Claude François: Entrevue très belle de Bernard Estardy
- 17 years ago
With touching commentary, Bernard EstArdy somehow managed to find many positive things to say, and perhaps He knew more than He could say when He suggested that Claude could only get worse.
CLAUDE FRANÇOIS: posthumously is brilliant, undoubtedly!
The son of an Italian mother and a French father, Claude François was born in Egypt, where his/her father, Aimé Francois, worked as controller of the family.
Ambitious Claude moved where there were occasions to rock in France in order to do it there, like, solo.
Trying to draw benefit from the American dance “torsion”, Claude François recorded the “torsion of Nabout” which resembled failure.
“made like (girls of the girls of the aka girls…. girls of the girls of Phil Everly), have beautiful right “beautiful one” rocked in vain to the top and sold almost two million copies during the first night.
The career of Claude François continued another French adaptation of an American song. This time, recording “if I had a French hammer” like “silicon hammer”.
He liked the rigour and the precision of and was requested to trace the hair of Elvis, slicked-back, and sequined, that the teenagers tore with exposure.
In 1964 in the motor boat at high speed, Claude François created the new original dance which evoked the idea to expose the female dancers fascinated by the American model of execution.
A French model's romantic balls did the energetic work in return to eight musicians of spectacular orchestras in Switzerland.
On Saturday March 11, 1978 in Paris, on “Go Sunday”, whereas to be held on a bath-tub filled of broken bulb, its obsession documented well with incited it to test and electrocute accidentally only its public French to hold the first role.
The tomb of Claude François close to the village of Dannemois in the south of the Essonne of Paris was a place where he liked to escape his memory in front of the building where he died.
CLAUDE FRANÇOIS: posthumously is brilliant, undoubtedly!
The son of an Italian mother and a French father, Claude François was born in Egypt, where his/her father, Aimé Francois, worked as controller of the family.
Ambitious Claude moved where there were occasions to rock in France in order to do it there, like, solo.
Trying to draw benefit from the American dance “torsion”, Claude François recorded the “torsion of Nabout” which resembled failure.
“made like (girls of the girls of the aka girls…. girls of the girls of Phil Everly), have beautiful right “beautiful one” rocked in vain to the top and sold almost two million copies during the first night.
The career of Claude François continued another French adaptation of an American song. This time, recording “if I had a French hammer” like “silicon hammer”.
He liked the rigour and the precision of and was requested to trace the hair of Elvis, slicked-back, and sequined, that the teenagers tore with exposure.
In 1964 in the motor boat at high speed, Claude François created the new original dance which evoked the idea to expose the female dancers fascinated by the American model of execution.
A French model's romantic balls did the energetic work in return to eight musicians of spectacular orchestras in Switzerland.
On Saturday March 11, 1978 in Paris, on “Go Sunday”, whereas to be held on a bath-tub filled of broken bulb, its obsession documented well with incited it to test and electrocute accidentally only its public French to hold the first role.
The tomb of Claude François close to the village of Dannemois in the south of the Essonne of Paris was a place where he liked to escape his memory in front of the building where he died.