37Oh!
00:17:44Dodo.
00:17:47He goes wild when he's angry.
00:17:52How can we ever thank you for your help, sir?
00:17:55Well, it's nothing at all.
00:17:57Hmm.
00:18:05Some thumb you've got there.
00:18:07Just double-joined it.
00:18:09May I?
00:18:11Go ahead and see if it works.
00:18:19Oh!
00:18:21Quite a weapon.
00:18:23You can keep it if you like. It could come in handy.
00:18:25Pick us up if you're ever in Lisbon. General service.
00:18:27Our number is...
00:18:29Just a minute.
00:18:31Dodo, what's the telephone number of general service?
00:18:353-2-3-4-7-6. Sorry, the line busy.
00:18:38Busy as usual.
00:18:40Incredible.
00:18:41Just ask for Jimmy Bondi. That's me.
00:18:43Adios.
00:18:44Adios, senor.
00:18:46Thanks for everything.
00:18:56Ha, ha, ha.
00:19:01Stop! Stop where you are!
00:19:04Ah! Come back here!
00:19:06Bring back my letter! Stop!
00:19:09The letter, it's still in the car!
00:19:11Senor Marquesa.
00:19:13Wake up, senor. You've got to do something.
00:19:16What do I pay you idiots for anyway?
00:19:19I have a dozen bodyguards to protect me and my...
00:19:21It still gets kicked around.
00:19:23Senor Marquesa, your letter is on its way to Lisbon.
00:19:25What?
00:19:26Yes, it's in the Beetle. I saw it myself.
00:19:28It must have fallen out when I was in the Beetle.
00:19:31Let's go.
00:19:32There's no time to lose. We've got to catch him.
00:19:34Mm-hmm.
00:19:35Do your job.
00:19:36Mm-hmm.
00:19:37Don't you dare come back without my letter.
00:19:39I hope they won't be able to track him down.
00:19:42Not with that car.
00:19:43Still, I'd better warn Jimmy Bondi that those lunkheads are after him.
00:19:47I've got to go to Lisbon.
00:19:48You mean we've got to go to Lisbon.
00:19:51How often must I tell you, you ought to stay out of this.
00:19:54What could possibly happen? After all, I'm with a policeman.
00:20:00Would you please say that again?
00:20:03You're not Plato.
00:20:06Now look, I'm going to tell you once more...
00:20:08Plato happens to have shattered his wrist the time that he and Stan were arrested.
00:20:12He couldn't hold a pencil, much less hit someone with it.
00:20:17You've read too many detective stories.
00:20:19And I almost always know from the beginning of the story who'd done it.
00:20:22You must have a very important job with the police.
00:20:25Senor Marchese took you for Plato,
00:20:28so you must have learned everything about Plato while he was a prisoner.
00:20:31Now who else could do that but a cop?
00:20:34Now listen to me.
00:20:36You're playing with fire.
00:20:38They're very dangerous men. It's a question of...
00:20:41Of who manages to get the engravings first.
00:20:43Everyone knows the government offered a $20,000 reward.
00:20:46And since the police can't accept rewards for themselves,
00:20:49poor Tamara will.
00:20:51So you cooperate with me, or...
00:20:55Or what?
00:20:57Or tomorrow morning they'll be informed you're working for the police.
00:21:00Now you listen to me, you greedy little go-getting whippersnapper.
00:21:04Yes?
00:21:06Well, you can come with me.
00:21:08But only if you agree to do exactly what I tell you.
00:21:11I'll do anything you want. Honest.
00:21:14Then for a start, get back in the car.
00:21:17I won't tell them who you are.
00:21:20Who are you, anyway?
00:21:22I'm still called Plato.
00:21:44Dodo, I think we're being followed.
00:22:15Stop, Dodo. We're going through.
00:22:38Nuts. I guess that didn't fool them.
00:22:45They turned left, right into the rock.
00:22:47Now he's up ahead.
00:22:54Dodo, we're out of danger.
00:22:56Good work.
00:23:15Sooner or later, they're bound to come this way.
00:23:23Dodo, it's time to blend into the scenery.
00:23:45Tire tracks. They went that way.
00:23:47That's what I told you. Come on, let's go.
00:23:49Yeah, well, not so fast. I'm losing my pants.
00:24:14Let's make it snappy. What's holding you up?
00:24:17What do you mean? I'm trying to hold my pants up.
00:24:23Switch over to radar control, Dodo. Proceed at will.
00:24:45Look, Renata.
00:24:47Renata, look at that quick.
00:24:49Renata.
00:24:51For heaven's sakes, wake up. A boulder just went by.
00:24:54What did you say?
00:24:55And once more, the thing honked at me.
00:24:57You shouldn't stay in the sun so long.
00:24:59Don't be silly.
00:25:15Hurry up, you guys. Come on.
00:25:17Come on, brollo.
00:25:25Wait. Hey, wait.
00:25:27I gotta get my pants on.
00:25:29Good God. Look, Renata. What's going on?
00:25:32Not so fast.
00:25:38Let's get out of here.
00:25:40I thought this was an isolated spot.
00:25:42Hello.
00:25:44Coming.
00:25:53We have the entire coast of Portugal covered.
00:25:56The beetle hasn't shown yet, but when it does,
00:25:58Senor Marquesa, we'll tell you.
00:26:00Where?
00:26:02Near us. That's nonsense. I would have seen it.
00:26:04However, I'll have a look.
00:26:08There's nothing inside in my sector.
00:26:10Hold on. I'll ask Mickey.
00:26:12Mickey, any moving objects out there?
00:26:15The place is deserted.
00:26:17Let's go, Dodo.
00:26:19There's no sign of life on the beach, Senor.
00:26:21Not a sound. Not a thing is moving.
00:26:24Is that so?
00:26:26I can see for miles around.
00:26:28There's no trace of human activity.
00:26:30Nothing but sand and sea and sky and the rocks and...
00:26:36Look, guys. There's Old Silva.
00:26:38Where?
00:26:40There, with his umbrella.
00:27:06Now, let's clear out.
00:27:10Dodo, switch over to automatic.
00:27:18Ready. Get set. Go.
00:27:22What are you waiting for?
00:27:28Need that any longer?
00:27:30Taxi!
00:27:35Taxi!
00:27:42The tracks go straight ahead.
00:27:47It was a rock.
00:27:49Wait. That's an odd rock.
00:27:51Shaped just like...
00:27:53The beetle!
00:28:05He won't come out of there alive.
00:28:11Let me finish him.
00:28:13Stand back.
00:28:18Ain't trouble!
00:28:23Ain't nobody in here.
00:28:25They're over there, near those rocks.
00:28:27The police. Let's get moving.
00:28:29But you can't do that.
00:28:31That's the thing that's brought me down.
00:28:33The dirty old man.
00:28:39Wait, you guys!
00:28:45He went that way.
00:28:49You thought I was stupid, but I'm not.
00:28:52There you are, you dirty exhibitionist.
00:28:55It's sexual perverts and pornography that are ruining the morals of the nation.
00:28:59Yes, senor. No, senor.
00:29:01Don't worry, senor. He won't get away from us this time.
00:29:23Dodo, how about an 80% uphill grade?
00:29:26Dodo always makes the grade.
00:29:28Good. Go to it.
00:29:32Come on.
00:29:44He's going to make it. After him, men.
00:29:47Come on.
00:29:57Keep after him.
00:30:01Keep after him.
00:30:26Yes, senor Marchese.
00:30:28He can't escape now. He's as good as caught.
00:30:30Yes, we will. Right.
00:30:32We're there. Welcome to Lisbon.
00:31:03Look over there.
00:31:18So that's the Avenida Libertari.
00:31:22I never dreamed Lisbon was so lovely.
00:31:25It's beautiful.
00:31:28I never dreamed Lisbon was so lovely.
00:31:32I wonder if Jimmy Bondi is here in Lisbon.
00:31:37Impossible, unless he flew here.
00:31:40However, we should pay a visit to General Service.
00:31:43I think we'll find it just outside town.
00:31:45It might impress you.
00:31:47Well, we'll soon see.
00:31:57DROLLO
00:32:07Drollo.
00:32:11Hey, here comes Plato.
00:32:15There's nobody around.
00:32:17Judging from what Jimmy Bondi said, they know we're coming.
00:32:20And if they're expecting us, they'll send someone to meet us.
00:32:25Welcome to General Service.
00:32:27We were expecting you.
00:32:29The ferry is going to pick you up.
00:32:34That's very impressive.
00:32:36Actually, I doubt if there's anyone but robots and computers to keep us company in there.
00:32:43Maggie!
00:32:46Maggie!
00:32:49I wish he'd learn to leave me alone.
00:32:52Maggie, where are you?
00:32:54In here, keeping myself busy.
00:32:58A man and a woman are coming across on the ferry.
00:33:01You know what?
00:33:03I bet they're clients. Come and look.
00:33:06Clients?
00:33:08Make sure it's not anyone we owe money to.
00:33:10I know all our creditors.
00:33:12These are strangers.
00:33:22You're right, Cyril. They do look like clients.
00:33:25Cyril, I've got it.
00:33:27I can let my fox find out for us.
00:33:29And what if it doesn't work?
00:33:31They might find us out.
00:33:33That's a risk I'll have to take.
00:33:35The main thing is finding out who we're dealing with.
00:33:37That way we'll know how much they're worth.
00:33:39Let me have your bill, folks.
00:33:46Hurry, will you?
00:33:49Hurry, will you?
00:33:51Come on.
00:33:53Now, watch this.
00:34:02You suppose that'll please him?
00:34:04Please who?
00:34:05Jimmy Bondy.
00:34:06Oh, he'll like the coffee machine.
00:34:08The one you invented.
00:34:10Oh, your clients.
00:34:11While I get dressed, you make them at home.
00:34:19I'll look again.
00:34:23Boss, it's not Jimmy.
00:34:25It's Plato and the girl.
00:34:27I got my eyes open.
00:34:30I probably look stupid.
00:34:32But I'm not.
00:34:49Welcome to General Service.
00:34:57This way, please.
00:35:15Pardon, senorita.
00:35:17De nada, senora.
00:35:19Dasvidaniya.
00:35:21She's in a rush.
00:35:23Yeah, I bet she's Russian.
00:35:24Senor, may I help you?
00:35:26Yes, tell us who that person was.
00:35:29Oh, yes, it seems she's a Russian princess.
00:35:31A customer of ours.
00:35:33Please, won't you make yourselves at home?
00:35:38You know what I think?
00:35:40We may as well do what the man says and have a look at General Service.
00:35:44Princess.
00:35:50Well, I'll be damned.
00:35:52The damn thing worked.
00:35:54I told you.
00:35:58It says here he was just released from prison.
00:36:01An ex-convict?
00:36:03Oh, and I said make yourselves at home.
00:36:14What exactly is General Service?
00:36:16General Service exists for the purpose of making your dreams come true.
00:36:22We will do anything to serve you.
00:36:24As long as it's not illegal or immoral.
00:36:27If you want a white elephant, we'll get it.
00:36:30If you want to go to Kathmandu, we'll fly you there.
00:36:35If you want to go to India, we'll fly you there.
00:36:39If you want to go to Kathmandu, we'll fly you there.
00:36:42If you want to go out to dinner, we'll babysit for you.
00:36:46We will keep your wife's jewels in our vaults.
00:36:49Or, if you prefer, we will keep your wife in our vaults.
00:36:54We will retrieve stolen property, get your tickets to the World Series,
00:36:59teach you fluent Chinese in 48 hours,
00:37:02how to fly a jet, or how to become a movie star.
00:37:09The creative thing always gives me the creeps.
00:37:11I wouldn't worry. They're robots, programmed on a computer.
00:37:14When you ask them a question, these boys here answer it.
00:37:17It's a clever trick. The man who designed it is a clever fellow.
00:37:20There are some awfully clever women designers too, sir.
00:37:23What can General Service do for you?
00:37:27May we see Senor Bondi, please?
00:37:29Jimmy Bondi?
00:37:31Yes. Is he here?
00:37:33To tell the truth, Senor, the last time I saw him,
00:37:35he was sitting outside in his Beetle, planning a voyage to Spain.
00:37:39I wasn't aware until much later that he was taking a voyage around the world.
00:37:43And since then, you've had no news from him?
00:37:46The last car he sent came from Africa, the Sahara Desert.
00:37:49This way.
00:37:51We bumped into him in Algarve. He said he was coming here.
00:37:55It can't be. When is he coming? Is he all right?
00:37:59He looked well when we saw him yesterday.
00:38:02I brought a letter of introduction, but I'm afraid my billfold has disappeared.
00:38:07Ah, so it's yours. Gardner found it.
00:38:11You must have dropped it when you got off the ferry.
00:38:14That's where he found it. I have it there in my desk.
00:38:17You say you saw Jimmy Bondi. You spoke to him.
00:38:20If you wanted something done, you could have asked him.
00:38:23It's pretty complicated.
00:38:26He has a paper of ours.
00:38:33Dodo, I'm going shopping.
00:38:36When you've filled your tank, why don't you go find a parking place for yourself, okay?
00:39:03Regulation 6397.
00:39:06It is a criminal offense to spit in a police officer's eye.
00:39:09Regulation 5087.
00:39:12It is a criminal offense to do physical harm to the person of an officer of the law.
00:39:17Yeah, you see, over there.
00:39:19Then the culprit will be sent to jail. He'll pay for this.
00:39:22Only criminal law doesn't seem to apply to a motor car.
00:39:25Obviously, it only refers to living persons.
00:39:28But since that man is responsible for this stupid machine...
00:39:37No, no, Dodo.
00:39:43Listen to me, senor.
00:39:45There is something wrong with the car that won't obey the law.
00:39:48Senor Commissioner.
00:39:50What is it?
00:39:51I can't hold the flag lowered because my bugle doesn't work.
00:39:54Why not?
00:39:55That crazy car pulled into pieces.
00:39:57Dodo, what do you know about bugle calls?
00:39:59Just call me Satchmo.
00:40:22Dodo, your timing is tops.
00:40:27Dodo, your timing is tops.
00:40:57Dodo, your timing is tops.
00:41:27And that's the famous arena where the bullfights are held.
00:41:30It's a fantastic sight.
00:41:33And over there is where the star comes in, El Toro.
00:41:37I'm sure I'd faint at the sight of it all.
00:41:42The Portuguese have different customs.
00:41:44For instance, they never kill the bull in Portugal.
00:41:47The fight is really a display of courage.
00:41:50They don't kill the bull.
00:41:52For instance, they never kill the bull in Portugal.
00:41:55The fight is really a display of courage.
00:41:58A sort of match between the strength of the bull and the skill of the Toreros.
00:42:23Tamara, see what I just found.
00:42:37What a brave Torero you are.
00:42:52We'd like you to come along, please.
00:42:55But don't give us any trouble or you'll regret it.
00:42:58The Marquesa would like to have a word with you at his palace.
00:43:01If you cooperate, no harm will come to you.
00:43:52Well, nobody's up yet, Toro.
00:44:23Wake up, Isabel.
00:44:25I brought a treat for you.
00:44:52Jimmy.
00:44:57Jimmy Bondi.
00:45:10Isabel! Wake up!
00:45:12Stupid! It's late!
00:45:15We don't allow bombers to sleep here!
00:45:22Come on.
00:45:52Now, look here.
00:45:55We have all the stable hands we need.
00:45:58It's not a flop house, either.
00:46:01I didn't want to get you out of bed, that's all.
00:46:04You haven't changed a bit, Maggie. You look just great.
00:46:07As if you cared the least little bit.
00:46:10Is that the filly I gave you when I went away?
00:46:13No. Isabel is the daughter.
00:46:16You gave me the mother.
00:46:19Three years ago when you walked out.
00:46:22Oh, how time flies.
00:46:25Tell me, how's Cyril?
00:46:27He's just fine. Of course, I'd avoid him if I were you.
00:46:32What a sight you are.
00:46:35Oh, by the way, yesterday someone asked for you.
00:46:38A man called Plato.
00:46:40Plato? Oh, he wants some letter.
00:46:43It must be rather important. Everybody seems interested in it.
00:46:47Well, can I help you?
00:46:50No, thank you. We've managed to get along all these years without your help.
00:46:55I'd better say hello to Cyril.
00:47:09They're driving me crazy with their fiddly-ho.
00:47:12A couple of nuts.
00:47:15And how are the prisoners doing today, Silva?
00:47:18Enjoying the music.
00:47:22How about some water to drink?
00:47:28Sorry. It's empty.
00:47:36It's a genie.
00:47:39Aladdin's inside this bottle. And that's exactly the gimmick we'll use.
00:47:42I'm not so sure we'll fit in there.
00:47:45And how about that one?
00:47:49I think we'll fit in this.
00:47:55Now we'll see if this thing really works.
00:48:03You let me know if anybody comes.
00:48:07I raise you another thousand.
00:48:10Since it's the Marquess's money, why not?
00:48:13Jimmy Bondy's in town.
00:48:16He arrived before dawn this morning. Slipped right past us.
00:48:19Why, you obviously were sound asleep.
00:48:22Huh? I was? I never closed an eyeball all night.
00:48:25We called in two old pals.
00:48:28Chico Cabelas, New York, East Coast.
00:48:31Maggio Fidigulpi, San Francisco.
00:48:35West Coast.
00:48:42What coast are you from?
00:48:45Max Drawler, Coney Island. Rollercoaster.
00:48:48Senoris, now it's your turn.
00:48:51You just hand over the five thousand.
00:48:54We'll kill him dead.
00:48:57Do whatever you want to. All Senor Marquesa wants is the letter.
00:49:00Okay, Silva. The deed is practically done.
00:49:04Remember, if you don't succeed, I never saw you in my life.
00:49:07Got that? Okay.
00:49:12That was a long night.
00:49:15Maybe I should go to bed, huh?
00:49:18Help!
00:49:24Help me!
00:49:27That ought to do it. Get down there now. Hurry.
00:49:30I hope they fall for it.
00:49:33Don't make any noise. Keep down there tomorrow and don't move a muscle.
00:49:36My dad. What is it? I have to see him.
00:49:39No, not now. Here they come.
00:49:43What's going on here?
00:49:46What have they done to the girl? What's she screaming for?
00:49:49How should we know? We just got here.
00:49:52No, they're gone.
00:49:55But they were here a minute ago.
00:49:58That was where we left them, right there.
00:50:01There's no other way. They've escaped through the sewers.
00:50:04They couldn't have come this way because the gates were locked.
00:50:07I know where they'll show up.
00:50:14They're off on a wild goose chase.
00:50:17Now keep behind that thing. But it's too big for me.
00:50:20I'm sorry. It's the only way to get past them without being seen.
00:50:23Forward march.
00:50:28Come on.
00:50:31This way.
00:50:34They couldn't get this far.
00:50:37How do you know they couldn't? They're nowhere else.
00:50:40All I get for a good night's sleep.
00:50:43Just a second. You can catch up on your sleep later on.
00:50:46I've been up all night long.
00:50:49That's just too bad. We need your help.
00:50:52You know, Plato could have tricked us. We left the gate wide open.
00:50:55Hurry. Hurry. After them.
00:50:58And you're coming with us. Let's go.
00:51:01That's what you say. I know I might look stupid.
00:51:04But I'm not.
00:51:07I'm going to bed.
00:51:10Hurry up, will you?
00:51:19Here they come. Up against the wall. Hurry.
00:51:22Get down.
00:51:28That way.
00:51:31Wait for me.
00:51:34They're gone.
00:51:37They went right by. Now let's go.
00:51:42Why do they make these things with wheels on them?
00:51:46Go on. What are you afraid of?
00:51:50Psst.
00:52:06You call that helping?
00:52:09Let's go, Drollo. You can sleep later.
00:52:12You think I'm stupid, huh?
00:52:15Well, I'm not stupid. You are.
00:52:20Boy, that sure is heavy.
00:52:24If you want, we'll switch. I hear someone again.
00:52:27Come on. Up against the wall. Against what wall?
00:52:30We'll put it back together.
00:52:37My toe.
00:52:40It's on my toe.
00:52:43Plato. Now what?
00:52:47I'm going to sneeze. No, not now.
00:53:05Is he gone? Let me see.
00:53:17Come on. This must lead somewhere.
00:53:20How do we get down there? We'll have to jump.
00:53:24You wait here for me.
00:53:27Careful.
00:53:33Get down. Get down.
00:53:37Where? Down.
00:53:46No.
00:54:03Move.
00:54:11Tamara. Hey.
00:54:15Come on, jump.
00:54:18I'm too afraid.
00:54:21Look, there's the girl. What are you waiting for?
00:54:24Go on, stop her, Silva.
00:54:27Okay.
00:54:33Stop. Where are you, Shapiro?
00:54:36Hurry. Don't let them get away.
00:54:39How could you let them escape?
00:54:43What am I paying you for?
00:54:46No, wait.
00:54:51That was nice of him.
00:54:54Why did you do such a stupid thing?
00:54:57That's enough of that, Silva.
00:55:00I'm sorry, but the plates were in that package.
00:55:13Looking for trouble, aren't we?
00:55:16We were only worn out from walking.
00:55:19Oh, you weren't running away.
00:55:22I don't believe you.
00:55:25You think I'm stupid? Well, I'm not.
00:55:28I wasn't thinking any such thing.
00:55:31What are you doing here? I was trying to get a little sleep.
00:55:34Is that what you wanted?
00:55:37Why don't we take you to a hotel then?
00:55:41No, you don't.
00:55:44You think I'm that stupid, but I'm not.
00:55:51Welcome to General Service.
00:55:54We take pains with our brains.
00:55:57How do you like that?
00:56:00It's quite a trick, Jimmy.
00:56:03But there must be a catch to it.
00:56:06I'll put that away before Maggie comes.
00:56:09That's a good idea.
00:56:12Maggie's pretty clever, too.
00:56:15She's invented some amazing gimmicks. You'll see.
00:56:18Cyril? Yes?
00:56:21Cyril!
00:56:24Do you know where my fox is, Cyril? No, I don't.
00:56:27Oh, Jimmy. What's been going on here?
00:56:30He was showing me his latest invention.
00:56:33Oh.
00:56:36If you're not too tired, that is.
00:56:42I've designed the ultimate in air guns.
00:56:45Surely your weapon isn't lethal.
00:56:48Yes, it is. It can penetrate solid steel a foot thick.
00:56:51It's accurate up to a mile away, too.
00:56:54But don't you still need bullets for it?
00:56:57My pistol doesn't use ordinary bullets.
00:57:00It fires tiny spheres of super-compressed air.
00:57:03That's the protection of that space laboratory now approaching Venus.
00:57:10See those tomatoes over there?
00:57:29Well, what do you think of it?
00:57:32I think Maggie's just as accurate.
00:57:35I think it's a waste of tomatoes.
00:57:38It's more than a pistol, though.
00:57:41For example, watch this.
00:58:03Now, what do you say?
00:58:16Where do you want it, Maggie?
00:58:19Exactly where it was.
00:58:27There.
00:58:31The most revolutionary firearm since the Winchester.
00:58:34And it weighs less than an eighth of an ounce.
00:58:37Your coffee's ready, too.
00:58:43Are you expecting anyone, Maggie? You're all dressed up.
00:58:46I almost forgot we have two customers.
00:58:49Sarah, where's my fox?
00:58:52Take the bench inside.
00:58:55Will she make a stink about it?
00:58:58Talk about a stink.
00:59:01Have you been sleeping in our stable?
00:59:04Yeah, and why?
00:59:07Then why don't you take a bath?
00:59:29Huh? Oh, wow. Thousands of dollars.
00:59:43And this one is Maggio Fittigulpi.
00:59:46Here he is with his girl.
00:59:49If you cheat on me once more, you're done for.
00:59:54Some clientele you've got here.
00:59:57You're the one they asked for, didn't they?
01:00:00For me?
01:00:03Yes, they wanted to talk to the man who owns the yellow beetle.
01:00:06Tell me, Cyril, is that secret passage still the best way to get out of here?
01:00:09You can't walk out on us.
01:00:12Here, they're coming.
01:00:17Look, we don't have time to sit around all day long.
01:00:20Count us a cure for their precious works of art.
01:00:23Yeah.
01:00:26Well, now, Lady Givago,
01:00:29so you were trying to outfox me, were you?
01:00:32Excuse me. You wanted to see me, I believe.
01:00:35About what, may I ask?
01:00:38About what, he says. Give me the letter.
01:00:41Just what do you mean?
01:00:44What do you mean, what do you mean?
01:00:47Don't overestimate my tolerance of bad jokes, senor.
01:00:50Can it. This ain't humorous.
01:00:53Get your dirty foot off my chair. It's 18th century.
01:00:56Did you hear that?
01:00:59The joint's full of junk.
01:01:02Old junk.
01:01:05Don't you think you're going too far, senoritas?
01:01:08Not far enough, knucklehead.
01:01:11Where's the letter?
01:01:17Where is it?
01:01:21Answer me.
01:01:24Now, how about spilling your beans?
01:01:37What's your racket, huh?
01:01:40Answer me or I'll belt you on.
01:01:45Look, Mr. Maggio, fiddle-goopy of Chicago.
01:01:49I bet you're the same Maggio that's number two on the wanted list.
01:01:53Oh, he's got my number.
01:01:56I thought nobody knew me here.
01:01:59In my house, I'm the master.
01:02:02If there's anything you want, come right to me.
01:02:05I'd cool the chatter if I were you.
01:02:09And you're Chico Capellas of San Francisco.
01:02:13You're wrong if you think we're impressed because you're number one, Chico.
01:02:18You wouldn't have the chance of a snowball in hell in our business.
01:02:22There's a lady here, remember?
01:02:25Are you scared to uncover the hole in your head?
01:02:34I'm not impressed with your insults.
01:02:37Tell me, what are you impressed by?
01:02:40Perhaps a match of physical skill?
01:02:43Why not?
01:02:50Aren't you biting off more than you can chew, Charlie?
01:03:01No cheating. It's not done with mirrors.
01:03:06Cheap gangsters like you are a dime a dozen the world over.
01:03:09About twice what you're worth, too.
01:03:11Enough small talk.
01:03:13Just keep quiet, Maggio.
01:03:15One more word and you're going to curse the day you were ever born.
01:03:18Maybe you need a charmed life, my boy, but you're not immortal.
01:03:23Don't move or I'll drill you a bun of holes.
01:03:30What a pity, Chico. I've been immunized against lead poisoning.
01:03:35Now then, it's my turn.
01:03:37I can't wait to belt you one.
01:03:41Stop right there, Lady Chivago, huh?
01:03:44I thought you might like a little coffee.
01:03:51Maggie, the gun!
01:03:59Well, Jimmy, what do you think of that?
01:04:02Even if it's a bit old hat?
01:04:08Impressed, Jimmy Bondy?
01:04:10I sure am, Maggie.
01:04:38Jimmy, what do we do with these two jerks?
01:04:44I'm sure, gentlemen, gangsters like you wouldn't mind
01:04:47if we were to charge you a certain sum for the damage you've done.
01:04:52Where did she ever get my wallet?
01:04:56Item number one, a 16th century oil from the school of Pietro da Cardona,
01:05:02which you stupidly misused as an ash tray.
01:05:05The repair of which is going to cost you $1,000.
01:05:09$2,000.
01:05:12$2,000. Please deduct that, Maggie.
01:05:15What? That's too damn steep.
01:05:19Sit down and shut up, Maggio.
01:05:22Nowadays, the old masters are expensive.
01:05:24For 2,000 clams, I'd repair the damn thing myself.
01:05:28Now we come to item number two.
01:05:32It consists of a mahogany bench, Spanish broke,
01:05:35the seat of which is broken in two.
01:05:39It wasn't us. I saw you smash up that bench.
01:05:48Look at it this way.
01:05:50I broke it only because I was provoked into doing it.
01:05:54So you're the guy who broke it.
01:05:57So you're the guilty ones.
01:05:59Now then, how many dollars are left over?
01:06:01There's $1,200.
01:06:03That's about right.
01:06:04$1,200 for the mahogany bench.
01:06:08That's way below factory price, too.
01:06:11Now, gentlemen, here are your wallets, and thank you.
01:06:15Oh, you've got some very cute girlfriends.
01:06:17Very cute indeed.
01:06:20The next time we meet, I warn you, your goose is cooked.
01:06:24You hear that? It's cooked.
01:06:26Yeah. And you, I want my hat back.
01:06:28A man can catch his death of cold in this weather without a hat on.
01:06:32Do you care for coffee?
01:06:34Yeah, thanks. No.
01:06:40General service.
01:06:42Just a minute.
01:06:43Jimmy, it's for you.
01:06:47I think Jimmy Bondy will be very happy to return your letter.
01:06:50If you ask him to.
01:06:52Oh, there. He's on the phone.
01:06:56Of course. What have you to say?
01:06:59This is Plato.
01:07:03Why don't you come here and bring the letter when you come?
01:07:08Good.
01:07:09That's a good place.
01:07:11Sure. I'll be alone.
01:07:16All right. Goodbye.
01:07:53Go see what's taking him so long.
01:07:59It appears that Stan Przybylski had the other plate somewhere in the villa.
01:08:03According to this.
01:08:05Good.
01:08:06It almost solves the case.
01:08:09He sounds like a cop.
01:08:12I don't think so.
01:08:13I don't think so.
01:08:14I don't think so.
01:08:15I don't think so.
01:08:16I don't think so.
01:08:17I don't think so.
01:08:18I don't think so.
01:08:19I don't think so.
01:08:20He sounds like a cop.
01:08:23Or the FBI.
01:08:25Not exactly.
01:08:26I work for the FBSCN.
01:08:28And just what the hell is that?
01:08:30The Federal Bureau of Security for Coins and Notes.
01:08:35That's right.
01:08:37It's an organization that's supported by the international banking community
01:08:41for the purpose of stamping out the worldwide traffic in counterfeit banknotes.
01:08:47And now I need your help.
01:08:49General service at your service, Senor Plato.
01:08:52Of course, we always take 10%.
01:08:55That can be arranged.
01:08:57What do you want us to do?
01:09:00Let's see.
01:09:01What if I were to talk the Marchese into searching the villa?
01:09:05We'll let him do the work and when he finds the plate,
01:09:07you folks will move in with the police.
01:09:09Here.
01:09:10First, you'll contact this number.
01:09:12Give them the exact location of the house where Przybylski lived.
01:09:16We'll set up an observation unit in the house next door
01:09:19and you give us a sign as soon as you find the plate.
01:09:22That's a good idea, Maggie.
01:09:23If you'll let us at the Marchese first, we have an old score to settle.
01:09:26I think I can arrange it.
01:09:28Watch it. I think we have company coming.
01:09:32Good luck.
01:09:33I'll be counting on you.
01:09:34We'll do our best.
01:09:47Marchese
01:10:12It's about time they found the plate.
01:10:14We'll have to move in then.
01:10:15They won't be expecting anything.
01:10:17I can take care of them.
01:10:18That's easy to say.
01:10:20Is that the trick, Cain?
01:10:22Yeah.
01:10:23What's it filled with?
01:10:24With gunpowder.
01:10:26Gunpowder?
01:10:27Yeah.
01:10:29Is that all the equipment I get?
01:10:31Well, what more do you want?
01:10:33You'll see.
01:10:35Jimmy, shall I record the whole thing?
01:10:37Of course.
01:10:41I hit something, senor.
01:10:46Yeah.
01:11:08Is that it?
01:11:10Yes, the underside.
01:11:12You're forgetting one thing.
01:11:15They're mine, you know.
01:11:17Shapiro.
01:11:19See that our friend gets what's coming to him, will you?
01:11:23Whatever he's got coming, I'll give him double.
01:11:26Yeah, if you think we're that stupid.
01:11:30You got it wrong, mister.
01:11:34I suppose that means you think you now own these printing plates.
01:11:39You bet we do, senor.
01:11:41Do you intend to make counterfeit money with them?
01:11:43As much as we possibly can.
01:11:45These engravings are of extremely high quality.
01:11:50Marchese, what's my cut in the deal?
01:11:55I can't believe you'd seriously think of parting me from one cent of my money.
01:12:01You're very wrong there, Marchese.
01:12:03Either pay the price that those engravings are worth,
01:12:05or this time they can send you to prison.
01:12:08Don't make him shut his mouth.
01:12:10One day, senor.
01:12:11One day, senor.
01:12:13Is Stanley Chbosky around?
01:12:15I thought perhaps.
01:12:17What's that?
01:12:20You boys studying archaeology?
01:12:23Who are you?
01:12:25That's a good question. Where's Stan Chbosky?
01:12:27This is his house.
01:12:29What are you doing here?
01:12:31I hope you didn't forget our Marchese game.
01:12:33I plan to knock the daylights out of him this time.
01:12:36I can't lose. I've got an unbeatable strategy.
01:12:39Do you play Marchese?
01:12:41No, you want to learn then? I'm just the man to teach you.
01:12:44What's that?
01:12:47Hello, sonny.
01:12:49You want to learn Marchese?
01:12:51No.
01:12:52I can teach you championship pinochle if you want.
01:12:55Say, I know the game just to your speed. Old maid.
01:13:01Boss, shall I cut him down to size?
01:13:03I beg your pardon?
01:13:05I happen to be the same size I always was.
01:13:08Look, I'm busy.
01:13:09All right, sir. Busy.
01:13:10I'll wait. I'll set up the board in the meantime.
01:13:13Sonny, will you give me a hand?
01:13:15Get rid of this madman!
01:13:17Are you finished what you're doing there?
01:13:19You got a light, Plato?
01:13:29Hold it!
01:13:41Good work, Jimmy.
01:13:51That's that.
01:13:54Look, Plato, do you want the Marchese to escape?
01:13:57If he gets to his boat before we do, we'll never see the plates again.
01:14:01Get dressed and follow me.
01:14:04What's going on?
01:14:05What's going on?
01:14:10Deploy 40 men as fast as possible along the beach.
01:14:14Refuel the motorboat and wait for the signal to attack.
01:14:17That's all.
01:14:26Senor Plato will need every man you've got.
01:14:29I wish I could do something for him, but I can't.
01:14:32Why not?
01:14:33The information we just received indicates that the Marchese
01:14:36has summoned his entire bodyguard to cover the coast.
01:14:39You should send for reinforcements, shouldn't you?
01:14:42I already have, but there may not be time for them to arrive from Lisbon.
01:14:49Dodo, come as fast as you can. Hurry.
01:14:54Surely you know Plato needs help.
01:14:56I must wait till reinforcements have arrived.
01:14:59Jimmy.
01:15:01Yes?
01:15:03Wait, don't you think there's too many of them for you?
01:15:06I'll let Dodo take half the gang. I can manage the others.
01:15:09If there are any left over, you're welcome to them.
01:15:28No!
01:15:58No!
01:16:28Just me and you now.
01:16:30I hope not.
01:16:32You're mistaken, aren't you? You'd better look again, senor.
01:16:59Give yourself up, senor Plato. You don't have a chance.
01:17:05This time that computerized beetle won't be able to help you.
01:17:09Did you hear that, Dodo?
01:17:11Let's show them everything we know from A to Z.
01:17:28Dodo.
01:17:48Dodo, all stations on offensive alert.
01:17:58Let's give them A for Annabelle.
01:18:04A for Annabelle.
01:18:17Senor, if you want the beetle to do a job for you, ask for it alphabetically.
01:18:21Alphabetically?
01:18:27What starts with C?
01:18:29C, cook.
01:18:32No, not with S, with C.
01:18:38Cook.
01:18:44Liquidate them.
01:18:45What am I paying you for? Will you tell me that?
01:18:53D for dope.
01:19:01Rat heads.
01:19:08Goons.
01:19:17No good.
01:19:18You're worse than a pee-pee tom.
01:19:23Hey, are you trying to blind me?
01:19:28It's not funny.
01:19:29You stand there giggling like some idiotic bird brain.
01:19:36You go too far.
01:19:39Stupid.
01:19:49Goon.
01:19:52Goon.
01:19:56Freak.
01:19:59You old queen.
01:20:03Well, look who's talking.
01:20:12Plato, where are we?
01:20:14W, walrus.
01:20:22Bull.
01:20:27I'll teach you to steal.
01:20:31They're hard to get.
01:20:35Touch it, Plato. That's more than we're getting paid for.
01:20:37I'll tell him.
01:20:43Well, the bull fight's over.
01:20:44Now that we ran out of bulls.
01:20:48Dodo, relax.
01:20:53Relaxation is for model T's.
01:21:04Silver, take the plates.
01:21:06Marques, I don't know what they're for.
01:21:08Keep them safe till I come back.
01:21:16Which one of you is Plato?
01:21:19He's Plato.
01:21:23I see you've had some trouble with these ruffians.
01:21:25Should I arrest them?
01:21:26No, no. Actually, I prefer you to arrest the man responsible for the counterfeiting of dollar bills before he gets away with the plates.
01:21:33Excuse me, inspector.
01:21:34May I?
01:21:38And where is this man?
01:21:41He's right over there, but you'll have to run to catch him.
01:21:44You can't prove he's a counterfeiter without plates, and neither can I arrest him.
01:21:48That's why I wonder sometimes why I gave up my profession as a school teacher.
01:21:53You refuse to arrest him?
01:21:55Not just on your accusation.
01:21:56Can't you see he's escaping?
01:21:58So what?
01:22:10Get out!
01:22:12There's got to be a way of helping him.
01:22:14Dodo's better at that than we are.
01:22:17Dodo, we need help now.
01:22:19Come as fast as you can.
01:22:21Engine, switch over to automatic pilot.
01:22:24Step on it.
01:22:26Have you seen anything of Maggie?
01:22:27She went off to town to phone someone.
01:22:30To phone someone? You mean general service?
01:22:32No, I think it was a priest.
01:22:34What priest? Why should she talk to a priest?
01:22:36She probably needs a priest to marry her.
01:22:40Maybe she thinks it's about time.
01:22:42It's about time you learned to mind your own business.
01:23:07Just mind your own business.
01:23:13Psst. Psst.
01:23:15Hey, senorita.
01:23:19Who are you?
01:23:20Silva, look at this plate.
01:23:22Do you know how much money it's worth?
01:23:24$20,000.
01:23:25If you're smart, you'll give it to me before the police discover it.
01:23:28What will they give me for the plates?
01:23:30No more than 10 years.
01:23:32Ah.
01:23:41Dodo, you're skimming right over the water.
01:23:44It won't be too hard. Stop.
01:24:02Ahem.
01:24:33Dodo, come here, will you?
01:24:48Dodo, come here.
01:24:49Easy does it now.
01:24:51Slowly. Watch it.
01:24:53You'll lose the baggage if you're not careful.
01:24:56Here I come.
01:24:59Ready?
01:25:00Ready?
01:25:05Stop, Dodo.
01:25:07Let me in.
01:25:09Hey, pull over, will you?
01:25:11You idiot.
01:25:12I beg your pardon.
01:25:14Will you stop?
01:25:15Wait. Just wait.
01:25:16I'm going to rip your computer out.
01:25:18You'll see.
01:25:25Plato. Plato.
01:25:27You've got my hood there.
01:25:29Stop.
01:25:34Thank goodness.
01:25:35I questioned Jimmy about marrying you.
01:25:37And what did he say?
01:25:39He doesn't sound very convinced yet.
01:25:41That phony.
01:25:43He swore in his word of honor that we'd get married.
01:25:47There.
01:25:50Hey, Plato.
01:25:51Did you get the plates from the Marquesa?
01:25:53He hasn't got the plates.
01:25:55Without proof that he's a counterfeiter, he'll go free.
01:25:58Think of the time you wasted.
01:26:00That's what I'm afraid of.
01:26:03Listen, Plato.
01:26:04Would you explain to Maggie that I want to...
01:26:06I've got to follow a lead, and so...
01:26:09What you really want to do is skip out.
01:26:11No, not really.
01:26:13I plan ahead for the Bahamas because...
01:26:15I've heard they've discovered a lot of gold,
01:26:17so I thought I'd take my chances, you know.
01:26:20And how long do you expect to be away?
01:26:23A few weeks. Just two or three.
01:26:26The Bahamas, eh?
01:26:28The FBSCN has recently heard rumors of a new counterfeit ring there.
01:26:34Let's see now.
01:26:35Aren't the Bahamas in that direction?
01:26:37Yeah.
01:26:41Let's go then.
01:26:44What do we do with your prisoner?
01:26:46We'll set him adrift. The boat's almost out of gas.
01:26:50Look, they're leaving the harbor.
01:26:56Oh, what a coward.
01:26:57Not only does he run out on you,
01:26:59but he talks his friends into going along with him.
01:27:02But he needs his belt to control that car,
01:27:04and we've got it here.
01:27:06Hmph.
01:27:07I'll teach him a lesson.
01:27:09How?
01:27:10The dawn thing works for him,
01:27:12so it's bound to work for me as well.
01:27:14After all, I'm the one who designed it.
01:27:20Listen, Dodo.
01:27:22You've got to come with me.
01:27:24You've got to come back.
01:27:26Return to the shore.
01:27:28Come in for a landing.
01:27:36Do you know where we're headed for sure?
01:27:38The steering wheel's jammed.
01:27:42Just a second.
01:27:44Where's my belt?
01:27:45Do you mean you left without it?
01:27:50Damn that computer.
01:27:51Now what do we do?
01:27:54Look out, Dodo.
01:27:55Thieves.
01:27:57What? What's...
01:27:59Hey, what's going on?
01:28:01It's out of control.
01:28:04Stop it somehow.
01:28:05What do you want me to do?
01:28:07Step on the brakes.
01:28:08Look out.
01:28:09We're going to hit the rocks.
01:28:15There's nobody around.
01:28:16Go on.
01:28:17No one's going to pick us up here.
01:28:18There's no one but a couple of thieves.
01:28:20Come on.
01:28:21There's nobody around.
01:28:22Go on.
01:28:23No one's going to pick us up here.
01:28:24There's no one but a couple of sharks.
01:28:25And they usually eat hitchhikers.
01:28:27Very funny.
01:28:31There's a storm coming.
01:28:33Damn right there is.
01:28:35We like it in my hands a lot more.
01:28:37Hey, my hand.
01:28:38Hey, will you come back here?
01:28:42It's a storm.
01:28:43A tornado.
01:28:44It's a regular hurricane.
01:28:46Come on, do something.
01:28:47Get us off this.
01:28:48It's going out of control.
01:28:52My hand.
01:28:59The seat's busted.
01:29:00I can't sit up.
01:29:01Forget it.
01:29:02There's nothing you can do about it.
01:29:04Just sit back and enjoy it.
01:29:12Help.
01:29:21Help.
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